Showing 1302 items
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Moorabbin Air Museum
Document (item) - CAC Patent Agreement with Austenal Laboratories, Inc. (US) and Howe Sound Company, Secretary
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National Vietnam Veterans Museum (NVVM)
Book, Hooper, Jim, A Hundred Feet Over Hell: Flying with the Men of the 220th Recon Airplane Company over 1 Corps and the DMZ, Vietnam 1968-1969, 2009
A Hundred Feet Over Hell is the story of a handful of young pilots taking extraordinary risks to support those on the ground. Flying over Vietnam in two-seater Cessnas, they often made the difference between a soldier returning alive to his family or having the lonely sound of "Taps" played over his grave.A Hundred Feet Over Hell is the story of a handful of young pilots taking extraordinary risks to support those on the ground. Flying over Vietnam in two-seater Cessnas, they often made the difference between a soldier returning alive to his family or having the lonely sound of "Taps" played over his grave. 1961-1975 - aerial operations - american, 1961-1975 - reconnaissance operations, american, 1961-1975 - personal narratives - american, dmz, 20th recon airplane cpmpany, cessna 0-1 bird dogs -
National Vietnam Veterans Museum (NVVM)
Book, Ethell, Jeffrey,Price, Alfred, One Day In A Long War: May 10, 1972, Air War, North Vietnam (hardcover) (Copy 2)
Afterburner belching flame as it screams past Hanoi going faster that the speed of sound.Afterburner belching flame as it screams past Hanoi going faster that the speed of sound.vietnam war, 1961-1975 - aerial operations, american, hanoi -
National Vietnam Veterans Museum (NVVM)
Book, One Day In A Long War: May 10, 1972, Air War, North Vietnam (softcover) (Copy 1)
Afterburners belching flame as it screams past Hanoi going faster that the speed of sound.Afterburners belching flame as it screams past Hanoi going faster that the speed of sound.vietnam war, 1961-1975 - aerial operations, american, hanoi -
National Vietnam Veterans Museum (NVVM)
Book, Pigot, John, Leather Bred Heroes: The Vietnam Veteran's Motorcycle Club (Copy 1)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.vietnam veterans' motorcycle club, vietnamese conflict, 1961-1975 - veterans - australia -
National Vietnam Veterans Museum (NVVM)
Book, Pigot, John, Leather Bred Heroes: The Vietnam Veterans' Motorcycle Club (Copy 2)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community. vietnam veterans' motorcycle club, vietnamese conflict, 1961-1975 - veterans - australia -
National Vietnam Veterans Museum (NVVM)
Book, Cairns, Jim, Silence Kills: Events Leading up to the Vietnam Moratorium on 8 May (Copy 2)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.vietnam war, 1961-1975, demonstrations - australia -
Bendigo Art Gallery
Sculpture, Callum MORTON, Monument # 8 - Pile # 2, 2006
sculpture, contemporary art, australian artist, sound scape -
Victorian Aboriginal Corporation for Languages
Book, Susan Robertson, The bell sounds pleasantly : Ebenezer Mission Station, 1992
The story of the impact of colonisation on Wimmera and district Aborigines, and of their relationships with the Moravian missionaries.B&w illustrations, b&w photographs -
Creswick Campus Historical Collection - University of Melbourne
Film - K.J.Simpfendorfer's films on China and Nepal - some with sound, Forestry films on China and Nepal, 1978-83
10 Film reels (Nepal and China) in box together with a number of slides.Film reels -
Ballarat Base Hospital Trained Nurses League
Down Sound Box
Tests for Malingering and Deafness.down, sound box -
Melbourne Athenaeum Archives
Theatre Program, Cass & Clothier (Printers), Chang (film) : A Drama of the Wilderness screened at the Athenaeum Theatre in 1928, 28/01/1928
The last silent film to be shown at the Athenaeum Theatre presented by E J Carroll. The theatre was managed by Frank Talbot Pty Ltd during his long lease of the theatre following his major renovations when Henry White the architect built an intimate theatre inside the old Athenaeum Hall. In addition to musical accompaniment for the film, the orchestra, and sometimes singers entertained audiences before the films commenced and during interval. Filmed on location in the jungles of Siam (Thailand). Programs, printed for early films at the Athenaeum Theatre provided the full program for the audience in the centre pages and gave background information about the story and the actors. Chang was the last silent film to be shown at the Athenaeum Theatre before the Jazz Singer changed cinema going for ever with the introduction of both vocal and musical sound. No longer was the cinema orchestra required to provide atmosphere thus changing the cinema experience forever.Paper program of 20 pages presenting the Paramount Picture "Chang". The program Includes articles about the film, advertisements, movie stills, movie review, cast and illustrations. athenaeum theatre, program, programme, silent film, chang, frank talbot pty ltd, e j carroll, paramount pictures, athenaeum operatic orchestra, mr bobbie pearce -
Koorie Heritage Trust
Book, Warby, Michael, Past wrongs, future rights : anti-discrimination, Native Title and Aboriginal and Torres Strait Islander policy, 1975-1997, 1997
The central thesis of this book is that the major failing of native title, as communal, inalienable and partial title, is that is does not represent a sound instrument for significantly improving the conditions and prospects of Aboriginal and Torres Strait Islander Australians. The costs involved to the Australian community are not balanced by commensurate benefits to indigenous Australians.i-iv; 167 P.; index; bib.; footnotes; 21 cm.The central thesis of this book is that the major failing of native title, as communal, inalienable and partial title, is that is does not represent a sound instrument for significantly improving the conditions and prospects of Aboriginal and Torres Strait Islander Australians. The costs involved to the Australian community are not balanced by commensurate benefits to indigenous Australians.land tenure -- law and legislation -- australia. | aboriginal australians -- land tenure. | torres strait islanders -- land tenure. | aboriginal australians -- social conditions. | aboriginal australians -- economic conditions. | torres strait islanders -- social conditions. | torres strait islanders -- economic conditions. -
Koorie Heritage Trust
Book, Robertson, Susan, The bell sounds pleasantly : Ebenezer Mission Station, 1992
Written with a bias towards one view.85 p. : ill. ; 22 cm.Written with a bias towards one view.ebenezer mission station (vic.) | missions -- victoria -- antwerp. | aboriginal australians -- missions -- victoria -- antwerp. | moravian church -- missions -- victoria -- antwerp. -
Koorie Heritage Trust
Book, Blake, Barry J, Australian Aboriginal Languages : a general introduction, 1991
Non-technical introduction covering phonology, grammar, vocabulary, sociolinguistics, language relationships pidgin and Aboriginal English, loan words in English, wordlists in Tiwi, Malak-Malak, Alyawarre, Walmajarri, Nyungar, Pitjantjatjara, Wemba-Wemba, Dharawal, Bidyara, Pitta-Pitta, Kalkatungu and Mayi-Yabi. In 1788 Australia had more than 200 such languages -- as different from each other as English is from French. Today, more than 100 are extinct and many of the rest are under threat.Professor Blake describes the sounds, spelling and location of the different languages, and dispels many popular myths.viii, 138 p. : ill., map. ; 21 cm.Non-technical introduction covering phonology, grammar, vocabulary, sociolinguistics, language relationships pidgin and Aboriginal English, loan words in English, wordlists in Tiwi, Malak-Malak, Alyawarre, Walmajarri, Nyungar, Pitjantjatjara, Wemba-Wemba, Dharawal, Bidyara, Pitta-Pitta, Kalkatungu and Mayi-Yabi. In 1788 Australia had more than 200 such languages -- as different from each other as English is from French. Today, more than 100 are extinct and many of the rest are under threat.Professor Blake describes the sounds, spelling and location of the different languages, and dispels many popular myths.australian languages. | aboriginal australians -- languages. | language - linguistics - phonology and phonetics | language - kriol | language - sociolinguistics - secret and special languages | language - vocabulary - human classification | language - vocabulary - word lists -
Whitehorse Historical Society Inc.
Newspaper - Article, An Auction that sounds too good to be true, 19/04/1995
Article in the Gazette advertising the sale of 5 sites in Glenburnie Road, Mitcham. This property is being sold by the Vermont Elderly Peoples Homes Society and was left to the society by the late Mrs Gladys Hauser who lived in Glenburnie Road for many years.land sales, hauser, gladys, glenburnie road, mitcham, vernal avenue, vermont elderly peoples' homes -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Ballarat Heritage Services
Photograph - Photograph - Colour, Soundshell, Gillies Street, Ballarat, 22/03/2015
The soundshell in the Ballarat Gardens was built in 1962.Colour photographs of a soundshell in Ballarat, which is an excellent example of Brutalist architecture. Built in 1962 it is situated on the Ballarat Northern Gardens. ballarat gardens, sound shell, brutalism, brutalist architecture -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Equipment - Asdic Echo Sounder
First fish finder in Australia - installed on boat 'Maasbanker' in 1968maritime technology, fisheries -
Robin Boyd Foundation
Audio - Recording, RCA Records
Suzy Boyd was Patricia and Robin's daughter.Dream a Little Dream of Me. B side: Midnight Voyage. Single 45 RPM, Catalogue Number: D 414545-01218*, small 45 paper sleeve, 1 vinyl disk. Mama Cass with the Mamas and the Papas.S. Boyd' and '$1.00' handwritten, both on one side of paper sleevelp, sound recording -
Robin Boyd Foundation
Audio - Recording, Warner Brothers- Seven Arts Records
Suzy Boyd was Patricia and Robin's daughter.Leaving on a Jet Plane. B side: The House Song. Single 45 RPM, Catalogue Number: WB 7340 MX 160607, small 45 paper sleeve, 1 vinyl disk. Peter, Paul and Mary.S. Boyd' handwritten on both sides of centre vinyl. '$1.00' handwritten on one side of paper sleevelp, sound recording -
Robin Boyd Foundation
Audio - Recording, RCA Records
Susie-Q; B side: Destiny. Single 45 RPM, Catalogue Number: 74-0358 XPKS-0620, small 45 paper sleeve, 1 vinyl disk. Jose Feliciano.lp, sound recording -
Robin Boyd Foundation
Audio - Recording, Columbia
Needle in a Haystack, B Side: I Won't Be the Same Without Her. Single 45 RPM, Catalogue Number: DO-4717, 1 vinyl 45 disk, paper sleeve. The Twilights.sp, sound recording -
Moorabbin Air Museum
Book (Item) - Radio Receiving Unit 1 Sound and Acoustics Melbourne Technical College
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Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''THE SOUND OF MUSIC''
Same as Item 11514.35program, theatre, bendigo operatic society -
Queenscliffe Maritime Museum
Instrument - Echo Roll Reader
A hand driven echo roller reader.echo sounding, hydrography -
Ballarat Tramway Museum
Audio - Vinyl Recording, Ormond Slater & Ewen Cameron, Destination City, 1969
The jacket has a stylised view of the intersection of Flinders and Swanston Streets and Flinders St railway station with W2 233 in the top right-hand corner. On the rear are extensive details of each of the 11 recording tracks featuring various trams around Melbourne. The vinyl disk itself has a blue label with the title, speed and side number. Includes recordings of trams 676, 933, 980, 233, and 662. Produced and recorded by Ormond Slater and Ewen Cameron in 1969 with the assistance of the Australasian Post and the TMSV.Demonstrates sound records and production of Vinyl records.Record - vinyl based with paper card jacket and plastic record cover - 33 1/3 rpm microgroove vinyl record, or "LP", titled "Destination City".tramways, tramcars, melbourne, sound recordings, vinyl records, w3 class, w2 class, tram 233, tram 662, tram 980, tram 933, tram 676, tmsv -
Kew Historical Society Inc
Sound Recording, Songs I Love To Sing / by Robin Kelly
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Audio recording of performances of classics by Robin Kelly including tracks recorded at the Melbourne Town Hall.robin kelly, performing arts - victoria - australia -
Kew Historical Society Inc
Sound Recording, Sing Australia Camberwell, Annual Concert 2013, 2013
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. DVD (Disk 1) of a performance by Sing Australia Camberwell including a track featuring Robin Kelly singing What a Wonderful World.robin kelly, performing arts - victoria - australia, sing australia camberwell -
Kew Historical Society Inc
Sound Recording, Sing Australia Camberwell, Annual Concert 2014, 2014
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. DVD of a performance by Sing Australia Canmberwell including a track featuring Robin Kelly singing Three Coins in the Fountain.robin kelly, performing arts - victoria - australia, sing australia camberwell