Found at 246 Stokes Street, Port Melbourne. Thomas Joseph FITZGERALD was a plumber during the 1950s and 60s. Initially working from his parents house at 12 Poolman Street, he moved to 77 Ross Street after his marriage to Dorothy Joyce STONE in 1952.Invoice of T J FITZGERALD, Plumber, 12 Poolman Street, to Mrs STANFORD at 246 Stokes Street, for various repairs, 1950.business and traders - plumbers, thomas joseph fitzgerald, mrs stanford

2017 was a busy year for building and redevelopment at Galen Catholic College. This sequence of photos shows the progressive construction of the Galen Resource Centre, which housed the new Galen Library and the IT Assistance Hub. The new Galen Library replaced the original library building that was constructed in 1972 and enlarged in 1994.galen catholic college, galen college, galen resource centre, liibrary, it office, school buildings, school grounds & buildings, 2017

This work examines windowalls and Stegbar Windowalls in Robin Boyd's architectural practice. The first windowalls were designed by Robin Boyd in the late 1930s. The Stegbar window was launched in 1953. This work was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design Masters Student.walsh st library

Discusses the Estate of Nareeb, Kooyong Rd; 1888. The National Trust is disinterested, land denuded and house demolished, and there is needless destruction of natural and historic relics for redevelopment, particular destruction of trees exclusive to Australia. Boyd says it shows no consideration for future residents; innocence and undemanding passivity of consumers.Original manuscript of an article published as 'The Rape of Nareeb' in The Australian in 06.03.1965.Typewritten, quarto, 6 pagesnareeb, kooyong rd; national trust; destruction of natural historical environment; redevelopment, robin boyd, manuscript

A summary of the tension and treatment between those who support or are against the Sydney Opera House. Names of international architects who were in support of Utzon were mentioned. Highlights the 'tall poppy syndrome' among the conservative architects and politicians, as well as accusations towards RAIA for not supporting Utzon.Typewritten, pencil edits, foolscap, 2 pagesPencil editsjorn utzon, sydney opera house, sydney opera house project, paul rudolph, sigfried giedion, louis kahn, raia, neville gruzman, robin boyd, manuscript

This is a facsimile copy, produced by Masters of Architecture Students at the Melbourne School of Design University of Melbourne, 2017. The original magazine was exhibited on the coffee table in the 'House of Tomorrow' designed by Robin Boyd for the Modern Home Exhibition 20 October to 1 November 1949, the Royal Exhibition Building in Melbourne.new yorker, walsh st library

This booklet is used as a template for the Honor Roll book on display at Legacy House, refer to item 00312. It contains a copy of 'In Flanders Field', with an explanation of symbolism of The Torch and The Spirit of Legacy. The Honour Roll is a record, made in honour of deceased Legatees, who have given service to the cause of Legacy. Significant in that this template is used for the Honor Roll books of deceased Legatees.Booklet of white cardboard and white pages with black type and Legacy logo printed in black.Front cover, HONOR ROLL Page 1, Poem. "In Flanders Fields" Page 2, Poem. "The Torch"; Legacy logo by Col. John McCrae. KIA Flanders 1916. (The Badge of Legacy) LEGACY CLUB Page 2, "The Spirit of Legacy" MELBOURNEhonour roll, legatees

This agreement between the Association for the Blind and Trustees (namely Dudley William Fielding Lucas, Howard Murray Lightfoot and George F. Henning) lays out the terms and conditions surrounding the Association's access and usage of the Kooyong recreation grounds and club-house. The agreement is undated except for the year, and unsigned.3 typed pages of legal agreementassociation for the blind, h.m. lightfoot, george henning, dudley lucas, kooyong club house

Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.Portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it.female artists, female artist, agnes goodsir, women artist, female portrait, portrait painting, portrait, cherry

Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad

Photograph shows a cable tram or cable train, consisting of a grip car or dummy along with a bogie trailer (No. 473) outside the Brunswick cable tram or car house with seven gripmen or conductors and possibly a manager around the grip car. The grip car has the destination of Royal Park. Yields information about the Brunswick cable line and the Brunswick Depot. Black and White Cable tram Brunswick Depot Sydney Road reproduced from a Newspaper.sydney road, trams, tramways, cable trams, brunswick depot, crews, grip men, conductors, tram 473

This sheet denotes an auction of land which is situated close to Albert Park on the northern part of Warrnambool. The area is complete now with homes which are a mixture of brick and concrete faced houses. The agent W H Philpott was operating in Warrnambool from the 1930's though to 1950'sThis item has local interest and significance as it records the sale of Warrnambool land.Large white paper sheet with black and red text. The auction details are at the top and down the righthand side with a map of the available blocks are coloured red and outlined in black.Parkside estate, W H Philpott & Co Kepler St , R V Philpott auctioneer,Solicitors J S Tait & son. Cramer Street, Nelson Street McConnell Street.warrnambool, mcconnell street warrnambool

Photograph of 18 men at the Prahran cable tram car house or Depot, corner of Carlisle St and Chapel St with a cable tram set behind. Group consists of a number of conductors, gripmen and staff members. Photo dated to be 1914 with gripman William Baker Strong identified in the photo.Yields information about the tram crews at the Prahran car house in 1914 and W B Strong.Print of a copy of a black and white photograph on AGFA paper."W B Strong six from left rear 1914" in ink on lower edge of print.cable trams, prahran, prahran car house, group photos, mtoco, crews, tram crews, grip men, conductors

Photograph shows a cable tram set, trailer No. 559 at the West Melbourne terminus in Abbotsford St at Queensberry St, opposite the engine house. The trailer has the destination of "West Melb". The crew are standing by the grip in MMTB Uniforms. The line closed in July 1935 (see item 1784).Yields information about the West Melbourne cable terminus and tram 559.Photograph, black and white, plain back.Has "10" in pencil on rear.trams, tramways, cable tram, west melbourne, tram 559, abbotsford st, uniforms, crews

Postcard and large Photo of two double deck horse trams, shortly after arriving at the Sandringham - Beaumaris Tramway terminus c1900, including the Sandringham House Private Hotel on the corner on the corner of Beach Road and Melrose Street. Has many well dressed people crossing the roadway.Shows a double deck horse tram on the Sandringham to Beaumaris tramway.Original postcard and reproduction print of Rose Series postcard P952 on paper.trams, tramways, horse trams, sandringham, hotels, beaumaris

Photo shows a double deck horse tram, No. 4, about to leave the terminus of the Sandringham - Black Rock - Beaumaris tramway with Sandringham House Private Hotel in the background. See item 6668 for a similar view. Given the appearance of the photo, most likely taken from a published image.Yields information the Sandringham - Black Rock - Beaumaris horse tram.Black and white photograph with a plain backtramcars, tramways, horse tram, beaumaris horse tram, beaumaris, sandringham

The certificate commemorates the official opening of the Shrine of Compassion, which houses the large statue of Kwan Yin, carved from marble in Vietnam. The statue was especially chosen by Ven. Thich Phuoc Tan and sponsored by Quang Minh temple. The Shrine of Compassion is located in the Great Stupa's Peace Park. Kwan Yin (also known as Quan Yin or Guanyin) is revered as the Goddess of Mercy in Chinese Buddhist tradition. Depicted holding a vase containing sacred water, symbolising compassion and healing, she is believed to hear the cries of the world and respond with kindness and guidance.The Great Stupa of Universal Compassion (logo); the text: "The Shrine of Compassion was officially opened by Ven. Thich Phuoc Tan June 4 2006".holy objects, buddhist art, statues

Newspaper article: A sustainable award, Diamond Valley Leader, 1 November2006, Architect and building Llewellyn Pritchard won resource Efficiency Housing Award, finalist in HIA Greensmart Building of the Year Award. House – Environmental Leader (Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p186) In 2006 environmental awareness was mushrooming in the community, which is reflected in the award-winning house at Main Road near Wattletree Road, Eltham. At first sight, the building appears a mix of a classic Eltham mud-brick house and an avant-garde building style. The crown of solar panels stretching along the width of the curved roof, indicates that this is no ordinary house. In fact it signals a new building trend of minimal impact on the environment. Yet it utilises the environment with high technical expertise to achieve comfort and cut running and maintenance costs. In recognition of this, its designer/builder, Conscious Homes, won the 2006 National HIA Greensmart Resource Efficiency Award. For Conscious Homes director, Llewellyn Pritchard, this house reflects a philosophy, strengthened by his connection with Aboriginal culture, through his foster siblings. Pritchard believes the sustainable way indigenous Australians lived and their spiritual connection with land, demonstrates how humanity is part of the ecology. His interest in environmental design stemmed from growing up in bushy Eltham Shire, with its mud-brick tradition. This was followed by studying Architecture at RMIT in the early 1980s, and learning about passive solar design. Pritchard says this house demonstrates that environmental sustainability is not about sacrifice, but about exceptional levels of occupant comfort, savings in running costs and modern fittings and appliances.1 The solar panels on the north roofs are intentionally obvious to make a statement about what the building is doing. But inside the systems are hidden and interactive with conventional services, such as the underground water tank. The house is water and energy self-sufficient and at 12 squares is much smaller than conventional houses, to minimise resources. Yet it accommodates his family of four with three bedrooms, a living/dining and kitchen area and a bathroom/laundry. Importantly the building is designed to last hundreds of years, by being able to be modified as the need arises, such as for commercial use. In this way the structure minimises its environmental impact. The solid double mud-brick walls (which are insulated) include steel beams and supporting frame, allowing the future removal or alteration of any section. The materials are local, recycled and of low toxicity where possible.2 Inside and out, the mud-brick is rendered and sealed with a combination of cement and sand and a mud-based coating in a soft golden hue increases its life. Inside, the golden-brown timber is plantation Mountain Ash and the concrete floors throughout – of local stone aggregate with a clear seal – have a natural looking random stone appearance. The house sustains a stable temperature of around 20 degrees, assisted by the concrete slab floor. The many large double-glazed windows and highlights (windows set high on walls) provide cross-flow ventilation. The north-facing living area maximises heating from the lower winter sun and is cooler in summer, because the sun is higher. Heating comes from a solar hydronic slab system. All appliances and fittings are high efficiency energy or water rated. Appliances in the timber kitchen include a gas stove and a dishwasher, using the building’s own power and water. French doors open from the living area to a deck, concealing the treatment system for all waste water. This is pumped through sub-soil drippers to the indigenous garden beds and no-dig vegetable patch. Below the carport is the 80,000-litre rainwater tank and at the back, the boiler room houses the solar boiler, water tank access, domestic water supply pump, filter gear and hydronic slab heating controls. The solar system is backed up with gas, which is needed to heat water only in winter. Gas used is less than one quarter of that for an average home with ducted heating. Excess power is fed back to the grid and the building uses about one quarter of the mains electricity of an average home. Other local builders have followed Pritchard’s lead in resource efficiency for minimal environmental impact.main road, eltham, businesses, llewellyn pritchard, hia greensmart building of the year award., efficiency housing award, conscious homes australia pty ltd

Set of three colour photographs of buildings and demolition of the former ESCo / SECV Wendouree Parade Power station sent to the Editor of Trolley Wire - used in the November 1997 issue of Trolley Wire. All photos by Alan Bradley. Photos taken during November 1993 or March 1994. All photos on AGFA paper. 1140.1 - The gate house building in Wendouree Parade - Nov. 1993 - used on page 21 of Nov. 1997 Trolley Wire. 1140.2 - Foundation stone - 23/8/1904 - of the ESCo power house. Gives names of people involved and contractors etc. - used on page 20 of Trolley Wire. Taken during November 1993. 1140.3 - Demolition work well advanced showing foundations and basement areas of power station - taken during March 1994. Used on page 25 of Trolley Wire. Hi res image of i2 added 16-12-2015. All have yellow stickers with photo number for magazine printer, and white sticky labels with photo number and words "same size" written on black ink. 1140.1 and 1140.2 have pencil cropping marks.trolley wire, esco, power station, demolition

Black and white photograph of SEC Ballarat No. 21 decorated as the Ballarat Base Hospital's Trambulance in support of the Hospital's Yuille House Remodelling Plan, $50,000 appeal. Photographed by Bob Prentice at the Mt. Pleasant terminus on 13/5/1969. Tram is painted white - based on the Myer's Christmas tram of 1968 (See Reg. Item 1881) and the 1969 Begonia Festival (See Reg. Item 1886). Tram has destination of "Mt Pleasant", a sign under the driver's windows "Give till it hurts" and under the headlight "TRAMBULANCE". On the side of the tram has various images related to the hospital, roof advertisement board "Ballarat Base Hospital $50,000 Appeal - Yuille House Remodelling Plan" and on the base of the sides "Keep with the Pace Support the Base" sign. In the background at the terminus is the Mt. Pleasant Milk Bar shop. Has part of the Robur Tea sign visible and the Women's Weekly sign.On rear in black ink "Hospital Appeal / Decorated Tram No. 21 / at Mount Pleasant terminus / Wednesday 13th May 1969 / {R H Prentice Photo}"trams, tramways, base hospital, decorated trams, mt pleasant, appeals, tram 21

Series of Black & White Photos Hill Family & Friends Post War Australia 4 in Total. Two males dressed in white trousers and shirts with dark jackets, one holds a parasol, the other two tennis racquets, gable roofed house in left background, lace work edging on the veranda, tree on nature strip, bushes and trees to right background, promenading Point Lonsdale Victoria Australia 1922. Jonah and child. Jonah wears a dark skirt and white blouse with light coloured coat, child wears full length body suit and is holding Jonah hands, garden setting. Doreen reading in garden, she wears dark clothing, sitting in a cane chair, corner of house veranda and garden in background. Herb, dressed in dark suit with white shirt and dark tie, standing on pier, moored yachts and one under full sail in background, St Kilda Pier Victoria Australia.Hilda Hill Personal Collectionaustralia, history, post war life

Red covered catalogue for a Sale by Auction at Rocklands Reservoir near Balmoral, Vic. On the 9th to 13th November, 1953 (inclusive). For sale are Diesel Alternating Sets, Concrete Mixing and Aggregate Plant, Air Compressor Plants, Stone Crushing Plants, Locomotives, Woodworking Plant, Prefabricated Residences, Corr. Iron and Timber Buildings Stores and Extensive Equipment by order of The State Rivers & Water Supply Commission, Melbourne. Pasted in the front of catalogue is a slip to write name, address and phone number on and to give to clerk when making their first purchase. A typed note loose in the front of catalogue mentions that the time for removal of houses and buildings has been increased from four weeks to three months and goods would be at purchaser's own risk after time of sale. Descriptions of some of the items for sale. Catalogue has Ground Plans of the eight different residential houses. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - rocklands reservoir, the state rivers & water supply commission, j h curnow & son pty ltd, balmoral combined women's associations, prahran telegraph printing co

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes. In 1910, the Willsmere Park Estate Dairy was lauded in the Box Hill Reporter as ‘an object lesson in dairying’. Ten years later, in 1923, it was to be sold. The first subdivision of the Estate included 77 grand allotments with frontages to Belford and Kilby Roads, Elm and Willow Groves, and Acacia Avenue. Every lot was claimed to be ‘high and dry’, and with panoramic views of Kew and East Kew. The balance of the Estate, and the largest proportion of allotments was to be subdivided and sold from 1940. This second sale included 109 lots fronting Kilby Road and Elm and Willow Groves. Annotations on the plan indicate that the more expensive lots faced Belford Road opposite the Kew Golf Links. Two of these sold for £310. Lots further to the west in Willow Grove were sold for £60 less. Many of the houses to be built on these 109 allotments after the War faced Government restrictions on building materials and the dimensions of each house due to postwar shortages.subdivision plans - east kew, willsmere park estate

Set of 5 Agfa colour slide, blue and white plastic mount, photo by Keith Caldwell Oct 1978 of trams in Bourke St. .1 - W7 1027 at Exhibition St with the Southern Cross Hotel in the background. Tram has the destination of West Preston Route 88. In the view is a sign for the "Melbourne Hotel". "1-11-78" .2 - Z44 and Z51, west bound with the new building for the State Savings Bank of Victoria in the background along with London Stores, McEwans hardware store and the Rochelle House. Route 95. .3 - Z83 as for .2 .4 - Z75 - west bound between Queen and William St. .5 - Z83 outbound at the corner of Bourke and Spring Streets and Z94 inbound turning on the curve, both route 88. Photo taken from the steps of Parliament House and has one of the ornate lamps in the view. Has the Imperial Hotel in the background, along with Hoyts the Cinema Centre, Windsor Hotel.1 - has "1-11-78" written in red ink.trams, tramways, bourke st, parliament, route 88, west preston, route 95, w7 class, z class, spring st, tram 1027, tram 44, tram 51, tram 83, tram 75, tram 94

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan 1996 by Andrew Ward In 1856, John Allee, a builder from Brighton, purchased C.A. 37 on the south-west corner of Glenhuntly and Kooyong Roads. The land comprised just over 45 acres. By 1863, Francis John Sidney Stephen, a lawyer and cousin of J. Wilberforce Stephen, owned most of lot 37. By 1866, Stephen had a built a "small mansion" named ''Burreel". It was a brick house and Stephen lived there until 1882. By 1884, Mrs Buxton of Hillside Terrace, East Melbourne, had purchased the property. Richard Buxton, a gentleman was listed as occupant and the house described as "brick, eight rooms". NAV was £300. Richard Buxton continued residency in 1887 however in 1888, George Allen, music seller, became occupant. At that time the house had thirteen rooms on twenty-three acres of land. Twelve people lived there and NAV was £920. In 1900, Daniel Luxton, stock and sharebroker and the Honourable John Taverner, M.H.A. leased the property. Fourteen people lived there. Mrs Buxton continued as owner. By 1910, ownership had passed to Mrs Mary Neate, who converted the house to a nursing home. The land had been subdivided by 1913 and sold by ''Buxtons Estate". Burreel Avenue, Baxter, Buxton and Hoddle Streets were created. "Burreel" was rated to Burreel Avenue and stood on lot 13 with frontages to Burreel Avenue and Kooyong Road of 198' and 214'. The house had ten rooms. NAV was £60. Mary Neate, a nurse, continued as owner/ operator of ''Burreel" nursing home in 1927. At that time there were sixteen rooms and fourteen residents. NAV was £100. Mrs Neat remained there until 1947. In 1948, the house was turned into apartments. In the 1980's, the Alexander family purchased it and restored it to a private residence.Burreel 331 Kooyong Road, ELSTERNWICK VIC 3185 - Property No B4950 National Trust https://vhd.heritagecouncil.vic.gov.au/places/65648 This is a large and substantially intact example of the grand villas of nineteenth century Melbourne. The bulk of the house most probably was built in 1866-1868 for Francis John Sidney Stephen, a prominent and highly regarded Melbourne solicitor and a member of an illustrious legal family. Stephen conducted a lucrative private practice and in 1845 was appointed first solicitor to the City of Melbourne; a position he held until his death in 1895. He took an active part in the development of Caulfield and was Shire President in 1874 and 1877. He was a resident at Burreel from 1868 to 1882. The house has evolved in stages, the rear wings possibly remaining from a house built during the 1850s. The existing ornate cast iron verandah was probably built between 1882 and 1888 during the residence of Richard Buckhurst Buxted, a notable boom period auctioneer and real estate agent. George Allan, the founder of Allan's music store, was another important occupier from 1888 to 1991. Bureel's essentially residential quality has been retained and the interior has been well preserved. The significance of this building does not rest in any single unusual outstanding architectural feature, or in its association with a particularly prominent member of society in the past, but rather in the consistent integrity of both the interior and exterior, which results in the survival of an outstanding example of this type of residential building and its associations with two notable citizens. Classified:11/08/1990Page 113 of photograph album with 1 photograph of Burreel in its garden.Handwritten: Bureel [top left] / 113 [bottom left]trevor hart, caulfield, caulfield north, kooyong road, thomas king, mansion, 1860's, bureel, burreel, francis john sidney stephen, city of melbourne, shire president, 1850's, verandah, nursing home, john allee, ornamented corner stones, new orleans manner, plaster rendered, mrs luxton, vincent willis, alexander family, victorian architectural style, ornate cast iron work, lawyers, brick houses, richard buxton, richard buckhurst buxton, george allen, george leavis allan, allans music, daniel luxton, john taverner, mary neate, buxtons estate, land subdivision, mary neat, gardens

"A court was established in Melton by 1864, when the first recorded case was heard before Mr BA Porter JP, with Mr A Carroll as the Clerk of Courts. John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. The court was held in the ‘long room’ of the old Melton Hotel, before moving to rented accommodation at the Raglan Hotel, and finally to the Roads Board office. Tenders for construction of the present building were called for by the Public Works Department on 13th February 1892. The architect Samuel Edward Brindley was born in Birmingham, England, in 1842. He was articled to the local architect, J.R. Botham, FRIBA, before emigrating to Victoria where he was employed as an architect in the Education Department from 18 August 1873. With the amalgamation of the architectural branch of the Education Department with the Public Works Department in 1884, Bindley was placed in charge of Victorian government building design for the North-Western District. In 1975, the Melton and District Historical Society became concerned at hearsay that the court house was to be demolished to make way for carparking space. Melton had been declared a ‘satellite city’ and was developing rapidly. A new shopping centre had recently been built at a setback of 60 feet (c.18 metre) from 323-329 High Street, and the court house, together with the adjacent weatherboard police station, had been left standing alone. A new police station was planned, and the weatherboard police station was subsequently demolished. In its nomination of the building for National Trust classification the Society argued that the Court House was ‘the best of two early buildings left in the main street’ (the other being a bluestone hotel) and that its loss would be ‘tragic’. However the nomination was unsuccessful, the National Trust at the time judging that it was of no particular ‘distinction’ or ‘antiquity’. The building continued to be used as a court house at least until 1991 when the Department of Housing and Construction (formerly the PWD) conducted a heritage study of court houses. By this time Federation-era architecture had achieved acceptance within the heritage movement. The building was recognised as being ‘the only surviving example in brick of the Federation Queen Anne style which was used for court houses only twice.’ Twenty years later when it was proposed to modify the eastern façade of the building to accommodate a café, the M&DHS was again concerned. This time the National Trust objected that the proposed extension would be an over-development of the site, and questioned the changes to the interior court room furnishings and fittings. The site never appears to have been nominated to the Victorian Heritage Register. It has since been converted into the Shire of Melton Tourist Information Centre". Opening of the Visitor Centre in Meltoncouncil, local architecture