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The Beechworth Burke Museum
Textile - Banner, c1872
This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes -
The Beechworth Burke Museum
Textile - Banner, c1872
This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.The banner has a narrow fuchsia embroidered top border, a wider embroidered panel depicting 2 dogs with embroidered Chinese text and a larger lower panel with the embroidered text “PRESENTED TO THE CHINESE OF BEECHWORTH BY THE COMMITEES OF THE PUBLIC INSTITUTIONS (missing) THAT TOWN IN COMMEMOR (missing) OF THE CARNIVAL 1873” The 2 lower panels have narrow decorative borders decorated with mirrors and extensive embroidery. There is an additional embroidered tab running along the right hand edge. The bottom edge has a wide knotted fringe. The back is lined with fabric decorated with a painted scene. Refer Attachment 1 quote ARTLAB AustPRESENTED TO THE CHINESE / OF BEECHWORTH BY THE / COMMITEES OF THE PUBLIC / INSTITUTIONS THAT / TOWN IN COMMEMOR / OF THE CARNIVAL 1873beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes -
The Beechworth Burke Museum
Textile - Banner, c1872
This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes -
Warrnambool and District Historical Society Inc.
Trophy, ICISA Grand Aggregate 1934, 1934
This cup is one of several from the 1930s that were awarded as part of inter-church indoor sporting competitions in Warrnambool. One of the sponsors of these competitions was Fletcher Jones, the well-known clothing manufacturer. He had his head office and major factory in Warrnambool. This trophy has been awarded to the grand aggregate winner of 1934, the Congregational Men’s Institute (C.M.I.), a leading church activity group for men in Warrnambool in the 1930s. A Congregational Church was opened in Liebig Street. Warrnambool in 1864 and transferred to Henna Street in 1940. This Henna Street church was sold to the Salvation Army in 1979 when the Congregational Church merged with the Methodist Church to form the Uniting Church. This trophy is of interest as a memento of the now-defunct inter-church sporting competitions held in Warrnambool in the 1930s. This is an electro-plated nickel silver cup with two side handles and a narrow stem on a silver base. The cup is mounted on a Bakelite stand. ‘Inter-Church Indoor Sports Association Cup Grand Aggregate Won by C.M.I. 1934’ congregational church warrnambool, inter-church sports competitions, warrnambool -
Warrnambool and District Historical Society Inc.
Trophy, ICISA Presidents Cup 1934, 1934
This trophy is one of several from the 1930s that were awarded as part of inter-church sporting activities organized in Warrnambool. One of the sponsors of this inter-church association was Fletcher Jones, the well-known clothing manufacturer. He had his head office and main factory in Warrnambool. This trophy was awarded to the Congregational Men’s Institute (C.M.I.) for the bowls competition. A Congregational Church was opened in Liebig Street in Warrnambool in 1864 and transferred to Henna Street in 1940. In 1979 this Henna Street church was sold to the Salvation Army when the Congregational Church merged with the Methodist Church to form the Uniting Church. The game of bowls has been popular in Warrnambool since its establishment in the town in the 1890s. This cup is of interest as it is a trophy from sporting competitions held in Warrnambool in the 1930s. This is an electro plated nickel silver cup with two side handles and a thin stem tapering down to a silver base. The cup is mounted on to a brown Bakelite stand. ‘President’s Cup I. C. I. S A. Won By C.M.I. Bowls Team 1934’ warrnambool inter-church indoor sports association, congregational church warrnambool -
Eltham District Historical Society Inc
Negative - Photograph, Hill family home, Bridge Street, Eltham, c.1892
Mrs. Henry Hill (nee Georgina Reynolds of Research), mother of Arthur Ernest Hill (1891-1961). Taken outside the old Hill family home in Bridge Street, south side between Susan and Bolton Streets. Demolished many years prior to 1965. Georgina Reynolds (1864-1927) married Henry Hill (1862-1948) in 1884. Arthur Ernest Hill was married to Edna Hill. Edna Hill donated the postcard to the Shire of Eltham in 1965, four years after her husband Arthur Ernest Hill's death. At the time she did not know the identity of the others in the photo but it is possible that it is Henery Hill and baby Arthur Ernest Hill.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Sepia postcard 8.5 x 13.5 cmOn reverse of postcard: Mrs Henry Hill (nee Georgina Reynolds of Research) Mother of Arthur Ernest Hill. Identity of others not known to Mrs A.E. Hill, who states 'photo was taken outside the old Hill residence, Bridge St, (south side between Susan St. & Bolton St.) Demolished many years ago - 26.7.65 Also stamped - Shire of Elthamsepp, shire of eltham pioneers photograph collection, eltham, georgina hill (nee reynolds), hill residence, bridge street, hill family, hill family home, houses, mrs henry hill, arthur ernest hill, henry hill -
Buda Historic Home & Garden Castlemaine
Photograph, Leviny Silver Standing Cup, c1863
The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint -
City of Ballarat Libraries
35mm Slide, Olympic Games Decorations, Post Office Building, Ballarat 1956
The first section of the Ballarat Post Office was built in 1864, the second (including the tower and offices in Lydiard St) in 1885. The original design had the arched windows on the ground floor (facing Sturt St) forming a colonnade, but these were soon filled in to provide more internal space. Here the Post Office is decorated for the 1956 Olympic Games, when the rowing and canoeing events were held on Lake Wendouree. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. post office building, olympic games, lydiard street north, sturt street, federation university, illuminations -
Sunbury Family History and Heritage Society Inc.
Photograph, 'Glenara' Homestead, 20 August 1952
"Glenara' was the home of Alistair Clark who lived at Bulla which is situated about 20 kms NW of Melbourne in the Deep Creek valley. He was born there in 1864 and lived there throughout his lifetime until his death in 1949. His father established the property during the mid-nineteenth century. Alister Clark was a rose grower and created the very popular 'Lorraine Lea 'rose along with other famous species. A rose garden has been established in the township of Bulla in his memory. He was also an active member of the Victorian Racing Club. The original photograph was published in the Melbourne 'Herald' on 20 August 1952 on page 5.Alistair Clark was a prominent rose grower and developed many rose species which were suitable for Victorian conditions. The homestead is a good example of Victorian architecture built in Victoria in the latter years of the nineteenth century. The house has a heritage listing in the City of Hume Heritage Study.A black and white photograph with a fine white frame, of a Victorian homestead with a a verandah across the front of the house. It is set in a spacious garden with garden beds, lawn and trees.clark, alistair, 'glenara' homestead, roses, bulla, deep creek -
Melton City Libraries
Photograph, Melton State School 430, 1870
Edna Barrie received this photo from Margaret nee McCoy Robinson c 1980. In 2011 the original photograph was scanned and digitised and restored by Morrie Forte. Norma ( Mothers’ Club Representative 1970) and Morrie Forte of Melton have been associated and supported the Melton State School No 430 and contributed to the 100 years celebrations. In December 2011 when viewing the enlarged restored print Mary Tolhurst identified brothers Andrew and Edward Byrns.[Burns] she is a descendent of this family. The brothers were enrolled at the Melton Common School in 1864 aged about 8 ½ and 5 years and left in 1870 and 1871. Head Teacher J H Murphy 1869-71Students in front of the bluestone buildinglocal architecture, education -
City of Greater Bendigo - Civic Collection
Ceramic - Painted souvenir plates, Bendigo Pottery, 2010
Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and the Civic Collection holds a number of important items within its collection.Two plates produced by Bendigo Pottery with hand painted designs depicting iconic Bendigo landmarks. 0408.1 Front: FCC-A JU HUI (To get together) / Bendigo 2010. Verso: Stamped Bendigo Pottery Est 1858 / Australia, signed FB (Faye Brady). 0408.2 Front: Bendigo / Australia. Verso: Stamped Bendigo pottery Est 1858city of greater bendigo tourism, bendigo pottery, faye brady artist -
The Beechworth Burke Museum
Photograph - Postcard, Circa 1920's
Circa 1920's the postcard depicts a pathway and manicured lawns leading to the Beechworth Mental Asylum administration building. The asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) that was renamed Mayday Hills Mental Asylum. The now decommissioned asylum was cinsidered one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the asylum active works was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation.This postcard is significant as it depicts the historical, architectural, technical and aesthetic significance of the Beechworth Mental Asylum's administration building to the State of Victoria.Black and white rectangular postcard printed on card.Obverse: Valentine Series No.1858/ The Asylum Beechworth Reverse: 1997.2464/ Valentines/ Real Photo Series Published by Valentine Publishing Co. Pty. Ltd/ Queen St.. Melbpostcard, beechworth, beechworth mental asylum, beechworth lunatic asylum, mayday hills, mayday hills mental asylum, administration building, beechworth mental asylum administration building -
Flagstaff Hill Maritime Museum and Village
Plaque - Insignia, Bank of Australasia, 16-10-1980
This plaque displays the Bank of Australia's Coat of Arms and is significant because is ts the symbol printed on the Bank Notes of the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The plaque with the insignia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The plaque is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Insignia of the Bank of Australasia. Cast metal coat of arms within a gold, shield-shaped border, painted gold and red, with blue, black and white details. Decals in each corner; upper left and lower right have a white sheep suspended by a blue ribbon, upper right and lower left have a 3-masted, square-rigged sailing ship with a black hull and red flags flying on each mast, sailing on waves with storm clouds in the sky. Between the emblems are gold stars.Decals; ships, sheep, starsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, currency, banknote, commerce, banking, heraldic shield, insignia, samuel hannaford -
Flagstaff Hill Maritime Museum and Village
Legal record - Deed of Settlement, Copy Deed of Settlement 2/6/1834 Bank of Australasia, 02-06-1834
This Copy of Deed of Settlement of the Bank of Australia originated from the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The Copy of Deed of Settlement of the Bank of Australasia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The Deed of Settlement is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community. Large hard covered record book, front and back covers with dark green, red and cream pebble pattern, spine and corners reinforced with black leather, edges of pages in red, green and cream pattern. Cream pages have watermarks, numbers and feint lines. the handwritten Deed begins at at page 66. Inscriptions on labels and on front end papers, and red oval stamp on front end paper. The book was made by Thomas & Co., of London. The Deed was dated 2/6/1834. The book contains a copy of the Deed of Settlement of the Bank of Australasia in London.Label on spine, handwritten "AG" with covering label "272 A" Label on front cover, in pen "Copy Deed of / Settlement 2/6/1834 / Bank of Australasia" Label on front cover, printed "THOMAS and Co. Stationers and Account Book Manufacturers, 20, CORNELL, LONDON" In pencil on front cover label "See page 66" Red oval stamp, stamped around oval "AUSTRALIA AND NEW ZEALAND BANK LIMITED - ARCHIVES -" and inside the oval in pen "AG 34" Front end paper in pencil "32/56" and [signature] and another front end paper in pencil "L 31" and in red pen "See page 66"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, currency, banknote, legal tender, commerce, banking, roberts & co., james cust, heraldic shield, insignia, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley, deed of settlement -
The Beechworth Burke Museum
Photograph - Photograph Reproduction, 1870
The photograph is a copy of the original one, with the latter been captured in 1870. The man depicted is Doctor Thomas Thomson Dick, who was the first Medical Superintendent at Mayday Hills Hospital. He was born in Scotland in 1840 and he died in East Malvern in 1919. He obtained his degree of Doctor of Medicine from Melbourne University in 1864 and, later in his career, he became Inspector-General of the mentally ill. Dr Dick promoted the hospital`s self-sufficiency by engaging patients in various forms of work, such as clothing alterations and cultivation of the farm. He also introduced monthly balls, which could be attended by patients, staff and guests, and they were later replaced by concerts. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. The need for an institution of this kind was arisen due to the increased number of people with mental disturbances (induced by the harsh living conditions on the goldfields) and the remoteness of the district from Melbourne. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients.The Hospital was originally named the “Ovens Lunatic Asylum” but, during the centenary celebrations in 1967, the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation.This photograph is historically significant as it provides information about the staff served at the Mayday Hills Hospital when it first opened. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history and adds valuable information about the changing approaches to the treatment of mental health conditions.Black and white rectangular photograph printed on paper.Obverse: (7)/ Reverse: 1997.2452/ Dr Dick/No(7) Pioneer Board/doctor thomas thomson dick, superintendent, mayday hills hospital, scotland, east malvern, doctor of medicine, melbourne university, inspector-general, clothing alterations, cultivation of the farm, self-sufficiency, balls, concerts, ovens hospital, benevolent asylum, beechworth, goldfields, kulin nation, panoramic view, mental health conditions -
Rutherglen Historical Society
Photograph - Image, 1970s
All Saints Estate is a family owned winery established in 1864 and located on the banks of the Murray River in Wahgunyah, North East Victoria. Original owners George Sutherland Smith, and John Banks, arrived from Caithness, Scotland in 1852. They were just 23 and 20 years of age. Choosing to settle in the Wahgunyah area, they used their training as engineers from the Edinburgh Railway Institute to build a bridge over the Edwards River at Deniliquin. They were also involved in the construction of several buildings in Beechworth including the Presbyterian Church, part of the Gaol and the original hospital of which the granite facade still remains today. Smith and Banks began growing vines at ‘Sunday Creek’ closer to Wahgunyah than the present All Saints Estate winery, before relocating to build the 'All Saints castle' just three miles north of Wahgunyah, in 1864. The partners took up 100 acres and proceeded with planting vines in earnest whilst also constructing pise cellars made from the estate soil. The All Saints Estate castle was based on the design of ‘The Castle of Mey’, including turrets and a tower. The castle was constructed mainly of handmade bricks that were fired in the All Saints Estate Brick Kiln (classified on the Victorian Heritage Register) on the property. However, only the battement parapets of the lower wall and a turrets were copied, not the main castle style. The Castle of Mey, most recently owned by the late Queen Mother, was where George Sutherland-Smiths’ father was a carpenter and joiner.Black and white photograph showing a view, up a road between the Elm Tree entry drive of All Saints Winery wineries, north east victoria, wine industry, all saints winery, rutherglen, wahgunyah, winemaking, castle, winery -
Rutherglen Historical Society
Image, 1970s
All Saints Estate is a family owned winery established in 1864 and located on the banks of the Murray River in Wahgunyah, North East Victoria. Original owners George Sutherland Smith, and John Banks, arrived from Caithness, Scotland in 1852. They were just 23 and 20 years of age. Choosing to settle in the Wahgunyah area, they used their training as engineers from the Edinburgh Railway Institute to build a bridge over the Edwards River at Deniliquin. They were also involved in the construction of several buildings in Beechworth including the Presbyterian Church, part of the Gaol and the original hospital of which the granite facade still remains today. Smith and Banks began growing vines at ‘Sunday Creek’ closer to Wahgunyah than the present All Saints Estate winery, before relocating to build the 'All Saints castle' just three miles north of Wahgunyah, in 1864. The partners took up 100 acres and proceeded with planting vines in earnest whilst also constructing pise cellars made from the estate soil. The All Saints Estate castle was based on the design of ‘The Castle of Mey’, including turrets and a tower. The castle was constructed mainly of handmade bricks that were fired in the All Saints Estate Brick Kiln (classified on the Victorian Heritage Register) on the property. However, only the battement parapets of the lower wall and a turrets were copied, not the main castle style. The Castle of Mey, most recently owned by the late Queen Mother, was where George Sutherland-Smiths’ father was a carpenter and joiner.Black and white photograph showing a view, up a road between the Elm Tree entry drive of All Saints Winery On back of photo: "250% [upper case D in small circle] All Saints"wineries, north east victoria, wine industry, all saints winery, rutherglen, wahgunyah, winemaking, castle, winery -
Clunes Museum
Document - BOOKS, RULES AND DOCUMENTS FOR COUNTRY FIRE AUTHORITY, COUNTRY FIRE BRIGADE BOOKS
.1 OFFICIAL FIRE BRIGADE BOOK, LIST OF MEMBERS WITH DATES OF SERVICE RECORD OF ATTENDANCE FROM 31/12/1938 TO 31/03/1944 STATEMENT OF EXPENDITURE OF MINOR SUPPLIES 1938 TO 1944 .2 RED BOOKLET COUNTRY FIRE BRIGADES BOARD REGULATIONS 1931 - 12 PAGES .3 RULES OF THE CLUNES FIRE BRIGADE, ESTABLISHED 1864 .4 BOOKLET - 25 PAGES COUNTRE FIRE AUTHORITY ACT 1944 EXTRACT FRIN TGE VUCTIRUAB GIVERNEBT GAZETTE NO 96 18/07/1945 .5 12 PAGES - POWERS AND DUTIES OF FIRE GRIGADES AND OFFICERS ETC. .6 CIRCULARCOMMITTEE 22/3/1944 .7 CIRCULAR01/112/1944 .8 LETTER FROM RURAL FIRE CONTROL COMMITTEE 22/03/1944 .9 THREE ENTRY FORMS "FORM OF ATTESTATION" .10 THREE ENTRY FORMS "FIRE UNDERWRITERS ASS. OF AUSTRALIA".1 STICKER ON THE INSIDE: : THIS BOOK IS THE PROPERTY OF THE COUNTRY FIRE BRIGADE'S BOARDclunes fire brigade, country fire brigade, rural fire control committee -
Puffing Billy Railway
Steam Engine - Tangye single cylinder vertical, Circa 1920
Used by the Malvern city council until 1969 to drive a rock crushing plant. While large horizontal steam engines predominated in major factories, small vertical steam engines like this were the workhorses of industries that had modest power requirements. This reliable little engine, made by leading UK manufacturer Tangye Bros of Birmingham Steam engines had the advantage that any fuel could be used to fire their boilers, but they were less convenient and efficient than internal combustion engines, required operators with higher skill levels, and had lower power to weight ratios. Tangye Limited was founded in 1857 in Birmingham by businessman Richard Tangye (1833-1906) and his mechanic brothers James and Joseph; brothers Edward and George joined them later. Richard was born near Redruth in Cornwall and educated at the Friends School at Sidcot, Somerset, where he became a pupil-teacher. From there he moved to Birmingham to work as a clerk for an engineering firm. In 1856 he started a hardware factor and commission agent business in Birmingham whose customers were mainly Cornish mine-owners in the Redruth district. From 1858 Tangyes concentrated on the manufacture of machinery and secured the sole right to manufacture Weston's differential pulley block (object 2003/45/1). They established their Cornwall Works in the Birmingham suburb of Smethwick in 1864 and soon developed a huge range of products. It was stated that 'there are perhaps no other works in the kingdom so largely employed upon so great a variety of specialities as the Cornwall Works of Messrs Tangye Bros.' The Tangyes attracted creative people to work for them. They wrote: 'We are in a position to offer unusual facilities to Inventors for carrying out their patents.' Info about Tangye Bros of Birmingham from Powerhouse Museum https://ma.as/207954 Donated by Malvern City Council in 1969 Of Interest : The Vertical and Horizontal Tangye engines on display are of the design that won a Gold Medallion at the Paris Industrial Exhibition of 1878.Historic - Industrial Steam Engine Equipmentsingle cylinder vertical Steam Engine made of Cast Iron, (Painted)Tangye Birmingham Builder's number 2462tangye, vertical steam engine, steam engine, puffing billy, stone crushing, george and george, malvern -
The Beechworth Burke Museum
Photograph
The old Bank of New South Wales building is located on the corner of Camp and Ford streets in Beechworth, Victoria. It was constructed between 1856 and 1857 from local honey coloured granite. It was designed by architects Robertson & Hale and is a two-storey rendered brick building and the original coat of arms is still visible. The coat of arms is distinctive and consists of a kangaroo, emu, lion, and rising sun. The rear of the building was surrounded by high granite walls for security as it was the original home for the local gold office. Beechworth Honey currently offers tourist accommodation in the Hive Apartment located in the former Bank of New South Wales Managers residence.The Bank of New South Wales building in Beechworth is significant for its location in one of Australia's most prominent goldfield towns. Of particular interest is the use of distinctive local Beechworth honey coloured granite in its construction. The building’s architecture is a simple, conservative classical style known as Renaissance Revival. It is one of the few known surviving works of the architects Robertson and Hale. The decorative composition above the main entrance and the counter in the banking chamber are of special interest.Black and white rectangular photograph printed on cardAHold bank of new south wales, bank of new south wales building, beechworth bank of new south wales, bank of nsw, beechworth 1850s, robertson and hale, architects robertson and hale, rendered brick, coat of arms, granite walls, local honey coloured granite, gold office, 1856, 1857, beechworth, beechworth honey, hive apartment, manager's residence, renaissance revival -
Warrnambool and District Historical Society Inc.
Plate, City of Warrnambool, Late 20th century
This plate would have been part of a crockery set used by the Warrnambool City Council at civic functions and receptions. It probably dates from the late 20th century. It was made by Westminster China which was a business established by Stanley Rogers and Sons Limited in Cheltenham, Melbourne in 1954. In 1977 the business was moved to Sandringham, Melbourne and by the 1990s it was mainly producing items for the hospitality sector. Warrnambool became a Municipality in 1865, a Borough in 1863, a Town in 1883 and a City in 1918. The seal and motto, ‘By These We Flourish’ were designed and drafted by John Macdonald, an original member of the Municipal Council in 1856 and the first Head Master of Warrnambool’s National School in 1850. This plate is of interest as one of a set used by the Warrnambool City Council in the late 20th century. This is a white china plate, slightly bowl-shaped, with a gold strip around the rim. The gold is partly fading. The plate has the City of Warrnambool crest in blue and yellow on one outer edge of the plate. ‘City of Warrnambool Victoria’ ‘By These We Flourish’ warrnambool city council, history of warrnambool -
Christ Church Anglican Parish of Warrnambool
Memorial window: Margaret JUKES, "Dorcas"
Margaret Jukes (nee McWilliams) married Alfred Meredith Jukes in Melbourne in 1853 and they moved to Warrnambool in 1856. She and Alfred had nine children one of whom died in infancy and four who died in young adulthood. Margaret was widowed in 1872, the year of the birth of their youngest child. A report of her funeral service in the Parish Record notes her "aged and much honored life". The hymns chosen "all were in quiet harmony with the remembrance of one whose daily life was an example and who held always a given trust in the over-ruling providence of God". It records the "peaceful closing of a well spent life".The Jukes name is associated with Jukes Street in East Warrnambool, and with the property named "Belvedere" in Ferguson Street, East Warrnambool. Alfred Meredith Jukes is one of the 204 men whose photo appears on the large framed assemblage of "Pioneers of Warrnambool"Stained glass widow depicting Dorcas, symbolical of Benevolence."This Woman Was Full Of Good Works" To the Glory of God & in memory of Margaret Jukes/ who died .. June 1915. This window is erected by her childrenjukes, christ church warrnambool, ae jukes, margaret jukes -
Eltham District Historical Society Inc
Document - Folder, O'Keefe, Richard (Charles)
Dr Richard (Charles) O'Keefe arrived in Australia on the Hastings, 17 March 1855 with his wife and family. Six and a half months later, he registered in the Medical Register of Vitoria 1 October 1855 (number 415), as a British graduate of Dublin University and a Licentiate of the Dublin Society of Apothecaries, conferred 27 April 1849. In 1856, he was on the electoral roll in the district of Evelyn as a surgeon and resident of Eltham. By the end of May 1858 he was living in Gunning NSW. Contents Email: Brett Lowe to Eltham District Historical Society, 1 December 2013, seeking information about the two years Dr O'Keefe was in Eltham.Newspaper clippings, A4 photocopies, etcrichard (charles) o'keefe, eltham doctors, dublin society of apothecaries, dublin university -
Mission to Seafarers Victoria
administrative record (item) - Book, History, W H C Darvall, The Victorian Seaman's Mission and Institutes: An Epitomised History of Matters of Interest contained herewith. Compiled by WHC Darvall, Honorary Secretary, 1905
This book has been compiled by W H C Darvall, the Honorary Secretary at the Mission,( turn of 19th- 20th C.) A chronological recording of key dates and events in relation to the workings of the Mission to Seafarers (Victorian Seamen's Mission). The book also includes a number of clippings from newspapers or journals and concludes with an invitation to attend a special meeting of the Mission to discuss a proposed amalgamation with the Victorian Branch of the London Missions to Seamen, 15 November 1905. The author Mr Darvall arrived in Australia as a migrant 1853, served as the first Town Clerk of Beechworth 1856-1870. A solicitor in Collins St 1870s onward, he died in 1906.In diligently recording "matters of interest" to the Mission, Darvall has provided us with a significant point of reference from the establishment of the Victorian Bethel Union, afloat in 1850s through to the proposed amalgamation with the Missions to Seamen finalised in 1906. Many of the events were compiled retrospectively drawing on Annual reports and minutes but many were recorded contemporaneously from the 1890s. The Chronology serves as a means of verifying events through other sources such as minute books, annual reports and so on. It also provides us with the names and functions of people who had significant roles within the Mission from its earliest days in the 1850s through to the amalgamation of 1906.Label adhered to front cover, handwritten in ink: "The Victorian Seamen's Mission/An epitomised History/of/Matters of interest connected therewith/compiled by/ W.H.G. Darvall / Honorary Secretary" Label adhered to inside cover, printed label reading: "No.....Date....18.../A & W Bruce/Manufacturing Stationers,/65 Bourke Street West,/Melbourne/in re-ordering this book it is necessary to state the no. only"minutes, clippings, proceedings, william henry charles darvall (1830-1906) -
Mission to Seafarers Victoria
Photograph - Photograph, mounted, Reverend John Ashley, D.D. - Pioneer Chaplain in the Bristol Channel
Reverend John Ashley was a key initiator of missionary services to seafarers isolated and confined to moored ships or islands with families in the Bristol Channel of the 1830s. Attention was also focussed by other individuals, groups and churches in ports and led eventually to the establishment of the Mission to seamen, London which in turn inspired establishment of similar services in other countries and ports. Rev'd Kerr-Johnson who arrived in Australia was appointed by a Bethel Union of non-conformist churches in late 1856 and delivered the first shipboard service in 1857 for the Victorian Mission to seamen. refs: 1895-1905 Epitomised history... (MtsV) and Dr Ashley's Pleasure Yacht publication MTSV collection.John Ashley portraits are rare and this is the only image of him held in the collection at the Mission to Seafarers Melbourne. See also History for full significance.Sepia toned photograph of John Ashley mounted on dark blue card. Text at the bottom section of the photograph reads "THE REV.JOHN ASHLEY, D .D. /Pioneer Chaplain in the Bristol Channel"city of bristol, seamen's mission, mission to seamen, reverend john ashley (1801-1886) -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Document - Copy of Marriage Certificate William Box 1854, 14 May 1997
This copy of the Marriage Certificate of William and Elizabeth Avis-Box was obtained by CMHS member Dennis Maynard in May 1997. William Box and Elizabeth Avis Box came to Australia with his parents George and Mary Cripps-Box and siblings in 1856 William Box with his wife Elizabeth Avis Box and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841. Caroline Box, the eldest daughter of George and Mary Cripps-Box, remained in England working as a cook until she joined the family in Australia in 1863. William Box with his wife Elizabeth Avis Box and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841 Box Cottage Museum is the reconstructed pioneer cottage that William and Elizabeth lived in 1865 until they built a new house on the land. The Certified Copy of the Marriage Entry of William Box and Elizabeth Avis at the Parish Church, Tonbridge, Kent, England on November 13th 1854 in a wood frame with glass* CERTIFIED COPY OF AN ENTRY OF MARRIAGE / crest / GIVEN AT THE GENERAL REGISTER OFFICE / Application number C009059/0 / 1854 Marriage solemnised at The Parish Church of Tonbridge in the County of Kent / 206 / November 13th / 1854 / William Box 20 Bachelor Gardener / Elizabeth Avis 19 Spinster/ ………… Signed by William Box , Elizabeth Avis with Thomas Avis and Caroline Box as the Witnesses. Issued at Tonbridge 14th May 1997 MXA 171379 box william, box elizabeth avis, moorabbin, ormond, parish of tonbridge, farmers, dairy, market gardeners, pioneers, early settlers, kent, england, certificates, box caroline, avis thomas, -
Cheese World Museum
Coathanger, prior to 1973
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This coathanger is part of the collection of items given into the care of the Cheese World Museum. Cramond and Dickson was a large department store located on the corner of Liebig and Timor Streets Warrnambool trading from 1856 to 1973.Orange varnished curved wooden coat hanger with wire hook damaged on one endBlack ink engraving -Tailors & Outfitters Cramond & Dickson Warrnambool/ Made in Germanywarrnambool, cramond & dickson, uebergang, germany, coathanger -
Glen Eira Historical Society
Article - Stephen Family
This file has five items. Printed family tree from 1733 to 1856. Printed family tree from 1770 to 1939. Hand drawn family tree specific section from Mennell page 434. Four pages of handwritten notes from rate books, and a small amount of family research included as well. Newspaper article from The Age, 17/02/1973, mentioning author Virginia Woolt relation to James Stephen family tree. Handwritten notes from RHSV pioneer register. Handwritten notes on the Stephen family. Photocopy of entry on J.W. Stephen from Australian Dictionary of Biography 1851 – 1890.stephen james wilberforce., stephen mary anne sibella., stephen hart mary, stephen hart john, stephen hart susannah., stephen hart henrietta, stephen hart katherine., stephen hart thomas, stephen hart george, stephen hart edith, avoca grove, stephen george, orrong road, glen eira road, east st. kilda, mansion, whittingham geo, stephen anne atkinson., stephen james, stephen george milner elmslic., kooyong road, glen huntly road, glenhuntly road, gladstone parade, camden town, stephen francis john sydney., bureel, buxton mrs, shoobra, stephen sir george, caulfield, st. mary’s church, helenslea, riddell mrs, stephen william ravenscroft. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - Stereographs, view-finder & photo cards, Stereographic Photos Copyright 1911
Stereo-graphs were popular 1850 - 1930 Most stereoscopic methods present two offset images separately to the left and right eye of the viewer. Stereo-graphs feature two photographs or printed images positioned side by side about two and half inches apart, one for the left eye and one for the right. When a viewer uses a stereoscope, a device for viewing stereo-graphs, these two-dimensional images are then combined in the brain to give the perception of 3D depth. The London Stereoscopic Company quickly developed technologies for mass - producing stereo-graphs; and between 1854 and 1856 the company sold over half a million stereo-graphs. Small, hand-held metal and timber steroeographic view-finder. The metal goggles are engraved with a free-flowing design. The rim of the goggles are covered in red velvet. A timber handle is attached with a metal hinge to the timber extension that has a wire frame to hold the stereo photographs. The streographic photos comprise 2 identical black and white photos mounted, side by side on brown card.Photocards 'ROSE'stereographs, stereoscopes, photographs, view-finder, wheatstone charles, london, moorabbin, melbourne, bentleigh, early settlers, market gardeners, entertainment, stereograph cards -
Bendigo Historical Society Inc.
Administrative record - Bookmaker's ledger book
The Melbourne Cup Carnival covers four days of racing and includes the Melbourne Cup, Derby Day, Oaks Day and the Champion Stakes. The four day carnival began in 1869. The first Melbourne Cup was run in 1861, and Derby day in 1856. In 1899 the winner of the Melbourne Cup was Merriwee who also won the Derby that year. At that time the Champions Stakes was called the Mackinnon Stakes, named after Lachlan Kenneth Scobie Mackinnon, a previous chairman of the Victorian Racing Club. In 1899 the race for age race was won by Mora. The Oaks is a race for 3yo fillies racing over one and a half miles in 1899 when it was won by Nitre.Large ledger book probably from Arthur Allsop. Includes the starting prices wagers of horse races in Victoria and the Commercial Bank records of deposits and withdrawals. It covers the years from 1897 to 1922. With the book there is also a handwritten letter to Arthur recording the bets of A. Connell and W.P. Bayus (?) over the Melbourne Cup carnival 1899.bookmaker's ledger, horse racing, 1899, melbourne cup carnival