Showing 1778 items
matching bages
-
Glenelg Shire Council Cultural Collection
Flag - Flag - Portland, Dorset, United Kingdom, n.d
a) Flag from Portland, Dorset, rectangular, white border top end, brass eyelets. Top quarter pale yellow, image of castle tower, other three quarters divided in half vertically, one half royal blue, the other green. Synthetic fabric. b) Clear plastic bag for (a). Maker's stamp attachedflag, portland dorset, united kingdom -
Flagstaff Hill Maritime Museum and Village
Accessory - Wallet, Daisy Welsh, 1920s
In the words of the Donor, Betty Stone, "The wallet is one of a set of two items. They were designed, hand-sewn sewn and embroidered with raffia by my mother Daisy Elvena (nee Dale) Welsh. Daisy Elvena Dale (born 27 October 1899) daughter of Ellis and Ann (nee Lees) Dale, of Latrigg, Wangoom, Warrnambool, married Raymond Welsh in 1922. A few years later – approximately 1928- Daisy made these two articles, which she used, particularly during the Depression years. The important factor concerning these bags is that they were made with hand-woven cloth cut from a pair of trousers which her grandfather, William Dale brought with him when he left the family farm Back o-'the Low situated in Saddleworth, Yorkshire, England. He arrived in Australia in 1852 and seven years later was operating a quarry on land purchased in Wangoom, Warrnambool known as The Dale Bluestone Quarries. Dale forebears in Yorkshire were first recorded as "clothiers" ( ie weavers of cloth) in the Saddleworth parish records dated 1764; following generations also continued the tradition of producing hand woven cloth as a home industry. The cloth, from which these two bags were made, is evidence of a tradition begun by the Dale family in Saddleworth, Yorkshire more than two hundred and fifty years ago. My mother, Daisy Elvena (nee Dale) Welsh (granddaughter of William Dale) always referred to the cloth, which is at least 160 years old, as a homespun hopsack.The homespun hopsack fabric for the set of bags was part of the clothing brought from England to Australia, an example of emigrant luggage. It also represents a traditional home industry of 'clothiers'. This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch.Embroidered wallet (purse), rectangular, part of a set, the other part being a shopping bag Decorated with embroidered raffia flowers. The bags were made by Daisy Welsh (nee Dale) c. 1928 from homespun "hopsack' fabric of William Dale's trousers, brought to Australia in 1852. Part of the 'Chamberlain Dale Lees Collection' flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, clithier, william dale, daisy welsh, wangoom, hopsack, saddleworth, yorkshire, wallet, purse, hand woven, handmade -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HARD WORK
Bendigo Advertiser '' The way we were'' from Thursday, March 25, 2004. Hard work: underground water proved to be a bonanza to rural holdings, as this windmill, galvanised tank and trough demonstrate. However, dry feed was still handled manually. This workman was pictured grappling with a three-bushel bag of oats in 1938. the clip is in a folder.newspaper, bendigo advertiser, the way we were -
Orbost & District Historical Society
stationery, 1930's
The Orbost area was once a large bean growing area as the fertile snowy River flats produced good quality beans. It was exported to other states of Australia. Green beans were sent to Melbourne by train and later to Sydney, either via Bombala where they were railed, or to Eden to continue the journey on fish trucks. One pound per bag was considered a good price in the early 1920's and pickers were paid one shilling and six pence. Ref: Newmerella Valley of PlentyThis stationery is significant because it was specially made for the seed bean industry which was a major industry in the Orbost district for the first half of the 20th century. .1 - 2 letterheads for Orbost Beans and Grains on white paper. .2 - a buff coloured envelope for Orbost Beans and Grains Co-Operative LtdOrbost Beans and Grains Co-operative Ltd (incorporating Gippsland Bean Cleaners)stationery correspondence orbost-beans envelope letterhead -
Upper Yarra Museum
Mallet, Wooden
A wooden Mallet could be found in most homes, and nearly all tradesmans tool box or bag, its most common use was working with wooden handled wood Chisels, because they did not damage the end of the chisel like a steel headed hammer,also they were used to fit joints of wood together as they would not damage the timber like steel hammers......Wooden mallets were also used by stone masons back to the time of the pyramids, but they were usually shaped differentlyWooden Mallet A handmade wooden mallet with a handle with a rectangular head. Carved ET on sidewood, mallet, tradesman, carpenter, cabinet maker -
Robin Boyd Foundation
Document - Script, Robin Boyd, The Flying Dogtor. Episode 18 The Visitors, 1963
The mysterious spots were caused by mosquito bites, due to the stagnant water from the flood. They had run out of medicines, bandages, everything, with no money to buy more. The Dogtor discovered a gold nugget in his bag from the mines and told nurse Sister Spaniel to take it to the bank to change it for money. Life then returned to normal at Hilltop Hospital. Then one day, a big loud silver helicopter appeared in the sky with a notice: WOOMERA RANGE. V.I.P. TOP SECRET. SPACE SURVEY. ROCKET DIVISION.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesPage 1: handwritten 'CUT' on left hand side.the flying dogtor, robin boyd, crawford productions, manuscript -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Iboriis Bone Bag, 1986-1989
´This is the bag carried by the Keeper of the Dead, in which he keeps his relics of the dead, the ritual objects of his trade and the special talisman to protect both himself and his charges from harm. He casts the Bones in regular protection ceremonies, and is sought after secretly by people who want to find out the spiritual state of their loved ones. Some think he can predict the future with unfailing accuracy, though few dare to seek him out for such a purpose.´ -Inga Hunter -
Orbost & District Historical Society
black and white photograph, early 20th century
This photograph shows Buchan marble being transported by horse and wagon to Nowa Nowa Railway Station. Lnidsay Cameron is the driver on the right. In the background is the Commercial Store of T. L. Sherrington, General Merchant, Bruthen. In the early 1900s black marble was being mined in the Bruthen district. Some was used for the Shrine of Remembrance in Melbourne and Australia House in London. 900 tonnes were shipped to London to be included in the construction of Australia House. Marble quarrying has been a significant part of the history of Buchan in East Gippsland. Its inclusion in the Shrine of Remembrance War Memorial and Australia House in London is noteworthy.A black / white photograph on a grey buff card. it is of four horse drawn wagons in front of a general store - "T L Sherrington General Merchant". There are five men standing on the trays and a man in a suit and hat holding a Gladstone bag is standing front left. a dog is lying on the ground between the wagons. The wagons are carrying large slabs of marble.on back - " Marble passing through Bruthen on way to railway"buchan-marble geology cameron-lindsay transport-rail transport-horse-drawn -
Bendigo Military Museum
Photograph - BENDIGO RSL SHOW STALL, Possibly late 1970's
Bendigo RSL Sub Branch Show Stall fund raiser. .1) Photo, the man on the left is Jack Plant, centre is unknown, man on the right is believed to be Norm Smart. .2) Photo, On the left Norm Smart, unknown, Jack Barnes, unknown. .4) Photo, the man is unknown. Refer Cat No 8129P for Jack Plant. Refer Cat No 8040 for Jack Barnes Refer Cat No 8120.2P for Norm Smart.Four photographs colour square shape re the Bendigo RSL Sub Branch. .1) Shows the RSL sign, numbers and Lucky envelopes being "10 Cents" .2) Shows 3 men behind the counter and one outside with white waist bag on. .3) Shows the prizes in racks. .4) Shows one man behind the counter."Bendigo RSL Sub Branch", "Lucky Envelope 10c"brsl, smirsl, show stall -
Warrnambool and District Historical Society Inc.
Artefact, School Satchel, Circa 1900
Satchels such as these were commonly used by young boys to carry their lunch and school items between school and home. They were used commonly in the days when much of the requirements such as slates and paper were used as class sets. They proved to be serviceable and required only the most basic of maintenace as in stitching, to be kept in good order. Being adjustable they would also serve a student for a number of years.No information is available on Henry Alexander Cain of Surrey Hills.A common item with which many people would identify.Brown leather rectanular satchel with gusset on either side . It is fastened on the front with two metal buckles and has four adjustable leather back straps attached to the bag with metal studs. These are adjustable through holes in the leather straps. Likewise the front straps can be fastened in a number of different holes. The leather has an overall snake skin pattern.Solid leather is stamped in the leather on the front. henry Alexander Cain ******Rd Surrey Hillswarrnambool, school history, boy's school bag -
Kiewa Valley Historical Society
Mathieu's Needle Holder - long
This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme. Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.In sterilised bag. Steel medical instrument used as scissors for holding needles. The handle section is very long with teeth at the end enabling that end to join. In between the two handles is a piece of steel running lengthwise and attached at the end to each handle (goes across). The scissor end is short and blunt. Used as a needle holder during operations. medical instrument. hospital instrument. mt beauty. tawonga. doctor. nurse. needle. -
Kiewa Valley Historical Society
Bag Camera, circa 1920s
This item was manufactured in a period where the cheapest containers for portable equipment was canvas. The market place for cheap cameras was still restricted to European, England and its colonies. It was well before the post World War II explosion of the Asian manufacturing juggernaut.This item shows one of the most popular avenues of not only bringing new "modern" age equipment into the Kiewa Valley but also providing the local market with actual overseas inexpensive merchandise. It was a time when the new European fashion and "new age" equipment took years to permeate into regional Australia. The world, through Australia eyes, was still a very large planet and supply of "modern" lifestyle equipment emphasised the geographic isolation of Australia. Post World War II emigrants and an increasing flow of tourists to Australia provided the contact needed by rural settlements to open up not only their social contacts but lifestyle activities.Canvas, yellow, cream in color and with a weave pattern on the external side. It has stitched brown laminated fabric boarders containing all ends and corners. A flap opening top fastened on one side by a large press stud (15mm). A brown coloured leather carry strap (adjustable and 10mm wide) fasted at either of the longitudinal ends of the bag.camera, case photography, hobby, personal equipment -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH CAPTAIN H. F.CURNOW, 1916
Black and white photograph of man in army unifrom with caption reading Captain H.F.Curnow. 22nd Battalion A.I.E.F. Killed in action August 5th 1916. Framed in a wooden frame with gold border and under glass. Pencil number bottom right corner 9041. Backing paper is a brown paper supermarket bag Millers supermarkets Foodmaster.Darce 175 Collins St Melbournephotograph, portrait, capt h.f.curnow -
Bendigo Historical Society Inc.
Ephemera - SHOWBAGS COLLECTION: ROWNTREE SHOWBAG
Rowntree showbag. The bag design is in yellow, red, blue, orange, black and white colours. On one side the words: Good show! there's nothing as nice as Crispin Rowntree, underneath a picture of the Rowntree's Crispin bar. On the other side the words: have a break, have a Kit Kat Rowntree, underneath a picture of the Kit Kat bar.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities. -
Bendigo Historical Society Inc.
Magazine - AILEEN AND JOHN ELLISON COLLECTION: CUSHIONS AND COSIES
Magazine: Cushions and cosies knitting and crochet published by Madame Weigel, series 6 price 6.5 pennies. The magazine has 20 pages. Inside the magazine 4 cuttings from newspapers another magazines all relating to knitting plus 3 cutting of brown paper with writing on them: pattern for dolly handkerchief or stocking bag.books, magazines, knitting -
Bendigo Historical Society Inc.
Photograph - COHN BROTHERS COLLECTION: BOTTLE FILLING MACHINE
Photograph. Cohn Bros. Collection. Black & white photo of a man operating a bottle filling machine. The bottles travel on a conveyor to the filling point. They travel past a large container with a gauge on the top. There are other various pipes and pieces behind the man. He is wearing a bag apron tied up with string. ML45/3 (written on the back).organization, business, cohn bros, cohn bros. collection, bottle filling machine, brewers, cordial & aerated water manufacturers -
Tatura Irrigation & Wartime Camps Museum
Leisure object - Board game - chess, Alfred Jahn, Chess Set, 1940's
used by POW's at camp 13, made by Albert Jahn, an internee.Carved wooden miniature chess set (31 pieces). 2 kings, 2 queens, 4 bishops, 4 knights, 4 rooks, 15 pawns. A khaki bag with a draw string top for storage. 15 pieces made of dark coloured wood. 16 pieces made of light coloured wood. (1 piece missing)albert jahn, chess set, miniature chess set, pow games, internment camp board games -
Uniting Church Archives - Synod of Victoria
T-shirt
New pale blue cotton T-shirts in orignal packaging. Screen printing in royal blue with Methodist Order Knights symbol and text. Slip of paper in bag regarding care instructions and packaging details. Packagaing: Sizes available on reverse. Slip of paper: "Packaging of this garment has been assisted by the SHELTERED WORKSHOP Adult Retarded Bendigo""I JOINED THE ORDER OF KNIGHTS FOR A LIFETIME OF ADVENTURE" -
Whitehorse Historical Society Inc.
Equipment - Camera
Camera owned by Robert Gardiner in the 1950s. Purchased c 1954 at Michael's camera store, cnr Elizabeth and Bourke Street, Melbourne. Used during courtship with Barbara Hegarty Gardiner - Took sporting photos, family photos and Holiday trips.Twin Lens Reflex black camera in leather case - R (Flexo) with carrying strap. Strap holding a Weston light meter in zipped soft bag. Lens hood in leather case. Lens f 1.35 focal length 7.5cm. Film size 120|Cardboard Box. Hanimex - transparency mounts. A total of 9 items .Flexophotography, cameras, camera accessories -
Whitehorse Historical Society Inc.
Souvenir - Bag, Leather bag of buttons and badges collected in World War I
Collection by Charles Honybun during W W IButtons and badges collected by Charles Honybun from German Uniforms 1916 -1918 1 Plastic/Bakelits 15 with shanks 2 Shirt Buttons 4 Trouser Buttons 1 Cap Badge 1 1o Pfenninf coin 1 2 pfenning coin all in drawstring leather pouch. A total of 25 items including the bag.uniforms, army -
Tennis Australia
Racquet, Packing cover, Circa 1976
Multi-part object of 6 identical racquets (parts are numbered from 2008.986.1 to 2008.986.6). Each racquet is: a Dunlop 'Maxply Austral' model with yellow net strings and handle wrapped in Dunlop-branded plastic packaging. Racquet in white paper factory bag. Materials: Wood, Plastic, Adhesive tape, Paint, Leather, String, Nylon, Papertennis -
Melbourne Tram Museum
Functional object - Badge, Public Transport Corporation (PTC), c1980
Badge - Manufactured - brass? with gold plate finish on the rear and sides with a green and gold glazed paint finish with the Public Transport Corporation (PTC) logo and the "The Met" name and large vertical safety retained pin or clip attached to the rear. Has the words "Senior Officer" on the lower half of the badge. Badge contained within a plastic bag.trams, tramways, the met, badges, officers, ptc, public transport corporation -
Melbourne Tram Museum
Functional object - Address Plate, Melbourne & Metropolitan Tramways Board (MMTB), 1950's?
Engraved brass address plate, with the words "Melbourne and Metropolitan Tramways Board 616 Lt. Collins St" in capital letters with the word "Melbourne" curved. Has four screw holes in the corner. Could have been used on a correspondence bag, eg for the Post Office or another Authority. Note the MMTB Head Office as at this address post 1938.trams, tramways, mmtb, head office, post office -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Federation University Historical Collection
Book, Notebooks belionging to Richard Squire with mine notes
Richard Squire was a student at Ballarat School of Mines In 1905 Richard Squire was manager of the West Berry Consols at Allendale, and developed an improved system of mine ventilation, which was supported in "The Age."He was successful in combating and remedying the gas and ventilation troubles of the Deep Mines of Creswick and Allendale Districts after all had failed. MINE MANAGERS’ ASSOCIATION. Ballarat Branch. ... Mr R. B. Squire, manager of the West Berry Consols, at Allendale, submitted a paper detailing what he had done tor the betterment of ventilation in the alluvial mines of Smeaton and Mary borough districts- Members gave Mr Squire every credit for the results that he claimed to have effected; the adoption of his ideas had testified to their value to mine-owners. It was painted out, however, that for want of a thorough debate of the subject with experienced men the author had unwittingly included some general statements that required modifying in some points and extending in others, in justice to other workers among the earlier and the present day managers of mines. It was decided to invite the author to meet a sub-committee on this subject!Little black books with handwritten notes on the mines of Richard Squire .1 1916 Deliveries, Accounts, Invoices etc. .2 1911 & 1912 Notes to pay costs, equipment etc. .3 South Berry Coy. Notes from 1909 ( 2book stuck together) .4 Leigh River Time Book ( 2book stuck together) .5 Single page of Notes .6 Notes on supplies etc. 1919 .7 Leigh River Notes Dec 1920 to March 1921 ( 2book stuck together) .8 Hut Book .9 Notebook August 8th 1927 .10 6 Books stuck together various mine notes 1912 .11 Notebooks bagged because of potential mould .12 Notebooks bagged because of potential mould richard squire, notebooks, deliveries, leigh river time book, leigh river, supplies -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: ROBERT HARPER AND COMPANY, 1900-1950
Textiles. Calico bag - ''Harpers Flaked Oatmeal'' Star brand, Trademark Registered ''My Brekfus'' 7 lbs Net. Robert Harper and Company Limited Australia. Head and shoulders drawing of a blonde haired girl surrounded by wheat.On the other side of the bag is a blue and white picture of a box of ''Silver Star Starch''. Robert Harper and Co Ltd. Slogan written on box, '' The best in the world. Won't sick to the Iron''. Robert Harper and Company (1842-1919), businessman and politician, was born in Scotland. He migrated to Melbourne with his family in August 1856. He worked for J.F.McKenzie & Co., roasting and grinding millers. In 1865 he established Robert Harper & Co., trading in tea, coffee and spices from the East Indies and later in oatmeal and flour.textiles, domestic, robert harper and co calico bag -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK HAND BAG WITH SILVER INITIALS MAB
Clothing. Owners initials prominent on outside. Rectangular in shape, fine grained black leather. The leather forms an external shape, white inside a smaller watermark, black silk pouch has a silver frame and clasp to hold the required items. This is lined with a dark cream watermark silk, and has an outer section with side pocket, containing a mirror, and a smaller inner section divided into purse-like compartments. Each swection has a silver frame and clasp. A small piece of light card -red on one side, and possibly glued as a label on the otherside is the same shape as the handbag, and has printed in capital letters ''NOTE THE POINTS''. This may or may not relate to the bag. The outer leather section is slightly tapered-wider at the bottom, forming slight peaks. The top reflects these peaks, with a 3 cm wide band of leather, shaped wider at the top. 23 cm long at top, 21 cm long at lower edge. Silver metal, upper-case lettering:M-A-B, indicate the owners initials. .7 cm high, 7cm long. Two 1 cm wide, 28 cm long handles complete this stylish bag. Mirror has bevelled edges, and is backed with the same fabric, as the bag lining.costume accessories, female, black handbag with silver initials m-a-b -
Woodend RSL
Wound Dressing, 10.07.1997
Sterile field wound dressing as issued to Australian military forces in the latter part of the 20th century.Sterile wound dressing in sealed, rectangular, olive drab fabric pouch, containing a pad with confroming badage. Small triangular shape cut from face side left to aide tearing open. Manufacturing details are printed in black text on the front and directions for use on the back. Irregular shaped black-brown stain on back.Front text - all capitalised: (Arrow symbol) To open tear here Sterile field wound dressings (Compressed for field use) (Three-pronged symbol) 6510-66-108-410 CAPO 7870026AC Multigate reorder: 30-338 Radiation sterilized (American spelling) in Sydney Australia Mulitgate (stylised logo) (symbol of Commonwealth star, a kangaroo and the southern cross) Multigate medical products pty ltd (Text printed sideways) D O M 10/07/1997 (Symbol of B in a circle) 270701 Back text - all capitalised (Printed in a rectangle outline) Directions for use 1. Retain outer bag 2. Remove dressing frm inner bag 3. Grasp bandage & pull pad open 4. Place face of pad onto wound 5. Place outer bag on the other face of pad & bandage 6. Tie or pin bandage * Do not handle wound or pad*wound dressing, medical, heraldry, personal equipment -
Kiewa Valley Historical Society
Educational Activity - Tetrominoes
Design Education - Patterns, Shapes. Tesalations. Geometry. Problem solvingMt Beauty Primary School mathematics and problem solvingCardboard box with red top cover surrounding black and beige shapes and 'Tetrominoes' / 'A game of skill for young and old'. Top cover lifts up. Inside: 2 plastic bags one with red, white and yellow plastic shapes with separate black base. Second bag: with 'Teachers Notes' leaflet and small booklet 'How to play / Tetrominois.' 1992mt beauty primary school, educational, mathematics, teaching aid -
Glenelg Shire Council Cultural Collection
Painting, Down the Street, 1977
UnknownView of a building on a country street. The building is large, and in 3 sections, two of which may be shops. The building on the corner has a verandah and balcony over the footpath, and may be a pub. Two people lean on the wall to the right of the building. One man in overalls and carrying a bag walks along the centre of the dirt road. Framed in gold painted wooden frame.Front: B Malloch '77 (lower left) (brown paint) Back: 1977 - (yellow sticker, upper right) Mer-ger Galleries, Picture Framing sticker, order no. 1057 (sticker, lower centre) "Dow...E Street" (blue pen on sticker, lower left, torn)