Fireplace tongs were used to add wood to the fireplace as well as break down the crackling wood to add more oxygen to growing flames. Of the four tools that were usually found in an upright fireplace set, tongs had the biggest design variation. Some tongs looked like medical calipers that were rounded at the bottom, while others were almost like metronomes with their rectangular shapes. https://www.lovetoknow.com/home/antiques-collectibles/vintage-antique-fireplace-tools Tongs are tools used to handle items, and generally move the item from one place to another, or turn things, like a piece of meat on a barbecue. Tongs usually have flat ends to pick up items without damaging them and to grip onto the items easily, however, some tongs have claws or toothed ends to grab more bulky and slippery items. Tongs are used mainly for handling food or hot items. Modern tongs are usually made from plastic, metal, stainless steel, or other material, depending on their purpose. Originally, tongs were probably wood sticks that eventually became metal sticks around 3000 BC to handle hot items in a fire Tongs are used to extend the hand or as a replacement handler for potentially dangerous items. Tongs usually have a sprung end so that the operator is required to squeeze the middle of the tongs to grab hold of an item, or they have a pivot which requires the user to squeeze the handles at the end to grip onto items, these being more effective at holding heavy items due to the extra force able to be applied. There are many types of tongs including barbecue tongs, salad tongs, blacksmith tongs, crucible tongs, ice cube tongs, sugar cube tongs and fire tongs. Tongs are often called ‘a pair of tongs’ and the word comes from the Old English, ‘tange’ or ‘tang’, meaning ‘that which bites’. There is evidence of Egyptians using metal rods and tong like tools to hold objects over fire, in around 1450 BC. https://tenrandomfacts.com/tongs/Fire tongs are still used with most open fires in homes.Brass fire tongs with holding clip and flat rounded handle at the end.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fireplace tools, tongs

A 'Sailors & Soldiers Christmas Fund' created by Princess Mary had overwhelming response and so it was decided to give every person 'wearing the King's uniform on Christmas Day 1914' the brass tin along with a Christmas card and a picture of the princess, and items such as pipe, lighter, tobacco, and 20 cigarettes. Non-smokers and boys received a bullet pencil and a packet of sweets. Indian troops often received sweets and spices, and nurses received chocolates. Many of the items were sent separately from the boxes because of lack of space. Not all the tins could be sent out by Christmas and so those sent in January 1915 contained a New Year card. Shortage of brass meant that many did not received their tins until summer 1916, however by January 1919 some still did not receive them. After using up the contents many service people then used the tins to store small items. The brass tin, bullet pencil, and medals belonged to Pte George Nutting of the 2nd London regiment, and regimental number 2080/230442. After World War 1 George Nutting sailed for Melbourne on June 1, 1922 aboard the S.S. Borda. He then lived at several addresses in the Sunshine/Albion area including Dawson St, 32 King Edward Ave, and 15 Kamarooka St. At one stage he was involved in a window cleaning and gardening business, and both he and his wife Janet were very good dancers. George Nutting was also involved in the Loyal Sunshine Lodge and was presented with a Past Grand's Collar in 1943. He lived at 15 Kamarooka St until he passed away on March 20th 1979 at the age of 85. The above information was sourced from http://www.kinnethmont.co.uk/1914-1918_files/xmas-box-1914.htm (accessed 1/3/2014), and from http://museumvictoria.com.au/collections/items/1329146/tin-princess-mary-s-Christmas-gift-1914 (accessed 1/3/2014), and from research work done by Eva and Marie of S&DHS.The tin and medals provide a visible historical record of the Christmas gift, and the awards that the average WW1 British service person received about 100 years ago. The bullet pencil may indicate that Pte G. Nutting was probably a non-smoker, at least around circa 1914.Brass rectangular box with an embossed and hinged lid. The lid features the profile of Princess Mary with an 'M' on each side, and the names of Britain's allies in 1914. The pencil fits into the brass bullet casing to give the appearance of a bullet. The WW1 British medals are: 1. 1914 - 1915 Star, 2. British War Medal 1914 - 1918 (Silver), 3. Allied Victory Medal.TIN: Imperium Brittanicum, Christmas 1914, Belgium, France, Servia, Japan, Russia, Montenegro. MEDALS: 2080 Pte G. Nutting 2 - Lond.R bullet pencil, g nutting, princess mary tin, christmas 1914, british ww1 medals, 1914-1915 star, allied victory medal, british war medal 1914 -1918

Published: (1933, December 15). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Published title: SHOPPING CONTINUED AMID RAIN AND STORM IN THE CITY. Published caption: Battling against the rain and wind, Christmas shoppers had an unpleasant time in Melbourne yesterday as they made their way from shop to shop; but still, they made their purchases, and with parcels and shopping bags clutched close, and with umbrellas held against the wind, they made their way to trains and trams for the homeward journey. A picture in Bourke-street yesterday. Trove article identifier: http://nla.gov.au/nla.news-article203353770 Description: Crowd of men and women in winter clothing, in the rain, carrying umbrellas, crossing at the intersection of Bourke and Swanston streets. “Xmas shopping in wind and rain. When we first saw the rain, umbrellas, long coats and fox stoles, we naturally assumed this photo was taken in mid-winter. Some months later, we noticed the photographer’s pencil “scritchings” at the slide’s edge, and the truth was revealed: mid-December Melbourne in Bourke Street!" Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project team. Research by project volunteers: Visible buildings include Leviathan Men's Clothing Store in Beaux Arts style, Melba Theatre and London Stores, together with signage for Public Benefit Footwear (later to become PBs). Leviathan was an Australian clothing brand established 1865, producing garments for sailing and watersports. Melba Theatre, opened in 1911, was a long narrow theatre of only 17 seats across. Adjacent to the Melba Theatre are a Woolworths and a Coles. The Public Bootery, a shoe shop established 1908, moved to this site 1924. Double headed decorative street lights (now called "Collins Street lights") were installed in 1929, inspired by the street lighting style of San Francisco. References: SHOPPING CONTINUED AMID RAIN AND STORM IN THE CITY. (1933, December 15). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved October 14, 2024, from http://nla.gov.au/nla.news-article203353770 Photographer notations on slide: "Xmas shopping in wind and rain Age B9".

“The greatest gathering in Australia” – The Argus, 12 November 1934 On Armistice Day, 11 November 1934, the Dedication Ceremony for the Shrine of Remembrance was held in the Domain, presided over by Prince Henry, the Duke of Gloucester. A crowd of over 300,000 people - about one third of Melbourne's population at the time - attended. Photographer notations on slide: "Multitude before Shrine at Dedication 1934 B62" Published: (1934, November 12). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Published title: ". . . . . . WE WILL REMEMBER THEM." THE MULTITUDE BEFORE THE SHRINE. Published caption: The vast concourse of people gathered yesterday on the southern side of the Shrine of Remembrance. A picture taken during the actual ceremony of Dedication by the Duke of Gloucester. In the foreground, the Duke of Gloucester can be seen at the microphone, making his speech of dedication. He is facing the assembly of returned men, who to the number of 27,500 attended the ceremony. Trove article identifier: http://nla.gov.au/nla.news-article205078252 Description: Massive crowd gathered in the southern forecourt of Melbourne's Shrine of Remembrance on 11 November 1934, for its opening dedication by the Duke of Gloucester. There were an estimated 300,000 in attendance (almost one third of Melbourne's population of 1 million). Research by project volunteer, Louise McKenzie: There were an estimated 300,000 people in attendance for the opening dedication of the Shrine of Remembrance on 11 November 1934. This was almost one third of Melbourne's population of 1 million. Age photographer Hugh Bull cleverly captured the massive crowd using two glass plate exposures. This elevated view is captured from the Shrine and takes in the eastward area with St Kilda Road trams and mansions, Kellow and Falkiner Motor Showrooms, the Toorak Synagogue and Melbourne Grammar School. The corresponding westward view can be accessed via the "Related material link" in the item record. References: WE WILL REMEMBER THEM."--THE MULTITUDE BEFORE THE SHRINE. (1934, November 12). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved October 14, 2024, from http://nla.gov.au/nla.news-article205078252Photographer notations on slide: "Multitude before Shrine at Dedication 1934 B62".shrine of remembrance, 1930-1939, ceremonies, world war 1

Published: Age (Melbourne, Vic.: 1854- ), Thursday 21 December 1933, page 11 Published title: : POULTRY FOR CHRISTMAS DINNERS Published caption: With the approach of the Festive Season, the demand for poultry of all descriptions tends to harden and good clearances of many thousands of birds have been effected at recent auctions. The above picture was taken yesterday at the sale conducted by Messrs. Parnham and Carter of Bentleigh, whose auctions are the largest in Melbourne on the basis of individual sales. The auctioneer's assistant is holding up a prime goose for the appraisement of bidders preparing for Christmas fare. Trove article identifier: http://nla.gov.au/nla.news-article203351699 Research by project volunteer, Louise McKenzie: This photo is full of action! A poultry auction is in full flight. The serious-looking auctioneer and his assistant stand on a Parnham & Carter wooden box so that the auctioneer can make eye contact with the bidding crowd. The auctioneer is wearing a waistcoat and tie and has his pencil and paper ready to record the winning bids. The assistant in overalls is holding a live white duck in each hand. Two other assistants also hold live birds. A wire cage on the ground holds a few white chickens – presumably the next auction items. The majority of the substantial crowd is male, mostly wearing Fedora hats and jackets or suits and ties. Some women are present, wearing hats and coats, and at least seven children are visible, some dressed up, others dressed more casually. The auction is taking place in a rural setting, possibly on the site where the birds are farmed. It is an informal, rather rough, grassed area next to a large shed with a high verandah. Two horse drawn vehicles are visible in the background, as well as five motorised vehicles. There are stacks of wooden boxes or crates which look as if they transport birds, and two cows are grazing by the fence. There are two telegraph poles with many lines. In the adjacent block is a very large car business comprising two large brick warehouse style buildings, plus outbuildings. The signage on one brick warehouse mentions Standard Cars. Both a man and a woman have their arms raised to bid. It is an occasion – but a serious one. We cannot be sure if these birds are for breeding or the table, but buying poultry for the Christmas meal was a tradition in Melbourne with purchasers going either to the auctions, or perhaps the Queen Victoria Market. The Argus in its article “Christmas Dinner” on 6 December 1932 advised of increased demand for turkeys and chickens ahead of a possible Christmas shortage. Part of this shortage would be because of the outbreak of Newcastle disease which resulted in a quarantine around Melbourne within which all killing must be under supervision and bear the Government brand. They believed this would result in smaller producers not bothering to get such a permit as "for many of them the poultry cheque is only pin money for their wives.” Interestingly, an article in the Sun News Pictorial of 26 January 1934 reported a strong market, and “One auctioneer stated that buyers were taking up chickens freely now for the Centenary celebrations because they would probably never be as plentiful at the present levels of prices until next season.” That same article quoted officials of the Department of Agriculture stating that "…they had received a fair number of inquiries from farmers recently on the possibilities of table poultry breeding for local and export markets. The good prices being paid for poultry were attracting interest.” In fact, on 29 December 1933, the Sun News-Pictorial had reported that for the first time, the innovation of holding poultry sales in Melbourne between the Christmas and New Year holidays had been trialled the day before, and had proved successful. The Bentleigh area had a long history of poultry farming. The Seal of the Municipality of Moorabbin has a cockerel featured in the top right quadrant, and according to its local history website, “Writers in the local press gave advice on breeding, feeding, marketing and other matters of concern to anyone keeping fowls. In 1914 poultry farms were spread from Ormond, through Cheltenham and Mentone to Mordialloc.” The Encyclopedia of Melbourne online advises that the Shire of Moorabbin once covered an extensive area of the south-eastern suburbs, land where the Boon wurrung people had hunted, fished and collected water from the natural springs near Beaumaris and Cheltenham. The Boon wurrung reputedly called this district Mooroobin, a name that Richard and John King adapted to Moorabbin for the cattle run they established in the mid-1840s. The sandy soil of much of the district proved suitable for market gardening which flourished in Moorabbin from the 1850s. Some districts, such as Highett, remained largely devoted to cattle, while fishing was a major activity in the coastal villages. Moorabbin's population remained tiny throughout the 19th and much of the early 20th century with less than 1000 ratepayers in the shire. When the more popular coastal resort areas of the shire seceded after World War I, Moorabbin was left as an under-serviced, still largely rural area. It was not until the 1930s that the population rose above 20,000. By the late 1930s poultry farming had been added to market gardening as a local industry. But northern sections of the city, such as Bentleigh and McKinnon, were beginning to develop as residential areas. The local council took steps to attract industry and new residents to the city by erecting reputedly the largest neon sign in Melbourne at the time on the Point Nepean Road (later Nepean Highway), pointing out that plentiful residential and industrial land was available. The era of gardeners’ picnics, the formation of the Market Gardeners’ & Fruit Growers’ Association, and the Moorabbin Horticultural, Poultry & Dog Society Spring Shows was over. References: POULTRY SALES HELD (1933, December 29). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 20. Retrieved July 30, 2024, from http://nla.gov.au/nla.news-article276124760 MUCH INTEREST IN POULTRY (1934, January 26). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 30. Retrieved July 30, 2024, from http://nla.gov.au/nla.news-article277292695 Christmas Dinner. (1932, December 6). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved July 30, 2024, from http://nla.gov.au/nla.news-article4512606 'Moorabin', eMelbourne, https://www.emelbourne.net.au/biogs/EM01004b.htm 'City of Glen Eira Thematic Environmental History [Refresh] 2020', prepared for The City of Glen Eira by Built Heritage P/L, https://www.gleneira.vic.gov.au/media/7583/glen-eira-c214glen-city-of-glen-eira-thematic-environmentla-history-refresh-2020.pdf Photographer notations on slide: "Poultry for Christmas Dinners Age 21-12-33 B9".christmas, poultry

The Kromskop (pronounced Chromescope) is one of the earliest commercial applications of colour photography, and was invented by Frederic Eugene Ives and announced around 1896, it is described in his English patent of 1895 and in a US patent of 1894. It was shown at a Camera Club in Britain in January 1896 and at the February Royal Photographic Society meeting, and was available for sale from early 1897. The Photochromoscope Syndicate was formed in 1896 or 97 to promote the viewer in Britain, and wound up in 1899. It was manufactured in south London.A monocular instrument used to reproduce colours, in a mahogany box The viewer combines stereo images from three-colour separation transparencies called Kromograms, these are viewed through red, green and blue filters. A Kromogram comprises three monochrome transparencies printed from three-colour separation negatives which are taped together. The order being red image, blue image, green image with a label and caption between the red and blue images. The red image lies horizontally on the top step of the viewer above a red filter, the blue image lies on the lower step above a blue filter, the green image stands vertically at the back of the viewer. The red and blue images are reflected into the eyepieces by transparent mirrors, these are coloured to absorb the light that they reflect to prevent a double image from the rear surface of the mirror, the mirror for the red image is coloured cyan/blue, that used for the blue filter is coloured green (the patent indicates a yellow filter). The green image is illuminated by a yellow reflector. As the mirror below the blue image is green there is no need for a green filter immediately in front of the green image. The viewer can be used in daylight, for some conditions a diffuser is used, this is hinged to the yellow reflector and laid across the steps. An artificial light was also available. The mirrors and image positions can be adjusted in the event that they become misaligned. (http://www.earlyphotography.co.uk/site/entry_V80.html, accessed 08 April 2022) The Junior Kromskop was a mono viewer Kromskop. henry sutton, photochromoscope syndicate, f.e. ives, camera club, photography, colour photography, kromskop, frederic eugene ives, junior kromskop, photographic equipment, camera

Its manufacture demonstrates from an industrial aspect a period of history following the occupation of Japan by the USA after the second world war and has a strong association with this event.Insulator - known as an egg type - ceramic - fired clay (porcelain) finished with a brown colour with two holes for span wire with the holes offset to each other. Marked in a very light almost clear finish on one side "Made in Occupied Japan" See item 8534 for another example - a larger size. https://www.gotheborg.com/glossary/occupiedjapan.shtml - accessed 15/4/20201 gives some background: "For the period from the end of World War II in 1945 through April 28, 1952, the United States and its Allies occupied Japan. The Occupation involved approximately 130,000 Americans (both military and civilian) and about 35,000 British Troops based in Japan. SCAP (Supreme Commander for the Allied Powers), led by General MacArthur, wrote a new constitution for Japan. As Japan needed to rebuild their economy after the war, part of the agreement to allow them to export goods out of their country was that they had to mark 50% of all items with "Occupied Japan" or "Made in Occupied Japan." This could be done with a paper label, cloth label (as on scarves, doilies, clothing), engraved, handwritten or stamped. Thus, you may come across things, such as a salt and pepper set, where only one of the pair is marked OJ and the other will just have "Japan" on it. The tags, labels, marks were placed on the items in Japan, before they were exported to other countries. "trams, tramways, overhead, trolley wire, insulation, electrical equipment

Set of four Agfa Colour slides, cardboard mounts, by Keith Caldwell dated 16 March 1962 of: .1 - W6 981, Route 90? Northcote Dundas St? and 1031 - City route 97 turning the corner at Bourke and Spring Streets, photographed from the steps of Parliament House. Notes the new building for the Windsor Hotel, Southern Cross Hotel and signs for The Society cafe, Salvation Army City Temple, Tye's ?, Metro Theatre and Molinans Imperial Hotel. Photo dated 16/3/1962. .2 - W7 1007, east bound in Bourke St, c1963, with destination of East Preston Route 88. Has adverts for Ilford and Twisties. Photo not dated, but post August 1962 - the Southern Cross Hotel opened during August 1962 (from https://en.wikipedia.org/wiki/Southern_Cross_Hotel - accessed 12/9/2019). In the background are signs for The Melbourne Hotel and the Salvation Army city temple. .3 - W6 992 at the intersection with Bourke and Swanston St, showing East Brunswick (should be City), route 96. Has the Myers, Wittners and Broadmans in the view. Also signs for Foys and Hiltons. Slide dated March 62 .4 - W6 1000 descending the Bourke St Hill to Swanston St, showing City Spencer St, route 97. In the background is a car parking building, Prudential building and a store "Canvas goods". Slide dated 13/3/1962In ink: .1 - "Bourke St 16-3-62" .2 - no date .3 - "Bourke Swast Mar 62" .4 - "Bourke 13.3.62 am"trams, tramways, bourke st, swanston st, route 97, northcote - dundas st, route 88, w6 class, w7 class, tram 981, tram 1031, tram 1000, tram 1007, tram 992

Captain Stewart Murray HANSEN, (Service no:1000) was born in Williamstown, Victoria on 7 February, 1892, the eldest of four children of Agnes Campbell (nee Stewart) and John George Leighton Hansen of 72 Pascoe Street, Williamstown. He attended Williamstown Primary School then Melbourne University High School and the Workingmen's College. He enlisted in the AIF on the 1st October 1914, aged 22 years and 7 months. He began life in the army as a Private, was promoted to Sergeant on his voyage to the Middle East, was appointed a Second Lieutenant on 27 May, 1915, a Lieutenant on 20 January, 1916 and a Captain and Company Commander C. Company, 14th Battalion, 4th Brigade AIF, on 1 March, 1916. He was amongst the troops of the 14th Battalion fighting at Gallipoli from the second day of landing on 26 April, 1915. In his letter home dated 13 June, 1915, he described watching the landing on 25 April and the “terrific naval bombardment”. At the start of June, 1916, Captain Hansen departed Alexandria along with the rest of the 14th Battalion and headed to join the fighting in France, arriving in Marseilles on 8 June, 1916. Whilst serving in the 14th Battalion in France, he "Died of Wounds" received in action on the 7th February 1917, the day of his 25th birthday. Sources: naa.gov.au https://williamstownhistsoc.org.au/stewart-murray-hansen-wwi-patchwork-quilt captain stewart hansen, aif, ww1

HMS Amethyst (1793) was a 36-gun fifth-rate frigate, originally the French Perle captured in 1793 and wrecked in 1795. HMS Amethyst (1799) was a Penelope-class 36-gun fifth rate launched in 1799 and wrecked in 1811. HMS Amethyst (1844) was a Spartan-class 26-gun sixth rate launched in 1844 and sold in 1869 for use as a cable vessel. HMS Amethyst (1871) was an Amethyst-class screw corvette launched in 1871 and sold in 1887. HMS Amethyst (1903) was a Topaze-class cruiser launched in 1903 and scrapped in 1920. HMS Amethyst (F116) was a modified Black Swan-class sloop launched in 1943. She was later designated as a frigate, was involved in the Yangtze Incident in 1949 and was broken up in 1957. HMS Amethyst was to have been a River-class minesweeper. She was renamed HMS Waveney before being launched in 1983, and was sold to the Bangladeshi Navy in 1994, being renamed Shapla See also Able Seacat Simon (http://en.wikipedia.org/wiki/Simon_(cat))Plaque with insignia of H.M.S. AmethystH.M.S. Amethyst

The primary role of a Voluntary Aid Detachment (VAD) member was that of nursing orderly in hospitals, carrying out menial but essential tasks - scrubbing floors, sweeping, dusting and cleaning bathrooms and other areas, dealing with bedpans, and washing patients. They were not employed in military hospitals, except as ward and pantry maids; rather, they worked in Red Cross convalescent and rest homes, canteens, and on troop trains. At the start of the First World War, Australian VADs were restricted from travelling overseas by the Defence Council. As a result, many chose to travel on their own initiative and join British detachments, often in Australian Hospitals. It is reported that the 1st Australian Auxiliary Hospital included in their nursing staff some 120 VADs, chiefly Australians in the British service, employed through the Australian Red Cross Society. This policy was changed in 1916 after a request from Great Britain, and the first detachment of thirty official Australian VADs to serve overseas left Australia in September 1916.(http://www.awm.gov.au/encyclopedia/vad/, accessed 13 August 2014)A group of VADs, a nurse, and some men from the Australian Imperial Forces. Verso: 'group of nurses and some of the men at Highton - taken at an afternoon we had. Can you find me [Harold Holmes] it is not very clear. The 2nd in uniform from the right hand side.chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, highton, red cross, vad, voluntary aid detachment, nurse, nursing

The photograph was associated with Harry Holmes who was a member of the Australian Imperial Force based in Egypt at the time. Gordon Spittle was the youngest of three brothers. He grew up in Creswick and attended Creswick Grammar School. Gordon purchased 'Mt Cavern' in 1912. It had 4 years of a 10 year lease to run. His mother and father took delivery of it on 1 April 1916. They lived there and farmed it until Gordon returned from active service in May 1919. He married Violet Holmes and both lived at "Mt Cavern" until their deaths. Gordon died in 1942 aged 51. Violet Holmes-Spittle died in 1949 aged 56. They were the aunty and uncle of Mary Elziabeth Holme ( m Chatham) Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html)Four Australian soldiersVerso: 'Moascar, Egypt, June 14th '16. From left to right. S.G.S. [Gordon Spittle], Cam Williamson & Harry [Holmes]. Sitting is Private Berry a son of the big merchants in Melbourne. Am sending these negatives to Jim W. so if they arrive safely, you'll be able to get better proofs from him. From Gordon [Spittle].chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, moascar, egypt, suez canal, spittle, williamson, harry holmes, berry, egypt, moarcar, ascot

Ferdinand von Mueller was an examiner of botany at the Ballarat School of Mines (SMB) between 1880 and 1888. During that era he was active in donating related items to the School. When the Ballarat School of Mines Council agreed to introduce pharmacy and botany classes in 1879, it was apparent students would require access to botanical specimens in order to further their studies. Council members, who were inspired by the work of Baron Ferdinand von Mueller, authorised development of an area along the School's northern boundary, fronting Lydiard Street South, and oversaw the establishment of the new Botanical Gardens. Baron von Mueller took a practical role the development of SMB's Botanical Gardens from the beginning. He became a generous benefactor who 'donated collections of seeds and leguminous fodder plants, including valued grasses of interest and use to agriculturalists and graziers generally' to SMB over many years. Ferdinand von Mueller's entry on the University of Ballarat Honour Roll can be found at http://www.ballarat.edu.au/curator/honour-roll/honourroll_von_mueller.shtml A light brown, hardcovered book of 152 pages. Chapters include Eucalyptus Trees; Wattles or Acacias; Casuarinas or Sheoaks; Cypress Pines or Sandarac trees; Exocarpos trees of Natice Cherry trees; Mistletoes; Native Honeysuckles or Banksias; Bellflower, Lobelia and Goodenia; Heaths; Correas; Mallow; Buttercups and Clematis; Cruciferous Plants; Mints; Orchids; grasses; ferns. The book has numerous botanical line drawings, and a comprehensive index.Inside front cover "J. Clement Souter M.D."victorian, schools, botany, ferdinand von mueller, von mueller, botanic illustrations, j. clement souter

Ferdinand von Mueller was an examiner of botany at the Ballarat School of Mines (SMB) between 1880 and 1888. During that era he was active in donating related items to the School. When the Ballarat School of Mines Council agreed to introduce pharmacy and botany classes in 1879, it was apparent students would require access to botanical specimens in order to further their studies. Council members, who were inspired by the work of Baron Ferdinand von Mueller, authorised development of an area along the School's northern boundary, fronting Lydiard Street South, and oversaw the establishment of the new Botanical Gardens. Baron von Mueller took a practical role the development of SMB's Botanical Gardens from the beginning. He became a generous benefactor who 'donated collections of seeds and leguminous fodder plants, including valued grasses of interest and use to agriculturalists and graziers generally' to SMB over many years. Ferdinand von Mueller's entry on the University of Ballarat Honour Roll can be found at http://www.ballarat.edu.au/curator/honour-roll/honourroll_von_mueller.shtml Large format, brown, soft covered books with beautiful line drawings. Set contains 6 of 13 parts, Part 1 covers the fourth decade, Part 2 the fifth decade, Part 3 the eight decade, Part 4 the ninth decade, Part 5 the tenth decade and Part 6 the eleventh decade.botany, ferdinand von mueller, von mueller, botanic illustrations, government botanist, acacia

"Mr D. Danson is one of the leaders of the industry around Bendigo. His property is at Kangaroo Flat, and besides being a grower, he has a factory for the manufacture of pulp and tomato sauce. Mr Danson was engaged in dairying in the Gippsland hill country at Thorpdale, but 14 years ago went to Kangaroo Flat with the object of being near a big centre where there were better facilities for the education and employment of his family. He converted the property of 20 acres at Kangaroo Flat into a dairy farm and established a milk round at Bendigo. The limited area, however, proved a drawback, and attention then was given to tomato growing. After having concentrated on the production side, he installed a plant for the treatment of his own tomatoes, and those of other growers. The fruit is converted into pulp and tomato sauce, for which a good demand is being experienced, orders for pulp being received from New South Wales and Queensland." https://trove.nla.gov.au/newspaper/article/223202556?searchTerm=D%20Danson%20tomato%20sauce10934.32a: A small, aged sheet of brown paper with two clean punch holes on the left side. The paper is thin, but sturdy. Printed in black ink is the business name and details: Bendigo Valley Tomato Sauce bought of D. Danson & Sons, Kangaroo Flat - Bendigo. Sauce and Pulp manufacturers. The receipt is handwritten in grey lead pencil. Dated 5 Sep 1938. Below the header is neat, ruled lines for listing items with prices listed in British Pounds, totaling 13 pounds 16 shillings. In the bottom left corner, a bright red 24 is printed. There is also a Victorian 2 pence stamp duty stamp printed in yellow ink. 10934.32b: A small, aged sheet of brown paper with two clean punch holes on the left side. The paper is thin, but sturdy. Printed in black ink is the business name and details: Bendigo Valley Tomato Sauce bought of D. Danson & Sons, Kangaroo Flat - Bendigo. Sauce and Pulp manufacturers. The receipt is handwritten in grey lead pencil. Dated 12 Dec 1938. Below the header is neat, ruled lines for listing items with prices listed in British Pounds, totaling 8 pounds 8 shillings and 3 pence. In the bottom left corner, a bright red 4 is printed. There is also a Victorian 2 pence stamp duty stamp printed in yellow ink. 10934.32c: A small sheet of yellow paper with two clean punch holes on the left side. Printed in black ink is the business name and details: Bendigo Valley Tomato Sauce bought of D. Danson & Sons, Kangaroo Flat - Bendigo. Sauce and Pulp manufacturers. The receipt is handwritten in grey lead pencil. Dated 21 July 1938. Below the header is neat, ruled lines in red ink for listing items with prices listed in British Pounds, totaling 12 pounds 3 shillings and 9 pence. There is also a Victorian 2 pence stamp duty stamp printed in yellow ink. 10934.32d: A small, aged sheet of brown paper with two clean punch holes on the left side. The paper is thin, but sturdy. Printed in black ink is the business name and details: Bendigo Valley Tomato Sauce bought of D. Danson & Sons, Kangaroo Flat - Bendigo. Sauce and Pulp manufacturers. The receipt is handwritten in grey lead pencil. Dated 25 Feb 1939. Below the header is neat, ruled lines for listing items. In the bottom left corner, a bright red 16 is printed. The receipt is crossed out in red ink with a credit notation. 10934.32e: A small, aged sheet of brown paper with two clean punch holes on the left side. The paper is thin, but sturdy. Printed in black ink is the business name and details: Bendigo Valley Tomato Sauce bought of D. Danson & Sons, Kangaroo Flat - Bendigo. Sauce and Pulp manufacturers. The receipt is handwritten in grey lead pencil. Dated 26 April 1939. Below the header is neat, ruled lines for listing items and their price totaling 31 pounds, 9 shillings and 4 pence. In the bottom left corner, a bright red 24 is printed. The receipt is crossed out in pencil. 10934.32f: A small sheet of yellow paper with two clean punch holes on the left side. Printed in black ink is the business name and details: Bendigo Valley Tomato Sauce bought of D. Danson & Sons, Kangaroo Flat - Bendigo. Sauce and Pulp manufacturers. The receipt is handwritten in grey lead pencil. Dated 25 Feb 1939. Below the header is neat, ruled lines in red ink for listing items with prices listed in British Pounds, totaling 18 pounds 1 shillings and 11 pence. The receipt is crossed out in red ink.d danson & sons, bendigo valley tomato sauce, ac morton

Michael Davitt was born in Straide, County Mayo, on March 25th 1846 at the height of the Great Famine. He was the second of five children born to Martin and Catherine Davitt. At the tender age of four Michael and his family were evicted from their home and forced to emigrate to Haslingden, Lancashire, England. At the age of eleven while working in a cotton mill, Davitt had his arm so badly maimed in an accident that it had to be amputated. At sixteen, while working for the local postmaster, he began evening classes in Irish history at the Mechanic's Institute. It was at this time that his thoughts began to turn to politics and he joined the Fenian movement in England. The Fenians Joining the Fenians in 1865 he rose through the ranks to become organising secretary for England and Scotland but was arrested in 1870 for arms smuggling and sentenced to fifteen years penal servitude. After seven years he was released on a ticket of leave.(http://www.museumsofmayo.com/davitt1.htm, accessed 21 January 2014)Images of a bearded man known as Michael Davitt. He is writing at a large table in a large room with chandelier. ballarat irish, davitt, michael davitt

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland. (http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white Bookplate made with the etching process featuring a nude woman in a spherical frame. The figure 08 appears on the sphere.Signed lower centre [illegible]keith wingrove memorial trust, bookplate, australian bookplate design awards, john gartner, printmaking - etching, nude, life drawing

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Etching showing a reclining nude woman holding the letter E in the foreground and a printmaker in the background. Signature bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white print showing a domed gazebo with boat on a lake in the foreground and trees in the backgroundkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, johm gartmer

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white print on buff paper showing nude woman sitting on a printing press with a globe of the world in the background .1) buff paper .2) buff paper (green)Pencil signature in the bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Book plate depicts a coin with profile of a woman's head. Foliage surrounds the bottom of the coin.43/100 with pencil signaturekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Etching showing a bearded man with fur-lined hat and jacket. Includes one circle in each corner.Signaturekeith wingrove memorial trust, bookplate, australian bookplate design awards

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Oval design depicting the face of a monk, possibly St Francis, with hands showing stigmata and a dove near his headSignature bottom rightkeith wingrove memorial trust, bookplate, australian bookplate design awards

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Nude woman wearing sun glasses seated amongst foliage. One leg is raised and rests on the seat.Nonekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Robed, bearded figure holding tablet with Ex Libris engraved. Parchment with Latin print in background. Mirror image of J. Gartner printed beneath the parchment.J. Oliveira - 230 - 1990keith wingrove memorial trust, bookplate, australian bookplate design awards

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Figure in robes, possibly an old man, reading and facing a cabinet with items including an hour glass on top. The cabinet is recessed within a brick-arched alcove. The scene has a black frame. J. Oliveira - 234 - 1990keith wingrove memorial trust, australian bookplate design awards, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A broken pot inscribed with the letter G holds foliage anchored by coins which spill from the broken side. One coin is marked with the number 917.Nonekeith wingrove memorial trust, australian bookplate design awards, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Two men with glasses hold a sheet of paper depicting a nude woman on the facing page. She has long flowing hair and ear rings The number 299 is shown in the bottom left hand corner of the print.Signaturekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A nude woman stands side-on with her right arm resting on her head. The other hand holds a flower. Books are piled in the background behind her. One book has the number 916 on its spine.Nonekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Print shows an open book with the word ELIDE on the left hand page and a picture of a seated man framed by a circle on the right hand page. An engraving tool and wood block are in the foreground. Foliage protrudes from behind the book. W 90/31 in bottom right hand cornerkeith wingrove memorial trust, bookplate, australian bookplate design awards