Showing 1800 items
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Melbourne Legacy
Slide, Operation Firewood, 1960s
Colour slides of Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Photos include the cutting of logs, loading of semi trailers, support crew of Legatees wives, distribution maps and delivery to widows. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide x 37 of Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, semi trailers -
Melbourne Legacy
Slide, Operation Firewood - Eildon, 1960s
Colour slide of two loaded semi trailers at a timber yard in Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of two loaded semi trailers in a timber yard in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Loading finished / Eildon' and '23' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, semi trailers, wood -
Melbourne Legacy
Slide, Operation Firewood delivery, 1960s
Colour slide of legatees unloading wood from a semi trailer in a Melbourne laneway. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of men offloading wood in a Melbourne laneway during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Off loading' and '24' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, semi trailers, wood -
Melbourne Legacy
Slide, Operation Firewood - Eildon, 1960s
Colour slide of men cutting logs using a sawmill at a timber yard in Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of men cutting logs in a timber yard in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Cutting Firewood / Eildon' and '22' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, sawmill, wood -
Ballarat Tramway Museum
Photograph - Digital image, March 1958
Yields information about the size of the water tank that was fitted to the ESCo built sprinkler tram for Ballarat.Digital image from the Wal Jack Ballarat Album of the storage tank from the old or original ESCo sprinkler car, noted in use on a local farm at Invermay. No details as to source of print, Wal's notes the date as March 1958. See image i2 for rear of photograph.On rear of photograph in ink "Ballarat Tramways, Storage tank from old Sprinkler car, now in use on local farm at Invermay"trams, tramways, sprinkler tram, scrubber tram, esco -
Melbourne Legacy
Slide, Intermediate Legacy Club Fete, 1959
A colour slide of a fete at Legacy House in Swanston St in 1959. There are tables set up around the room and boy playing with a blue balloon. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of ladies in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten on front ''Fun for everyone ILC Fete 1959'. Imprinted by indentation "Aug 59". Imprinted with black ink '8'.ilc, fete -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Keith Kings, 7/10/1956 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of a model of Bendigo tram ESCo 10. .1 - On rear in ink "Model of Bendigo No. 10 - original type, plus vestibules. Maker Unknown, now in possession of KSK. (7/10/56)" Has K.S.Kings stamp in top right hand corner and number "K(i)(6)" trams, tramways, bendigo, models, esco, tram 10 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, Easter Saturday 1941
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of ESCo tram No. 1 arriving at the Eaglehawk terminus. The tram has been modified with bracing and open saloon seats changed from cross bench to longitudinal. The conductor is sitting in the front saloon. The tram has the destination of "City". In the background is the Park Hotel, and Sports Depot business. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "T193, Bendigo Tramways, State Electricity Commission, / No. 1 (Original type), High St Eaglehawk, Easter Saturday 1941. W. Jack photo. trams, tramways, bendigo, esco, secv, eaglehawk, high st, tram 1 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, Easter Saturday 1941
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of ESCo tram No. 5 in Mitchell St Bendigo, Easter Saturday, 1941. The tram has been modified with bracing and open saloon seats changed from cross bench to longitudinal. The conductor is standing in the front saloon. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "T197, Bendigo / No. 5 Original type, Mitchell St, Bendigo, Easter Saturday 1941. Photo W. Jack. trams, tramways, bendigo, esco, secv, mitchell st, tram 5 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, Easter Saturday 1941
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of ESCo tram No. 8 in Arnold St Bendigo, Easter Saturday, 1941. The tram has been modified with bracing and open saloon seats changed from cross bench to longitudinal. The conductor is standing in the back saloon. Appears the tram is running out of the depot, has the destination of Eaglehawk. See also Reg item 5460i10, for a copy print of this photograph - wider view. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "T188, Bendigo Tramways / No. 8 Original type, Arnold St, Easter Saturday 1941. Photo W. Jack. trams, tramways, bendigo, esco, secv, arnold st, tram 8 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, Easter Saturday 1941
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of ESCo tram No. 1 (carrying a white disc) and No. 2 at Charing Cross, Easter Saturday 1941. No. 1 is on the "wrong line", about to run through the cross over in front of the tram. No. 2 has the destination of Quarry Hill. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "T196, Bendigo Tramways, No. 1 Original Class, No. 2 - ex MMTB A class, Charing Cross, Easter Saturday 1941. Wal Jack Photo.trams, tramways, bendigo, esco, secv, charing cross, tram 1, tram 2 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, Easter Saturday 1941
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of ESCo tram No. 4 (destination Eaglehawk) with No. 8 Original type., Charing Cross, Easter 1941. Photo by Wal Jack. See also Reg item 5460i4, for a copy print of this photograph - wider view. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "T189, Bendigo Tramways / No. 4 ex MMTB, No. 8 Original type, Arnold St, Easter Saturday 1941. W. Jack Photo. trams, tramways, bendigo, esco, secv, charing cross, tram 4, tram 8 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Easter 1940
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 17, 18 and three other ESCo trams in View, Easter 1940. Wal's photo caption "Two summer cars 17 & 18 together with original stock View St Bendigo, Easter 1940" Printed on Kodak Velox paper. On rear in ink "B.E.S&T Peak hour traffic awaiting the procession to pass View St. Bendigo 1940".trams, tramways, bendigo, easter fair, view st, esco, tram 17, tram 18 -
National Wool Museum
Document - Label, Tina Knitwear, 1980-2000
... Label Document Thin paper white label with gold printed ...Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Thin paper white label with gold printed text.front: An Original by / Tina Knitwearknitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Bendigo Military Museum
Memorabilia - LIGHTER, WW1
Given to Reginald Chatfield O'LOUGHLIN (WWII Veteran). Believed to be a souvenir.Brass cigarette trench lighter in original black cardboard box. Cellophane front to allow viewing.Printed front bottom of box: : “WWI, Trench Lighter”memorabilia, lighter, cigarette -
Melbourne Legacy
Slide, Intermediate Legacy Club Fete, 1959
A colour slide people shopping at a fete at Legacy House in Swanston St in 1959. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of people shopping at a fete in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten in blue pen "Bargains ILC Fete 1959". Imprinted by indentation "AUG 59". Imprinted with black ink '14'.ilc, fete -
Ballarat Tramway Museum
Clothing - T-shirt, Mascot Sportswear, "Save the Trams", Around July 1971
White cotton T-shirt, no size label remains, printed with an image of Ballarat 43, showing Mt Pleasant as a destination and the words "Save the Trams" May not have been worn and may be in its original packaging. Were sold by Myer's Ballarat near the time of closure. See also Reg Items 8017 and 6872 for other examples.trams, tramways, clothing, btps, closure, t-shirts -
Melbourne Legacy
Slide, Intermediate Legacy Club Fete, 1959
A colour slide of a fete at Legacy House in Swanston St in 1959. There two legatees behind a table of plants. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of two legatees and a plant stall in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten on front ''Smithy set ups flowers ILC Fete 1959'. Imprinted by indentation "Aug 59". Imprinted with black ink '10'.ilc, fete -
Melbourne Legacy
Slide, Intermediate Legacy Club Fete, 1959
A colour slide of a cake stall at a fete at Legacy House in Swanston St in 1959. There two ladies serving behind a table of food. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of people serving food at a fete in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten in blue pen "Cake Stall ILC Fete 1959". Imprinted by indentation "JUL 59". Imprinted with black ink '12'.ilc, fete -
Melbourne Legacy
Slide, Intermediate Legacy Club Fete, 1959
A colour slide of a fete at Legacy House in Swanston St in 1959. There are tables set up with a mix of second hand kitchen items. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slides x 2 of ladies in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Imprinted by indentation "Aug 59". Imprinted with black ink '9' and '11'.ilc, fete -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, late 1920's, early 1930's
Yields information about the appearance of Geelong's Birney trams during the 1940's.Black and White Photograph of Geelong No. 10, Malop St, travelling north west to the railway station, during the late 1920s, between Gheringhap and Moorabool St. Tram has the destination of "Station", with the National Mutual, Moran's Hotel Orient in the background. Melbourne Bitter advertisement on the hotel. A number of soft top cars parked in the street. Photo probably from a postcard, has the words "T. Geelong. No. 8" along part of the bottom edge. Photo from the Peter Duckett Collection. For a close up of the tram itself see Reg Item 5822. 4335.1 - Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 7/8/2013. This item is the larger image of the two.On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." In hand writing on the rear "47)" in top left hand corner. In the body of the photograph "Malop St travelling NW to Station, between Gheringhap and Moorabool Sts." 4335.1 - in ink on rear. "Geelong No. 10 Original Condition, photo about 1930" and "Please Return"trams, tramways, geelong, malop st, mesco, tram 10 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, 8/01/1956 12:00:00 AM
Yields information - Photo printed from a slide of Geelong No. 4 decorated for the last tram in Geelong.Colour print from a Agfachrome Professional plastic mount reproduction slide of a colour slide of Geelong No. 18 at East terminus on the last day of the first closures, 8.1.1956 Shows a young boy walking away from the tram and the driver closing the door. Tram has the destination of East. See also Reg Item 2676 for a the original slide of this photograph. Two copies held.On rear in ink on both copies: "Geelong Trmys SEC 4a) (crossed out) East terminus on last day of first closures 8.1.1956 - Ballarat Try Museum"trams, tramways, geelong, east, last tram, closure, tram 18 -
Bendigo Military Museum
Book - BOOK, WW2, Ligare Pty Ltd, Milne Bay 1942, 2000
Original owner: William John GARLAND, 5th Army Troop. Milne Bay 1942 - The Story of Milne - Force. From book cover: The 1942 battle for Milne Bay was a turning point in the Pacific War, when a garrison of predominantly Australian Infantry and RAAF Fighter Squadrons turned back a Japanese invasion force.Hard cover, cardboard, glossy finish, colour background blue to green with yellow layer. Blue / orange print front, white print spine, black print back. Front cover has black / white photo of bogged Japanese tanks. 496 cut, plain, white, pages. Black & white illustrations, photos, maps.book, milne bay, 1942 -
Bendigo Military Museum
Painting - PAINTINGS NAVY, FRAMED, Post 1966 & 1968
Original owner Graham John HAINES R94437, PORS - Petty Officer Radio Supervisor, RAN Comms, Vietnam & FESR..1) Framed painting by disabled artist in Hong Kong. Coloured painting of HMAS Yarra on black background. Tan wooden frame, cream border, glass front. Cardboard backing with wire hanging strap. .2) Framed painting by disabled artist in Hong Kong. Coloured painting of HMAS Parramatta a on black background. Tan wooden frame, cream border, glass front. Cardboard backing with white cord hanging strap..1) Printed at top: “HMAS YARRA” Emblem RHS: “RAN FAR EAST FLEET HUNT AND STRIKE” Printed bottom RHS: “HONG KONG 1966” .2) Printed at top: “HMAS PARRAMATTA” Emblem RHS: “RAN FAR EAST FLEET STRIKE DEEP” Printed bottom RHS: “HONG KONG 1968” painting, hmas, hong kong -
Bendigo Military Museum
Certificate - CERTIFICATE WW2, YOUNG WORKERS, C.1941
Lorna Thomas (nee Knight) original owner.White, cardboard certificate printed on front. Dated 5.12.1941. Education Department Victoria coat of arms at top. Information regarding recipient in centre, signed by Minister, Director & Head Master. Female student figure bottom LHS, male student figure bottom RHS.Black print at top: “YOUNG WORKERS PATRIOTIC GUILD” “Certified to: LORNA KNIGHT. A pupil of: HAWKSBURN School No: 1467” certificate, young workers, patriotic -
Bendigo Military Museum
Accessory - BOX, FIRST AID, Johnson & Johnson, c.1930 - 1945
Original owner was WO Donald McKindlay WOOLCOCK, RAAF 5158 “MT” possibly means Motor TransportGreen metal, box with red cross & black print. Contents include bandages, gauze, field dressing.At top: “A Red Cross” In black print below: “OUTFIT FIRST AID FOR MT” kit, first aid, mt -
Flagstaff Hill Maritime Museum and Village
Print - Lithoprint
This art work is an example of an Art Deco print created through lithoprint / lithograph techniques. As a print it would have been more affordable than an original artwork and hence could be purchased by a wider cliental. Little is known about the artist, but Jean Lasalle is listed as producing another print used by Tuck & Sons in their Oilette postcard series.This item is significant socially as an example of artwork that may have been displayed in homes around the 1910s- 1930s. The Oilette logo carries significance, linking the print to a business that was influential in the early production of postcards.Unframed print on board with some framing tacks still attached to the back of the board. Print area is in fair condition. The print has been stuck to a ‘paper frame' which has been attached to the backing board. The subject of the print is a lake view, with steep mountains in the background and two female figures on a bench in the foreground in the Art Deco style. Colours are muted. The print has the artist's signature 'Jean Lasalle' (looking at the print bottom left) and the words 'Oilette' (looking at the print bottom right) with a small logo composed of an oval and square underneath.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lithoprint, lithograph, oilette, golden dawn, art deco, jean lasalle, print, day dream -
Buninyong & District Historical Society
Photograph - Photo of Original Photograph, Merryweather Fire Engine, Warrenheip Street, 1930's
Merryweather manual fire engine, acquired by Buninyong Fire Brigade in 1882, in the last years of its working life. Engine now restored and homed in Buninyong Fire Station.Coloured photograph (and b/w print) of detail, interior of Boiler House, Whykes & Sons' Slaughter House and yards, showing railing and washing area for carcasses, functioned for Whykes Butchers from 1863-1994, situated at Slaughterhouse Rd. Durham Leadbuninyong, fire brigade, fire engine, merryweather, horse -
National Vietnam Veterans Museum (NVVM)
Print, Plane Guard
... 1993. At the bottom of the print reads from an original iol... 1993. At the bottom of the print reads from an original iol ...A coloured print of HMAS Perth escorting HMAS Melbourne at sea. Bottom right hand is the signature of Peter Blenkinsopp 1993. At the bottom of the print reads from an original iol painting by Peter Blenkinsopp.print, hmas perth, hmas melbourne, cerberus collection -
Mission to Seafarers Victoria
Plan - Architectural drawings, Walter Butler, 1916
An original group of plans drawn by Walter Butler who was also the architect of the Central Institute, Siddeley Street in 1906 and the Mission to Seamen building at 717 Flinders St that is still in use today. The early Port Melbourne onshore Mission gradually transformed from a 'wooden shack' to a one storey brick building designed by architect Frederick Williams in 1888. The St Nicholas chapel was added in 1915. Walter Butler was commissioned to add a second storey in 1917. The building retained its functions until 1937 when the Art Deco Mission, designed by Morris was built. The building has survived as a structure into the 21st century, and was incorporated as part of a multi-apartment development. Historical architectural record of Walter Butler's work. Walter Butler was a renowned architect and friend of the Fairfax family.Coloured architect's drawings of the proposed plans for Chaplain's Residence at Port Melbourne on heavy parchment. Including elevation drawings, floor plans and cross sections as well as architect's notes and measurements.Embossed architect's stamp in top right and left corners and bottom right corner "Walter R Butler [indecipherable] Melbourne" Printer's stamp on bottom right hand corner of rear "Printed by J. Creffield Propy. LTD. RIALTO, 493-5 Collins St. Melbourne"plans, walter richmond butler (1864–1949), mission to seafarers, chaplains residence, beach street, nott street, port melbourne, mission to seamen, frederick williams