Hogan, Thomas, early selector of land, member of Rodney Shire Council and Rodney Irrigation Trust.|Shire of Rodney|TaturaDocument and photograph

The Nillumbik Festival was introduced as a replacement for the Eltham Festival following the disbandment of Eltham Shire Council in December 1994 and the creation of Nillumbik Shire Council. It was an attempt to draw away from Eltham and be more inclusive of the wider communities in Nillumbik. However other local communities had their own festivals and the concept of a Nillumbik Festival was never widely accepted by the community and it shortly reverted back to the Eltham Fesitval in 1997.Newsprint1995, eltham festival, nillumbik festival

The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 2022 the Men's Winner was Peter Wolter from USA in a time of 1:28:08.2. The winner of the Women's event was Jessie Diggins of USA in a time of 1:31:50.9This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A poster featuring a cartoon image of hundreds of kangaroo skiers crossing through the blue finishing gate. The date 27 AUGUST 2022 is on a red sign above the gate. FALLS CREEK is also on the gate, as well as the names of some of the sponsors. Logos of AGL, the Birkebeiner Nordic Ski Club, Falls Creek, KANGAROO HOPPET/Worldloppet, FIS, Alpine Shire Council, and Community Bank Mount Beauty & District are across the bottom of the poster. , Below the image: 7, 21 & 42 Km Kangaroo Hoppetkangaroo hoppet, worldloppet events, falls creek, mt. beauty

Eltham Gateway, Eltham Town Sign in front of former Eltham Shire Council Office carpark, 895 Main Road, ElthamTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, eltham town, sign, welcome sign

Colour aerial photograph of Diamond Valley Shire Depot, Yarrambat, now Nillumbik Shire Council Works Depot & Recycling CentreColour aerial photograph. Scale approx. 1:1000shire of diamond valley, yarrambat, nillumbik council

These Cuff Links were possibly worn by members of the Shire Council,and may also have been given as gifts to visiting personell. Enamelled round Cuff Links showing the Coat of Arms of the Shire of Ballarat, set in a gold base and gold Anchors.THE SHIRE OF BALLARAT,MDCCCLX111, PREAVIUS.jewellary cufflinks

Presented to Nillumbik Shire Council by the Victorian Vietnam Veterans Community in commemmoration of the 40th anniversary of the Battle of Long Tan - 18th August 2006.Born Digitalworld war 1, war memorials, shire of nillumbik, plaque, vietnam veterans community

Framed Olympic Games 1956 Photomontage print with Limited Edition Certificate attached. Presented to the South Gippsland Shire Council from the Olympic Games Committee, Sydney 2000. Cream card window mount with engraved text panel set in light brown wood frame. The photomontage features images of the the Olympic Torch and Commemorative medals atop with text and signatures above a collection of ephemera, memorabilia, items of clothing and objects relating to the Olympic games.

Framed Olympic Torch with colour photograph from the Sydney Olympic Games Torch Relay 2000. Includes 28 small engraved brass plates with names of participants.One large plate with text which reads: "South Gippsland Shire Council/Olympic Torch Relay/Day 62/7th August 2000/Korumburra, Leongatha/Loch & MIrboo North" Set on a green card background with green card window mount and brown timber frame.

Article on proposal to move the Nillumbik Shire Council Offices to the site of the old Shire of Eltham offices on Main Road Eltham, adjacent to the Eltham Library2 p., text, black and white and colour photographs. Extract from Eltham Town Community News, Issue 5, Summer 2007-08nillumbik council, eltham, main road eltham

This document was produced in 1989 for Orbost Shire Council. It ccovers the area s of Orbost, Mallacoota, Cann River and Newmerella and includes urban and non-urban areas.This document is a useful reference tool.A book with a brown front cover with a plastic over-sheet and plastic binding.On the cover are b/w drawings of rural landscapes, trees and the coast. It is titled SHIRE OF ORBOST PLANNING STUDY Part 1 Strategic Overviews, March 1989.orbost-planning

Badge awarded to John Stanley HOWLETT by Carisbrook Shire Council in recognition of service WWI. Refer 41 medals, 44.2 ID tags, 48.4P photos.Badge, brass. Boomerang over shield, kangaroo & emu, on each side. Centre is an image of a soldier carrying a rifle. On boomerang: Duty Nobly Done Rear: The Greatr War Presented to Pte J S Howlett by the people of Carrisbrook & District 3.7.19numismatics, badges, civic mementoes, presentations, military service

In 1912 Mr.D.Baird was a member of the Learmonth ANA Branch no 75.He also served as a Ballarat Shire Councilor from 1928 to 1960,and was President in 1931,40,46,and 56.Photo is part of a set of original photos showing all 1912 members of the Learmonth ANA Branch No 75. Black and white photo of D.Baird,rectangular with arched top.To the left are decorative features in white ink and his name is inscribed in white at the base.It is in the second row and second from right in a collection of photos of all members of the 1912 Learmonth ANA Branch No 75. LEARMONTH ANA BRANCH NO 75. PRESENTED TO C.MEDWELL ESQ. BY HIS FELLOW MEMBERS AS A MARK OF ESTEEM & APPRECIATION OF VALUABLE SERVICES RENDERED TO THE BRANCH AS SECRETARY. LEARMONTH 1912.baird d, learmonth ana branch no 75 1912, ballarat shire councilor 1928 60

Under the doona investigates the creative potential of observing the domestic environment and connecting with the local landscape within the restrictions of COVID-19 in 2020. The global pandemic is explored from a personal domestic and local position on Wurundjeri Country in Nillumbik in my 5km radius.Universally recognisable as a symbol of hygiene, the Chux cloth was discovered discarded and coated in Nillumbik’s infamous clay on my daily walk. Local Indigofera Australis was used to extract ‘Chux blue’ to botanically dye hand spun silk and Polwarth yarn. Not a scratchy synthetic Chux, my handwoven natural fibre soft cloth positions soothing touch as an all-important sense within the physical constraints of social distancing. My masked daughter holds her pet rooster. My son learns new card tricks using crackers. Family and local surrounds provide close and reassuring comfort. The project values intimacy, touch and local connectedness. On a global scale.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it

My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it

Isolation is something I am all too familiar with.In the middle of the last decade, for a period of three years, isolation became my way of living, as due to my health, I physically couldn’t leave the house, or even my bed very often. I would be so desperate to get out of the house at times that it was if I was a prisoner trying to escape the confines of Alcatraz. The isolation experience during the COVID-19 pandemic has brought back many emotions and memories of that time, some of which I would rather not remember.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

‘Relax, We’re Doing Great’ explores the mixed messages and lottery of language we have been exposed to during COVID19. Sourced from local and global leaders, warning signs and public messages, the text ranges from instructional to in-denial; to even epidemiologically dangerous rhetoric.These works connect into the hand-made, digital and 24/7 news cycles - key coping mechanisms for fears and uncertainty - of this pandemic period. The power and importance of language is highlighted when experienced en masse. The repetition of the layout of these works also allows for the creation of GIFs – mimicking the flickering of LED signage.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

Leaving Isolation is play on words; a pun. It is a joke shared with new imaginary friends found while living alone, in isolation. Processing emotions, sanitising theories, engaging in shadow play; these works show individual native leaves that resemble expressive faces collected on permitted daily walks. 30 small, 15 x 21 cm still life studies in ink and watercolour are hung to reference a calendar month during COVID-19. The work considers the nature of ecology in the anthropocene while confronting emergent psychological myth-scapes during Lockdown.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

Score for Multi-Species Partnerships is a participatory performance and moving image assemblage. The score offers a guided framework to become reacquainted with the everyday, queering notions of community and care through meditative movement practice. Inter-species collaborators partake in a series of propositions which facilitate a ‘becoming-with’, deepening their sense of place and comfort with one another and their environment.Seeking alternative forms of connection during isolation, this global project uses embodied praxis and visualisation to bring together artists and non-artists, humans and non-humans, to consider how we co-exist and affect one another through material and energetic transference. Initiated in April 2020 following the COVID-19 outbreak, participants chose whether to practise anonymously or document their experience and contribute to the visual archive. The private becomes public as intimate encounters in domestic settings are shared, speaking to cultures of performativity and voyeurism in the digital age. Artist/Director: Luigi Vescio. Performers: Adina Kraus, Anna McDermott, Claudia Lomoschitz, Josh Freedman, Luigi Vescio, Martin Lee, Maximilian Bishop, Melanie Cobham, Nathan Dubber, Niharika Senapati, Omar Felix Faber, Pia Lauritz, Rachel Jessie-Rae O’Connor, Shamira Stone, Will Hall, Yuiko Masukawa.Many thanks also to those who chose to participate in private.This project was also supported by Creative Victoria through the Sustaining Creative Workers initiative.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it. Video

Media release calling for those intrerested in participateing in the Nillumbik Festival. The Nillumbik Festival was introduced as a replacement for the Eltham Festival following the disbandment of Eltham Shire Council in Decemebr 1994 and the creation of Nillumbik Shire Council. It was an attempt to draw away from Eltham and be more inclusive of the wider communities in Nillumbik. However other local communities had their own festivals and the concept of a Nillumbik Festival was never widely accepted by the community and it shortly reverted back to the Eltham Fesitval in 1997.Newsprint1996, eltham festival, nillumbik festival

The photograph was submitted to the Indigo Shire Photo Competition by Kathy Adamo in the 1980s. The photo depicts two old gas lamps outside the Court House in Beechworth. The Court House was built in 1856 after Beechworth became known as the legal headquarters in northeast Victoria. The Court House has held a number of trials over the years including many high-profile cases such as the Ned Kelly Trials.Black and white rectangular photo printed on paper mounted on black card.Reverse: TO Indigo Shire Council Photo Comp / Title 'Lit By A Bygone Era' / 05. BMM 8832 / Gas Lamps Outside Courthouse Beechworth / From / Kathy Adamo / RMB 4057 / Wangaratta / 21 6742 / Contents / Nikon F301 28-105 / Exposure Unknown / Most Historicalned kelly, 1956, beechworth, beechworth court house, indigo shire, indigo shire photo competition, kathy adamo, 1980s, gas lamps, lit by a bygone era

This Book was prepared by - Committee Kerri Peters, Judith Parker, Sue Cunningham & Mrs Chris PhippsClear Plastic Cover with Black Spine over orange paper.Stawell Historical Society, Grampians Community Health Centre Inc. Northen Grampians Shire Council. 2001 - International Year of Volunteers These are our Stories Stawell & District Volunteers (Photo) Len Hunter and Charlie Price reparing fencing on a Campbell's Bridge property after the December 2000 firesstawell

Appointment of Tracey Naughton as the community arts officer for Eltham Shire Council. Tracey had previously been the community artist associated with the "As we are" Community Banner project.arts officer, as we are, community banner project, eltham community artist, eltham shire counci, tracey naughton

Memorial plaque erected by Rotary Club of Greensborough at the request of the Diamond Valley Shire Council and the Nillumbik Historical Society. A new plaque, with updated details, replaced it in 2015.Commemorates the deceased children of some early pioneering families (Whatmough and Partington) in the Greensborough district.Bronze plaque with Rotary logo, inscription and names of children buried engraved in blackpioneer childrens cemetery, rotary club of greensborough, nillumbik historical society inc., whatmough family, robert partington

Believed to be four children all of the same family, most probably those of an Eltham Shire Council employee who worked for the Engineering department (see image 05584-8)Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.shire of eltham, 1959-09, children

Eltham Gateway, Shilinglaw trees at 895 Main Road, Eltham, site of the former Eltham Shire Council offices. In distance is The Eltham Senior Citizens Hall on Library PlaceTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, library place, senior citizen's hall, shillinglaw trees