Showing 4541 items
matching this is germany
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Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Ending [Ende], Kathe Kollwitz
German 1867 - 1945Etching, aquatint , emeryK.37V, Plate 6, Weavers cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman at the Cradle [Frau an der Wiege] 1897, Kathe Kollwitz
German 1867 - 1945Etching K.38 iii DLater version -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Hamburg Tavern [Hamburger Kniepe] 1901, Kathe Kollwitz
German 1867 - 1945Soft - ground Etching K. 58 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Uprising [Aufruhr] 1899, Kathe Kollwitz
German 1867 - 1945Etching K.44, related to the Weavers cycleArtists estate stamp l.r -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Downtrodden [Zertretene] 1900, Kathe Kollwitz
German 1867 - 1945Etching, K.44 B ii: larger, r/hand portion of cut-down plate -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Death and Woman [Tod und Frau] 1910, Kathe Kollwitz
German 1867 - 1945Etching and emery through-press process, K.103 viii bPrinters marks -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Ploughers [Die Pfluger] 1906, Kathe Kollwitz
German 1867 - 1945Etching and aquatint. K .94 ix b, Plate 1, Peasant War cycleInscribed 21 in plate l.l -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Inspiration [Inspiration] 1905, Kathe Kollwitz
German 1867 - 1945Etching and through-press process, K.91 ixb -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Almost Whetted [Beim dengein]1905, Kathe Kollwitz
German 1867 - 1945Etching, K.90 xiib, Plate 3, Peasant War cycle 1921 reprintInscribed in Plate 1921; artists stamp -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Outbreak [Losbruch], Kathe Kollwitz
German 1867 - 1945Etching, K.66 xi, Plate 5 Peasant War cycleSigned and dated l.r -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Battlefield [Schlachtfeld] 1907, Kathe Kollwitz
German 1867 - 1945Etching/textile trough press, K.96 xi, Plate 6, Peasant War cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Prisoners [Die Gefangenen] 1908, Kathe Kollwitz
German 1867 - 1945Etching/textile through-press, K.98 xi, Plate 7, Peasant War cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Bust of Working Woman with Blue Shawl 1903, Kathe Kollwitz
German 1867 - 19453-colour Lithograph -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman's Head [Frauenkopf], Kathe Kollwitz
German 1867 - 1945Soft-ground etching K.68Inscribed in type under image -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman's Head Downcast [Gesenkter Frauenkopf] 1905, Kathe Kollwitz
German 1867 - 1945Soft ground etching K. 77Signrd l.r in pen; appears to later version of woman downcast -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Pregnant Woman [Schwangere Frau], Kathe Kollwitz
German 1867-1945Etching and soft-ground etching K.108 vi bInk stamp signature l.r -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Mother with Child in Arms, Kathe Kollwitz
German 1967 - 1945Drypoint and soft-ground etching, K.110 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Self-portrait with hand on brow [Selbstbildnis mit der Hand an der Stirn] 1910, Kathe Kollwitz
German 1867 - 1945Etching K.106Inscribed beneath image -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Tod. Frau and Kind [Death, Woman and Child], Kathe Kollwitz
German 1867 - 1945Etching and through-press, K.113Later imprint -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Fallen in Battle [Gefallen] 1921, Kathe Kollwitz
German 1867 - 1945Second version lithographSigned -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Tribute to Karl Liebknnecht [Gedankblatt fur Karl Liebknecht] (part) 1919, Kathe Kollwitz
German 1867 - 1945Etching K.137VA b -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Self-portrait [ Selbstbildnis] 1921, Kathe Kollwitz
German 1867 - 1945Etching K.155 vii -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Rousing Orator [Der Agitationsredner], Kathe Kollwitz
German 1867 - 1945Lithograph K.224Signed and illeg.inscriptions. -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Christ Nailed to the Cross c. 1504 - 1505, Albrecht Durer
German 1471 - 1528Woodcut [Small woodcut 'Passion']Initialled in plate -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, safety razor blade 'King Gillette'', 20thc
King Camp Gillette observed in 1902 that as existing, relatively expensive, razor blades dulled quickly and needed continuous sharpening, a razor whose blade could be thrown away when it dulled would meet a real need and likely be profitable. Safety razors had been developed in the mid-19th century, but still used a forged blade that dulled and rusted. In the 1870s, the Kampfe Brothers ( Germany) introduced a type of safety razor Gillette improved these earlier safety-razor designs, and introduced the high-profit-margin stamped razor blade steel blade. Gillette's innovation was the thin, inexpensive, disposable blade of stamped steel. Gillette's safety razor retailed for a substantial $5 half the average working man's weekly pay — yet sold by the millions. The most difficult part of development was engineering the blades, as thin, cheap steel was difficult to work and sharpen. This accounts for the delay between the initial idea and the product's introduction. To sell the product, Gillette founded the American Safety Razor Company on September 28, 1901 (changing the company's name to Gillette Safety Razor Company in July 1902). Gillette obtained a trademark registration (0056921) for his portrait and signature on the packaging. Production began in 1903, when he sold a total of 51 razors and 168 blades. The following year, he sold 90,884 razors and 123,648 blades, thanks in part to Gillette's low prices, automated manufacturing techniques and good advertising. By 1908, the corporation had established manufacturing facilities in the United States, Canada, England, France and Germany. Razor sales reached 450,000 units and blade sales exceeded 70 million units in 1915. In 1918, when the U.S. entered World War I, the company provided all American soldiers with a field razor set, paid for by the government, and as they were allowed to take them at discharge they continued their use of this product thus ensuring future sales. The company continues in the present day as the Gillette brand of Procter & Gamble, USA. Throughout the 20thC most men used this type of safety razor with disposable stainless steel razor blades to shave their beards prior to the introduction of affordable electric razors in 1960'sA blue packet of unused 'King Gillette' safety razor blades.on top of packet; Press with thumb / and snap end open / GILLETTE QUALITY THE / SAME THE WORLD OVER / FACTORIES IN / USA / CANADA , GREAT BRITAIN / MEXICO , FRANCE / COLUMBIA, GERMANY / BRAZIL, SPAIN / ARGENTINA, AUSTRALIA / GILLETTE TRADE MARK / KING C GILLETTE / RED. TRADE MARKS / GILLETTE (AUST.) PTY. LIMITED / MELBOURNE / DE 2023 / MADE IN AUSTRALIA / shaving equipment, safety razors, gillette king, proctor & gamble, moorabbin, bentleigh, cheltenham, -
Bendigo Military Museum
Postcard - POSTCARDS, PHOTOGRAPHIC WW1, c.1914 - 1918
Black & white photos of WWI battle scenes in Europe. Seven Daily Mail battle pictures, black & white. Official war photos, Series VIII. No 57 Wounded. Tommy to Photographer: I'm not a German! No 58 Black Watch Pipers Playing to the Captors of Longueval. No 59 The Burial of two British Soldiers on the Battlefield. No 60 A Fag After a Fight. No 62 British Machine Gunners Wearing Gas Helmets. No 63 Tommy at Home in German Dugouts. No 64 A Big Mine Exploding.postcards - photographs, military history, passchendaele barracks trust -
Lara RSL Sub Branch
Card & Envelope, Australian Comforts Fund Xmas & New Years Greeting Card 1918-19, Circa 1918-19
Small Christmas card produced for the Australian Comforts Fund, Christmas 1918. Christmas & New Years Greetings, 1918-19, with scenes of battles at Villers-Brettonneux and Hamel, and views of a captured tank and a 14cm. gun. Produced by Raphael Tuck & Sons, Publishers to the King and Queen.These cards were sent by service personal serving overseas to family members back home.l Sent by J.L.Mcintre while on active service in France to his loved ones back home.Christmas card with blue and black lettering Australian Comforts Fund Christmas & New Years Greetings, 1918-19, Produced by Raphael Tuck & Sons, Publishers to the King and Queen. The card depicts four scenes from the First World War: Australians Advancing from Villers-Brettonneux August 8th 1918, A German tank captured by the Australians near Villers-Brettonneux, Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans, Captured by The Australians a 14 C.M. German Naval Gun intact with its Train & Equipment.Australian Advancing from Vlllers-Brettonneux.August 8th 1918. From Original specially painted for the Australian Comforts Fund by Captain Will Longstaff.A.I.F.War Artist. -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: GERMAN STATE SCHOOL OLD BOYS 1845 - 1880, 1911
Photograph of the German State School old boys 1845-1880 and their teacher Mr A H Williams. Photograph was taken July 1911. School was located in Violet St Bendigo. Black and White photograph of a group of 32 men posed formally in four rows. Some are standing, some are sitting on chairs and some are seated cross legged on the floor. All are dressed in dark suits with waistcoats. On the reverse are pencilled the words "Violet St Bendigo German State School old boys 1845 - 1880 and their teacher Mr A H Williams (taken July 1911)'.Sears Studios Melbournephotograph, portrait, group -
Flagstaff Hill Maritime Museum and Village
Instrument - Accordion, International Accordion Company, 1930's
This MEZON brand button accordion was made specifically for Lyons, Musical Instrument Importer, 207 Bourke Street Melbourne, as can be seen on the embossed lettering on the top of the accordion. The hand inscribed nameplate indicates that the owner was T H Betts. On August 19th, 1903, Michael Edward Lyons applied to the Trade Mark’s Office of Sydney for registration of “The Invented word “MEZON” to be applied to musical instruments. In 1908 he was advertising himself as sole agents for MEZON accordions. He had been at that address for 15 years (since 1893) and was moving to larger premises at 256 Bourke Street, Melbourne. Still at this address in 1925, Lyons advertises MEZON accordions as “The ideal Xmas present, Maker your friends happy, This Xmas let the Present be a MEZON”. There was a choice of three styles: The Organ, The Wonder and The Grand Organ. They came with a Fibre Case with Lock and Key and a Leather Handle. The promise was “They Give Satisfaction”. They were obtainable at all stores or from Sole Distributors in Australia. In 1927 the MEZON was sold by Albert & Sons in Western Australia, Victoria, New South Wales and Queensland as well as by Lyons in Melbourne. The favoured German accordion brands were Monarch and Sterling, which were made by the International Accordion Company in Leipzig, Saxony, Germany. The company was founded in 1871 by Ernest Deines and made a variety of musical instruments. The company closed business in 1834. The International Accordion Company’s accordion range made the International brand and others such as MEZON, Globe, and Dienst. Australia imported the MEZON brand. American companies imported a range of the popular German branded accordions until World War II, when they were no longer available. In general, accordions produced after the war were not as high a quality and not loud enough to be heard over the electronic guitars and the drum kit of the bands. This accordion represents the type of musical instruments used in the late 19h and early 20th century, locally and Australia wide. In colonial Australia musical instruments like this one were imported from Germany as well as other countries. At that time, German made instruments represented good quality. This accordion is significant for being especially imported into Australia by a Melbourne retailer. Music was a part of family and social life, associated with dances, song and general fun.Button accordion with case. Accordion with steel reeds, three bass valves and ten treble valves. It is coloured black with very dark green trim, decorative silver metal reinforcing on main corners, gold reinforcing on corners of the bellows and delicate printed, gold printed patterned trims. Hand support for buttons is made of fabric. Folds of the bellows are light coloured with fine dark pattern. It has a nameplate on the front. Black wooden case has red lining, two brass hinges, two brass hook and eye catches and a swivel brass lock. The base of the case has a loose brass fitting. The top has a thin metal handle. Inscription on hand inscribed name on front, label inside case lid, silver reinforcing, leather on bellows top, and frame of accordion. Manufactured with the brand MEZON in Saxony, Germany, for Lyons of Melbourne. Once the property of T H Betts.Printed on label “MEZON ACCORDEONS.” Impressed in metal corners and reinforcing “MEZON” with logo [circle enclosing entwined capital D and E] “MADE IN SAXONY” Embossed in gold on frame “Made in Saxony”, “MEZON Accordion/ manufactured for LYONS / MELBOURNE, Bourke Street” Name inscribed by hand “T H Betts”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mezon accordion, lyons, made in saxony, t h betts, betts, mezon, squeeze box, musical instrument, button accordion, germany, michael lyons, international accordion company, ernest deines, circle enclosing d e, d e, e d, german accordion -
Bendigo Military Museum
Newspaper - NEWSPAPER, ARGUS, C. June 1942
The Argus, Melbourne Tuesday June 2 1942. 6 pages. Main headlines: - 3 midget subs sunk in Sydney Harbour - Rommel trying to fight his way out - No more beer for Germany - Planning vase air offensivedocuments - newspapers, military history, the argus