Photographs of H class car 60 at the Kew Depot c1920's. .1 - Tram painted in MMTB chocolate and cream colour scheme. Side elevation photo with depot buildings in background. Taken prior to modification of roofs at end of cars to building in destination box. Tram of same class at SEC No. 18. Tram E45 can be seen in the shed. .2 - Front elevation photo with depot buildings in background. Has old style destination box on roof, showing "DEEPDENE" and a route number box above the headlight. Both photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne.Yields information about H class tram No. 60 and Kew DepotSet of two Photograph, Black and White, In ink on the rear: .1 - "M&MTB H-60, Kew Depot `1920's (E45 in shed)" and the photographers stamp. .2 - ditto. KSK print number SA938 and 939.trams, tramways, h class, kew depot, deepdene, e class, tram 60, tram 45

Staughton Vale State School Honor Roll circa 1920 Staughton Vale is located on the South Eastern side ofn the You Yangs. Staughton Vale High School was opened on the 5th of November 1875 The first head teacher was Thomas Scott. It had a chequered history, operating only part-time for some periods, closing in 1949, but reopening in 1957, and finally closing for good on the 30th of September 1968. The Honor Roll was donated to the Lara RSL when the school closed for the last timeHonor Roll donated to Lara RSL in 1968Staughtonvale SS Honour Roll made of Varnished WoodList of Staughton Vale residents involved in the First World War Gold Lettering Blue union Jackstaughton vale honor roll 1914 1919 state school

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth and the postcard shows the plaque and two of the four drinking stations. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. Front: VALENTINE’S, M.355 THE FOUNTAIN, WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Queen St, Melb’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES’. The postcard is addressed to ‘Dear Agnes’ from ‘Una’. Marked in pencil on to right hand corner ‘1920 / $8’ believed to be put on the postcard by the vendor. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, 1920, granite, bliss-and-sons, 1906

Group of Men (Bowlers) 1920’s stawell

Stawell Rail yards. 1920'sstawell transport

John Monaghan in Car 1920's.stawell

Mrs. Ada Sebire - 1920'sMoss green velvet pin cushion with white beads. Triangular shape.pincushions, pin holders

Objects. Clothes brush is oval in shape, with a polished wooden base, and black bristles. Shaped to a rounded point at each end. Bristles 2.5 cm long. Nine rows of bristles. Make-up brush bears Chinese writing on the handle, 23.5 cm long with 6.5 cm long white hairs forming the brush. Hairs are held in an ebony cup shape fitting, attached to the handle. An ebony top-knot completed with a red silk ribbon loop finishes the top of the handle.Hair comb: Tortoise shell, with three 7 cm long teeth, which unfortunately are broken from the fan-shaped decorative top. The fan-shaped top of the comb, has an art-deco type flowing floral design-1920's.Chinese lettering - six characters.costume accessories, female, clothes brush, make-up brush, hair comb.

Yields information about the appearance through a drawing of Sturt St in the mid 1920's and yields information about the manufacture of china dishes with images in the bowl of the dish.White china dish, fluted sides, with a gold rim, flat base with a transferred image of Sturt St from Grenville St early 1920's with an ESCo tram arriving at the Grenville St terminus and two other trams in the view. Looks west along Sturt St. One of a series of dishes made for R. Tunbridge and Sons (see images of other dishes) by Shelley, England. i3 and i4 - of another dish held by the donor - Andrew Mitchell - shows the manufacturing details. - See Reg Item 7214 for another dish with the same image. See correspondence with Grania Poliness with Alan Bradley - printed copy with worksheet file. Stored in box 20A, within its own separate box wrapped with tissue paper. tramways, trams, crockery, sturt st, esco

Bendigo Advertiser ''The way we were'' from 2000. Wooton Lansell's granddaughter, Ava Jane Hall, wears a gown made in 1860 in this photograph taken by Bartlett bros. in the 1920s. The gown was worn to a ball at the Bendigo Town hall in 1920. (Photograph courtesy of the Bendigo Historical Society). The clip is in a folder.newspaper, bendigo advertiser, the way we were

Document, Program, Offical Dinner Program, Inaugural Dinner given by the Lord Mayor of Melbourne,Councillor J.W. Swanson, Town Hall, 8th November 1920.Inside of program includes; Music,Menu, Wines, Toasts.Osboldstone & Co P/L Printers, Melbourne,- 13724. Autographed by attendees on the rear of program.cottage, miners, inaugural dinner by the lord mayor of melbourne, melbourne town hall.

Yellow card with gold print. On the front of the menu is a picture of green and gold wattle and the words 'MENU Luncheon on the occasion of the visit of H.R.H. Edward, Prince of Wales, to Bendigo, Friday, June 4th, 1920. Town Hall, Bendigo. J.H. Curnow, Mayor.' On the inside is the menu. Bolton Bros., Printers Bendigo.person, individual, menu, lydia chancellor, collection, menu, person, individual, official, ephemera, luncheon, civic mementoes, food, h.r.h. edward, prince of wales

Date made 18 January 1997, for weekend trip 18 and 19 January 1997Colour photograph of the abandoned boiler at the North Arm. It shows a rusted steam boiler lying on its side, during 1920 and 1930 a steam crane was used to transfer rock from tram trucks to a barge for transport to the entrance. In background five people and shelters erected for information. Lakes Entrance Victoriavegetation, boats and boating, topography

Also a sepia toned enlargement 30 cm x 40 cm but fading. Also a black and white enlargement 13 cm x 18 cm in large frame red background, 'centenary'.Black and white photograph of the Club Hotel, showing a large single storied weatherboard building with corrugated iron roof, bluestone rock wall along the lake front. Hotel of 22 rooms opened 1885. Late 1920's sedan car parked at front of hotel. Lakes Entrance Victoriahotels, transport, architecture

Awards were presented by His Honour Judge Winneke to student Bruce R. Mann who had studied Agriculture at Burnley in 1923 and 1924. (1) Ist Prize in Form IX, Agriculture, (2) Dux in Form IX, Agriculture: these are photographic copies of the awards that were placed inside the book prizes. (3) Letter from B.R. Mann dated 9/6/92 with information about agricultural education at Burnley College in the 1920's.bruce r. mann, students, judge winneke

This stamp was made by C G Roeszear & Son Melbourne. This was passed to me by my mrother, Mary Elizabeth Millane Nee Markham. She told me that, for as long as she could remember - and from at least 1920 - this stamp had been used by her mother, Bertha Jane Markham (nee Cruse) when she was Post Mistress at Mitcham and that she, ( that is, my mother) had continued to use the stamp in her own shop (Cnr Station St and Whitehorse Rd) from 1944 to 1957. This stamp was used in Mitcham Post Office continually from 1920 to 1944 at which time the Post Office was removed from the building; it was then used in the shop at the same location until June 1957.Mrs Markham's Paid Brass stamp Wooden bull shaped handle attached to a brass oval shaped stamp with words PAID IN FULL Mrs Markham was postmistress at Mitcham.It was part of her shop & dwelling cr Whitehorse Road and Station Street.Building on WCC Heritage overlayPaid in fullmetalcraft, bronzeware

Souvenir dish featuring transfer print of the Entrance to the Avenue of Honour 14 Miles Long. The print foregrounds the Arch of Victory Ballarat and was made for Ballarat firm of R. Tunbridge & Sons. Early example of fine English porcelain with a new Ballarat landmark for the more discriminating buyer as opposed to the more common mass produced transfer printed items made in Czechoslovakia. The Ballarat Avenue of Honour is the longest surviving such memorial avenue to the Great War in the world and together with its entrance arch was officially opened by the Prince of Wales in June 1920.Souvenir dish made in England for local Australian sales. Evidence of early use of tourism pre-dating later built monuments for an Australian memorial to the Great War.Back stamped "Made in England exlusively for R. Tunbridge & Sons P.L.BALLARAT" with transfer printed Shelley England.porcelain, shelley, tunbridge, avenue of honor, arch of victory.

Watercolour and black pen, painted by Alf Perry 1954. Painting shows elevated weather board house, two brick chimneys. Stairs up to front verandah. Written across the top :'The late Jacob Perry's residence. Jobs Gully.Written on bottom of artwork ' As it was 1920, Alf Perry 1954. Written by Alf Perry, in pencil on the back, is the following: ' Drawn from the house in March 1954 but as I knew it in 1920. A verandah is built at the right hand side of the house now. The window below floor level at the right let in light to the little workshop my grandfather used. I used to go up and make (?) little bone knives and forks out of ordinary bones. Alf Perry 1954'.house, private, jacob perry, jobs gully

Won in 1920 at a raffle for the Mechanics Hall, Orbost.A celluloid kewpie doll with painted eyebrows and eyes and smile, wearing a tulle land ribbon skirt/dress. The doll's joints are held together with elastic. Its hands and feet are not naturalistic and its legs are moulded together. Overall, it does not have a naturalistic appearance.doll kewpie-doll celluloid-doll

Stawell High School Students 1920’sstawell education

Portrait - Miss Maggie McAlpine 1920’sstawell

A view of The Esplanade Torquay circa 1920'sThe Esplanade became the premier boulevard of Torquay township and is now amongst Victoria's most sought after residential real estate with unrestricted ocean views.Black and white photo.

John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair