The Cramond and Dickson Store was a major one in Warrnambool operating from 1856 to 1973. Both John Glass Cramond and James Dickson , the original firm partners were prominent in community affairs in Warrnambool. These labels are important ones because the Cramond and Dickson store was major one on the corner of Liebig and Timor Streets, Warrnambool. We have several articles emanating from this department store. .1,.2, .3 black paper rectangular adhesive label with white text in varied fonts and a space for writing. The reverse indicates that it has been removed from another piece of paper. .4,.5,.5.1 Cream rectangular adhesive labels with gold coloured text and a decorative border. .5 has a tear on the lower edge . .5.1 has a piece of 'blu tack' on the reverse. .6,.7 White rectangular card with dark blue text and a decorative border. .8 Cream rectangular label with dark blue text and a decorative border. It is discoloured..1,.2,.3 From Cramond & Dickson GENERAL DRAPERY GLOVES HOSIERY MILLINERY MANTLES UNDERCLOTHING MEN'S OUTFITTING WARRNAMBOOL .4,.5,.5.1 C&D Reliable Footwear. Description --------- Size --- Last--- No. .6,.7 MANUFACTURED EXPRESSELY FOR CRAMOND AND DICKSON WARRNAMBOOL Size....... Qual..... .8 FROM Cramond and Dickson Outfitters, General Drapers, Importers &c ,WARRNAMBOOL A pencilled mark is C c1900 . cramond and dickson store, drapers., men's outfitters., mantles, underclothing

Printed coloured photographic postcard with two smaller images contained in oval frames on a green background. The left hand image is of a path through an avenue of trees and the right hand image is of a tiered waterfall with a background of trees. Both images are each framed by an oval frame supported by an easel. The words A Shady Walk are printed below the left hand image and Rushing Waters below the right hand image. On the reverse the words Printed in Saxony are printed in red on left hand side. Handwriting covers the rest of the space and a one penny stamp is affixed.Printed in Saxonypostcard

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. On of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.19 "D" with machine embroidered church "St Matthews Yinnar", hands "Friendship", building "UCA Yinnar", chuch "Holy Innocents YINNAR STH" "(Californian RED WOOD)", tree "BIG TREE grows at Christ Church Boolarra" " D " "St Matthews Yinnar" "Friendship" "UCA Yinnar" " Holy Innocents YINNAR STH" " Californian RED WOOD" " BIG TREE grows at Christ Church Boolarra"uniting church adult fellowship

Yields information and demonstrates the tickets used to for Scholar's or students to travel on the trams in Ballarat during the mid 1960's.Set of 6 Yellow cloth backed paper tickets with white front, printed in black ink with fare value of $2.10. Blank or Unused Scholar's monthly ticket for use by under 15 years students. Has form number "TYE 3-570" in top left hand corner. Space for an expiry date to be stamped on the ticket and name, address and school of the student. The 1966 Schedule of Fares and Charges shows these tickets. See Reg Item 8455 for samples of issued tickets. Ticket Nos. A008695, 96, 97, 98, 99, A008700trams, tramways, secv, bendigo, schools tickets

3048.1 - Printed form titled "Monthly Reconciliation of Stock of Tramway Tickets" of the SEC, Electricity Supply Department, Provincial Tramways, on off white paper. Gives value of tickets up to 12c, , scholar and parcel tickets. Has space for branch, as at date, with signatures of Accountant and Office Manager. Form has number TYE - (OP111), with two large holes on left hand side for holding or filing into accounts books. 3048.2 - Photocopy of the same form with fares up to 15c, parcel tickets of 10c. Has a number of marks and figures on the sheet. trams, tramways, tickets, accounting

Form used to provide information to the depot about defective trams when motormen signed off at the city centre office. Thought to be used in final months of the tramway system.Duplicated typed form, S.118, titled "Sign off cars at City Centre", for signing off defects in trams that Motorman signed off when signing off at the City Office in Sturt St. Form made out for weekdays, has date in top right hand corner. Has Run Number and Time in pre-printed, then space for car number, defects, motorman's signature, repairs made and Foreman's Signature. Some runs detailed twice. Runs line up with Reg. item 3426, possibly the form used after 3-1970.trams, tramways, timetables, sec, ballarat, tramcars

Postcard contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Rose Series Postcard No. 2868, titled "Looking down Mitchel St Bendigo Vic", from the railway overbridge. Has bogie tram No. 23 descending the hill, with the destination of Eaglehawk. Would appear the railway station entrance has been barriered off. Published by the Rose Stereograph Co. Armadale Vic, has the rose logo on the rear and a statement "A real photograph produced in Australia". No space for the stamp or address line. On rear in ink "Bogie 23" and in pencil "WJ"trams, tramways, bendigo, rose postcards, mitchell st, tram 28

Diggers & Mining. Getting the Gold. Slide: On some fields, but notably at Ballarat and Daylesford, the diggers soon began building water races from streams and springs, and running the race water into small reservoirs near their claims. (Water races, as we have seen, were also constructed all over the Ovens field for sluicing purposes.) Later in the gold decade, the building of water races went on space - chiefly by large co-operative groups of diggers engaged in small scale mining operations. Markings: 69 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

This album pays tribute to the First World War service men who were born and / or lived in the Shire of Marong and were killed in action. Australia’s involvement in the First World War began when Britain and Germany went to war on 4 August 1914, and both Prime Minister Joseph Cook and Opposition Leader Andrew Fisher, who were in the midst of an election campaign, pledged full support for Britain. The outbreak of war was greeted in Australia, as in many other places, with great enthusiasm. For Australia, the First World War remains the costliest conflict in terms of deaths and casualties. From a population of fewer than five million, 416,809 men enlisted, of whom more than 60,000 were killed and 156,000 wounded, gassed, or taken prisoner. Large volume with screw post binding. Corduroy and leather front and back cover. Leather gold embossed title central front cover. Marbled pasted down end papers. Seventy four individual cream and maroon printed pages with decorative scrolls, illustrations and text. Alphabetised. Each page is dedicated to a service man who died in action, recording his name, address, service record and date of death. Oval central space for photographic portrait with image of an emu on the left, kangaroo on the right and boomerang above. (Not all pages contain photographs). Shire of Marong / The President, Councillors & Ratepayers / of the Shire of Marong / hereby place on record their thanks and appreciation / for the conduct of (soldiers name) / Who served his King and Country / in the Great War / 1914 / 1919shire of marong, world war 1

Printed form on off white paper titled "M&MTB Conductor's Pay in slip", form number 3/135, dated February 1966, at the time of the conversion of the Australian currency to the decimal system. Enabled the conductors to record what amount they paid into the revenue office, with space for table number, name, out fit number, amounts, number of swimming tickets and signature of revenue clerk. See Reg Item 1460 for a 1988 and 809 for March 1972 examples. Has the Malvern Depot stamp in the top right hand corner - 11 Jan 1969trams, tramways, mmtb, conductors, forms, pay in forms, decimal conversion, decimal currency

Set of 6 sheets, forms, printed for run outs or run in from Kew Depot for various dates. Lists table, time out, in, run with space for the tram, road and remarks to be made. .1 - Kew Depot run out Sunday 11/3/2012 .2 - Run in - 31/12/2009 .3 - Run in - Saturday 2/1/09 .4 - run in 27/12/2009 Sunday .5 - Run in - Tuesday 13/3/12 - Grand Prix .6 - Run in - Tuesday 13/3/12 - Grand Prix AMtrams, tramways, depot, kew depot, grand prix, table cards, timetables

Postcard - full colour featuring SW6 856 and 862 in the 2005 Christmas decorated livery - Flinders St West Dec. 2005, running on the City Circle services. ARE (The Railfan Shop) produced 2006. Photo Ian Green. On the rear of one copy is a hand written note from Kevin Tierney sending HTD the "Bring 'em back" DVD and other materials. See image. Postcard produced by Railcard for the Association of Railway Enthusiasts, ARE No. 8/06. Has ARE logo, shop details and hours, space for small message, address and stamp. Two copies heldSee back for additional handwriting.trams, tramways, sw6 class, city circle, flinders st, christmas trams, decorated trams, tram 856, tram 862

Postcard - photo of Chapel St Prahran looking south along Chapel St towards the intersection with Commercial Road with the Jacob Read drapery business or the Charles Moore and Company department store - now the Pran Central complex in the view. Has a number of horse drawn vehicles, some motor cars and a cable tram in the view. Divided back with spaces for Correspondence, address and stamp. Stamp area has "Printed in county of Saxony" and number 3949 in bottom right hand corner. Published by Valentines & Sons Publishing Co. Melbourne and Sydney.trams, tramways, cable trams, commercial rd, malvern rd, chapel st, horse drawn vehicle

Postcard - silver finish known as "Collotype" - view of looking east along Collins St from near the intersection of Market St. Has a number of cable cars in the view, the first one having the destination of Spencer St. Has a number of horse drawn vehicles, parked or tethered on the wrong side of the road. Card titled "Collins St Melbourne looking East" Postcard has a divided back with space for stamp, address and correspondence. In the top centre is a start with an "O" in the centre. .1 - reproduction black and white photograph, collected by Keith Kings3392.1 - has "20c" in pencil in the top left hand corner and a TMSV Sales stamp on the rear.trams, tramways, cable trams, market st, collins st, buildings, horse drawn vehicle

Colour postcard divided back, four photo panels - Biscay Greetings, 1. - Evening lights of Melbourne reflected in the Yarra 2 - Bourke St - as for Reg Item 2639 3 - Collins St - with A class 239 at Swanston St (See Reg Item 5206 for a larger image.) 4 - View looking north along Elizabeth St from Flinders St Station with the Robert Risson shelter in the view. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG291trams, tramways, bourke st, z class, a class, collins st, elizabeth st, robert risson, shelters, tram 239

Colour postcard divided back, - Nu-Color-Vue, The Classic Collection of SW2 275 Route 8 University and another tram behind in St Kilda Road with the Shrine of Remembrance in the background. Back has space for name and address, stamp and a message and details of the postcard. Produced by Nu-Color-Vue, number 140 485 NCV 7548 Has "Melbourne Australia" along the top edge. .1 - same image, but different crop with red and white boards and the words along the bottom edge. Image number 11 ML MCV 4102in pencil on rear of .1 - "R Anderson Collection 1989"trams, tramways, st kilda road, shrine, shrine of remembrance, sw2 class, route 8, tram 275

Colour postcard divided back, black border - Nu-Color-Vue, The Classic Collection of the intersection of Flinders and Swanston St, with Flinders St station and Young and Jacksons Hotel. SW6 884 with The Met logo in Swanston St and a Z class in Flinders St. Also has the SEC building and adverts for Swan Premium beer and Brother printers. Back has space for name and address, stamp and a message and details of the postcard. Produced by Nu-Color-Vue, number 140 061 NCV 7029 Has "Melbourne Australia" along the bottom edge.trams, tramways, swanston st, flinders st, flinders st station, sw6 class, tram 884

3261 - Colour photograph printed onto white card as a BTM Membership card for 2004 - 2005. Photo of No. 34 at Gardens Loop, with the words "Ballarat Tramway Museum" along the bottom edge. Photo taken from Reg. Item. 2096. 3261.1 - Has a printed label and details for members on rear with validity period and space for Member's signature. Issued to W.A. Doubleday 85. Also has details of the photo and photographer - P. Moses. 3261.2 - ditto for P. Winspur 76. 3261.3 - ditto for C.Dean, 42 - has been signed.3261.1 - Has printed label "W.A. Doubleday, 85 expires 30 June 2005" on rear. 3261.2 - ditto for "P Winspur 76" on rear. 3261.3 - ditto for "C Dean 42" with signature in blue ink.trams, tramways, btm, membership cards, gardens loop

3260.1 and 3260.2 - Colour photograph printed onto white card as a BTM Membership card for 2003 - 2004. Photo of SEC No. 42 turning from Sturt St into Drummond St. North, with the words "Ballarat Tramway Museum Inc" in yellow letters at base of card. Photo by Wal Jack - see Reg Item 425. Both have printed label and details for members on rear with validity period and space for Member's signature. .1 - Issued to P. Winspur, Member 76, .2 - to W.Doubleday 85, .3 to C. Dean 42.3260.1 - Has printed label "P. Winspur /76/ June 2004" on rear. 3260.2 - ditto for "W.Doubleday", 3260.3 ditto for "C.Dean 42".trams, tramways, btm, membership cards, hospital corner

One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. Victorian one penny postage stamp Post Card The Address to be written on this side This space may be used for Correspondence/ within the Commonwealth at 1d rate./ Foreign, charged ordinary letter rate. AFFIX STAMP/ HERE Dear Mum/ Will you bring me/ over some/ milk. I cannot/ get any here./ Love to all/ from all/ Hilda Mrs Gregory/ Bay View Hotel/ Frankstonmarysville, victoria, nicholas john caire, postcard, souvenir, cumberland falls

“The artwork speaks to the historical architecture of this area, while exploring the idea of changing understanding of space. Space is bent, bulged and repeated, in this painting, like a mirror maze. In this way, it will inspire playfulness, curiosity and thought, by transforming the way we observe, move through and engage with public space”Artist George Goodnow has installed their artwork on the Annex Wall in Alfred Deakin Place from 30th November 2021 - 1 November 2022. George is a multidisciplinary artist and curator currently living in Naarm (Melbourne). Their work for the Annexe Wall will feature a fictional architectural arrangement of the Police Lane site. George utilises painting (designed through hand-drawn and digital processes) to adjust existing architecture, illuminating how spaces reflect, orientate and hold bodies. Recent work explores feelings of disorientation, binaries and queerness within suburban and urban landscapes. painted wall

Seymour was selected as the site for a military training camp by General Kitchener during his 1909 visit to Australia to advise the government of defence needs. Space for light horse training and areas for artillery training were factors in the choice of location. Soldiers thought to be Beechworth Troop, 8th Light Horse (VMR). 8th Light Horse (VMR) was raised following Federation from companies of the colonial Victorian Mounted Rifles throughout North-east Victoria. 8th regiment was renumbered 16th Light Horse (Indi) in 1912 and reverted to 8th Light Horse (Indi) in 1920.Black and white photograph of thirteen members of a light horse troop at Kitchener Camp Seymour 1910 posed for photograph. Photograph is professionally mounted on card.In manuscript: "Kitchener Camp Seymour 1910"; faint ink stamp: " James Colquhoun / Photographer / Donald Street / Prahran"light horse, seymour, 8th, vmr, indi, beechworth, kitchener, uniform

To celebrate the 2001 International Year of the Volunteer, each Vision Australia Foundation site constructed a wall hanging. These were proudly displayed in the various offices until refurbishments and reduction of physical office space reduced the ability to do this. Various hangings have been stored by volunteers or former staff members, however digital images were secured where possible. Ballarat's wall hanging shows Lake Wendouree and the Ballarat area around it. Mildura's wall hanging shows paddleboats on the Murray River, with grapes, a hot air balloon and a large sun.Cloth banner made by volunteers to celebrate 2001vision australia foundation, volunteers

These minutes include Present, Apologies, Correspondence, Registrations, Reports and Interviews with workers. 16/12/1938 it was noted the Secretary created a brochure called 'Social Justice for the Blind' and other publications for promotion of the organisation. It was also reported re the Institutions decision to pay Christmas pay on the basis of Married pensioners, £3-7-6, Married non-pensioners £4-7-6 per week and single men £2-2-6 per week. The child allowance has been discontinued. Meetings were often held in private homes or in spaces provided by churches.1 volume of handwritten notesassociation of victorian blind workers, royal victorian institute for the blind

Contractions are used in Braille to allow reduce the amount of space that a word occupies on the page, whilst still maintaining the ease of reading. In list this, a series of words with their common contractions helps the reader to use them. For example: the word atone, in this list, would be spelt with an 'a' and 't', then the contraction for 'one' would be used. In some instances, two contractions are listed, which the reader identifies by the use of a slash between them. For example: demented is 'd' then 'e', then 'ment' and a second contraction of 'ed'. The origin of this list is unknown, however has been designated as the Braille and Talking Book Library.4 pages of typewritten words with contraction notesbraille, transcription

Wreath laying ceremony for Legacy widows at the Cenotaph at the Shrine of Remembrance. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The photos shows the widows after a service in the Visitor Centre of the Shrine of Remembrance. From the film numbers it appears to be 2003 when David Ford was president (see also 00615). The Visitor Centre was completed in 2003 and provides unimpeded access for the elderly and disabled to the Sanctuary, the Crypt and the Galleries of Remembrance as well as open space for exhibitions and events. The event is known as Widows' Sunday, Legacy Sunday and pilgrimage to the Shrine.A record of a ceremony at the Shrine in 2003.Colour photo x 2 of six widows at the Shrine visitor centre.Printed on the back No.< > Clarendon Photos 0014 which is the frame numbers and place of processing. Negative numbers 7 and 8.widows, widows' sunday, pilgrimage, wreath laying ceremony

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It was used by the Manders family. Peter Mander.A wooden steeple cased mantel clock with a hinged highly decorative glass front, black roman numerals and metal hands on the enclosed white face. It has a decorative brass pendulum with an eight sided star with a woman's face design on the star. Brass trimmings are seen throughout the mechanism.mantel clocks, clocks, timepieces, shelf clocks

The cabinet appears to be homemade and purposely built for the storage of a collection of vinyl records. The records are stored vertically in a 'holder' with a rectangular wooden base with soft covered wire strips well spaced and each extended to fit up to 50 records. See KVHS 18 . The stands then fit into the cabinet with the base of the holder resting on wooden ledges glued on each side allowing the records to fit in all directions. There are two levels - one on the bottom and one halfway up. Holding approximately 100 records altogether. The cabinet's door is opened with a silver push button latch. Many men made their own furniture as they had the equipment and experience to do so. During the 1950s vinyl records were played to entertain families and to educate children in the areas of music and dance. Mt Beauty didn't have TV until much later than the cities and furniture wasn't always available at the local shops.Wooden cabinet with 4 legs and a door with a silver push button latch. Inside are small ledges on each side at the bottom and halfway up.vinyl records, music, wooden cabinet

The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra