Thomas Evan Rand was born at Hawthorn. He enlisted for service during World War One as an almost 20 year old engineering student, serving with the Australian Flying Corps.A commemorative certificate documenting the war service of Thomas Evan Rand of ‘Urangeline’, Barkers Road, Kew. Thomas Rand was an engineering student when he enrolled as a private in the Australian Army. He embarked on HMAT Orsova A67 on 16 March 1916. He was enlisted in the No 1 Squadron, Flying Corps. The formal certificate records that ‘ Thomas Evan Rand served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country’s Call his name is inscribed on the Roll of Honor of the Town of Kew’. The then Mayor and Town Clerk signed the certificate. [Kew did not become a ‘City’ until 1921]. The certificate highlights emblems and symbols of Australia and Great Britain, and includes the coats of arms of the allies in the war. The certificate is customised with two black and white photographs of Kew: the rotunda in the Alexandra Gardens at left, and boating on the Yarra River at right.Thomas Evan Rand served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country's Call his name is recorded on the Roll of Honor Town of Kew on behalf of the Mayor, Councillors and Burgesses. 1.8.18. E.P. Wynne [Mayor] H. Harrison [Town Clerk]roll of honor (kew), thomas evan rand, world war one, thomas rand, urangeline, kew, australian flying corps, alexandra gardens, wwi, yarra river

The City Engineer's Department within the former City of Kew, was responsible for public works, including street beautification. This photograph was held in the archives of the Department and was subsequently gifted to the Kew Historical Society. Like other examples originally held by the Department, photographs of road works, street beautification, engineering works were often sourced from other municipalities, or countries, to use as references for engineering works and design in Kew.Colour photographic positive (faded) of street beautification in Port Melbourne, used as a model by the Engineer's Department of the City of Kew for how civic spaces, including shopping centre precincts, could be improved. street beautification, city of kew -- engineers department, public works -- kew (vic.), port melbourne

The City Engineer's Department within the former City of Kew, was responsible for public works, including street beautification. This photograph was held in the archives of the Department and was subsequently gifted to the Kew Historical Society. Like other examples originally held by the Department, photographs of road works, street beautification, engineering works were often sourced from other municipalities, or countries, to use as references for engineering works and design in Kew.Colour photographic positive (faded) of street beautification in Port Melbourne, used as a model by the Engineer's Department of the City of Kew for how civic spaces, including shopping centre precincts, could be improved. street beautification, city of kew -- engineers department, public works -- kew (vic.), port melbourne

The City Engineer's Department within the former City of Kew, was responsible for public works, including street beautification. This photograph was held in the archives of the Department and was subsequently gifted to the Kew Historical Society. Like other examples originally held by the Department, photographs of road works, street beautification, engineering works were often sourced from other municipalities, or countries, to use as references for engineering works and design in Kew.Colour photographic positive (faded) of street beautification in Port Melbourne, used as a model by the Engineer's Department of the City of Kew for how civic spaces, including shopping centre precincts, could be improved. street beautification, city of kew -- engineers department, public works -- kew (vic.), port melbourne

The City Engineer's Department within the former City of Kew, was responsible for public works, including street beautification. This photograph was held in the archives of the Department and was subsequently gifted to the Kew Historical Society. Like other examples originally held by the Department, photographs of road works, street beautification, engineering works were often sourced from other municipalities, or countries, to use as references for engineering works and design in Kew.Colour photographic positive (faded) of public parking in South Melbourne, perhaps used as a model by the Engineer's Department of the City of Kew for how civic spaces, including shopping centre precincts, could be improved. city of kew -- engineers department, public works -- kew (vic.), south melbourne, carparks, signs

Original, black and white positive print which the inscription on the reverse incorrectly claims is of Kew during the 1934 floods. The date may be 1934, but there is no evidence of flood waters or of location. The photo is of an intersection with a hotel on the corner in front of which a man is standing. The hotel would appear to be named Russell['s] Hotel. There is also an advertisement for Willys on the hotel verandah. Inscribed verso: "Yarra Floods Kew 1934" unidentified locations

A circular celluloid and tin button badge with stick pin at back. The badge features black text 'RED TRIANGLE DAY 1 JUNE 1917' printed in a gold border around the outer edge and white text 'GOD/​ KING/​ COUNTRY' in a red triangle in the centre. The centre background is white. During World War I, a large number of benevolent and patriotic organisations and charities were formed to raise money from the public for Australia’s war effort and soldiers, whilst other established organisations held specific patriotic fund raising days. Red Triangle Day was an initiative of the Young Men's Christian Association, commonly known as the YMCA and this badge incorporates the red triangle used as the everyday logo of the YMCA from 1897 to 1967. In 1917 Red Triangle Day raised £159,037 28 towards the war work of the YMCA.A circular celluloid and tin button badge with stick pin at back. The badge features black text 'RED TRIANGLE DAY 1 JUNE 1917' printed in a gold border around the outer edge and white text 'GOD/​ KING/​ COUNTRY' in a red triangle in the centre. The centre background is white. During World War I, a large number of benevolent and patriotic organisations and charities were formed to raise money from the public for Australia’s war effort and soldiers, whilst other established organisations held specific patriotic fund raising days. Red Triangle Day was an initiative of the Young Men's Christian Association, commonly known as the YMCA and this badge incorporates the red triangle used as the everyday logo of the YMCA from 1897 to 1967. In 1917 Red Triangle Day raised £159,037 28 towards the war work of the YMCA.Red Triangle Day God King Country

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of Brigadier H.H. Hammer, Commander 2nd Armoured Brigade and Staff - Sargeant R.J. Roberts, Orderly Room Sergeant of 8/13 Victorian Mounted Rifles.Comd 2 Armd Bde, Brig H.H. Hammer, pinning British Empire medal on S/Sgt R. J. Roberts, Earlsfield Road, Hampton, O/Room Sgt of 8/13thVictorian Mounted Rifles at Puckapunyal Camp during 14 day camp of Regiment in January. S/Sgt Roberts saw service in M.E., England, and South Africa with Australia Mil Liaison Staff. S/Sgt Roberts was a member of champion Victorian debating team, and trained Regt team to highest standard yet attained in services.Gave up great deal of own time in this work, and also re-organizing orderly rooms of units in country areas. Is a member of ARA.

The post card is an early view of the intersection of Brook and Evans Street looking west and towards Sunbury Station. Mount Holden is in the distance. Chris Christianson's shop is on the LHS of the picture with the post office on the RHS. This image is an early view of Sunbury town centre with the railway station and post office. Like many country towns of this era, The roads have been formed but not surfaced. A sepia photograph in post card format of a view of a town centre showing an intersection and some small buildings with a hill in the distance.TO THE RAILWAY/SUNBURYbrook street, evans street, sunbury railway station, christianson, chris.

Commissioned, 1975Watercolour on papergippsland, artwork, permanent collection

This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on pages 12, 13 and 17.Front Side: Hand-drawn map centred on Chiltern showing the Melbourne road [Hume Freeway] and the Beechworth-Rutherglen road with detailed locations of flora in the region. Flora includes; Iron Bark, Stringy Bark, Red Box and Yellow Box. Details regarding quantity of flowers and quality of trees is included. Back Side: Some names and addresses are recorded in pencil. Drawn with black pen and grey lead on paper. A grid and other symbols are marked in red ink.hand drawn, hand-drawn, map, chiltern, 1915, beekeeper, frost, beechworth honey

This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on page 8.Hand-drawn map centred on Myrtleford, Palmerston, Gapstead Road, the Ovens River and the Myrtleford-Wangaratta Road. Shows locations of flowering eucalypts. Scale is 1 mile to 1 inch. Drawn with black pen and grey lead on paper. Names of towns are marked in red pen. hand drawn, hand-drawn, map, myrtleford, palmerston, gapstead, ovens, beekeeping, frost, beechworth honey

This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on page 8.Hand-drawn map centred on Buckland Gap road (near Murmungee). Details the quantity and quality of flowering timber in the nearby State Forest. Scale is 1/2 mile to 1 inch. Map was drawn on the 16th July, 1916. Drawn with black pen and grey lead on paper. Features are marked in red.hand drawn, hand-drawn, map, buckland gap, frost, beekeeper, beechworth honey

This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on page 11. Front Side: Hand-drawn map centred on Ararat, central Victoria. Details road and railway and vegetation with comments on flowering. Back Side: Comments in grey lead [ca 1923]hand drawn, hand-drawn, map, ararat, frost, beekeeper, beechworth honey

This book shares the stories of 20 people from a wide variety of backgrounds, all with connections to the Surrey Hills Neighbourhood Centre (SHNC). Through personal memoir or oral history they reflect upon their experience of moving to Australia from other countries. Interviewers and photographers also with links to SHNC. Foreword by Josh Frydenberg, Federal Member for Kooyong.This book shares the stories of 20 people from a wide variety of backgrounds, all with connections to the Surrey Hills Neighbourhood Centre (SHNC). Through personal memoir or oral history they reflect upon their experience of moving to Australia from other countries. Interviewers and photographers also with links to SHNC. Foreword by Josh Frydenberg, Federal Member for Kooyong.immigrants - victoria - surrey hills, biography, (mrs) shima ibuki, (mr) chris young, (mr) hung le, (mr) nathan paramanathan, (ms) sue barnett, (ms) suet mun wong, (mrs) betsie mineur, (mr) rudi mineur, (mrs) kathryn mcevoy, (mrs) anke schwaiger, (ms) phillipa taylor, (ms) jessy zhu, (ms) julia mcleish, (miss) nasrin sadeghpour, (mrs) melanie sanders, (mrs) priscilla tiplady, (mr) robin tiplady, (mr) leslie gibbons, geln stander, (mrs) helen standler, (mr) joe sterpin, (mrs) rosa spinello, (mrs) pepa jones, (mr) graham o'rourke, (mr) simon williams, (mr) colin barrow, (mrs) rosemary barrow, (mr) josh frydenberg, (mrs) ruth scharley, (mrs) soni prabhur, (mrs) julie zeelander

Margaret Johnson was born and raised in the country. She came to Melbourne to attend secondary school at age eleven. She stayed with the family of her uncle, Dr Carrington, in their home / surgery still located at 174 Union Road, the Surrey Hills Medical Centre. Later, whilst waiting to commence her kindergarten training course, she met Jessie Black and they became firm friends and it was through Jessie that Margaret met Jessie’s brother and her future husband, Thorby Black. The Black family had been residents of Mont Albert for many years and Thorby was in the air force at the time. Margaret and Thorby were married at St Stephens Presbyterian Church in Surrey Hills on 1 May 1948. Her wedding dress was bought at Canns on the corner of Elizabeth Street & Flinders Lane. It was one in an exhibition held as part of a Surrey Hills Festival in the early 2000's. Like others in the exhibition, it no longer had its train and the sleeves have been shortened. Margaret recalled that after her wedding she wore it as an evening dress. Her bridesmaids’ dresses were a little unusual for the time, as they too were white and their flowers were subdued pink and blue. According to Margaret, the popular fashion was for brightly coloured dresses and bright flowers for the bridesmaids. The positioning of the garlands of flowers in their hair was also unusual. They were placed at the back so that the congregation could see them during the ceremony. Housing was in very short supply in the years following the war, so after they were married, Margaret and Thorby moved into a small flat created at Dr Carrington’s surgery. They later moved to a house built in 1926 in Black Street, Mont Albert, which continued to be Margaret’s home until her death. weddings, mrs margaret black, miss margaret johnson, mr thorby black, st stephens presbyterian church, bridal wear

Doris Lilian Wright of 214 Union Road was a milliner but joined the Australian Women's Army Service (AWAS) in the early war years. The Women’s Australian National Service (WANS) was inaugurated in 1940. Training for members of the WANS included air raid drills, first aid, basic military drills, and even shooting, signalling, and mechanics. AWAS on formed on 13 August 1941 with the objective of releasing more men into forward areas. The Army was particular with its recruiting and four references were required; another stipulation was that teeth were in good condition. Doris was located at Elwood. Their training area was along the foreshore and one day to their great surprise there were crowds of American Marines – "the cream of the American Army". These were the first Americans to arrive in Australia to strengthen the defence of the country. The Americans soon went north and the AWAS went off to Balcombe on the Mornington Peninsula. At this time there were no uniforms for the girls only ‘giggle’ dresses – of a non-descript colour. They were not expected to appear in public in these and wore civilian dress. Japan had just entered the war and there were more urgent demands on restricted supplies. The formal uniforms eventually arrived.A black and white photograph of a lady in an army uniform and wearing a hat.union road, surrey hills, uniforms, clothing and dress, (miss) doris wright, australian women's army service

Norma Bull in a window of 'Medlow', 1920s Her brother (Ronald) Richard was a keen photographer and is believed to have taken the photographs of the family and in the grounds of 'Medlow'. Norma Catherine Bull (7 September 1906 – September 1980) was an Australian painter, printmaker and etcher best known for the paintings and sketches she made in Britain during World War II. Norma was the daughter of Richard Joseph Bull (1874-1927) and Catherine Grace Perrier (1884-1972). Her father was the Director of Bacteriology at Melbourne University. Richard and Catherine had 2 children. Norma was born in Hawthorn in 1906 and her brother Ronald Richard was born in Surrey Hills in 1912, where in 1911 Richard bought a property at 42 Warrigal Road, Surrey Hills developed by Colonel William Cairncross, known as ‘Willcyrus’ and renamed ‘Medlow’ by the Bulls. As a child, Norma was a high achiever both intellectually and artistically. She was educated at Fintona, where she matriculated as Dux of the School and winner of an exhibition in French. She won a scholarship to attend the University of Melbourne where she studied French, Zoology, Philosophy, English and History, leading to a Bachelor of Arts in 1929. Following this she studied painting and drawing at the National Gallery Art School for seven years. Whilst most of the students of the 1930s were inspired by Modernism, Norma followed more traditional styles and became known for her etchings and realistic depiction of urban scenes. Her work was strongly influenced by the conservative nature of the National Gallery Art School under Bernard Hall, and she remained a traditionalist all her life. In 1938, she was awarded the Sir John Longstaff Scholarship in Fine Art. This enabled her to travel to England to study at the Royal Academy in London. She arrived in April 1939 and after the outbreak of war, she worked as a volunteer at a First Aid Clearing Station and applied to become a war artist. In 1941, she was given a sketching permit by the War Artists Advisory Committee to record bomb damage in the Bristol area. In 1947, an exhibition of her 205 wartime works entitled “Two Hemispheres”, opened at Australia House in London. Many were acquired for major collections in England including the Victoria and Albert Museum, the Imperial War Museum and the Royal Collection. The “Two Hemispheres” exhibition toured Australia in 1948 and for over twelve months she followed Wirth’s Circus around the country, painting aspects of circus life. From then on she lived at Medlow’, From 1960 she was secretary of the Fellowship of Australian Artists. She was a finalist in the Archibald Prize on 2 occasions and is remembered through a biennial Art Prize, ‘The Norma Bull Portraiture Scholarship’ which is administered by The Victorian Artist’s Society. She continued to paint landscapes and seascapes in her traditionalist style. She had holiday homes at Anglesea and Bright. After she died in September 1980, 31 of her works were bequeathed to Bright Art Gallery. A black and white photograph of a lady holding a sun umbrella and sitting in a window frame.miss norma bull, medlow, house names, warrigal road, surrey hills, mr ronald richard bull

Mr Joseph Sutton Crow and his wife Jessie (nee Temby) at their marriage in 1910. Sutton became Director of the University Conservatorium, was deeply involved in the musical life of Melbourne and managed concert parties travelling to country towns. Jessie was a soloist, singing, in the early days, at the concerts with visiting and local artists, such as flautist John Amadio. They made their home at ‘Strathmore’, 75 Victoria Crescent, Mont Albert. The donor was their daughter, Winifred Jean Crow.A black and white photograph of a couple dressed in their wedding attire. The bride (standing) is wearing a floor length dress and veil. She has flowers in her hair and is carrying a large bouquet of flowers. The groom (seated) is wearing a coat, with a waistcoat and tie and is carrying a top hat.(mr) joseph sutton crow, (mrs) jessie crow, (miss) jessie temby, conservatorium of music, house names, victoria crescent, mont albert, (mr) john amadio, 'strathmore', opera singer, (miss) winifred jessie temby, (mrs) winifred jessie crow

The book presents a rich picture of a nation in the making. It is a portrait of Australia's development during the 19th and 20th centuries seen through the eyes of people arriving to make their homes here. It also looks at the new arrivals - those accepted and those rejected - from the points of view of people already established in the country.The book has a place in this collection by virtue of Michael Dugan having been a local resident.34 cm H; 200 p; includes chronology, List of sources and texts for each chapterTitle page: signed by one of the authors: Michael Dugansocial interaction--australia--history, australia - social life and customs, australia - social conditions, australia - emigration and immigration - history, minorities - australia - history, (mr) michael dugan, (mr) josef szware

Date is approximate - early 1930s. Mr Oswald Joyce and Mr Bert Lamble used to ride their bicycles to the country to find work when they became unemployed. This included reworking old gold mines. Here they are seen leaving for Enoch's Point where they fossicked for gold during the Depression. A check of the electoral rolls points to this being the home of Frederick Harry Percival Lamble, labourer, born in Collingwood. He and his family continued to live at 87 Essex Road until his death in 1968 and his occupation is consistently given as labourer. His wife Bessie Louisa Woods died in 1957.Black and white photo of 2 men identified, but not specifically, as Mr Joyce and Mr Lamble, both of Essex Road, Surrey Hills. They are standing next to their bicycles on a roughly made path. The bikes are loaded up with swags and kit as if the two are about to depart on a journey. Behind is a picket fence and in the background the shops along Canterbury Road can be seen.essex road, frederick harry percival (mr), bicycles, depression, 1929-1939, unemployment, economic depression, mr joyce, bert lamble, frederick harry percival lamble, bessie ethel lamble, bessie ethel smith

The children on the running board are Jocelyn and Lynette Cerini. Jocelyn is the older girl clutching a doll. The woman is likely to be their mother, Ethel Cerini. Date is approximate.Black and white photo of a family around a car with its hood up taken on a country track. The car has registration number 46063. There is a post and rail fence in the background and gum trees on both the left and right of the photo. There are 2 older men, a young man, a women in a cloche hat and 2 young girls.cars, pastimes and recreation, jocelyn cerini, jocelyn hall, lynette cerini

Once a community's size and importance could be gauged from its post office. The post office, especially in the 19th century, reflected the growth and prosperity of its locality. The boom in post office building was from the mid-1860s to the early 1890s. Invariably a post office was built in a prime location, frequently on a street corner.This book provides a cross section of the various styles of post offices built in city, suburb and country town, and who the post offices serve around Australia. Softback book of 83 pages, with numerous black and white photos; post offices are described alphabetically by town.surrey hills post office, post offices, official buildings, architectural styles, (mr) marc fiddian

This book looks at Box Hill as it grew from a rural backwater to a country town amid farms and orchards, then to an outer suburb, and then to an almost inner suburb. It covers the rural depression in the 1860s, the land boom of the 1880s and the collapse in the 1890s, the bitter days of two World Wars and the Depression, and the 'dry' suburb of Box Hill.Hardback book of 270 pages, indexed and footnoted, with some photos and plans; it is divided into chronological periods rather than themes."SURREY HILLS / NEIGHBOURHOOD CENTRE - HISTORY" on top of title page; "Surrey Hills Neighbourhood Centre" on top of front of jacket.box hill, dry area, temperance movement, mayors, councillors, agriculture, railways

A collection of papers presented at meetings of the Box Hill Historical Society detailing history of local families, churches, schools and other significant histories.A collection of papers presented at meetings of the Box Hill Historical Society detailing hsitory of local families, churches, schools and other significant histories.box hill historical society, box hill, (mr) arundel wrighte, wattle club, box hill state school, (mr) frank bamford, (mrs) mona webster, a. b. mcintosh, (mrs) l. turner, 1971, 1973, toogood family, box hill chess club, box hill repertory, box hill choral society, box hill country women's association

A collection of papers presented at meetings of the Box Hill Historical Society detailing hsitory of local families, churches, schools and other significant histories.box hill historical society, box hill, wrighte, arundel, wattle club, box hill state school, bamford, frank, webster, m. (mrs), mcintosh, a. b., turner, l. (mrs), 1971, 1973, toogood family, box hill chess club, box hill repertory, box hill choral society, box hill country women's association

Eustace Halley Coghill lived in Surrey Hills on the corner of Wandsworth Road and Chertsey Street. His home was moved to Phillip Island (photo in the collection). This is the sixth volume of his diaries transcribed and published by his daughter Elspeth Carey, who spoke to Surrey Hills Historical Society regarding her father's life. This volume covers Eustace Coghill working at the Supreme Court Library and lecturing at Melbourne University; his consideration regarding army enlistment and travels to country centres to check the court libraries.This is the sixth volume of the diaries. It continues with Eustace Coghill working at the Supreme Court Library and lecturing at Melbourne University. Also considering early entry to army in second World War. Travels also to country centres to check the court libraries.world war, 1914-1918, 1939-1945, social life and customs, eustace halley coghill (mr), elspeth coghill (miss), elspeth carey (mrs), diaries

Thick impasto painting depicting six figures; two indigenous males catching a fish in a landscape.Signed (L.r) 'Eric L. Stewart'. On Reverse: 'Legend of Wur-run-nah's walkabout by Katherine Stow (later Mrs. k.L. Parker). Wurrunnah when in a strange country, saw little round men who live in water. They made a coolomon of bark to keep the fig flies from him. Caught fish which were thrown up by the little water men'.eric stewart, painting, landscape, indigenous male, fish

Brochure to accompany the Soroptimist Quilt Project 2000. The quilt was made by members of seventeen Soroptimist International clubs across Victoria to celebrate the Year 2000. The quilt squares illustrate some of the projects initiated, funded and supported by Victorian Soroptimists as well as illustrations of broader affiliations and responsibilities, including to the UN. Examples include the S.I.A.M. (Soroptimist International Aids Mediation) project by SI Berwick in Northern Thai villages which established industries and health programs for women and girls as viable alternatives to the sex industry. Revegetation of woodlands, wetlands and cleared land by SI Deakin. Donation of toiletries to women's shelters, police lock ups and church emergency centres in the western suburbs of Melbourne by SI Cut Paw Paw. Founded in 1921, Soroptimist International is a global volunteer movement with a network of around 72,000 club members in 121 countries. Advocating for human rights and gender equality, at the heart of Soroptimist International’s advocacy is its work across seven UN Centres, where UN representatives ensure that the voices of women and girls are heard. Memberships work on grassroots projects that help women and girls achieve their individual and collective potential, realise aspirations and have an equal voice in communities worldwide. It has a flourishing Club in Geelong. The quilt has been displayed in Soroptimist Headquarters Victoria at 383 Toorak Road, South Yarra (Soroptimist House) since touring the State of Victoria in 2000. Soroptimist House has been sold with the funds raised to go to furthering the objects of Soroptimism.A3 sized folded brochure printed in blue and white depicting images and text relating to squares of the Soroptimist Project Quilt 2000.front: [printed] SOROPTIMIST / INTERNATIONAL / Soroptimist International / SOROPTIMIST / PROJECT QUILT - 2000 / To celebrate the Year 2000, members of the / seventeen Victorian Soroptimist Clubs have / worked together to produce this quilt. The / quilt squares illustrate some of the projects / which have been initiated, funded and / supported by Victorian Soroptimist / members as well as illustrations of our / broader affiliations and responsibilities.quilt, women, soroptimist, victoria, community, clubs, human rights, gender equality, united nations