After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The Ernest House (former) at 75 Walpole Street was designed by Harry Ernest in 1955/56. It is one of ten Victorian dwellings in Neil Clerehan’s important 1961 book Best Australian Houses, which illustrated cutting-edge residential design of the day. The house is also significant as Harry Ernest’s first residential commission, introducing elements that characterised his subsequent output.This drawing of the house is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 75 Walpole Street, Kew by Margaret Picken.75 WALPOLE ST., KEW / MARGARET PICKEN '90 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 75 walpole street -- kew (vic.)

The Lodewyckx family made their home at 3 Beatty Street, Mont Albert coming to the area after staying for six months at 'Medlow', the home of Dr Bull and his family while the latter were overseas. Augustin was in charge of the German Department at Melbourne University starting during the rather difficult days of the 1920s. A black and white photograph of a streetscape. There is a fence in front of a hedge along the right hand side of the photograph. There is a van parked on the left hand side of the photograph. There are many trees in the background.beatty street, mont albert, 1940-1949, lodewyckx family

Photo shows the Elizabeth St cable tram terminus with a grip car (destination of Royal Park), waiting for the trailer to pass before coupling up. The Elizabeth St clocktower is under construction - c1909. The station was completed in 1910.Yields information the Elizabeth St terminus and the Flinders St station construction.Photograph Flinders St station clocktower under construction with grip car reversingOn rear in ink. Melbourne – cable grip car standing in Elizabeth St at Shunt near Flinders St, city, destination shows Royal Park. Public Library of Victoria stamp – 16-9-1909 - Copy neg Mark Plummer collections ex late John Alfred collection. cable trams, tramways, melbourne, flinders street station, clocktower, elizabeth st

According to Neil Leckie, Manager of the Ballarat Ranger Military Museum: * Originally 12 – 14 year olds went to Junior Cadets attached to their school. * From age 14 – 17 they were Senior Cadets attached to the local militia unit. * After 1 July of the year a Cadet turned 18, the Cadet left the Senior Cadets and became a member of the Citizen Military Force. * In October 1918 the AIF, Militia and Cadets were renamed to give some connection to the AIF battalion raised in the area. Ballarat saw: 8th Australian Infantry Regiment comprising: * 8th Battalion AIF renamed 1st Battalion 8th Australian Infantry Regiment * 70th Infantry Militia renamed 2nd Battalion 8th Australian Infantry Regiment * 70th Infantry Cadets renamed 3rd B, 8th Australian Infantry. 39th Australian Infantry Regiment comprising: * 39th Battalion AIF renamed 1st Battalion 39th Australian Regiment * 71st Infantry Militia renamed 2nd Bn, 39th Australian Infantry Regiment * 71st Infantry Cadets renamed 3rd Bn, 39th Australian Infantry Regiment Prior to the reorganisation in 1918 the 18th Brigade was the 70th, 71st and 73rd Infantry. It is thought that the 18th Brigade Cadet units in 1920 were those that came from the old: * 69th Infantry (Geelong/Queenscliff) * 70th Infantry (Ballarat/Colac) * 71st Infantry (Ballarat West) * 72nd Infantry Warrnambool) * 73rd Infantry (NW Vic) The next name change came in 1921!Black and white photograph of a trophy cup. 1918 South Street Competitionssouth street, south street championships, ballarat junior technical school, cadets, ballarat junior technical school cadets, trophy, cup

C.9150'sB/W. Copy of Photo of Weatherboard House wire fence and gateEileen Wimmera Street Quartersreligion

Colour Photograph: Brick Home with Tile roof, Wood and wire Fence in front.On Reverse: 25 Seaby Streetseaby street, john m bennett

Gas Company – Stawell - Managers Residence8 Clemes Street, Stawellstawell

Black and white photographWritten on rear of backing sheet: " Main Street looking West from Ringwood Street, 1973.

Colour Photograph of Main and Patrick Street Intersection looking towards Big Hill

Two women are standing at the railway crossing gates, ready to open or close the gates [Possibly Iredale family?]. Originally thought to be the rail crossing at Grimshaw Street and Old Greensborough Road. In 2023, there is doubt that this is the case due to the double rail line and building in background. Please contact the Society if you have any idea where this is located.Digital copy of black and white photograph.railway gates, iredale

Image copied from older postcard (c.1890-1900) showing horse drawn vehicles and a horse tram. Since then, the southern side of the street has been widened. Businesses identified in the photograph include the Ryan's Council Family Hotel, the Greyhound Hotel, the Clifton Hotel, the ES&A Bank and Jellis' Bakery. Black & white photograph of a postcard showing Main [High] Street, Kew looking south west showing horse drawn tram centre.Reverse - "High St Kew looking down from Post Office to Kew Junction"horse tram kew, clifton hotel - kew junction, ryan's council family hotel kew, horse tram - kew (vic), kew junction

These are the children of Ernest Lance Young and Beryl Mair. Lance was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls list him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. He is buried in Box Hill Cemetery (M-*-0867) along with his father. He served in WW2 (Service Number - VX104733 enlisting at St Kilda) and after returning took over his father's business. The Mair family were resident in Barton Street for several generations. Beryl's father Dave Mair was a keen sportsman and founder of the Kangaroo Social Club of cricketers. This is part of a large collection relating to the Mair, Deakin and Young families. Colour photo of 3 well dressed children identified as Barbara, Ken and Laurie Young. Barbara is holding a bride doll and Laurie, seated, is looking down at a book. The children are standing in a neat garden in front of a raised terraced flower bed.In biro on rear: "BARBARA KEN LAURIE / BACKYARD/ 11 YORK ST / MONT ALBERT" Printer's stamp J208ken young, barbara young, laurie young, laurie newton, beryl mair, ernest lance young, lance young, york street, mont albert

Known as ‘You Yangs’, 15 Russell Street was built in 1891. 1898–1900: Home of Mr and Mrs John Reaburn, later of 'Fairbank', Union Road. John Reaburn (1873-1963); Jane (Jeannie) Nelson Harkins (1875-1959) 1922–1954: Theodore Hendy and family. Mr Hendy spent some time in South Africa gaining architectural experience. One of his houses, in Barton Street, near the Surrey College has some features which may well relate to South African architecture. He also extended and updated the Surrey Hills Primary School buildings. He was impressed by Baden Powell whom he met in Sth Africa and when he heard about the scouting movement being launched in 1907, he took up the idea and started Surrey Hills Scouts in 1909. The house is extant in 2020. A black and white photograph of a house, possibly late Victorian Boom Style. There is a distinctive arched window at the front and a picket fence runs along the front of the property.russell street, (mr) john raeburn, surrey hills, house names, (mr) theodore hendy, surrey hills school, scouts, barton street, 'you yangs', (miss) jane nelson harkins, (mrs) jane nelson reaburn

EARLY PHOTOGRAPH OF FRASER STREET, CLUNESORIGINAL SEPIA POSTCARD PHOTOGRAPH OF CLUNES MAIN STREET, FEATURING HORSE AND CART AND R. THOMAS CRITERION HOUSE DRAPER SHOP.FRASER STREET CLUNESlocal history, photography, photographs, shops, r. thomas criterion house draper shop., clunes township

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit standing on the footpath in front of a picket fence behind which is a hedge and a timber house. The man is Frank Wright.Written in pen on back - Taken by Arthur Stevens in Pleasant St Ballarat., Feb.1928frank wright, cornet, conductor, ballarat, picket fence

Main Street, Mordialloc, Point Nepean Road looking towards creek. David White hairdresser and tobacconist on left. Later Councillor and Mayor of Mordialloc.Black and white image of Main Street, Mordialloc. Horse and carriage are parked to the left with a Havelock Tobacco sign over the porch of the buildings to the left. Man leading against a white fence on the rightmordialloc, point nepean road, david white, horse drawn wagon, mayor

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The photographs include original (mainly) images dating from the 1870s to the present. A number of these photographs derive from the former City of Kew's Civic Collection while others are the work of amateur and professional photographers. Most of the images in the collection depict people, places and objects within the suburbs of Kew and Kew East. Other photographs depict other locations in Melbourne and Victoria. A number of the photographs are of statewide and/or national significance.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-99. Congregational Church Walpole St Kew. Built 1854. Now amalgamated with United Churches 1977."congregational church, walpole street (kew), charles vickers

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. Photograph of an historic church in Kew by noted architects Charles Vickers and Alfred Purchas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-100. Congregational Church Walpole St Kew. First church built in Kew 1860. Chapel on site 1854. Became a member of the United Churches 1970s". congregational church, walpole street (kew), charles vickers

The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School) Inscriptions on reverse: "K.H.701. Congregational Church Walpole St Kew. First church in Kew. Now amalgamated with the United Churches."congregational church, walpole street (kew), charles vickers

Business Premises 150 Main Street restored with verandah posts. Earlier owned by F. Allah who conducted a Green Grocers there.Black & white restored building at 150 Main Street Stawell. Now and accountant's offices. Previous owner F. Allan conducted a greengrocer business. The two story building restored with veranda posts.stawell

Colour Photograph showing Main Street and Victoria Street with Cato Lake in background

Coloured photograph of Victoria Street, Mitcham looking west. Fellows Street on rightvictoria street, mitcham

A weatherboard Miners Cottage on the corner of Belford Street and Eureka Street, Ballarat East.ballarat east, belford street, miner's cottage, eureka street

William Valentine Hill (1854-1940) journalist, was the owner of 'Eignbrook',10 Pembroke Street from 1904. His wife was Annie Boak (1865-1943); they were married in 1885. William Hill (Bill) Dempsey was his grandson. His mother Laura Constance Hill married Herbert T Dempsey in 1925.Original sepia photograph of the street view of a weatherboard in the Queen Anne style with a steep pitched iron roof; house is fronted by a picket fence. There are 2 copies of this original photo; the better copy has been scanned. The second copy is slightly mottled and the edges left and right have been cropped so that the adjacent house is not seen. Back of photo 1 is inscribed “10 Pembroke St. Donor W Dempsey”. Photo 2 has inscribed on back "Hills home, 10 Pembroke St, Surrey Hills. Donor W Dempsey" Card has written underneath the photo, “10 Pembroke St”pembroke street, hills family, 'eignbrook', house names, surrey hills, (mr) william valentine hill, journalist, (mrs) annie hill, (miss) annie boak, queen anne style

The Classic Restaurant, located in Swanson Street next to Young and Jacksons Hotel, was one of the many businesses owned by Ithacans in Melbourne's CBD. Nakis Raftopoulos ran the business during the 70 & 80s up until the property was sold and became a fast food chain outlet. The building has since been demolished as part of Melbourne's Metro Tunnel project. Many Ithacans who settled in Melbourne in the early years of the twentieth century opened restaurants In the CBD. From the 1950s onwards the number of these Ithacan owned businesses gradually declined and by the 1970s very few remained. The Classic Restaurant was one of the last remaining establishments in the CBD owned and operated by an Ithacan. A black and white photograph of the Classic Restaurant. It is a two storey building large printed letters spelling out the name of the business on the first floor of the building. Three sedans are in front of the building and two people are standing at the tram stop opposite the building.Painted on the second storey of the building: CLASSIC RESTAURANT/ GROUND FLOOR/ COFFEE LOUNGE.

Coloured photograph of Hill Street, Blackburn showing tree lined narrow street with no footpaths. - Private street classified by National Trust as part of the Bellbird area.bellbird area, hill street, blackburn, national trust of australia (victoria)

Kell's Cottage with electricity connected 1950s. The house was built 1917, at 112 Henry Street Greensborough by William Mitchell on the 60 acre dairy farm owned by Ethel and Walter Kell. This collection of photographs was copied by Cherel Sartori (who owned the house from 1990-2000), following a visit by Claude Amiet who lived in the house as a child in the early 20th century.An indication of the rural aspect of this area in the mid-20th century.Digital copy of black and white photographkell's cottage, claude amiet, cherel sartori