This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 8 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation, one on the left hand side of the page with the other two in the bottom part of the page. One photograph in a landscape orientation is on the top right hand side of the page. Handwritten: "Myoora" 405 Alma Rd [top right hand corner] / Neg 179 DEC 1972 [underneath bottom left photograph] / Neg 180 DEC 1972 [underneath bottom right photograph] / 8 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, entrances

Located in opportunity shop in Melbourne, where it was purchased for $2. The donor has considerable knowledge of chicken scratch embroidery (surface weaving on cross-stitch on gingham to emphasise colours). She considers this the best example of the art she has seen, with several very rare stitch combinations. It has been posted to experts overseas and in Australia for examination.Half apron in red and white gingham with chicken scratch embroidery and white rick-rack braid. Backed with white lawn.embroidery, handcraft, craft

The Melbourne Electric Supply Co. operated a Power Station in Richmond and provided power to the Prahran and Malvern Tramways Trust and the Hawthorn Tramways Trust. They also provided power to Geelong and operated the Geelong Tramway system. MESCo Geelong and Richmond operations were taken over the SECV in 1930. The book gives the requirements for wiring of building and switchboard. Yields information on the electrical requirements that electricians were required to work to where MESCo supplied electricity. It would have been used in the development of the SEC rules. Has a strong association with one of the MESCo Electrical Inspectors.Book - The Melbourne Electric Supply Co. Service and Wiring Rules - 64 pages, centre stapled, dark fawn covers. Provides rules for the Melbourne (Richmond) and Geelong undertakings. Dated 1/4/1918. Has a number of printed updates pasted into the book along with a typed and hand witten note. Price 6d. Has an index.Some hand written notes on the various clauses. Has the stamp of "Electric Inspector" in the top right hand corner. Numerous marks of red and blue pencil to high light specific clauses.rules, wiring, electrical, regulations, mesco, geelong, tramways

Tommy Bartel Champion AxmanBlack and white photograph of sportsman with championship ribbon around neck and an axe in his handOn back of photo: Stylised image of a camera with "FM 1764 | FM 1766" above - "By Ern McQuillan, 396 New South Head Road, Double Bay" below - "A Photographic Illustrators Photograph" to the right - with numbers "4/4526/59" hand written in red ink.tommy bartel, wood chopping, sports, champions, tommy bartel was married to freda ward bartel. they both were born in beechworth victoria. tommy and his family were known for their wood chopping prowess both as workers and competitive axemen. tommy’s wife freda and his descendants reside in rutherglen., freda bartel, freda ward

RAAF Interim Statement of Service for F.G.Davey issued to him on demobilisation. Part of the collection re Frederick Gardner Davey DFC No 410533 RAAF. Refer Cat No 3536P for his service record.Document Pro Forma in black type on cream coloured paper, details both in typed and hand written in black.Stamped in purple ink, “ Ration of Tobacco issued on ........”, Hand written and typed details, “410533 F/O Davey, 3 years and 8 months. G.D 28/9/45 on demobilization, 28/9/45”demobilization, statement of service

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle

Illustration. Depiction of Steven Henty's homestead, overlooking Portland Bay (view from sea, looking towards land). The dwelling is on the top of a hill with smoke coming out of the chimney and a group of people in front. Birds in flight in the foreground. There is a smaller bordered illustration on the bottom right-hand corner featuring a number of small dwellings near water, two people on a boat and a number of people on the foreshore. Image has been cut from a book, text on reverse of the image.STEPHEN HENTY'S HOMESTEAD Signature in left hand side of main image and signature of the right-hand side of the border of the smaller image. Both are illegible.first european settlers, henty, stephen henty

Photograph shows a view of the Clifton Hill car house or depot, with trailers 528 and 451 in the yard with a shed hand standing alongside. Photo by Frank Shennen 26-2-1941.Yields information about Clifton Hill cable tram depot and trams 451 and 528.Black and white photograph with notes on the rear.On rear in pencil "Cars 528 and 451, Shed hand at Clifton Hill cable car house trailers in yard 26/2/41, taken by FS." Has the number "170" in pencil in top right-hand corner. Has printing marks on front and rear.tramways, cable trams, clifton hill, interior, clifton hill cable tram depot, tram 528, tram 451

This badge would perhaps be attached to the uniform or blazer of a member of the Warrnambool Surf Life Saving Club. This club was established in 1930 with Fletcher Jones (President) and Bon Nutt being notable early members. A ladies’ club was also formed in 1930. As Warrnambool has a bathing and surf beach and is situated on a coastline with many popular surf beaches the Warrnambool Surf Life Saving Club is an important group with a proud history of service to the community. The current clubhouse, built by members and other volunteers in the 1950s, includes a public restaurant today. This badge is interesting as a memento of the Warrnambool Surf Life Saving Club, an important club in Warrnambool’s community. This is a diamond-shaped cloth badge. It is made of brown cloth with white cotton stitching and an image of a rescue reel and rope. ‘Warrnambool, S.L.S.C.’warrnambool surf life saving club, warrnambool

Buttons from Mr William Donald McDonald. He trained for 5 years with Armstrong Tailors He had a tailor’s shop at the southern end of Liebig St before World War 1. On returning from overseas war service, he was employed by Warrnambool City Council as a gas meter reader. He was later promoted to office staff. He died in 1947.A common item which is linked to a Warrnambool business and person. Four small silver metal buttons with recessed shank. Embossed on front surface with lettering. Stitched to light card.W McDonald Warrnambool.warrnambool, william donald mcdonald, buttons, tailors’ buttons, w. mcdonald tailor, mcdonald tailor

35mm colour positive transparency (x3) Mount - Black and White Digital panorama stitched from three imageskangaroo ground, shire of eltham war memorial, war memorial tower

Duplication of Main Road. Looking south from site of Eltham Shire offices towards Shillinglaw Cottage. Gahan house to left of Shillinglaw Cottage facing Main Road almost completely demolished. Main Road to the left and the Eltham Tip to the right.Digital file created by stitching two 35mm Colour positive transparency Mount - Agfacolor Service (Blue stepped)duplication, eltham tip, gahan house, main road, shillinglaw cottage

One pair of ladies' or child's kid leather gloves with piercing and raised stitching down the top or front of the glove.36 LAVABILE stamped inside the left glove 62/36 stamped inside the right glove.

This 1948 cover was used to cover a tennis racquet to protect the racquet.Oval shape green cotton with cream cotton lining stitched together with a metal zip and opening at one end.Inside "Davis/48 Dobell Ave/Sunbury"1940s, sport, george evans collection

Embroidered pieces donated by Adele Grey from the collection of Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyCream linen edged in orange silk buttonhole stitch centre embroidered with yellow and orange daisies and green leavesmanchester, table linen

Given to donor's daughter for her 3rd birthdayChild's nurse outfit consisting of white apron, red cape and triangular headdress/veil with stitched red cross.costume, children's

Made and embroidered by Phoebe Lewell as a school project when she was 16years old. It was acquired through the Webster family of Vermont, when Bruce Reynolds was selling some items for them. It was subsequently donated to the Society by Bruce Reynolds.White cotton baby frock smocked in blue at yoke and sleeves, with blue feather stitch around yoke and neck.costume, children's

White cotton rectangular doyley edged in blue blanket stitch. Thick embroidery thread is used in flower pattern.manchester, table linen

Apron made from jute bag. One pocket. All edges bound in apricot wool blanket stitch.costume, female working

This nightshirt was made by Vasiliki Raftopoulos for her husband Panayioti around 1890. Both natives of Ithaca, the couple and their children were living in the village of Brila in Romania at the time. They emigrated to Australia around 1920, following their daughter Toula, who had settled in Melbourne with her husband Constantine Mavrokefalos in 1914. Toula and Constantine's daughter, Olga Black, is a longtime Brighton resident. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations.Men's white cotton nightshirt with red and black cross stitch embroidery. Fastened with red tassels (one missing).vasiliki raftopoulos, panayioti raftopoulos, olga black, migration, embroidery

Cloth shoulder patch to indicate that the conductor of the bus was qualified as a "Bus Driver Trainer". Demonstrates the method of indicating a bus driver was qualified to train other bus drivers.Cloth badge or patch - made on black cloth backing with the words "Bus Driver Trainer" stitched in red cotton. tramways, conductors, badges, mmtb, clothing, uniforms, training, buses

Regt No 3799330 is a Victorian National service Number from the 1965 - 73, D.M.Shugg completed 2 years National service..1) Khaki woollen sock ) name label stitched inside - cotton tape .2) Khaki woollen sock ) Written on name tags: “3799330 PTE D M SHUGG”uniforms - army, costume-male footwear, socks

Brown leather pouch containing a wooden brush. Flap is locked by a metal buckle. Has large yellowing stitching.On inside of flap "R.C. Jones 27/2/26" is written in ink.leather pouch, pouch, leather, brush pouch

Apron manufactured for military purposes. This item has significance as an example of uniform likely worn ny nurses and/or other medical staff, associated with Australian military campaigns. White fabric apron. One piece comprised of fabric square, white cotton bib, convex shaped side flaps, and square shaped lower apron with rounded corners. Fabric edges are folded over and hemmed with white thread in straight stitch, 5mm distance from edge of apron. Underside is overlocked with white thread. Top of bib is attached to a white fabric neck loop near bib corners by machine sewn white thread, with a criss-cross shape enclosed in a square; stitching is visible on front of apron. Apron has a white fabric tie on each side, attached in similar fashion to neck loop. Bib features red fabric red cross, stitched onto bib using zig zag stitch in red thread, edges of cross are raw fabric. Both ties and neck loop are hemmed with straight stitch and overlocked in white thread. military, war, apron, uniform, medical, hospital, women, female, outfit, nurse, fashion, textiles

Cream coloured hand knitted woollen baby jacket. Front opening with two buttons. Foldover collar and fold back cuffs. Yolk and sleeves with open pattern. Front and back feather and fan pattern with garter stitch edging.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket

Pair of grey cotton gloves. Knitted jersey fabric. Three rows of stitching,8,8,7.5 cms long on the back of the hand. A 7.5 cms opening at the inner wrist, is fastened with a metal press-stud, which has a flat round grey "button type" finish on the outside. Size 9 1/2. Maybe men's wedding gloves.Cotton. Made in West Germany.costume accessories, male, grey cotton gloves