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National Wool Museum
Photograph
Photograph probably for promotional purposes, of a "David Sowden & Sons" loom, No 297. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons" loom, No 297.297textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, of a "David Sowden & Sons" loom No 292. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons" loom, No 292.292textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, of a "David Sowden & Sons" loom No 160. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons" loom, No160.160textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, of a "David Sowden and Sons" loom. Photograph was with other photographs in an envelope from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons" loom.FROM/ a DOBSON/ Photographer/ 28, SALTAIRE ROAD/ SHIPLEY/ ALL NEGATIVES KEPTtextile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
Robin Boyd Foundation
Letter, Gerard Hayes, State Library of Victoria to Patricia Davies, 14.04.1997
This letter confirms arrangements that the State Library of Victoria be authorised to copy Robin Boyd-copyright material in the collection for the purpose of research and study.Typewritten on letterhead -
Bendigo Military Museum
Map - MAPS, GEELONG & ANGLESEA, 1928 - 1929
Refer to Cat 6719.2P1. Military Survey map of Australia - Geelong, Vic. One inch to One mile - the map is in colour print. The two outer covers are cardboard, the map then opens up in a multifold manner. Date June 1928 2. Military Survey map of Australia - Anglesea, Vic. One inch to one mile - the map is in colour print. The two outer covers are cardboard. The map then opens up in a multi fold manner. Date March 1929.anglesea, military survey maps, geelong, victoria -
Warrnambool and District Historical Society Inc.
Book, Tip Lewis & his lamp, 1925
This book was awarded by the Grasmere Presbyterian Sabbath School to Stuart Jenkins for his essay on the Apostle Paul. The teacher was H. Giles. The Giles family lived on the Allansford Road in the early 20th century. There were several Jenkins families in the Warrnambool district and some were early settlers in the Wangoom/Grasmere area. Some Jenkins families were associated with hotels in Purnim and Woodford and the properties Grasmere Station, Roseneath, Dyffen, Vrowen and Fala Park. St. Andrew’s Presbyterian Church at Grasmere was built in 1898 (the second church on the site). This is a hard cover book of 252 pages. The cover is brown with a multi-coloured illustration of a man and two children on the front cover and black lettering and border ornamentation on the spine and front cover. The dust jacket has a yellow background and the same illustration as on the front cover. The dust cover is partly torn away. There is a full page colour plate at the beginning of the text and a page of advertisements for books by the same publisher at the end of the text. The inscription is handwritten in black ink. ‘Grasmere Presbyterian Sabbath School ‘Essay’ Missionary Journeys of the Apostle Paul. First Prize Awarded to Stuart Jenkins from his teacher, H. Giles’. stuart jenkins, grasmere, history of warrnambool, grasmere presbyterian church -
Warrnambool and District Historical Society Inc.
Bottle, Imitation Cordial Pineaple Reeves W'bool, 1970s
This bottle came from the Warrnambool aerated waters factory of Reg Reeves. This factory in Koroit Street, Warrnambool was established in the 1860s as the Union Cordial Factory by John Davis and then bought by John Fletcher in 1885. Fletcher’s business continued until 1930 when it was bought by Ralph Reeves. Coming to Warrnambool about 1900, Ralph Reeves managed a Banyan Street cordial factory which had been established by John Rowley. Ralph Reeves bought a cordial business at Hamilton in 1916 and sold it in 1929 to concentrate on his Warrnambool cordial factory. Reeves was joined by his son Reg in Warrnambool and Reg operated the business from 1946 to 1972. The trade name of Reeves was still used after Reg Reeves died and continued on for some years. This bottle is of interest as an example of the soft drinks made at the Warrnambool aerated waters factory of Reg Reeves. Reg and his father Ralph operated a cordial business in Warrnambool for 40 years. Cordial manufacturing was an important industry in Warrnambool for over 100 years.This is a glass bottle with a long rounded body, a round base and a short rounded neck. The top of the bottle has a moulded glass open top and there is a cork stopper with a brown top to enable the bottle to be opened by turning. The stopper has the name of the manufacturer of the soft drink on it and there is a multi-coloured label pasted on to the side of the bottle. The name of the soft drinks manufacturer is also impressed into the glass on the side of the bottle. There are two small chips near the base of the bottle. Stopper: R.V.Reeves R.V.R. Bottle: Reeves Imitation Cordial Pineapple Artificially coloured &flavoured This food contains not more than 2 grains of sulphur dioxide to the pint R.J. Reeves Warrnambool ralph reeves, warrnambool, reg reeves, warrnambool, cordial manufacturers in warrnambool, history of warrnambool -
Bendigo Military Museum
Decorative object - EMBROIDERY, FRAMED, 1917
.1) Made by William TIBBETT No 978 1st AIF while convalescing in hospital in England, also on hospital ship on way to Australia and at out the Army depot in Caulfield 1918. .2) Same inscription as above). Refer 488P for his service history also 573..1) Embroidered Rising Sun badge, mounted & framed. White plain cloth background, King's Crown (multi coloured) & Rising Sun (red/pink) stitched over stitched scroll (glass frame & gold coloured 4 sided frame). .2) Australian Coat of Arms with kangaroo, emu stitched in brown thread, 6 State emblems represented, wattle flowering branches in background on being background cloth, glass in wooden frame.1) “Australian Commonwealth Military Forces”handcrafts- embroidery, military history, rising sun-coat of arms -
Bendigo Historical Society Inc.
Textile - LONG GULLY HISTORY GROUP COLLECTION: LONG GULLY HISTORY GROUP BANNER
Yellow shield shape banner with three loops at the top for hanging on a dowel. Gold braid between the three loops. Different coloured (red stripe, red check, brown pattern, green, blue, floral, multi colour, dark blue, white and pink stripe and khaki) pieces of material cut into the letters of Long Gully History Group are sewn to the yellow background. It has a yellow backing with some filling between the front and the back.bendigo, history, long gully history group, the long gully history group - long gully history group banner -
Charlton Golden Grains Museum Inc
Photograph, Charlton Flour Mill
A previous mill had operated in Charlton by Mr. W.E. Foreman on the banks of the Avoca River and was acquired in 1919 by Noske Bros. The present Flour Mill was built by Noske Bros and opened in May 1927. It was taken over by the Grain Elevator Board in the 1970s. Colour photograph of Charlton Flour Mill and silos. Intersection of Kaye & Davies Streets in the foreground. One large silver silo and three taller greyish concrete silos to the left. Three other cream coloured silos behind. There are pipes and sheds on top of the silos. There is a cream single story building to the right of the silver silo and a multi-storey building behind with eight window in the upper level. There is a small red brick building on the far left of the photo.w.e. foreman, noske bros, flour mill charlton -
Wangaratta RSL Sub Branch
Medal
1914-1919 Victory Medal awarded to MS 4292 SGT A SUTHERLAND ASC - nil further known and unable to confirm service history.Round bronze medal - The obverse shows figure of 'Victory' (or 'Victoria') with her left arm extended and holding a palm branch in her right hand.The reverse has the words ‘THE GREAT / WAR FOR / CIVILISATION / 1914-1919' in four lines, all surrounded by a laurel wreath.The ribbon has an iridescent multi-colour scheme and attaches to the medal through a ring suspender The recipient's name, rank, service number and unit is impressed on the edge of the medal. MS 4292 SGT A SUTHERLAND ASCmedal, ww1, sgt a sutherland, asc, army service corps -
Wangaratta RSL Sub Branch
Medal
Medal awarded to Private C T WHYMAN 554269 who served with the 16th London Regiment (County of London). The 16th Battalion was known as the Queen's Westminster Rifles, an Infantry regiment of the British Army formed in 1908 and disbanded in 1938. The Battalion was engaged on the western front between 1914 and 1918. The item was found and no further information is known regarding Private WHYMAN.Round bronze medal - The obverse shows figure of 'Victory' (or 'Victoria') with her left arm extended and holding a palm branch in her right hand.The reverse has the words ‘THE GREAT / WAR FOR / CIVILISATION / 1914-1919' in four lines, all surrounded by a laurel wreath.The ribbon has an iridescent multi-colour scheme and attaches to the medal through a ring suspender The recipient's name, rank, service number and unit is impressed on the edge of the medal. 554269 Pte C T WHYMAN 16 LOND Rww1, 16 london regiment, c t whyman, 1918, victory medal -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - GODFREY HIRST & CO PTY LTD
Two white covered catalogues with blue printing. Sale of wool scouring and carbonizing plant, 3 multi tubular boilers, 20 electric motors, spinning frame and equipment. J. H. Curnow & Son Pty. Ltd. Were the auctioneers for Godfrey Hirst & Co. Pty. Ltd. Catalogue contains Memorandum of Purchase at Auction, Special Note to Buyers, Location, Description of 183 lots and Conditions of Sale. Sale was on the 18/8/1964.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - godfrey hirst & co pty ltd, j h curnow & son pty ltd, f c dyett, l c osborne, r w e hammill -
Tennis Australia
Racquet, Circa 1940
A Spalding 'Lamina' tennis racquet, with tape whipping around shoulders; and, leather handle grip with patterned perforations. Inscription along obverse: A.G. SPALDING BROS/MULTI-PLY/LAMINA/SPALDING. Model name also across base of head on reverse. Spalding ball trademark features on throat of reverse, and impressed on butt cover. Materials: Wood, Glue, Metal, Lacquer, Nylon, String, Leather, Ink, Paint, Cloth tape, Adhesive tapetennis -
Melbourne Tram Museum
Letter, English Electric Co Ltd, English Electric Co Ltd of Bradford, Jun. 1938
Photocopy of a letter (four A4 pages of an unknown number of pages), from the English Electric Co Ltd of Bradford dated 29/6/1938, addressed to the MMTB via Heap and Ryley London. Follows the visit of Mr Bell and Mr Spencer to the Bradford works. Has notes on Tramway Motors, controllers, notch regulators, multi-notch remote control, trolley slider heads and Bow collectors. Refers to enclosures but not found with the document.trams, tramways, english electric, motors, controllers, trolley poles, bow pantograph -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Bendigo Military Museum
Clothing - BOOTS, Oliver, post 1960
Boots: GP meaning General Purpose. Simply called by soldiers GP's. Item issued to Peter Ball 3796117, refer Cat No 4704Boots, GP, black, high sided, lace up, leather. .1) Left foot. .2) Right foot.Oliver [up arrow] Final Inspection 8 - 8D Written: P Ballmilitary, footwear -
Bendigo Military Museum
Clothing - BOOTS, post 1960
Boots GP meaning General Purpose. Simply called by soldiers GP's. Item issued to Peter Ball 3796117, refer Cat No 4704Boots, GP, black, high sided, lace up, leather. .1) Left foot. .2) Right foot.R [up arrow] Size Fitting T.B - Made in Australia 9 Written: P BALLmilitary, footwear -
Phillip Island and District Historical Society Inc.
Document, Phillip Island and District Historical Society, Minutes of Phillip Island Historical Society inaugural meeting, 21 August 1967
Purpose of the meeting was the reforming of the Historical Society. Discussion included a suitable building to house exhibits, finance and insurance. A Committee of nine members was formed.Two typed pages on yellow foolscap sized paper of minutes of the Inaugural Meeting of the Historical Society of Phillip Island. 21st August 1967 held at the Council Chambers, Cowes.local history, phillip island historical society, local identities -
Flagstaff Hill Maritime Museum and Village
Equipment - Rope ladder, pre 1983
This handmade rope ladder is an example of maritime equipment. It could be easily folded and stored and was useful for many purposes including fixing the ship's rigging.The rope ladder is an example of handmade maritime equipment using the shills of a ship's carpenter or sailmaker. It was simple to make, easily stored and useful for many purposes including the ship's rigging. The rope ladder is significant for being the only rope ladder in our collection of maritime equipment. Rope ladder. Handmade ladder with three wooden steps joined by thick rope lengths between them. Each step has rounded corners and a large hole near each corner. The tope is threaded and knotted to create an equal distance between the upper, centre and lower steps. flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ladder, rope ladder, handmade ladder, ship's ladder, maritime equipment, rigging, ropework -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Victorian Farmers Journal and Gardeners Chronicles, The Horticultural Society of Victoria, 1861
Description of the Annual General Meeting of the Victorian Horticultural Society. History of applying for land for experimental and horticultural purposes and £300 grant from the Government. Photocopy of article in the Victorian Farmers Journal and Gardeners Chronicle 12 January, 1861 p9. the victorian farmers journal and gardeners chronicle -
National Wool Museum
Photograph
Photograph probably for promotional purposes, of a "David Sowden and Sons" loom No 458. Photograph was with other photographs in an envelope from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons" loom No458.458textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, of a "David Sowden and Sons" loom No 494. Photograph was with other photographs in an envelope from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons" loom No 494.494textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, of a "David Sowden and Sons" loom No 454. Photograph was with other photographs in an envelope from Yarra Falls Mill."David Sowden and Sons" loom No 454.454textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, probably of a "David Sowden & Sons" loom No 390. Photograph was among items from Yarra Falls Mill.Photograph, sepia, of a loom. No390.390textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, probably of a "David Sowden & Sons" loom No 388. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a loom, No388.388textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, probably of a "David Sowden & Sons" loom No 387. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a loom, No387.387textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, probably of a "David Sowden & Sons" loom No 420. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a loom, No420.387textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
National Wool Museum
Photograph
Photograph probably for promotional purposes, probably of a "David Sowden & Sons" loom No 451 Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a loom, No 451.No 451textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving