Early Iron or weight ???stawell

The Earl of Charlemont was a medium-sized, 878 ton passenger ship built at Saint John, New Brunswick, Canada, in 1849. It sailed from the Port of Liverpool on 13 March 1853 with 366 passengers plus crew, captained by William Gardner. The first port of call was to be Port Phillip, Australia, before continuing to Sydney with the majority of the passengers. After a passage of 97 days the ship reached Cape Otway on 17 June and set a course for Port Phillip some 56 miles away. At 5.15 a.m. on the 19 June 1853 the ship struck a reef (later named Charlemont Reef) about 1½ miles from Barwon Heads. The anchor was raised by Barwon Grove Skin Divers on June 25 1972. Wrought iron anchor

Flat Iron No6S on a circledomestic items, irons

Flat Iron No 6domestic items, irons

Homemade clearing or reefing iron. Made from an old file. Has wooden handle with iron ferrule at top. Has iron ferrule at base and copper wire around. 198mmLflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This is a steel, bench-mounted, hand-operated (60 rpm) butter churn for making small amounts of butter from cream in the home. It was made by the Sydney firm of Malleys Ltd from the 1930s until the 1950s and came in 3 and 5 quart sizes. Malleys Ltd was established in about 1890 by Francis Malley (1863-1932). This firm was located in the Sydney suburb of Alexandria, in McEvoy Street. They manufactured items for use in the dairy industry, as well as for hardware related to building and plumbing. Many of the Malley dairy products were sold under the "Sunrise" name. Malley retired in 1912. In 1931 there were branches at Parramatta, Hurstville & North Sydney. Butter churns were machines used to produce butter by the violent agitation of separated cream. Depending on the design of the churn, the agitation would be variously achieved by a repetitive thrashing, centrifugal motion or internal paddles. Churns were typically constructed from wood, glass and cast-iron; with tin or steel commonly used for some fixtures. The subject item gives an insight into domestic life where butter was made in the home.Heavy red cast iron base, with a long handle, wooden grip, connected to a shaft along the base, thence, to a cog wheel, and gear, to a second shaft and paddle in a metal basin. Basin has lid, and hole in base with a screw cap to allow the draining of the butter milk. Designed to be placed on a bench, with the handle over the edge. Malleys is written in raised letters on the base, and on the handle, '60 rev. pr. min.'warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, malleys, butter churn, domestic object, dairy machine

Brass Food Warmer With Lid (Methylated Spirits) three twist legs Cast Iron base under central conical tapered hole in centre of warmer approx. 15 cm diameter entire item 40 cm wide. Previous Catalogue Number 104 Accompanying tag reads ' Wilson Art Panel Art'.domestic equipment, food consumption, brass food warmer

The College’s spray was one of the first pieces of surgical memorabilia to come into the possession of the College. It had been used in the Listerian wards of the Glasgow Royal Infirmary, and was presented , along with some other artefacts, by James Hogarth Pringle in 1930. Joseph Lister (1827-1912) is known as a father of modern surgery. His methods of preventing infection were controversial in their time, but are today recognized as a major advance in the practice of surgery. Lister’s life and achievements are too well known to be recounted here. The definitive biography was written by his nephew, Sir Rickman Godlee (PRCSE 1911-13), and published in 1917. Douglas Guthrie gives an glimpse of Lister at work: “...He never wore a white gown and frequently did not even remove his coat, but simply rolled back his sleeves and turned up his coat collar to protect his starched collar from the cloud of carbolic spray in which he operated...” From advances in bacteriology, and discoveries by Robert Koch and others, it became increasingly evident that airborne bacteria were not a significant contributor to sepsis in surgical wounds. They also demonstrated that the body had its own defences against invading organisms, which were seriously compromised by the effects of the carbolic spray. Gradually the use of the spray was curtailed, Lister himself finally abandoning it in 1887. Lister performed the first antiseptic operation, the dressing and splintage of a compound fracture of the lower leg, in 1865. At this time he used carbolic solution by application, and dressings soaked in the solution. The spray was developed later, after many different methods, including carbolic and linseed oil putty, had been tried in order to reduce the harmful side-effects of undiluted carbolic acid. The steam spray was developed in 1869, and announced to the medical world in 1871. Lister’s purpose in adopting the spray was to kill airborne bacteria in the vicinity of the operation before they could reach the patient. It came to be used all over the world for many years. However, it had serious disadvantages, which even Lister acknowledged. The principal problem was the inhalation of carbolic vapour by everyone in the vicinity, including the patient and the operator. In addition, if the patient had been anæsthetized using chloroform, the gas lights decomposed the vapour into chlorine gas, making any procedure an ordeal of endurance.The spray consists of a steam boiler heated by a wick, a nozzle for the steam to escape, and a glass jar for the carbolic solution. Fuel for the wick is carried in a tank at the base. Valves regulate the pressure of the steam, and the nozzle is adjustable. The boiler is made of cast iron, the fittings are brass, and the handles are of wood. Empty, the apparatus weighs 8 lbs (3.2 kg). lister, carbolic spray, antiseptic

WW1 AIF Light Horse Saddle (Martin Balsarini's, a Chiltern Resident). The Great War 1914-1918.This saddle belonged to Martin Balsarini, a soldier in the AIF WW1 4th Light Horse Brigade and who was at the Charge Of Beersheba. Dark Rum coloured leather saddle issued to WW1 soldier Martin Balsarini 4th Light Horse AIF. Saddle has cast iron stirrups x 2 with brass adjustment buckles. There is a restored leather rations barrel attached to the rear of the saddle. The saddle underlay is made of canvas and felt. Stitching is hemp cotton. ww1 saddle, ww1 4th light horse saddle, ww1 martin balsarini's saddle, chiltern resident ww1 soldier, martin balsarini, 4th light horse saddle, the charge of beersheba.

Black cast iron coffee grinder with pull out drawer for catching ground coffee, gold coloured funnel on top for beans and a handle with wooden knob for turning grinder, brass screw & name plate on front, square base with holes for securing, hand made lid possibly cut from motor oil can.T & C Clark & Co Ltd Wolver Hampton Druertons improved Clark & Co Manufacturersdomestic equipment, food preparation, kitchen, k182

A vintage weighing machine used by merchants or grocers or in kitchens for food sale or preparation. It came from the home of Mr Thomas Gaudion and was used in the 1920's.An antique blue and white speckled cast iron and metal balance scale and weights for weighing food. On one side is a dish shaped oval tray sitting on a claw frame for holding food items and opposite is a smaller plate for holding the steel weights: 4lb, 2lb, 2x 1lb, 8oz, 4oz and 1oz. There are seven in total.'....Ters' with an indecipherable ....'Watters Sydney'kitchen equipment, kitchenware, cooking, scales

This rocket equipment has been used in various lifeboat and rocket stations on Victorian Coast. It is unclear if this is the original rocket equipment from Port Campbell. This equipment, if not original to the site, has been used in rescue operations and is identical to the equipment that was in use at Port Campbell from C.1890 onwardsEach of the five anchors have an iron ring (2 large, 1 medium, 2 small) to which are attached 5 iron hooks. Medium has 4 hooks.Each has an iron ring 2 large, 2 small to which is attached iron hooks.

The Sidcup Collection came to RACS from the University of Melbourne, Pathology Department and is regarded as one of the most valuable held by the College. It includes the patient records created by the Australian Surgical Unit at the hospital and covers the period 1916 - 1919. There are 50 watercolour illustrations of patients sketched by Sgt. Daryl Lindsay, X-ray prints, photographs, diagrams and some case histories. Private Pritchard was treated by the Australian Surgical Unit during WW1.These casts are unique in Victoria An original plaster cast taken of a patient Private Pritchard, who required reconstructive surgery c1917-1921. The cast would have been used as an aid to surgery and used for future reference.On base,incised into plaster "PRITCHARD" .sidcup collection, university of melbourne, sir daryl lindsay, 1916-1919, plaster cast, plastic surgery, sir benjamin rank

Plane Shoulder type brass body with wooden core and iron sole 1 1/4 in ironflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane, shoulder type

Allen Twin Cylinder Engine Driving A Brush Electrical Generator Built by W. H. Allen & Co, Ltd ., Bedford, England ( serial Number R1/14738/4) it was used at Kodak Australia, Abbotsford plant , to provide power through the attached Brush Electrical Generator ( serial 21177 of 1929 ) for the photographic plant. Donated by Kodak ( Australia ) Ltd. in 1966Historic - Industrial Twin Cylinder Engine Driving A Brush Electrical Generator used by Kodak Australia, at their Abbotsford plant, Abbotsford, Victoria, AustraliaTwin Cylinder Engine Driving A Brush Electrical Generator made of steel , iron, wrought iron, brassBuilt by W. H. Allen & Co, Ltd ., Bedford, England ( serial Number R1/14738/4)puffing billy, twin cylinder engine, brush electrical generator, w. h. allen & co, ltd

Pulleys were used to lift goods to and from boats and at other sites at the lightstation where hauling was undertaken. Historical images and text panels in the Wilsons Promontory Museum attest to the detailed logistics that needed to be exercised in lifting and transporting goods once they had arrived by boat at the Eastern Landing. Cranes and a flying fox were employed in the nineteenth century and updated versions of this equipment served well into the twentieth century. The first cranes to be employed at the site were built just after December 1857, when tenders were called to construct two cranes prior to the commencement of building the lightstation.The first boat landing at the promontory was built on the west side of the lighthouse, which the architect, Charles Maplestone sketched in June 1859, the same month that he announced the completion of the lighthouse. His drawing shows one of the cranes as a large structure built for heavy duty lifting. Soon the east landing became the preferred place for delivering stores, but as late as 1993 a crane, timber structures and disused heavy iron machinery remained at the old site.Large rusted iron pulley, large loop at one end and smaller loop at the other. No hook.(Sheave Block)

Built on a cast iron base the machine is designed for Sterling currency with a full-keyboard that has five decimal columns for pounds, three columns for shilling and pence, one column for the 10 and 11 pence keys and three farthing (1/4 penny) keys. The machine was imported and distributed by Chartres Pty. Ltd, Capel Court, 375-377 Collins Street MelbourneHand operated comptometer or adding machine with side handle. Sterling currency with full-keyboard with columns for Pounds Shillings and Pence'Chartres Pty Ltd/Capel Court/375-377 Collins Street Melbourne/23359'commerce, office equipment / stationery, bookkeeping

Antique cast iron tobacco cutter (almost certainly a McMillan cutter). It is a guillotine style cutter used to cut plugs of tobacco to put into smoking pipes. The cutter is held to a wooden base with screws and has a well worn wooden strker plate. (Originally painted black). May have been used in Anglesea to slice beans.None visible.tobacco cutter

Maple. Two wooden rollers 600mm long (low sheen finish). Silver screw handle on the top spring. Two wooden shelves (feed/take off plates plus lower bowl stand). White metal dish. Castiron sides (red and green). Cast iron wheel handle with folding handle (wooden). Four wheels.COG: 71D Top: Wring at the ends of rollers 24 (green) Sides: Ewbank Jewel (red) RD No. 326684. Handle: Patent Ewbank - Folding Handle (black).clothes wringer, mangle, laundry

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the fireplace in the ground floor morning room of Villa Alba. The original 1880s black marble mantel surround is missing its decorative surround tiles and cast iron hearth but retains its decorative hearth tiles produced by Mintons Ltd. The fireplace was modified in the 1950s when it was used as a home for nurses of the Royal Women's Hospital. fireplaces, mintons, mintons - tiles, villa alba -- morning room

Ross's Gifts formerly Ike Richards Gents Hairdresser and Gift Shop. Building built in 1880 as Procter's butcher's shop with upstairs residence. Extended to triple frontage in 1884.Colour photograph showing High St looking west. Two storey building with verandah over footpath and cast iron balcony on 2nd storey. Cars parked along the street. Yellow panel van in front of panel beaters. White car just pulling out. Fire Station at the end of the street. Large tree in centre of photo.ross's gifts, ike richards hairdresser, procter, business, charlton

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, hipped CGI roof, two chimneys, brick whitebands and decorative tops, hipped C.G.I. verandah w/fluted wooden posts w/capitals and cast iron lace above. Wooden verandah floor. 4 lines of ''block patterned'' w/boards [these boards are white].place, building, residential, stamped on back ''t.c. watts and son'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

Bridgewater is a situated 39km northwest of Bendigo and 170 km from Melbourne. It was established as a crossing point over the Loddon River for gold diggers en route to the Inglewood gold diggings. As gold began to dry up in the district the town of Bridgewater developed due to its proximity to the river which it relied on for industries such as brewing, farming and market gardens. As demand on the water supply grew, the Water Works were established to ensure supply and manage the quality of the water for drinking. Decorated hand operated cast iron embosser with 40mm seal head attached. Gold and orange painted decorations extend from top edge of handle to sides of base. Original knob has been replace with a newer wooden knob. Well used showing all over signs of wear. Seal is for the Bridgewater Waterworks Trust 1927.Bridgewater Waterworks Trust 1927.loddon shire

Early form of home heating and because of the copper dish was considered one of the better models|Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Pedestal radiator. Base is cast iron with three feet with rose design on each. Pedestal supports a copper spherical reflector plate which has an electrical connection box at its base. The connection box is joined to the pedestal by a screw and nut to enable the reflector to be tilted. The element is cone shaped and is in the centre of the plate. The element is protected by a wire guard.Hecla Firedomestic items, heating

These are the original wrought iron gates which served as the entrance to St. Andrews Uniting Church, formerly St.Andrews Presbyterian Church. They were erected there in 1922 and were made at H.V.McKay's Sunshine Harvester foundry, at Sunshine. H.V McKay was a member of the Presbyterian Church in Sunbury. Originally the gates opened onto Stawell Street, which ran at an angle between O'Shanassy and Barkly Streets. Apart from a small area leading to the Memorial Hall the rest of Stawell Street has been incorporated in the Village Green in Sunbury.The gates were restored and erected on their original site in 2000. A scanned coloured photograph of white painted wrought iron double gates with two smaller gates on either side and supported by stone pillars. A church building is just beyond a grassed area.st. andrews church, st. andrew's uniting church, wrought iron gates

In the foreground of this photograph are the original wrought iron gates which served as the entrance to St. Andrews Uniting Church, formerly St.Andrews Presbyterian Church. They were erected there in 1922 and were made at H.V.McKay's Sunshine Harvester foundry, at Sunshine. H.V McKay was a member of the Presbyterian Church in Sunbury. Originally the gates opened onto Stawell Street, which ran at an angle between O'Shanassy and Barkly Streets. Apart from a small area leading to the Memorial Hall the rest of Stawell Street has been incorporated in the Village Green in Sunbury.The gates fell into disrepair but in 2000 they were restored and erected on their original site. A coloured photograph of white painted wrought iron double gates with two smaller gates on either side and supported by stone pillars. A red brick church is in the background beyond a grassed area. st. andrews uniting church, h.v.mckay, stawell street, churches, st.andrews presbyterian church, sunbury

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki Long-sleeved polycotton army shirt featuring epaulettes and two breast pockets. The shirt is closed with six buttons. A white material manufacturers label is sewn to the inside of the shirt's neck.Stamped on the inside of the collar: ' 41 81' On the manufacturer's label: SALCO MFG CO., Service No......, Name......, DO NOT BOIL OR WRING, MACHINE WASHABLE, DRIP DRY. IRON LIGHTLY WITH WARM IRON'.army chaplain, uniform, major thomas b. williams

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1980s cocktail dress second hand around 2000 to wear as part of a Dame Edna Everage costume to a hen's party. A blue mid calf length polyester dress with prominent gathered and padded shoulders, horizontally ruched bodice, high scoop neckline, full length sleeves and dropped waist. The skirt is of plain blue polyester mock wrap style with ruched blue spiral detail on left leg seam of bodice to skirt. The dress secures at the centre back with a nylon zip and self covered button. The sleeve is lined with mauve / pink polyesterManufacturers label "Teena Varigos" "Size 14, To Fit Bust 90cm, Waist 70cm, Hip 95cm" "Do not iron pleating" "100% Polyester, Warm Iron, Dry Clean Only"teena varigos, costume party, cocktail dress, 1980s, dame edna everage, di reidie