Magdala cum Moonlight Mine. Large group of workers in front of poppet head and winding engine shed. Oriental mine in background.Smokestack Poppet Head and winding machinery shed with men posing in foreground. Card and horse at lower right of photo. stawell gold mining

These stoneware jugs and bowl had been perennially popular in homes for many years and are still in homes today.These jugs are kept as mementos of household items popular in the past. One jug (VC001906.3) appears to have come from Scotland in the mid 19th century and may have belonged to a member of a McGregor family.These are four brown earthenware jugs and one small brown bowl. .1 This jug has filter holes near the top of the rim and a mottled pattern on the lower part of the body of the jug with an ornamental pattern separating this mottled section from the smooth upper half. .2 This jug has a light brown lower section (both body and handle) and a darker reddish-brown upper section .3 This jug is dark brown with lighter shadings at the top section. The lip is chipped. .4 This jug has a mottled brown lower section and a smooth brown upper section. .5 the small bowl has a stipled lower section and plain upper.‘3 PT’ ‘1PT” household items, history of warrnambool, stoneware jugs, pottery jugs

For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminted screenprint with dark green background. Centre image is orange with four circular openings. Within these openings are industrial images.Front: 4/8 (lower left) "Helta Smelta" (centre) Wendy Black '83 (lower right) Back: 2

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with light blue background. Top left side features a large pink and brown bird (albatross) in flight. The bottom third of the work is a large brown and yellow rectangle which represents a sheep ship.Front: 5/6 (lower left) "The Sheep of Fools" (centre) Wendy Black '83 (lower right) Back: 1.

Black and white photograph of Portland Botanical Gardens. Showing an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10757/ COPYRIGHT (typed, lower left) BOTANICAL GARDENS, PORTLAND (typed, lower centre)portland botanic gardens, postcards, travel, tourism

Black and white photograph of an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10800/ COPYRIGHT (typed, lower left) BENTINCK STREET, PORTLAND (typed, lower centre)

Black and white photograph of a building a verandah and striped awnings in front. A large sign above the steps leading onto the verandah reads "RICHMOND HOTEL". There is a garden with roses in front of the building.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre)portland bay hotel, richmond henty, postcard

Black and white photograph of an unpaved street (Julia Street) with six cars and a motorbike on it. To the left is a row of buildings, painted different colours, some with awnings. People and dogs are walking on the footpath on the left side of the street.Front: THE ROSE SERIES. P. 1100/ COPYRIGHT (typed, lower left) JULIA STREET, PORTLAND (typed, lower centre)julia street, portland cbd

PrintLower left titled and edition: Bushwalk 1/50 A/P Lower right signed and dated: Kees Hos '70

ScreenprintSigned 'John Piper' in lower right corner under printed image. Edition 33/70 in lower left corner.

LithographSigned and dated 'Chadwick 66' lower right corner of print. Edition 10/50, lower left corner of print.

LithographSigned and dated 'Chadwick 66' lower right corner of print. Edition 22/50, lower left corner of print.

LithographSigned and dated 'Chadwick 72' to lower left corner of print. Edition 36/150, lower right corner of print.

Two colour lithographSigned and dated 'Coleing 70' lower right corner of print. Edition 14/25 lower left corner of print.

Serigraph printTitled lower left in white ink "Black Out Print". Edition lower left in white ink "34/50".

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Studies of stem and details of a plant. On left is a study of a stem with short, narrow leaves (in clusters of 2 or 3) and pink flowers, with large pale pink petals and a darker centre. On the right are detailed studies with typed letters affixed to the paper surface. "b1" is a front view of a flower. "b2" is a side view of a flower. "c" is a leaf and stalk detail. "d" is a seed detail. "b3" is a back of flower view. On far right are erased letters in pencil, and one also on the left next to a typed "a". Mounted in a double matt (pale grey on mauve) in glazed timber frame with gold paint.Front: Burtonia scabra (lower right) (pencil) CEW (signature, lower left of image) (mauve pencil) Back: (no inscriptions)cema, botanical, collin woolcock, botanical drawings, woolcock, woolcock collection

1 sheave wood block pair, top block with grooves along sides of block, for placement of rope straps and has a wooden sheave. Lower block has an internal strap, becket and bolt for thimble with metal sheave. Upper block deteriorating, lower block cracked on both sides.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, block

Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe rim painted with sets of black lines, inside and out of mouth with bands, continuing to twin vertical strap handles with zigzags, zigzag line around neck, band at lower neck, body with red band between sets of lines, broad black band on lower body, painted foot. cypriot

A Dunlop Speed throat tennis racquet, with open throat/split shaft, ribbon whipping around shoulders and lower shaft, and leather handle with X-formation perforations. Dunlop logo features across base of head. Model name features on lower shaft. 'D' trademark in arrowhead device also features on lower shaft and white plastic butt cap. Materials: Wood, Plastic, Ink, Leather, Glue, Lacquer, Metal, Adhesive tape, Enamel, Nylon, Ribbontennis

Sketch of a man wearing a suit jacket, shirt and tie. Hair is roughly sketched above a high forehead and heavy eyebrows.Front: K.S. Anderson (signature, lower right) (blue pen). 13 November 1981 (lower right). Jenny Ward (signature, lower left in image) (pen). Back: 1996 (upper left) (pencil)

Linocut printSigned and dated 'Narelle Oliver '99' in lower right under printed image. Edition A/P, lower left under printed image. 'from 'Sand Swimmers" - written lower right corner of page.

This is one of a collection of items associated with Dr Felix Henry Meyer (1858-1937). Meyer was a very prominent early obstetrician and doctor, playing a part in the establishment of the role of the chair of obstetrics at the University of Melbourne in 1929. He was also a foundation member of the Royal Australian College of Surgeons.Surgical tool consisting of four metal prongs, extending from a frame in the rough shape of a pointed oval. The two lower prongs are straight, and the two upper prongs taper downwards towards the lower prongs. The top of the frame has a butterfly type screw point and two handles/finger grips.surgery

This is an example of a typical glass container used to hold sauce.A clear glass bottle with the lower half being.octagonal sided. It is possibly a sauce bottle and would have had a crown seal.on base - 807 M161container glass-bottle

An early black and white photograph of Cumberland Falls near Marysville in Victoria.An early black and white photograph of Cumberland Falls near Marysville in Victoria. These falls are located on the Marysville-Wood's Point Road. Cambarville is notable for its giant mountain ash (Eucalyptus regnans) trees within the Cumberland Memorial Scenic Reserve, and relics from former sawmills and gold mining. The Big Culvert is located nearby on the Marysville - Woods Point Road, which was historically part of the Yarra Track. Cambarville was established as a timber mill town in the 1940s. Timber mill owners A Cameron and FJ Barton named Cambarville. They established the mill to salvage timber from trees destroyed in the 1939 bushfires. Cambarville was impacted by the 2009 Black Saturday bushfires and any remaining structures were destroyed. The photograph was also used to produce the Rose Series postcard P. 2328.marysville, victoria, photograph, waterfalls, cumberland falls, p. 2328, rose series postcard, souvenir, rose stereograph company, cambarville, marysville-wood's point road, mountain ash, eucalyptus regnans, cumberland memorial scenic reserve, mining, timber milling, big culvert, a cameron, fj barton, black saturday bushfires

An early black and white photograph of the Taggerty River in Marysville in Victoria.An early black and white photograph of the Taggerty River in Marysville in Victoria. This postcard was produced by the Valentine Publishing Co as a souvenir of Marysville.VALENTINE'S POST CARD A GENUINE PHOTOGRAPHtaggerty river, marysville, victoria, valentine publishing co, postcard, souvenir, v.19

An early black and white photograph of the Taggerty River in Marysville in Victoria.An early black and white photograph of the Taggerty River in Marysville in Victoria.POST CARD CORRESPONDENCE/ ADDRESS ONLY KODAK AUSTRALtaggerty river, marysville, victoria, postcard, souvenir