Small sketch in blue ink published in the Jottings in 1916walter richmond butler (1864–1949)

This booklet written by Tim Gatehouse and published by the Anglican Diocese of Melbourne gives details on the Arts and Crafts movement background and history in Australia, a short biography of Walter Richmond Butler, architect of the Mission to Seafarers and architect to the diocese of Melbourne from 1895. In 1902 he designed the extensions to Bishopscourt, East Melbourne, now called the Butler Wing.Walter Richmond Butler was an influential British architect bringing his knowledge in the Arts and Crafts movement to Australia. He was commissioned the design of the first mission in central Melbourne, the Central Institute on Siddeley Street, then the second Mission on Flinders Street. He remained a friend of the Mission and especially the Godfrey sisters who lived for some time in an apartment in Tintern Avenue.Colour booklet containing colour and black and white photographswalter richmond butler (1864–1949), bishopscourt, diocese, anglican, arts and crafts, james blackburn, architecture, 120 clarendon street, east melbourne

This type of weights was used in the 19th century.Eleven brass, square shaped weights cut roughly square and filed to correct weightFront: Numeral with Unit in Script Lettering/Reverse: Apothecary Symbolvolum collection, weights, apothecary, pharmacy, medicine, drugs, medication

The photograph was taken after 1910 when the chapel, on the left, was built.This is a rare photograph of the Central Institute built in 1907 replaced by the Flinders Street Institute in 1917. The two buildings coexisted for many years until the this one was demolished (date still unknown).Small monochrome photograph at 45 degree angle depicting a horse carriage passing in front of the Siddeley Street mission, known as the Central Seamen Institute.In pencil: 137seamen institute, siddeley street, brick, huddard company, australian wharf, horse carriage, smoke, flag, chapel, walter richmond butler (1864–1949), goldsmith album

Monochrome photograph depicting three seamen standing in front of the Siddeley Street Mission siddeley, seamen, goldsmith album, walter richmond butler (1864–1949)

Australian wharf in the 1910s. On the rooftop we can read: -TED / HUDDART PARKER & CO. Inside the dock we can see barrels and bags. siddeley street institute, australian-wharf, huddart parker, walter richmond butler (1864–1949), goldsmith album

Take Hold of the Clouds is a curated exhibition featuring two key works by renowned international contributors – Forensic Architecture’s Cloud Studies (2021) and Cauleen Smith’s Sojourner (2018) – along with six, newly commissioned, responsive works from local and national creative practitioners. The experimental exhibition is distributed across seven of the city’s most significant buildings and urban spaces, with each temporal creative work adding a new layer to how we understand these spaces in relation to the world around us. Embedding the work within the city itself rather than a traditional gallery, the exhibition models best practices for high-impact yet sustainable and resource-sensitive exhibition-making. Created in partnership with Monash University, Take Hold of the Clouds navigates the Weekend’s theme of Built/Unbuilt through a series of thoughtful encounters in which artists reveal the invisible stories and issues in corners of the city. The exhibition is conceived by Tara McDowell, Director of Curatorial Practice at Monash Art, Design and Architecture, and co-curated with Fleur Watson, Open House Melbourne’s Executive Director. To create this poster, the artist used a copy of of one of Walter Butler plans for the 7171 building held in the archives as an homage to the architect. The sketch was then retouched to make it loo like a blueprint. The Mission is one of the sites open every year during Open House. A3 size Blue print type plan print on glose paper.open house melbourne, 2022, ying-lan dann, circular temporalities, norla dome, blueprint, plans, walter richmond butler (1864–1949), cultural events

"GYMNASIUM OF NOVEL DESIGN TO BE LIGHTED FROM DOME Trafalgar Day (October 21) was selected as a fittlng occasion for the laying of the foundation stone of the "Norla" gymnasium In connection with the Missions to Seamen new building in Flinders street extension. The ceremony was performed by Lady Fraser. The design of the gymnasium is an entirely novel one. The building is of reinforced concrete, with a dome having a span of 40 feet. The design is based on that of the Pantheon at Rome, and like the Pantheon has no windows. The entire lighting is from an opening In the centre of the dome. Through this aperture the light radiates equally throughout tho gymnasium; and the necessary ventilation is also secured. Between the gymnasium and the main building there is an ambulatory 12ft. wide, from which onlookers may watch the games and exercises. The floor Is to be laid with a fall to the centre for rlnking purposes. The gymnasium will complete the buildings connected with the Missions to Seamen In Melbourne, and the claim Is made that the society has not anywhere a flner or more complete set of buildings than the seamen are favored with here. The ladies who take an active interest in the Mission are inviting subscriptions to furnish the gymnasium with trapeze, punch balls, and other exercising apparatus. Messrs Walter and Richard Butler are the architects."norla dome, lady fraser, 1919, foundation stone, walter richmond butler (1864–1949), richard butler, gymnasium, trafalgar day, simon fraser (1832-1919), pantheon

Ship to Shore was first printed in 1997. Inspired by the Jottings From Our Log, this modern version is generally published quarterly (Summer, Autumn, Winter, Spring) Articles are written by the mission's staff and give updates about shipping and seafaring news, staff, events, board Committee, heritage. It is sent by post or email to supporters, members, volunteers and friends of the mission. It is also available to the public in the Flying Angel club and online on the website.Ship to Shore is a valable source of informationship to shore, mission to seamen, mission to seafarers, flinders street, melbourne, victoria, news, events, art prize, exhibitions, concerts, open house, seafaring life, shipping, sailors, seamen, sponsors, marketing, festival, flying angel, staff, chaplains, heritage, collection, archives, 2022, maritime art prize, phillip cornish, weathervane, walter richmond butler (1864–1949)

Ship to Shore was first printed in 1997. Inspired by the Jottings From Our Log, this modern version is generally published quarterly (Summer, Autumn, Winter, Spring) Articles are written by the mission's staff and give updates about shipping and seafaring news, staff, events, board Committee, heritage. It is sent by post or email to supporters, members, volunteers and friends of the mission. It is also available to the public in the Flying Angel club and online on the website.Ship to Shore is a valable source of informationship to shore, mission to seamen, mission to seafarers, flinders street, melbourne, victoria, news, events, art prize, exhibitions, concerts, open house, seafaring life, shipping, sailors, seamen, sponsors, marketing, festival, flying angel, staff, chaplains, heritage, collection, archives, 2022, maritime art prize, phillip cornish, weathervane, walter richmond butler (1864–1949), sue dight, theft

SEAMEN'S INSTITUTE FOR THE VICTORIA MISSIONS TO SEAMEN In architectural style, the new Seamen's Institute for the Victorian Missions to Seamen, in Flinders street Extension which is to be opened early in September by Sir Ronald Munro Ferguson, the Governor-General, may be said to resemble the type adopted by the early settlers in California, and known in recent years by the name of Spanish Mission architecture. This character is particularly sympathetic with the object for which the building has been erected, and is exemplified in a marked degree in the unique chapel tower of oblong shape with its four pinnacles and open bell turret, with an almost rustic cross as terminal point: also in the arcaded Eastern Court cloisters, with simple round arch arcading, and in the chapel roof, which is framed of heavy rough-hewn hardwood timber work left as it came from the saw, and erected green from the forest. but so well framed and bolted that no harm can result from shrinkage. The foundations are constructed of reinforced concrete, and in some places are nine feet wide. The ground is very treacherous, and considering the irregular weights of the one story, two-story, and three-story parts of the building, the result achieved in sta bility is eminently satisfactory. The main hall has a vaulted ceiling of reinforced concrete construction, and, spanning 35f., is the widest span of any floor in Melbourne of similar construction. The chaplain's residence is built above the lecture hall, and consists of a most complete, up-to-date dwelling-house of eight rooms. It is fitted with every modern convenience and labor-saving device. The cupboard in the pantry, for instance, has two faces — one in the diningroom and the other in the pantry. Dishes are washed in the pantry, put into the cupboard, and taken out in the diningroom, ready for the next meal. Special rooms are designed for the many and various works carried out for the sailors by the industrious workers of the mission. One room is shelved and fitted for the reception, sorting, and distribution of books, periodicals, and other reading matter that is parcelled up by willing hands and given to sailors as ships leave port, to beguile the weary hours of leisure on the sea. Any old books or magazines, illustrated papers, and the like are always welcome at the insti tute. Reading matter of this kind can easily be saved and sent along in bundles. The gymnasium is not yet built. This is the only part of the building required to complete the block; and when its concrete dome, with open eye at summit like the Pantheon at Rome is erected, the whole effect of the groups of buildings will be most striking. In the entrance hall is a floor of marble mosaic, with a central feature of a mariner's compass seven foot in diameter, well executed by the Adamant Pavement Company, and the gift of Mr George Russell. The architect has designed a copper ship as a finial for the main gable of the building, and it, like the gymnasium, is awaiting the collection of more funds or the generosity of a special donor. The whole of the woodwork of the in terior of the building, including high dados round the walls of halls, stair cases, billiard and other rooms is car ried out in Tasmanian hardwood, fin ished in a dull beeswax polish, and the floors of the entire building, except the lavatories, which are tiled, are also executed in Tasmanian hardwood. Mr Walter R. Butler, F.R.I.B.A., was the architect, and the work was carried out by Mr A. B. Robertson, builder. PICTURESQUE BUILDING AMID SOMBRE SURROUNDINGSThe article gives a valuable description of the Mission at the end of its construction and before its opening.4 columns article with photograph of the front of the Missionlady fraser, walter richmond butler (1864–1949), architecture, spanish mission, california, reinforced concrete, tasmanian hardwood, gymnasium, norla dome, pantheon, adamant pavement company, george russell, compass, finail, weathervane, chaplain's residence, manse, chapel, courtyard, cloisters, main hall, spannig

The postcard addressed to Norman Fleming, was written on the 19th of April 1926This rare postcard is the earliest image showing the newly built gymnasium.Sepia tone postcard written at the back with green one penny stamp depicting King George VWritten in black ink: Address: Mister N. Fleming / 24. Norlington Rd / Leytonstone E 11 / Essex / England SS P. Auckland / Melbourne / 19.4.1926 / Dear Norman / gymnasium, norla dome, flinders street, seamen's mission, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), king george v

non-fictionrvia, royal victorian institute of architects, walter richmond butler (1864–1949), mission to seamen, flinders street, reinforced concrete, plans

In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.Plan copied from the 1983 Howden and Wardrop A4 report. A large plan on tracing paper (original or copy of the original) is held in the MSTV archives.flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916

In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.Plan copied from the 1983 Howden and Wardrop A4 report. A large plan copy of the original is held in the MSTV archives.flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916

In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.Plan copied from the 1983 Howden and Wardrop A4 report. flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916

In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.Plan copied from the 1983 Howden and Wardrop A4 report. flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916

In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.Plan copied from the 1983 Howden and Wardrop A4 report. flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916

John Murray photographed and developed the 3 prints in 1998.The photographs depict the weathervane stolen on March 2022.3 8x10 inches glossy silver gelatin prints (Ilford Photographic Paper) depicting the weathervane on the roof of the Mission to Seafarers Melbourne in 1998. The photographs were taken on Ilford film 3200 ISO or ASA.weathervane, windvane, finial, walter richmond butler (1864–1949), john murray, mission to seafarers, seamen's mission, 717 flinders street, melbourne

An original group of plans drawn by Walter Butler who was also the architect of the Central Institute, Siddeley Street in 1906 and the Mission to Seamen building at 717 Flinders St that is still in use today. The early Port Melbourne onshore Mission gradually transformed from a 'wooden shack' to a one storey brick building designed by architect Frederick Williams in 1888. The St Nicholas chapel was added in 1915. Walter Butler was commissioned to add a second storey in 1917. The building retained its functions until 1937 when the Art Deco Mission, designed by Morris was built. The building has survived as a structure into the 21st century, and was incorporated as part of a multi-apartment development. Historical architectural record of Walter Butler's work. Walter Butler was a renowned architect and friend of the Fairfax family.Coloured architect's drawings of the proposed plans for Chaplain's Residence at Port Melbourne on heavy parchment. Including elevation drawings, floor plans and cross sections as well as architect's notes and measurements.Embossed architect's stamp in top right and left corners and bottom right corner "Walter R Butler [indecipherable] Melbourne" Printer's stamp on bottom right hand corner of rear "Printed by J. Creffield Propy. LTD. RIALTO, 493-5 Collins St. Melbourne"plans, walter richmond butler (1864–1949), mission to seafarers, chaplains residence, beach street, nott street, port melbourne, mission to seamen, frederick williams

The Siddeley Street institute, designed by renown architect Walter Butler was built in 1907. The foundation stone was laid in February 1907 by Lord Northcote and the institute was opened in December the same year.The Siddeley Street Seamen's Institute is the first central structure to be built in central Melbourne on the banks of the Yarra River as the shipping was moving from Hobson's Bay to the city centre. Originally planned and budgeted for in the mid 1880s and petitioned by Ships masters in 1897 this was a long awaited project for the Mission.Sepia toned photograph depicting the Siddeley Street facility under construction. There are two women dressed in white wearing picture hats and carrying either cloaks or coats to the right of the photograph and a group of five men standing in a row beside them. They are all standing in front of the entranceway with arched windows to either side all of which is covered in scaffolding.Pencil mark on reverse of photograph: "2"siddeley street institute, australian-wharf, 1907, walter richmond butler (1864–1949), seamen's institute, seamen's mission, ladies, lhlg, officers, seamen, sailors, seafarers, mission to seafarers, scaffolding, anne treverton goldsmith (nee lobb

View of Greensborough Cemetery, June 18th 2013. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.greensborough cemetery

View of Greensborough Cemetery, 28th May 2014. Photography by Marilyn Smith.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of Greensborough Cemeterygreensborough cemetery

Grave of Victor Bonsak (died 11/04/1891) and Mary Bonsak (died 24/03/1938) in Plot# N3 Greensborough Cemetery.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.victor bonsak, mary bonsak, greensborough cemetery

Grave of Carr Brown (died 26/07/1910) in Plot# I17 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone [damaged]carr brown, greensborough cemetery

Grave of George Byrne (died 13/10/1938) and Eleanor J. Byrne (died 26/01/1945) in Plot# Q12 Greensborough Cemetery. [damaged headstone]Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone [damaged]george byrne, eleanor byrne

Grave of James Chapman (died 15/03/1875) and Susan Chapman (died 17/03/1895) in Plot# H6 Greensborough Cemetery. This grave has been repaired/restored by descendants of the family.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.james chapman, susan chapman, greensborough cemetery