Slovenians performing at Veseli Vecer in 1962/63 St Brigit's Hall, Fitzroy North organized by Slovenian Association MelbourneSlovenian function Veseli VecerBlack and white photo of Slovenian performers at a concert VESELI VECER organized by Slovenian Association Melbourne. Performers amongst others are Slavko Kregar, trumpeter, in the centre Lojze Markic dancing with Jenny ?slovenian function, slovenian association melbourne

A group of Slovenians attending Slovenian picnic at Emerald early 1960sSocial event, Slovenians at a Slovenian picnicBlack and white photo of a Slovenians at a Picnic organized by Slovenian Association Melbourne at Emerald. Joze ? , Miro Krsevan, Karlo Strancar, Joze Zuzek, Livio Novak, Karlo Bizjak, Lojze Markicslovenian picnic at emerald, slovenian association melbourne

Letter from Heritage Victoria to Mark Fawcett, City of Whitehorse, 16 November 2006 . Re. inclusion of Schwerkolt Cottage and orchard site in the Victorian Heritage Inventory, with plan and aerial photographLetter from Heritage Victoria to Mark Fawcett, City of Whitehorse, 16 November 2006 . fawcett, mark, schwerkolt cottage & museum complex, historic sites

Refer Also ---https://en.wikipedia.org/wiki/Brodie_helmetMark II Brodie /Tommy helmet. (1936-1940). Metal helmet with inner comfort attachment of Leather ,Cord & Rubber. Hat is green colour. Appears to have personally made chinstrap.No visible markings.

The photo is part of a set provided by Robin Harris of his early life (1953-1962) in 'The Shack' at Antonio Park. See ND5241 for his story 'When Antonio Park was home'.)Black & white photograph of 'The Shack' in Antonio Park where Robin Harris lived with his family in 1953 - 1962. His nephew, Mark Coleclough is standing in front. See ND5241 for history.antonio park, mitcham, coleclough. mark, the shack, whitehorse road, no.627, harris. robin

A transitional flat top tennis racquet with a convex throat. Inscription across throat on obverse: SEABRIGHT/TRADE MARK/HORSMAN/MAKER. Materials: Wood, Gut, Metal, Lacquer, Leather, Stringtennis

Diggers & Mining: The Digging - The Diggers. Slide depicting some land marks and mining sites in Ballarat opened up 1853. Markings: 11 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Bendigo Advertiser, Saturday, November 25, 2017. Two pages article titled: pool politics, nothing new by Mark Kearney. On the controversy about the naming of the Kangaroo Flat's new pool.newspaper, bendigo advertiser, pool

Published history of the Kew Bowling Club to mark its centenary. [The item is part of the large historic Kew Bowling Club collection (1880-1988) gifted to the Kew Historical Society in 2020].non-fictionHistorykew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic), bowling clubs - kew bowling club - history, nixon nv

Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Black and white original print positive of M&MTB Roster Clerks, posed leaning over a desk with print rosters. L-R. Eddie Blatchford, Arthur Miers and G Marks.Stamped: "Copyright / Not for reproduction / Herald Sun Feature Service / Melbourne Australia"mmtb, m&mtb, melbourne and metropolitan board of works, arthur miers, eddie blatchford, g marks

Trig Point Big HillBlack & white copy of a photograph of an iron frame, which is shaped like a tripod. Known as a Trig Point - it marks the highest point on the hill. It has a metal disc on the top. Car in the foregroundnonestawell, triangulation pillar

This was used with an ink-stamp pad. It was stamped onto plain cardboard boxed, to show that the contents were the property of Beechworth Honey. Using stamps such as this was a cheaper alternative to ordering specifically designed boxed. Box Labeller with red plastic handle. Marks as "Pure Beechworth Honey Steven & Jodie Goldsworthy RMB 1125, Bobinawarrah, 3678, Vic. Ph: (057) 273 639 (018) 059242"stamp, labelling stamp, beechworth honey

Includes enlisted soldiers and those killed in action. Framed listing of names of Shire of Buninyong residents who served in the First World War. An asterisk marks the names of those killed. There are seven columns of names with about 500 names listed.On back of frame 'G.D. Whykes, 310 Forest Street, Buninyong 3357'. world war 1, buninyong, military history

These signs were printed and placed on to chip board for display in the kitchen area (as shown by the screw marks in the top corners). Brown marks and heat damage were most likely caused by their location in the kitchen at Ormond Hall.2 digital images of Department of Health Regulation 85 around cleanlinesssignage, ormond hall, royal victorian institute for the blind

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. White discolouration in a narrow line down the body. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

In the beginning of the19th century, the main mode of transportation was the horse and carriage. Even after the advent of the railway, remote areas still relied on the horse for local transport.Until Australian coachbuilders began making buggies from the 1860s, most were made in America Buggies with four wheels were light but comfortable. Many had hoods to keep the sun and rain off passengers. They were generally owned by doctors, ‘squatters’ and business people. Some had small turn-out seats at the back for children. Lamps are placed at different places on the carriage sides: 1 lamp on each side placed close to box seatThese lanterns are examples of lighting devices used in the time of horse and carriage transport.Two kerosene lanterns - buggy lamps.They are rectangular in shape and have a chimney on top. Both have carrying handles.There are 3 glass windows having two clear white lights and one small red round light on the back. The ceramic burner is made by Barton's.On ceramic wick holder - B in the middle of BARTONS B Underneath is TRADE MARK lighting kerosene-lights buggy-lamps transport lanterns

1. Jacket, Khaki Officers pattern jacket, four pockets, dark AMF metal buttons. Rising Sun Badges on collars. Rank Lt.Colonel Badge. On shoulder has felt Royal Victorian Regiment. 2. Shirt - Khaki, 2 pockets, longe sleeved. 3. Tie - wool, brown. 4. Peaked cap - khaki. Darkened Rising Sun badge on front.Jacket - no name., Shirt has texta name - HENNEQUIN 3203681 Tie - no marks.post ww2, cmf, 38 bn, passchendaele barracks trust

Item/s in collection re B.J. Ruler VX40780 refer Cat No 5790 for his service detailsCardboard folded small calendar. Centre has month, dates printed in black, border has advertisement in red writing. Back has advertisement. Front “ Bernard Ruler Calendar for 1940” Back “ Crusader registered trade mark”calendar 1940, booklet

This musical instrument belonged to Donald Robert McDonald who was a member of a prominent South Warrnambool family. As his army service number is on the case it is presumed that he had the musical instrument with him during his wartime service (World War Two). Donald Robert McDonald (b. 1908) enlisted in 1942 and was discharged in 1946. He was a bombardier in the 2/4 Aust. Composite A/A Regiment.The instrument is significant because it belonged to a member of a prominent South Warrnambool family. It had historical and social significance as an example of the musical entertainment common in the 1940s (perhaps Donald McDonald played in a local band or a military band)Silver-coloured soprano saxophone; end taped with mouthpiece missing; Black case for holding a musical instrument made of moulded cardboard and lined with black velvet. It has a leather handle and metal catches and studs. ‘Trade Mark Boosey’ ‘Boosey and Co Makers London 25081’ ‘British Throughout’ donald robert mcdonald, south warrnambool, south warrnambool, 2/4 aust. composite a/a regiment., warrnambool

Office of Mines published progressive reports on the Geological Survey of parts of Victoria.This book includes a chapter on 'Dargo and Bogong' Pages 96 - 117 and includes a fold out map of this area. These pages show heavy use.Hard deep red cover with gold printed title located at the centre top. Bound with spine blank. 217 pages. Date 1878 First chapter and some pages have pencil marks including page 97.geological survey 1878, dargo, bogong

This is a marble stopper bottle. It was filled upside down so that as soon as the filling stopped the marble was forced down to seal the bottle against the rubber ring. Pressure inside the bottle kept the marble pressed against the top of the bottle. To open the bottle the marble has been pressed down and has fallen into the neck chamber below. The marble stayed inside the chamber when the bottle was tilted up for drinking. This bottle came from the Warrnambool aerated waters factory of John Fletcher. This factory was commenced in the mid 19th century by John Davis. As a young boy John Fletcher worked at the cordial factory of John Rowley in Banyan Street, Warrnambool. He then worked for John Davis at his Union Cordial Factory in Koroit Street for many years. In 1885 he succeeded John Davis in this business. Fletcher’s business continued until 1930 when it was sold to the soft drinks manufacturer, Ralph Reeves. John Fletcher made aerated waters, soda water, tonic water, lemonade, ginger ale, hop beer, hop bitters, sarsaparilla and cordials. This bottle is of interest as a good example of a marble stopper bottle and as a memento of the soft drinks made by John Fletcher, a prominent Warrnambool businessman for over 40 years. This is a glass bottle with a heavy round base and a rounded body which is markedly indented at the top, causing the aperture inside to be narrowed. The neck is rounded and tapers to the moulded glass opening at the top. There is a round piece of red rubber inside the top of the bottle. A green glass marble is loose in the neck section. The lettering giving details of the manufacturer is embedded into the glass. There is a small chip on the base.‘John Fletcher Trade Mark (crown symbol)Warrnambool’ ‘Soda Water’ ‘M’ john fletcher, warrnambool, cordial manufacturers, warrnambool

This is a marble stopper bottle that came from the Warrnambool aerated waters factory of John Fletcher. This bottle was filled upside down so that as soon as the filling stopped the marble was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it has fallen into the neck chamber below. The marble stayed inside the bottle when it was tilted for drinking. John Fletcher worked as a young boy at Rowley’s cordial factory in Banyan Street Warrnambool. He then worked for John Davis who had established the Union Cordial Factory in Koroit Street in the 1860s. In 1885 Fletcher bought John Davis’ business and operated it until 1930. It was then bought by Ralph Reeves. John Fletcher manufactured soda water, tonic waters, lemonade, ginger ale, sarsaparilla, cordials, hop beer and hop bitters. This bottle is of some significance as an example of a marble stopper bottle and as a memento of the Warrnambool soft drinks business of John Fletcher. He was a prominent businessman in This is a mauve-coloured glass bottle known as a marble stopper bottle. The base and body are round with the top part of the body heavily indented to form a narrow opening leading to the neck. The neck is rounded and slightly tapering to the moulded round top. A green glass marble is loose in the neck section. The rubber ring at the top of the opening is missing. The details of the soda water manufacturer are embedded into the glass on the sides. ‘John Fletcher Trade Mark (crown symbol) Warrnambool’ ‘Soda Water’ ‘M’ john fletcher, warrnambool, cordial manufacturers in warrnambool, history of warrnambool

Used for wrapping up items of kit that need protection from water.1. Dark green bag, open ended. Colour dark jungle green. 2. Green colour bag, open ended. 3. Dark green bag, open ended.1. 3795952, W.D. Patterson, written in large letters. 2. & 3. No marks.vietnam war, aust army, uniform accessory

Note - Identification as David Kent needs to be confirmed.small b & w photograph of a young chaplain conducting a service in St Peter the Mariner chapel, chaplain facing congregationstamp: 8940, photographic paper mark ILFORD, handwritten number possibly 9st peter chapel, services, pews, seamen, chaplain, david kent

Cream glazed serving dish.Pottery dish, cream glaze with floral designs"Royal Staffordshire Pottery A. J. Wilkinson Ltd. - Honeyglaze" Batch mark 480 Adish, staffordshire pottery

Wedding party; groom, bride, older woman (possibly mother of the bride) plus couple on groom's L/H side. As Ethel is mentioned on inscription the bride could be Ethel Georgina Nightingale(b.1885 - 1946) currently do not have spouse's name. Older seated woman possibly mother of the bride could be Emma Augusta Thompson (1859 - 1949) (Needs further research for confirmation)Sepia photograph on dark grey card of wedding partyMakers mark: The Yeoman Studios Inscription on back: To Dear Ethel with best wishesthompson collection, nightingale

Royal Doulton as part of the Minton Miniature series produced this stork model in 2001. A limited edition of 1,793 pieces were made, and this stork is number 118. The stork is a scaled down model of the original life-size piece first produced by John Henk, c. 1870, as a walking stick and umbrella stand. A rare miniature stork demonstrates the artistry and skill required to produce Majolica ware during the 19th century and the present.A miniature white stork standing on one leg atop a rocky mound, an eel clasped in its beak, a frog beneath its foot, the stand formed by tall bullrushes & water-lily pads.Inscribed at the base Minton founded 1793, artist mark: 6, made in Englandminton & co., majolica, miniature model, flagstaff hill maritime museum, stoke upon trent, john henk, staffordshire

Port of Portland Authority archivesFront: (no inscriptions) Back: Pencil crop marks and enlarging instructions over back.port of portland archives, cargo, cargo handling, portland harbour