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Whitehorse Historical Society Inc.
Clothing - Wedding Dress, 1958
Wedding dress donated by local resident, Mrs Dorothy Williams. Worn by her on her wedding day in 1958 and the dress worn again by her daughter 07/05/1983 as per photographs.1958 Cream embroidered Nylon wedding dress. Fitted long sleeves to a point at waist, fastened with thirteen self covered buttons. Boat neckline trimmed with frill. Long waisted to a point at centre back. Full gathered skirt to a long train. Bodice lined to waist over a cream satin underskirt. Wedding shoes NA4122costume, female -
Port Melbourne Historical & Preservation Society
Card - Remembrance greeting card, 1900s
In a box dug up during renovations at 78 Station StreetFrom a box of objects dug up at 78 Station Street:,dating early to mid 1900s: .01 greeting card "Remembrance"domestic life -
Whitehorse Historical Society Inc.
Document, Centenary of Women's Suffrage, 2008
A List of Petition signatories 1891.A List of Petition signatories 1891. Also first female parliamentarians, mayors and councillors in the Whitehorse area up to 2007 are featured.A List of Petition signatories 1891.women's suffrage petition 1891, victorian honour roll of women, petitions, mayors, councillors, parliamentarians -
Marysville & District Historical Society
Booklet (Item) - Funeral Service Booklet, M&A McComack Funerals, Thanksgiving for the Life of Wykeham Lindley Perry, 04-2021
The thanksgiving service booklet for the life of Wykeham Lindley Perry who had grown up near Marysville in Victoria.The thanksgiving service booklet for the life of Wykeham Lindley Perry who had grown up near Marysville in Victoria.wykeham lindley perry, marysville, victoria -
Whitehorse Historical Society Inc.
Clothing - Dress, Coat, c1960
Worn by donor at son's wedding.|Jacquard, a complex and intricate weaving process on a power loom invented bt Joseph Jacquard in 1801. It refers to fabrics or textiles woven by this process of punch cards, using damask, twill, silk or plain weave,wool. The design being woven into the material.1960 Apple green dress and matching coat. There is a silver thread through the weave of the material (Jacquard Design - see History). Dress also trimmed with silver braid. Stand up collar. Back zip and self covered buttons.|Matching coat has round neck - two sets of three self covered buttons and loops.costume, female -
Bendigo Historical Society Inc.
Photograph - ALL SAINTS ATHLETIC CLUB - BENDIGO
Photograph - black and white. A group of men standing on a wooden carriage, all dressed in white. Two other men dressed in suits and bowler hats. Some readable names written on back are from the bottom up - Samuel George Teasdale - Instructor, George Bradley, Arthur ___, Jones, Jim Bock, Joe Pearce, Beibe,____, Pattison, ___,___,___.organization, club/society, all saints athletic club., all saints athletic club -
Nillumbik Shire Council
Painting: Adriane Strampp (b.1960 Wisconsin, USA), Adriane Strampp, Into the Night, 1987
Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp -
Phillip Island and District Historical Society Inc.
Photograph, Thompson Ave, Cowes Phillip Island, 1920
View looking up Thompson Avenue from The Esplanade. The Chicory Kiln built in 1870, a two storey brick building is adjoined by West's General Store, built in 1869 to cater for the needs of the Settlers. A large Gum Tree and finally houses follow on from these two buildings. In the foreground and to the left, is a small three sided fence and a gracious Gas Lamp on long pole.Cowes looking up Thompson Ave to Chapel Street. 1905Main Street Coweslocal history, photographs, streetscape, cowes, black & white photograph, mary robb -
Vision Australia
Photograph - Image, Herald and Weekly Times, Elanora resident accepting a kiss from a young girl
A elderly woman, dressed up in hat, jacket, dress and gloves leans over in her chair to kiss a young girl lightly on the lips.1 b/w photograph of seated elderly woman kissing a young girlassociation for the blind, elanora home (brighton) -
Stawell Historical Society Inc
Photograph, Mabel Annie Richardson -- Studio Portrait
Mabel Annie Richardson whose family home is at 13 Bennett St Stawell. Mabel is standing in Studio with her right hand resting on a seat. Wearing her hair up with a bow in the back and in a long dress. -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family, 1868
Migrated to Australia with husband Robert in 1856 from Scotland. Settled in Adelaide, Melbourne then Phillip Island. Died in 1888.Portrait Photograph of Margaret Anderson nee Sharp.Cameo Head and Bust. Lace type cloche hat with wide ribbon tying under chin. White lace collar on dark velvet dress with buttons up front.Stewart & Co. Melbournelocal history, photography, photographs, slides, film, first mrs margaret (sharp) anderson, sepia photograph, mrs emma anderson jacobs, phillip island -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920 c
Black and white photograph taken at night of four little girls sitting on the ground dressed up. Identified are June Fish with bow in hair and Dorothy Jemmeson with dark hair holding a doll. Lakes Entrance Victoriaships and shipping, genealogy -
Wangaratta RSL Sub Branch
Framed Photograph, circa 1980's
Photograph taken of members/patrons playing Two Up at Wangaratta RSL on ANZAC Day in the 1980's. Present include Rob Parkinson, "Rooster" Graham Gayles, Daryl and Graham Everitt.Brown timber frame containing black and white photograph of group of men playing Two Up.two-up, wangaratta rsl, 2up -
Beechworth RSL Sub-Branch
Pants, SA 1981
New issue from storeGeneral issue Vietnam War eraJungle Green PantsButton up Flyjungle green, uniform, vietnam -
Brighton Historical Society
Clothing - Dress, c. 1974
This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism -
Moorabbin Air Museum
Letter - CAC Commonwealth Aircraft Corporation LJ Wackett (Abroad) File No.1 W.3 Correspondence, Wackett (Abroad) File No.1 W.3
CAC Wing Commander L J Wackett correspondence 1935 to 1937 setting up aircraft manufacturing in Australiamanufacturing in australia -
Churchill Island Heritage Farm
Photograph - Photograph of Amess House, c.1940s
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph of Amess House, the Norfolk Pine, and the cannon. Taken from downhill on the main path looking up to the house.Catalogue number written in pencil on reverse. Hand written in pen: 'Amess (crossed out) Jenkins Era/ Source - Historic Places 1999' 'Churchill Island/Main patch leading up to the house' Stamped on paper diagonally repeating on reverse: 'Kodak Professional Paper - Papier - Paper'churchill island, harry jenkins, cannon, amess house -
Kew Historical Society Inc
Photograph, Centenary Celebrations, Willsmere [Kew] Mental Hospital, 1972
This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972.STAFF MEMBERS PRESENT COSTUMES & DRESS OF THE 1870'S AT CENTENARY 1972 / NAMES?willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital -
Kew Historical Society Inc
Photograph, Centenary Celebrations, Willsmere [Kew] Mental Hospital, 1972
This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972.STAFF MEMBERS PRESENT COSTUMES & DRESS OF THE 1870'S AT CENTENARY 1972 / NAMES?willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital -
Tatura Irrigation & Wartime Camps Museum
Photograph, Captain Hendy and Nursing Sisters, Original 1942, copy 1989
Army staff and nursing staff assigned to the Tatura internment camps during WW2. Captain Hendy (in great coat) with Sisters Tootell and Steed in nursing uniform. Sister Vi Elliot in dress uniform. Army hut in background.Black and white photograph of 2 female nursing sisters in nursing uniform, 1 female nursing sister in dress uniform and a male officer in uniform wearing a great coat. Army hut in background.a.a.n.s., camp hospitals, captain hendy, sister tootell, sister steed, camp nursing staff, sister vi elliott -
Port Melbourne Historical & Preservation Society
Document, Remembering life in Port Melbourne in the good old days, 21 Apr 1988
Recollections of Jack CHUMBLEY of life in Port Melbourne include two-up games, training horses on Sandridge Beach and the introduction of buses to replace the cable trams. A4 copy of newspaper article from the Emerald Hill, Sandridge & St Kilda Times In pencil on top left - Jack knows where the trotting track & 2 up game would be on the map (Terry's dad)jack chumbley -
National Wool Museum
Rug, Returned Soldiers and Sailors Mill, Post 1924
Made by the Returned Soldiers & Sailors Mill in Geelong, post-1924. Rug was given to NWM from another museum in Western AustraliaTartan rug with cream base, featuring pattern with blue, black, green, yellow and red believed to be the Dress Stewart tartan pattern. RS&S label stitched on back of one corner. Label has stitched signature of John Monash. Two of the ends are tasseled. Appears used with several stains and small holes. Reverse of rug is free of design with solitary light brown colour Bottom left front corner has label which reads "THE/ Dress Stewart" On rear of same corner has label which reads "THE GEELONG R.S & S WOOLLEN MILLS/ PURE/ WOOL/ THE John Monash RUG wool, rs&s, reutrned soldiers and sailors mill, rug, quilt, blanket, john monash, the dress stewart, world war one, world war two, tartan -
Montmorency/Eltham RSL Sub Branch
Uniform - Blouse, Khaki, Patt.'49 Battle Dress, 1950
Standard issue battle jacket for the Royal Australian Artillery, issued by defense department. Pattern 1949 Khaki Battle Dress Blouse. Two deep button breast pockets, Four buttons on right side concealed by right side jacket. Belt hem located at the bottom with buckle. Hemmed arm cuffs with one button on left and right sleeves. Two internal pockets on right and left side. Cord lanyard hanging from left sleeve. Patch with words 'Royal Australian Artillery' embroidered in red on navy on both left and right shoulders. Separate embroidered crown placed above both embroidered text patches. Material with embroidered crown attached with button at the top on right and left shoulder. Crown is made up of red, purple, cream and brown string. Material loop attached inside top of jacket at the neck.Sewn patch with inscription R. J. Hatch & Co. 1950 Size......... MADE IN AUSTRALIA Regimental No. ...................... Name Stamp on inner lower jacket - '170' with arrow point up to the number.military uniforms, army, battle jacket -
National Wool Museum
Postcard, Collins Bros Pty Ltd
Postcards produced by Collins Bros Pty Ltd weaving and finishing mills, Geelong, advertising "Physician" brand blankets, flannels, ladies dress materials.Postcard advertising Collins Bros Mill products and showing the weaving and finishing mills.COLLINS BROS PTY LTD / WOOLLEN MANUFACTURERS, GEELONG. / Views of the Weaving & Finishing Mills / MAKERS OF THE FAMOUS 'PHYSICIAN' BRAND / BLANKETS FLANNELS / LADIES DRESS MATERIALS / SPOTLESS FINISH / FREE FROM FILLING / GUARANTEED PURE VIRGIN WOOL / TR POST CARD / CORRESPONDENCE / ADDRESS ONLY / KODAK / AUSTRAL / KODAK / AUSTRALtextile mills, collins bros mill pty ltd -
Kew Historical Society Inc
Clothing - Pink Thai Silk Coat Dress, Dominex, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This coat dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Three quarter length hot pink Thai silk coat dress. The pattern of the fabric includes and abstract floral design encased in borders of flowersLabel: Dominexdominex, women's clothing, australian fashion - 1960s, coat dresses, mcintyre collection -
Kiewa Valley Historical Society
Wet and Dry Bulb Thermometers - Tobacco
Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The frame holding the thermometers was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Used for monitoring the temperature and humidity in the kiln during the drying process of the tobacco leaf (the thermometer is missing the water holder) 2 thermometers attached to a steel attached to an old rusty tin frame with handle at the top enabling it to be hung, using wire, to hook on the wall. Tin frame has cap on it coming out to protect the thermometers and a base for standing the frame up. 1 thermometer has a hollow piece of material (or cord) strip (125 mm long) attached to the bottom of it.Beside the thermometers is inscribed on steel - the lines for measuring and numbers from 40, 60 (by 20s) up to 240.tobacco. kiewa valley. mongans bridge. wet and dry bulb thermometer. silvano rossaro. -
Clunes Museum
Tool - BUGGY JACK
JACK USED FOR JACKING UP WHEELS OF LIGHT HORSE DRAWN VEHICLES FOR GREASING, REPAIRS OR REMOVAL ETC.METAL BUGGY MANUAL WHEEL JACK USED FOR JACKING UP WHEELS OF LIGHT HORSE VEHICLE FOR GREASING, REPAIRS, REMOVAL ETC.local history, trades, wheelwrighting, trades, wheelwrighting -
Tatura Irrigation & Wartime Camps Museum
Clothing - Dress - child, Emma Frank, 1940's
Worn by Gretl Hornung, daughter of internee, at Camp 3. Dress made by her mother Emma Frank.Round neck, sleeveless, navy blue cotton dress. 6 bronze like buttons, fastened through loops and 1 press stud. Red, green and yellow embroidered dots around neck, down the front and around the armholes and across the top of 2 pockets, gathered skirt.gretl hornung, emma frank, camp 3 clothing -
Streatham and District Historical Society
Post Card, Jack Kerr & Friends at Luna Park
Picture shows four men sitting in mock up pose which is typical to the time. Demonstrates typical dress of the period for males.Rectanguler shape, Black & White. A picture of four men sitting in a posed position in a fake plane. Two men have hats and all are dressed in suits.Back: In black ink, stamped Post Card, Correspondence, Address Only, Kodak Australia. In black pen the word Kerr.clothing, photography, streatham, posed -
Melbourne Legacy
Leisure object - Toy Bear, Legacy Bear $20 - Lighthorse bear, 2022
In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This Classic Lighthorse bear is different to the previous special edition Lighthorse bear and was a limited edition in 2020/22. The Light Horse Brigades were mounted infantry made up of mostly young men from the country. They were experts at rough-riding from their lives in the bush and could navigate terrain easily for long periods with little food or water. Sometimes special editions of the bears were produced. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a Lighthorse uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear