Contains full colour photographs of Melbourne trams in other locations such as Edmonton, Auckland, Christchurch, Seattle, Memphis, New Orleans, San Francisco, Denmark, San Jose, and Dallas. Also contains photographs of Adelaide, Brooks Oregon, Kennebunkport, Okayama, Demonstrates production of calendars featuring tram photographs, containing many historic photographs and Melbourne Ws in overseas places.Wall Calendar - heavy card covers, 28 gloss art pages inside, titled "Trams - 2009" with a punched hole along the top edge to enable wall use.tramways, melbourne, adelaide, san francsico, w2 class, sw 6 class, edmondton, denmark

31 pages; colour illustrations; index of illustrationsnon-fictionPicture book with artwork illustrations of animals with associated poems by Gwenda Smyth animals, juvenile fiction, illustrations, art

2023 Year 7 Students created family emblems and/or crests in relation to their Bnei Mitzvah. Some pictures are hand drawn and copied in colour, others are computer generated. Some are original images which others are a composite of online open access material. Four portions are missing, one removed due to mildew Please contact [email protected] to request access to this record. bnei mitzvah, hebrew, jewish school, art, display, exhibition

This work was purchased from the exhibition "Original French Lithographs in Colour' held at the Joshua McClelland Print Room in 1963. The foreword noted "The twentieth century revival of lithography had its source in Paris, and in this exhibition, the second held in Melbourne, the catalogue includes some beautiful prints by various younger French artists as well as those by the "old masters" of contemporary lithography, Braque Picasso,, Chagall and Dufy. ... These prints form an interesting section of the regular art auctions in Paris and London, and they are eagerly sought by buyers who want an original work of art by artists whose paintings are far beyond their purses. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, garzou, pierre garzou, lithograph, coloured lithograph, colored lithograph, printmaking, edition, available

Human Archetypes, The Uncanny Valley, and Inorganic Human Forms The work interrogates the recurring concept of humankind’s fascination with replicating herself in her own image. Just as the Judeo-Christian God is said to have created humans in his own image, we replicate ourselves in art and then science. We seek to make an artificial intelligence that may well be fraught with our own survival as a species, and we refine these creations until we can no longer tell if they are human or facsimilie. Even when this is impractical; when a non-human robotic form may well be better suited to the task, we persist in making our new companions in human form. So much so that when our creations develop their own ability to create human forms, they inherently seek perfection of human characteristic when no such thing exists, and all humans are flawed. My work takes the human and reverses this process, seeking to see how dehumanising one can make the subject of portraiture before it becomes ‘the other’. In doing so, I look for what makes us human, and how we portray or present various aspects of humanity and human endeavour as stereotypical archetypes. I have used, as a paying subscriber, the artificial intelligence presented in the Adobe Creative Suite, which is ethically sourced from Adobe’s own stock collection which itself has been purchased from artists, as a launchpad for this exploration, thus invoking concepts of meta - where the AI works on a project that attempts to dissect the very reasons and underlying foundations of humankind’s desire to create AI in the first place. Some of the work touches on the idea of a human/AI connection, extending to the concepts of an interspecies symbiosis, and whether a human could experience a genuine love of a non-organic human form, and vice versa. Clayton KEEFE Completed a Bachelor of Visual Art at Federation University Arts Academy in 2023.Colour photograph of metal arm and hand holding a wine glass, in front of a window.clayton keefe, available, photography, ai, alumni