Showing 2764 items
matching aboriginality
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Eltham District Historical Society Inc
Book, Alan Marshall (1902-1984), Ourselves Writ Strange by Alan Marshall published by F.W. Cheshire Pty. Ltd, 1949
321 p. : plates, map (on lining papers) ; 23 cm[written on flyleaf] Hullo, John. Greetings from Australia - Alan Marshall Dec 61australian aboriginal -
Eltham District Historical Society Inc
Book, National Museum of Australia, Wrapped in a Possum Skin Cloak by Amanda Jane Reynolds, 2005
Debra Couzens, Vicki Couzens, Lee Darroch and Treahna Hamm revived their communities' craft of cloak-making. Comprises tools, artworks, ornaments and two magnificently worked possum skin cloaks.vii, 64 p. : chiefly col. ill., map, ports. ; 18 cm.ISBN 1876944366aboriginal culture, possum skin cloaks -
Eltham District Historical Society Inc
Book, Tarcoola Press, Coranderrk Database compiled by Mick Woiwod, 2012
Database of information on Coranderrk 1835 to 1995.Winner of the Local History Project Award (for activities that enhance access to records of significance to local communities) as part of the Victorian Community History Awards 2012 242 pages : illustrations ; 30 cm + 1 CD-ROM (4 3/4 in.) PDF, Word files.ISBN 9780987157416green, john., bon, anne fraser, 1838-1936., coranderrk aboriginal station. -
Eltham District Historical Society Inc
Book, Tarcoola Press, Birrarung Database compiled by Mick Woiwod, 2012
Sister publication to "Coranderrk database". This is a compilation of Mick Woiwod's research material, gathered over many years with information on the history of the Wurundjeri people of the Yarra Valley, from the time of first European contact. The publication runs in excess of 140,000 words. Its prime focus is the Yarra River as it has been understood by its Wurundjeri people. Includes a compilation of those difficult to locate "brief snatches of the action" collated under headings with in each instance, the provenance as to source and / or author included. Themes include: agriculture, law, ceremony, language, reconciliation, retribution, lifestyle, art & craft, climate, personalities, disease, death and the river's flora and fauna.318 pages : illustrations, maps ; 30 cm + 1 CD-ROM (4 3/4 in.) PDF or Microsoft Office Word 97-2003.ISBN 9780987157423wurundjeri, yarra river, indigenous history -
Eltham District Historical Society Inc
Photograph, Sketch of Aboriginal man with spears by W. Macleod
This black and white image appears on page 9 "Painters and Pioneers: One hundred years of Eltham and its Shire" by Alan Marshall (1971). (It is incorrectly acknowledged as S.T. Gill in the acknowledgements). It relates to Chapter 1 "The Beginning" and the description of explorer's Joseph Gellibrand journey through the area (and beyond) of the area now known as Eltham and wider Shire of Nillumbik. Gellibrand was accompanied by male aborigines. William Macleod (1850-1929) was a contributor to the "Picturesque Atlas of Australia" 1886. Described in "The Daily Telegraph" 21 June 1924 :"Macleod is a preserver of the scenic records of his own time, inasmuch as he has furnished posterity with many view of towns, rivers, and other localities, as they appeared in the years 1886-8. Among these, he has given us ...a blackfellow throwing a spear...' Image first published 1886. Image re-published in "Painters and Pioneers", 1971 pioneers and painters, aborigine, spear, drawing, william macleod, picturesque atlas of australia, aboriginal australian -
Burrinja Cultural Centre
Aboriginal painting - Paddy Jampin Jaminji, Paddy Jaminji, The Hills of Bedford Station, pre 1995
In around 1924 a band of Gija people crossed fences onto their traditional land near Bedford Downs Station in the East Kimberley 2000 km northeast of Perth and killed nine head of cattle. This act precipitated one of the massacres to become known as the 'killing times'. Paddy Quilty, the station owner of Bedford Downs had his men collect wagon loads of firewood which was distributed around the camp. He then invited everyone to assemble for their rations. The food, laced with strychnine, was handed out. As the Gija people fell down dying in agony, they were shot. The firewood was used to burn the bodies. One boy escaped to the the story. Paddy Jamin Jaminji (c.1922-1997) painted The Hills of Bedford Downs Station as part of a series of painting about the Killing Times. It depicts the story and sites of the massacre. At least twelve killing sites are recorded within a radius of 150 km of Turkey Creek, WA. The painting was possibly discarded due to its damage in one corner and later collected from an old shelter at Warmun on a field trip by collector Neil McLeod in 1995.Large painting on board of symbolic landscape. Brown, yellow, cream and white. Framed.bedford downs station, massacre, killing, gija, paddy quilty, turkey creek, warmun -
Burrinja Cultural Centre
Aboriginal painting - Rover Thomas Joomala, Mount House, c 1994
Mostly black surface with an area of white on the right side and a brown band near the top, lined with white dots. Work show the 'black soil country'. Ochres on Canvas. -
Burrinja Cultural Centre
Aboriginal painting - Jack Wherra, Jack Wherra, Ancestral Spirit Dancers: Djumba, 1982
Two Djumba figures, both male on black background. Ochres on Canvas. -
Australian Queer Archives
Poster, Lees, Stephen, Condoman says : 'Don't Be Shame … Be Game'. Use Condoms, 1988, 1988
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Australian Queer Archives
Photograph, B-News, Lesbians and Gays for Reconciliation, Queers stick with Wik, Pride March, Melbourne, 1998 (5), 1998
aboriginal and torres strait islander -
Australian Queer Archives
Flyer, His own special friend, 1993
Associated text: "Cyclone Productions presents : His own special friend : a two man show by Darwin author Dino Hodge, based on the first chapter of his book : Did you meet any malagas? A homosexual history of Australia's tropical capital. 3 nights only Dec 9, 10, 11, Brown's Mart. In conjunction with the show will be an exhibition of Male nudes and Territory landscapes, by Ian Hanse. Exhibition opens 7:30pm. Performance at 8:30pm. Drinks and copies of the book available.darwin, gay, aboriginal and torres strait islander -
Eltham District Historical Society Inc
Photograph, Doug Orford, Aboriginal waterholes at Maryborough, Spring Excursion to Maryborough, 27 September 1992, 27/09/1992
[from EDHS Newsletter No. 86, September 1992:] SPRING EXCURSION MARYBOROUGH: As a Spring excursion our bus trip on 27th September is well timed - Maryborough is conducting its Wattle Festival on that weekend. We are to be guests of the Midlands Historical Society who will provide a guide for our tour of the town. This is a somewhat longer trip than we usually undertake so we have an earlier start at 8.00 am and the cost is a little more than usual at $20.00. The entry to the Midlands Society's Worsley Cottage is included. At the end of the town tour we will visit the C.W.A.'s Fair which is part of the Wattle Festival. Afternoon tea will be available there for a small charge. Bring your lunch and something for morning tea if you wish. We will be travelling to Maryborough via Creswick and Clunes and returning via Castlemaine. We will return about 6.00 pm and transport home can be arranged if required. Maryborough has a rich history with the gold era being particularly significant. Local historian Betty Osborne has produced the book "Maryborough - a Social History 1854-1905". You might like to try and obtain it from the library for advance reading or it will be available for purchase on the day at $25.00. To book for this tour please complete the attached from and return with your payment to the September meeting or send it to our post office box. Friends are most welcome as usual.Colour photographactivities, maryborough -
Ringwood and District Historical Society
Book, Aboriginal of the Dandenong Mountain - Muriel McGivern
Story of the Aborigines whose hunting and cult sites lay about the foothills of the Dandenongs and the Upper Yarra River -
Australian National Surfing Museum
Programme, 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach official contest guide, 01/03/2000
This magazine is representative of event guides prepared for the Rip Curl Pro at Bells Beach each year. This particular event guide features unique artwork by Indigenous artist/surfer Glenn Romanis including an indigenous representation of the world famous Bells Beach 'bell' on the top left hand corner.The 2000 Rip Curl; Pro event guide featured unique artwork by Indigenous artist Glenn Romanis. During this period the event was one of the first major sporting events in Australia to embrace Aboriginal culture.Full colour 32 page magazine with information about the 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach. The cover features artwork by Indigenous artists Glenn Romanis. The artwork features an indigenous theme relating to Bells Beach.The cover includes the official event title plus sponsors logos, Rip Curl, Sunsmart, Coca-Cola, Tracks surfing magazine, Surfing Victoria, Surf Coast Tourism, Association of Surfing Professionals and Offshore Music.cheyne horan, bells beach, layne beachley, kelly slater, rip curl pro, sunsmart classic, glenn romanis, offshore music festival, terry richardson, nicky wood, mark occhilupo, tom curren, shane dorian, surfers appreciating the natural environment -
Marysville & District Historical Society
Book - Hardcover book, Alexander Sutherland, M.A, Victoria and its Metropolis-Past and Present-Volume 1, 1888
A history of Victoria from the time of the discovery of Australia through until 1888.Hardback. Dark brown cover with the title in gold lettering. There is also a border in gold decorating the outer edge of the front cover. The spine is also decorated in gold along with the title and the volume number.non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, immegration, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history -
Marysville & District Historical Society
Article (item) - Museum Victoria Australia Article, Museum Victoria Australia, Aboriginal Land, Unknown
A brief history of the Kulin clan in Victoria.A brief history of the Kulin clan in Victoria.kulin clan, great dividing range, yarra river, goulburn river, tonne-be-wong, toole-be-wong, donne-be-wong, mount riddell, ben cairn, donna buang, port phillip settlement, john batman, james dredge, port phillip protectorate for aborigines, duang wurrung, king parrot creek, acheron river, mitchellstown, william le souef, murchison, woi wurrung, boon wurrung, warrandyte, mordialloc, little river, william thomas, acheron station, mohican run, john green, mohican station, badger creek, healesville, coranderrk, black's spur, christmas bush, prostanthera lasianothos, geringdah -
Marysville & District Historical Society
Article (item) - Newspaper article, The Alexandra and Eildon Standard, Indigenous history in the shire after colonisation, 08-03-2017
A newspaper article regarding indigenous history in the Murrindindi Shire after colonisation of the region.A newspaper article regarding indigenous history in the Murrindindi Shire after colonisation of the region.Wednesday, March 8, 2017alexandra, kulin, taungurung, goulburn, woi wurrung, yarra, acheron river, little river, dandenong ranges, land board, aboriginal guardian, william thomas, aboriginal station, lands minister, acheron station, mohican run, rubicon river, cathedral mountain, john green, mohican station, upper yarra, yarra tribe, woori yallock, hoddles creek, yarra river, badger creek, healesville, coranderrk, christmas bush, prostanthera lasianthos, black's spur -
Marysville & District Historical Society
Article (item) - Magazine Article, Coranderrk-A Station Never a Mission, Unknown
A magazine article on the history of Coranderrk based on a historical component of a survey of Coranderrk Station.A magazine article on the history of Coranderrk based on a historical component of a survey of Coranderrk Station.coranderrk, coranderrk station, dr marie hansen fels, healesville and district aboriginal community, john green, healesville, acheron river, mohican, native police corps, merri creek, closer settlement act, badger creek, hops, cattle, royal commission of 1877, board of enquiry 1881, lake tyers -
Marysville & District Historical Society
Article (item) - Book Extract, Aboriginal History, Unknown
An extract from a book regarding a brief history of the Kulin nation of the North Central district of Victoria.An extract from a book regarding a brief history of the Kulin nation of the North Central district of Victoria. This history covered is both prior to European history and post-European history. The extract also covers current (1991) status of Aboriginal affairs and European settlement of the area.kulin nation, woiworung, taungurong, bunurong, watherong, jajowrong, wurrundjeri-willam, waring-ilam-balluk, goulburn valley, acheron valley, upper goulburn district, eildon-thornton, eildon homestead, o'rourke, thornton, assistant protector thomas, yarra valley, kilmore, mount william, jt gellibrand, william buckley, major mitchell, port phillip, murray river, yorta yorta, yowung-illam-balluk, waring-illam-balluk, ngurai-illam-wurrung, kurnai nation, protectorate system, victoria, george robinson, chief protector, willam thomas, james dredge, edward parker, charles sievewright, central board for the protection of aborigines, presbyterian mission, anglican mission, moravian mission, wonga, munnarin, beaning, murrin murrin, parugean, baruppin, koo-gurrin, acheron river, little river, acheron run, peter snodgrass, stephen jones, barak, dividing range, black spur, watts river, badger creek, healesville, coranderrk, victorian christmas bush, aboriginal and torres strait islander heritage protection act 1984, archaelological and aboriginal relics preservation act 1972, camp jungai, rubicon, warrawa college, victorian archaeological survey, hume and hovell, molesworth, broadford, william hamilton, alexandra, mansfield, avenel, tallarook, worrough, john cotton, trawool valley, seymour, pyalong, gold mining, central victoria, strath creek, reedy creek, yea, jamieson, marysville, jordan goldfields, comet mine, wandong, melbourne-albury railway, rabbit plague, narbethong, lord kitchener, puckapunyal military camp, 1944 decentralisation policy, eildon weir, hume freeway bypass, timber industry, australian paper manufacturers mill -
Marysville & District Historical Society
Map (item), Taungurung Land and Waters Council Aboriginal Corporation, Unknown
A map of the area in Victoria which is the land of the Taungurung Clan.A map of the area in Victoria which is the land of the Taungurung Clan. Taungurung Land and Waters Council (TLaWC) was registered 16 July 2009 as the Registered Aboriginal Party that represents the interests of the Taungurung people. TLaWC is the corporate representative and ‘face’ of the Taungurung people and serves to uphold their interests with respect to culture and country. The Taungurung people occupy much of central Victoria. Their country encompasses the area between the upper reaches of the Goulburn River and its tributaries north of the Dividing Range. From the Campaspe River to Kilmore in the West, eastwards to Mount Beauty, from Benalla in the north down to the top of the Great Dividing Range, their boundaries with other Aboriginal tribes are respected in accordance with traditional laws.taungurung clan, taungurung land and waters council aboriginal corporation, victoria -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Bunjil Park Aboriginal Education & Cultural Centre
Axehead, 40,000 B.P
Green stone granite axehead highly sharpened and beautifully fashioned at one end with rough hewn markings over the body of the object. Axe has a "waist" mid section where handle would have been attached. Also evidence of extensive wear from use. This axehead was quarried at one of only two green stone granite sights in Australia both in Victoria. Scarring at one end of the axehead where it has been split from larger piece of granite.defence, food, preparation, green stone granite, axehead, mt camel, jaara jaara people, jaara, waisted, quarries, tree cutting, weapon making -
Bunjil Park Aboriginal Education & Cultural Centre
boomerang, (estimated); late 20th century
boomerang made from Murray River Red Gum timber. decorated boomerang, used for killing low flying ducks. Each end has a black tip with white cross hatching. Animal painted decorations from left to right are: black snake with yellow stripes, ochre platypus, black coloured kangaroo, yellow turtle, black, ochre and white wavy lines followed by a red snake with black and white stripes. On reverse apex of boomerang burnt into timber "Murray River / Red Gum"platypus, boomerang, river, decorated, hunting tool, snake, turtle, kangaroo, creek, duck hunting, ducks, jaara jaara, jaara jarra people -
Bunjil Park Aboriginal Education & Cultural Centre
Hammer Stone
Greenstone hammer approx. 4 inches at sharp end of stone with rough hewn end approx 3 inches with prominent raised areas that appear to enhance grip. No are no inscriptions but the raised markings appear to be deliberately poisitioned for firmer grip. -
Bunjil Park Aboriginal Education & Cultural Centre
grinding stone, basalt rock grinding stone
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Bunjil Park Aboriginal Education & Cultural Centre
Women's killing stick