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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 82 Molesworth Street, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The R Haughton James House (former) was built to a design by Robin Boyd in 1956-57. With its unusual plan form, this is one of Robin Boyd’s most important residential commissions of the period. The house was identified in heritage study as being of architectural significance at the state level. Alterations to the house were made in 1967, 1989, and 1999. This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 82 Molesworth Street, Kew by Margaret Picken.MARGARET PICKEN © 2001 / 82 MOLESWORTH ST, KEW ~ HOCKING STUARTartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 82 molesworth street - kew (vic) -
Surrey Hills Historical Society Collection
Book, The National Trust Research Manual: investigating buildings, gardens and cultural landscapes, 1992
This book explains how to use the many documentary sources that are available, such as rate books, directories and titles; how to investigate and restore exteriors; and, how to recognise the main architectural styles.This book explains how to use the many documentary sources that are available, such as rate books, directories and titles; how to investigate and restore exteriors; and, how to recognise the main architectural styles.historic sites, historic buildings, conservation, (ms) celestina sagazio, national trust of australia -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1 Brownell Road, Glen Iris, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Robin Boyd Foundation
Book, Robin Boyd, Australia's Home, 1968
Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.SoftcoverBoyd on inside front cover, list of Australian Architecture firms penciled on the last pageaustralian architecture, australian history, walsh st library -
Robin Boyd Foundation
Award, Commonwealth of Australia, Honours and Awards, 1971
This is the citation appointing Robin Gerard Penleigh Boyd, Esquire F.R.A.I.A., F.A.I.A., F.R.S.A. a Commander of the Civil Division of the Most Excellent Order of the British Empire. The citation states "Member, National Capital Planning Committee. For services to Architecture and Government".Citation on Governor General Commonwealth of Australia letterhead in envelope.Honours and Awards 12 June, 1971. Appointed a Commander of the Civil Division of the Most Excellent Order of the British Empire Robin Gerard Penleigh Boyd, Esquire F.R.A.I.A., F.A.I.A., F.R.S.A. Member, National Capital Planning Committee. For services to architecture and Government. -
City of Ballarat
Artwork, other - Public Artwork, Open Monument by John Young, 2015
Open Monument is a contemporary artwork acknowledging the history of Chinese people in Ballarat. The Chinese diaspora was global and many Chinese people came to Ballarat and the Victorian Goldfields. The work details some of the personal Chinese family memories of Ballarat from the goldrush forward. The 33 marble laser-etched panels include found images and texts mounted on a modernist metal architectural feature holding back a grassed hill landscape. Within the side walkway of gravel and composite stone is an etched of local activities relating to the Chinese community achievements that can be added to by the community.Open Monument is of aesthetic and historical significance to the people of BallaratArchitectural artwork consisting of large marble panels on a corten steel frame imbedded into a grassed mount.Inscription on plaque: Open Monument 無極紀念碑 / Artist: John Young / Officially Launched by Mr Yumin Song / Chinese Consul-General to Victoria / 6th September 2015 / Open Monument unearths stories of the Chinese diaspora in Ballarat, a name which means/ “resting place” to the traditional custodians - the Wadawurrung and Dja Dja Wurrung people./ The monument comprises of two artworks: Transculture, a granite-panelled work, evoking stories of alternative worldviews, / modernity, leisure and toil. Whilst Timeline traces the major contributions of the Chinese community in Ballarat, every decade / from the 1850s until the present. The timeline then folds out to 2170, anticipating imaginary future contributions. / The monument is open to future interpretations of this history. / I thank you for visiting and acknowledging the contributions and memories that meant so much to / those who have gone before us./ - John Young Zerunge / Patron: Mr Henry Thai OAM JP / President of Ballarat Chinese / Community Association Inc / The following generous donors to this project are acknowledged with gratitude/ City of Ballarat Sovereign Hill Museum Association Inc. Ballarat Chinese Community Association Inc. Mr Henry Thai OAM JP & Mrs Sandra Thai Mrs Shirley Doon & Family in memory of Harry Doon Chinese Masonic Association Inc. Mr Mean Te and Mrs Meng Khun Mr Jack Nguyen MA JP & Mrs My Tang Mr Tony and Mrs Elise Yu Mr Chang Zhen Zhen & Family Australian Lian Jiang Association The Federation of Chinese Associations Vic The Leesoon Family Mr Stephen K.F Ng OAM JP Dr Che Sam Lo MD phD JP OAM Elderly Chinese Home Inc. The Federation of Chinese Org from VN Cambodian and Lao Association of Vic. Inc. Bright Moon Buddhist Society Nam Pon Soon Club House See-Yup Society Mr Peter Chong Wai Lo Mr Qing Song Lin Mr Binh Quoc Mao & Mrs Thuy Cam Thai Mr Alexander Mao Mr Yuet Lung Kwok JP Mr Tai The Tran Mr Phillip K. L. Tran Mr William K. L. Tran Mr Quang Khon Tran JP Mr Kouy Taing Mrs Kieng Hor Lou Mr Bill Chang Piu Au Mr Maurice Kwok Leong Mrs Eunice J. Leong Mr Vi Minh Tran JP Mr Frank Cheng Mr David Cheng Mr William Thai Mr Lizhen Lin Mr Phillip Richard Thai Mr Hoan Ping Kow Mrs Xao Nhu Kow Mr Huy Thai Mr Yun Kuen Lo Mr Chiu Yip & Mrs Yuan Han Cho Mrs Jacqueline Louise Thai Greenwood Mr Joe Hap Chi Chao & Mrs Rosana Wei Ning Chao Charity & Multi Art Association of Victoria Inc. Mr Billy Cai Miss Nikki Cai Miss Su-Ling & Miss Lily Mays-Doon Mr Anthony Doon Mr H J Moy & Family Chinese Australian Cultural Society Ballarat Inc open monument chinese, chinese history ballarat goldfields, china, ballarat, goldfields, john young, chinese, mining, multicultural, immigration, tong way, goon, joss house, embroidery, billy butterfly, chinese market gardens, red lion hotel, ah soon, mayor of main road, chinese herbalist, yee lee, james hong, cheok cheong hong, john ah loo, wathawurrung, robe, lowe kong meng, louis ah mouy, tongway, gallipoli, william lung -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1 Brownell Road, Glen Iris, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Whitehorse Historical Society Inc.
Document, Australian Social History House Research Assignment, 1986
Social History of 2 Gordon Crescent, Blackburn,Social History of 2 Gordon Crescent, Blackburn, included - History of Blackburn, Architecture of the House and first owner, Thomas Richards Burrowes. Morton. Real Estate Brochures, Maps, Photos, Floor Plans.Social History of 2 Gordon Crescent, Blackburn, morton thomas richards burrowes, architecture -
Federation University Historical Collection
Book - Books, Spiers, R. Phene, The Order Of Architecture: Greek, Roman, and Italian, 1902 (exact)
A large brown hardcover book. Title and author's name are written in black on front cover and in gold on spine. This is the 4th ed., containing twenty-seven plates. It includes a preface to 4th and 1st ed., a list of plates, 20 p. of text and a list of references. This book contains a selection of architectural designs of the Orders as employed in ancient buildings.r phene spiers, greek roman italian architecture, the doric order, the ionic order, the corinthian order, the composite order, the temple of theseus athens, the theatre of marcellus rome, temple of vespasian rome, library plate, book plate -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Florence Avenue, Kew, 1997
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Florence Avenue, Kew; made by Margaret Picken in 1997. A permit to demolish the house was granted by the City of Boroondara in 2006. A new house was subsequently erected.25 FLORENCE AVE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 florence avenue - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 30 Florence Avenue, Kew, 1996
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Extant (in 2020) rendered neo-Georgian house, built in 1990. Renovations in 2004 included alterations to the facade. The pen and ink architectural drawing on drafting film of 30 Florence Avenue, made by Margaret Picken in 1996, predates the alterations to the facade.30 FLORENCE AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 florence avenue - kew (vic). -
Robin Boyd Foundation
Booklet, Massachusetts Institute of Technology, New Members of the Faculty, Massachusetts Institute of Technology, Nov-56
Professor John Ely Burchard was the Dean of Faculty of Humanities and Social Science at MIT. He was on a 3 month visit to Australia in 1951 as a guest of the Commonwealth government to help draw up a program for the The National Library of Australia in Canberra. He was authority on architecture and libraries. Robin Boyd met Professor Burchard at that time. Boyd was appointed the Bemis Visiting Professor at MIST 1956-57. This booklet includes a blurb and photo of Robin Boyd as Bemis Visiting Professor 1956-57, p4.The booklet contains a biography and photograph of Robin Boyd. Three loose articles are included inside.Three article clippings inside: (1) The Shape of An Architecture by John Ely Burchard, from Architectural Record, May 1937. (2) "Get an Honest Bricklayer!" The Scientists Answer to Ruskin" by Albert Bush-Brown, noted as reprinted from the Journal of Aesthetic and Art Criticism, Vol 16 No 3, March 1958. "Highest regards" signed Burchard written on front cover. (3) The City on the Hill by John Ely Burchard, stamp dated March 2nd 1957 from Michigan Alumnus Quarterly with card on front "With the compliments of John E. Burchard".massachusetts institute of technology, john ely burchard, albert bush-brown, bemis, kay fisker, eduardo catalano, marvin e goody, walsh st library -
City of Greater Bendigo - Civic Collection
Work on paper - Architectural Drawing, City of Bendigo, Proposed Brick Residence at Bendigo Abbatoirs (sic) for the Bendigo City Council, Not dated
Situated at 47 Lansell Street, Bendigo, the original 1911-12 Charles D'Ebro designed brick Bendigo Municipal Abattoir, comprising twin slaughter and hanging rooms for cattle, sheep and pigs, and two smaller ancillary brick buildings. After the buildings were acquired by the Country Roads Board in 1945, a substantial but sympathetic addition was made to the south-eastern end of the old cattle abattoir. The abattoir is significant for historic, architectural and technical reasons at a state level. as a rare surviving municipal abattoir, and represents the development of hygienic slaughtering through municipal regulations, thus improving standards of public health in Victoria. It is historically significant to the City of Greater Bendigo as a key to the primary production industry that centred on this precinct from the 1860s to the mid 1990s; they are an important surviving component of one of the largest regional livestock markets in Victoria. D'Ebro was critically influential in the development of industrial and in particular meat processing buildings, designing major freezing works and abattoirs throughout Victoria and Australia.(Source, National Trust Database). The Bendigo facility finally closed in 1945, when all slaughtering for local consumption passed to a joint export and local slaughtering facility at the Bendigo Inland Meat Authority. Ink, pen, pencil and watercolour architectural drawing for the proposed brick residence at Bendigo abattoirs. Proposed Brick Residence at Bendigo Abbatoirs (sic) For The Bendigo City Council. / Front Elevation / Easter Elevation / Section A. D. / Ground Plan / Wester Elevation / Section C.D. / Section I. P. ? Existing Building to be / Converted into Laundry ? Scale 1/8" to 1 FT / Geo. Austen Architect / Commonwealth Bank Chambers / Bendigocity of greater bendigo commerce, charles d'ebro -
Robin Boyd Foundation
Letter, Eliot Noyes, Eliot Noyes to Robin Boyd, 10.01.1964
This letter to Robin Boyd from Eliot Noyes, an American architect and industrial designer, is the first of two held by The Robin Boyd Foundation (see also D419). It includes a copy of the preliminary statement for the International Design Conference in Aspen in 1965. The preliminary statement is two pages long, dated 16 December 1963. Robin Boyd has written many comments in pencil in the margins. The letter also thanks Boyd for his reprint from Architectural Review.Letter plus two page document for the International Design Conference. On letterhead Eliot Noyes & Architects, Architecture and Industrial design, 95 Main St, New Canaan, Connecticut.Robin Boyd has written many comments in pencil in the margins.international design conference, noyes -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 10 Florence Avenue, Kew, 1989
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Extant (as of 2020) red brick house in the Federation Bungalow style. Built in 1920, with additions and alterations to the interiors and rear of the property in 1970 and 1989. In 2003 a gazebo was added at the rear. This pen and ink architectural drawing on drafting film of 10 Florence Avenue, Kew was made by Margaret Picken in 1987.10 FLORENCE AVE., KEW / MARG. PICKEN '87 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 10 florence avenue - kew (vic). -
University of Melbourne, Burnley Campus Archives
Book - Thesis, Sandra Pullman, Ina Higgins' Role in Advancing Women in Horticulture in Victoria and Australia, 2019
December 2019 Dear Jane and Burnley Archives. Thankyou for all the support and information you shared with me over the last 3 years. Best wishes Sandra Pullmanina higgins, women in horticulture, horticulture, education of women -
Robin Boyd Foundation
Magazine, Tom Heath FRAIA, MSAICA, AIDIA, Stella de Vulder (guest ed), Architecture Australia : Volume 70 No. 6, 1981
Softcover Magazine, covering the Architecture AwardsGlenn Murcutt and Daryl Jackson's Signaturearchitecture, australian architecture, walsh st library -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Barrett, Charles and Crampton, Chas. H, Heritage of Stone
Record of examples of colonial architecture in Tasmaniaarchitecture, land settlement, religion, bridges -
Vision Australia
Plan - Image, Conversion to Administrative offices / Conversion to Rehabilitation centre, 1 November 1962 - 5 April 1963
Over 1962-63, plans were drawn up for the conversion of the main building into administrative offices and a rehabilitation centre. As the children were now located at the school in Burwood, and with funds achieved from the sale of the old factory buildings to the Alfred Hospital, the St Kilda Road building could expand room for its office workers and provide greater floor space to rehabilitation staff. These plans show the proposed conversion from bedrooms to administrative and rehabilitation areas.7 architectural plans and 1 letterJohn F D Scarborough and Partners, Architectsroyal victorian institute for the blind, plans -
Melbourne Legacy
Document, Re: Blamey House
Letter dated 11 September 1974 from (Legatee) H.L. Berg of Bernard Evans, Murphy, Berg & Hocking Pty. Ltd., Architects & Town Planners, to Legatee A. Quayle, Chairman of the Housing Steering Committee. The plan (01677.2) is undated and unnumbered, but produced by the same architects and sitting next to the letter in the file. The letter refers to a Drawing No.5 and sets out the difference in accommodation and areas from Drawing No. 1. It is unclear whether the plan is No.1 or No.5. At this time Melbourne Legacy was considering demolishing Blamey House and developing the site to build units to accommodate senior children initially and ultimately widows. (Cat. No. 01676). This was never put into practice.Part of the history of Melbourne Legacy's involvement with residential care for children.Photocopied unsigned letter and an architectural plan. residences, blamey house -
Working Heritage Crown Land Collection
Decorative object - Mint Iron object
Cast iron decorative architectural objecthistoric building, architecture, archaeology -
Sunshine and District Historical Society Incorporated
WUNDERLICH TILE, Wunderlich Limited, Circa 1965
In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building -
Federation University Historical Collection
Plan - Site Plan, Mount Helen Campus Academic area
Federation University site plan made for the Ballarat College of Advanced Education Printed architectural plan of the Mount Helen campusprinted with location names and symbolssite plan, federation university, ballarat college of advanced education, mount helen campus, campus plan -
Robin Boyd Foundation
Document - Label
Romberg and Boyd sticky label for architectural drawings -
Vision Australia
Plan - Image, New verandah & draining to court for the Royal Victorian Institute for Blind, April 1924
In 1924 plans were submitted to the RVIB board for the addition of a new veranda and associated drainage pipes located in the courtyard behind Ormond Hall. Hand written notes on the plan indicate that the tender for materials from Pollards was 330 pounds, asphalt 35 pounds totally a cost of 365 pounds. And that additional costs of 120 pounds, comprising of 20 for G Lavatory (?) and J Famdy (?) 100 pounds.1 architectural plans for proposed verandah and drainageStephenson & Meldrum, Architects Collins Court 374 Little Collins Street Melbourne Phone: 6990royal victorian institute for the blind, plans -
Vision Australia
Plan - Image, Royal Victorian Institute for the Blind Extension to Bulk Store, 27/8/1925 (according to Mosiac entry)
In this undated drawing, believed to have been done in 1925, an existing bluestone store was extended out into the courtyard area. The extensions were on the south and west elevations, and the drawing includes a floor plan of these areas. Noted on the plan is the removal of fireplaces that existed in this building, the location abutting the Alfred Hospital reserve and location of the motor room.1 architectural plan of extension to bulk storeStephenson & Meldrum, Architects 374 Little Collins Street Melbourne Phone: 6990 On the back: Widening of old bluestone store plans & specroyal victorian institute for the blind, plans -
Hawthorn Historical Society
Drawing - Property Illustration, 72 Havelock Road, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.72 HAVELOCK RD, HAW E Margaret Picken ~89 WOODARDS -C'WELLartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 4 Hawthorn Grove, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.4 HAWTHORN GVE, HAW Marg Picken ~88 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 4 Hawthorn Grove, Hawthorn (Rear), 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.4 HAWTHORN GVE, HAW (REAR) MargPicken ~88 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 2/7 Hawthorn Grove, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2/7 HAWTHORN GVE, HAW Margaret Picken ~99 WOODARDS -HAWTHORNartist - margaret picken 1950-