Showing 4935 items
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Whitehorse Historical Society Inc.
Photograph, Dick Best
Richard Best was an Australian Textile industry agent and Businessman. While travelling in Belgium he contacted the de Stoop family, textile manufacturers, whose business had been closed down by German occupation after the 2nd World War. They took up Dick Best's offer to relocate and join with him to set up a textile factory in Australia. Land was purchased in Blackburn North and when the de Stoop and Best Aust P/L traded, Dick best was in charge of marketing their products.2 Black and white photograph of the head and shoulders of Richard Best. He has a pair of glasses in his right hand(on smaller photocopy) Mr Dick Bestbest, richard, weaving mills, de stoop and best aust, p/l -
Moorabbin Air Museum
Manual (Item) - Corrosion Control For Aircraft
Description: 23 pages. Published by the Royal Victorian Aero Club. Published circa 1960. DHCI Chipmunk Pilot's Notes, De Havilland Canada Level of Importance: World. -
Robin Boyd Foundation
Document - Telegram, Mollison, James Mollison to John Davies
James Mollison, Director of Australian National Gallery notifying John Davies that Alex Maguy, Galerie de L'elysee has been notified that they would like to view the Braque. -
Bendigo Historical Society Inc.
Document - J W SWATTON COLLECTION: ACCOUNT
Account dated 14/8/1963 to make and fit wrought iron gate, etc £7. I De Araugo, 37 Bannister St, Bgo. Green 3d Duty Stamp attached. Paid and initialled J R D. Invoice No 10. 10 printed in red.person, receipts, j w swatton, j w swatton collection, i de araugo, eclipse check book co. pty. ltd -
Port Melbourne Historical & Preservation Society
Legal Record - Affidavit, Missing licence, Foresters Arms Hotel, Dec 1885
01 Affidavit (handwritten on pale blue printed legal form) and 02 'The Eighth Schedule' (handwritten on poor paper, stained and insect damaged) regarding missing licence during transfer of the Foresters Arms Hotel licence from Thomas De Gruchy to Henry Charles Sansom, 18852hotels, business and traders, built environment - commercial, thomas degruchy, henry charles sansom, foresters arms hotel -
NMIT (Northern Melbourne Institute of TAFE)
Film Joiner: Premier 16/8 DeLuxe Model with Automatic Film Scraper
In its original box, and includes a number of leaflets such as: Instructions for keeping the Premier De Luxe Film Joiner in proper adjustment and working order; Splicing instructions; Spares List; Automatic Film Scraper instructions; Heater unit...; After sales and Repair Service; and a Mark 3 blade.photographic equipment, preston technical college, nmit -
National Vietnam Veterans Museum (NVVM)
Pamphlet, Psycological Warfare
Dong Bao Da Dung Quoc Lo 15 De Di Lai buon Ban - You Have Used Route 15 To go back and Forth to Trade. Sketch of a bridge being blown up warning that this will happen because it has been used to ED trading.pamphlet, psycological warfare, propaganda, nva/vc -
Buda Historic Home & Garden Castlemaine
Photograph, Ernest Leviny 1866, 1866
Ernest Leviny (1818-1905) was born in Georgenberg (Szepes-Szombat) Hungary. He went to Budapest as a youth to become an apprenticed silversmith, then travelled as a 'journeyman' across Europe living and working in Vienna and Paris between 1843-1846. He then set up business in London for six years before embarking on journey to the Australian goldfields arriving in 1853. With a lack of success mining for gold, Leviny established business as a jeweller and watchmaker in Castlemaine and between 1854 and 1862 found time to create major decorative works in gold and silver for which he is best remembered. After retiring from business in 1863 he purchased the house, Delhi Villa, married Bertha Hudson (English-born Tasmanian) in December 1864 and together they had ten children, later renaming the family home Buda (after Budapest). He died in 1905 purported to be the wealthiest gentleman in Castlemaine at that time. Two works made by Leviny are held in the collection at the National Gallery of Victoria: the Silver Standing Cup with Cover c1859 (or Saint Cup), and a Gold Bracelet with inset garnet and diamonds c1860.Albumen, sepia toned 'carte-de-visite' photograph of Ernest Leviny in 1866. Black and white, full length, studio portrait of a gentleman wearing a dark jacket with light coloured pants,with a moustache and mutton chop side burns, standing with his right hand on the back of a chair.Verso, photographer's details printed in the centre "Batchelder & O'Neill, 41 Collins Street, East. Melbourne" Handwritten in pencil: "Ernest Leviny 1866"ernest leviny, silversmith, castlemaine, buda historic home, 1866, portrait, photograph, batchelder & o'neill -
Robin Boyd Foundation
Audio - Recording, TPL Records
The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Parade de Printemps. LP 33RPM vinyl, Catalogue Number: TPL 91006, Record cover, paper sleeve, 1 vinyl disk. Cover notes, no author listed. Robert Stoltz, Bernard Sinclair, Claudine Granger, Marina Florence, Henri Murge. Director: Jean Doussardlp, sound recording -
Kew Historical Society Inc
Work on paper - Framed Drawing, "Masters All" by Wells, Undated
Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed large illustration by Wells of three luminaries of lawn bowls: Glyn de Bosisto (Vic), Tom Hoey (Tas) and George McKittrick (NSW). [The item is part of the large historic Kew Bowling Club collection (1880-1988) gifted to the Kew Historical Society in 2020].kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic) -
Tennis Australia
Racquet, Circa 1935
An Alexander Masterstroke wooden squash racquet with fine ribbon whipping around shoulders and shaft, and plain leather handle grip. Fleur-de-lis trademark features on throat and lower shaft. Materials: Wood, Gut, Glue, Lacquer, Metal, Leather, String, Ink, Plastic, Ribbontennis -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
Colour photograph of two soldiers of A Squadron 8/13 VMR during Exercise ' Northern Explorer ' Trooper Pratt and Lance Corporal Van De Velde demonstrate how the F2 Radio set could be carried. In addition the men would have webbing, pack and rifle to carry. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
In 1988, as part of a Defence of Mainland Australian policy, defence of facilities of strategic importance in northern Australia were allocated to Army Reserve units. ‘A’ Squadron was allocated the defence of Tindal Air Force base located 15 KM outside Katherine in Northern Territory. Consequently the Squadron deployed on Exercise ‘Northern Explorer’ to gain first-hand knowledge of operating conditions for mounted and dismounted patrolling in the area.Colour photograph of two soldiers of ' A ' Squadron 8/13 VMR during Exercise ' Northern Explorer '. Trooper Pratt and Lance Corporal Van De Valde demonstrate how the F2 radio set could be carried. In addition the men would have webbing, pack and rifle to carry. -
Orbost & District Historical Society
hair accessories, mid 20th century
A bobby pin (also known as a kirby grip or hair grip in the United Kingdom) is a type of hairpin, usually of metal or plastic, used in coiffure to hold hair in place. It is a small double-pronged hair pin or clip that slides into hair with the prongs open and then the flexible prongs close over the hair to hold it in place. They are typically plain and unobtrusively colored, but some are elaborately decorated or jeweled. Bobby pins became popular in the 1920s to hold the new bobbed hairstyles. (ref. Wikipedia). These items were owned by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademost of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11 These items are examples of women's hair accessories commonly used in the mid 20th century.Two packets of hair clips and one unused packet of henna shampoo. 2483.51 is a a set of 17 bobby pins on paper. On the back of the card are directions for a Steiner hair style. 2483.52 is a pack of 3 Dinkie silver metal clips for hair styling on a card. 2483.53 is an unopened sachet of powdered Henna shampoo. It is white with black text and green pictures.2483.51 - Kirbigrip 6d made in England Kirby Beard & Co 2483.52 - Made in England 2483.53 - Societe Francaise de Henne, Paris "Perfect -a -wave"hair-accessories bobby-pins shampoo kirbigrips burton-marjorie -
Coal Creek Community Park & Museum
Box, cigar, B H Alston Pty Ltd
Long rectangular wooden box with hinged lid, labels top and two sides.Flor De Cardenia universals. x 3 Claro Claro. Manufactured and Specially Selected for B H Alston Pty Ltd, Collins St. Melbourne. -
Stawell Historical Society Inc
Photograph, Panorama of Stawell from Big Hill c 1920's
Panorama of Stawell from Big Hill. Open Cut in foreground, tree on right. Grampians in background. The Rose Series. P. 2723Black & white photograph depicting a Panorama of Stawell town. The image shows a large tree on the right above a cutting. The Rose Series, P 2723 copyright. Panorama of Stawell Victoria on the front. On the back "The Rose Series De Luxe" Published by The Rose Stereograph Armidale, Victoriastawell, panorama -
Dandenong/Cranbourne RSL Sub Branch
Painting - Ziggy & Garry. 7Bn RAR. Nui Dat 1967
Painting by B Watt. Painting of Two Soldiers (Ziggy &Garry} dressed in jungle greens holding weapons in Nui Dat Vietnam 1967On top of frame -Donated to the Dandenong RSL Sub Branch in Dandenong Victoria- In Memory of hr. Dr Zygmunt A.Gizycki de Gozdawa .M.D,D,S.(Poznan-Poland) B.D,Sc (Melb) L.D.S (Vic) By Gizycki de Gozdawa Family Heritage Foundation.---- On bottom of frame-Ziggy Garry 7 Bn R.A.R. Nui Dat 1967. -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, FRAMED, unknown
Labels below photographs. Left) "Lt. S. De Araugo/As a Company Sergeant Major he was Mentioned in Despatches" Top right "Pte W. Howard No.763, A Coy, 14th Batt AIF/ Pte F. Poliness No.114, A Coy, 14th Batt AIF/ Pte S. De Araugo No. 49. A Coy, 14th Batt AIF/ All from Bendigo District they volunteered to go in an attack with/Albert Jacka V.C., M.C. and Bar No,465, D Coy 14th Batt. AIF on/Gallipoli in May 1915. In this attack Jacka won the first Australian VC./ In WW1 Howard was wounded 3 times in the attack. He survived and/ in 1917 as a Corporal he was taken P.O.W. at Bullecourt. Bottom right: "S.E. De Araugo and A. Jacka both as Sergeants./ Place and time unknown. Donated by Mrs Kathleen Williams, Bendigo." Photograph - framed. Photograph- collection of 3 black and white photograph. Left - portrait of a soldier in uniform. Top right - group photograph full portrait of 3 soldiers in uniform. Bottom right - 2 soldiers sitting on a bench. Berlow each photograph - names and description of soldiers in black print on white background.` Frame - timber with decorative moulding, bown stain finish. Mount in dark green with second inner mount with dark brown edge. Glass front and cardboard/paper backing. photography, framed photographs, accessories, ww1 -
National Wool Museum
Booklet, El ovino tipo "Junin"
El ovino tipo "Junin": una futura raza Peruana, a publication of the Sociedad Agricola de Interes Social 1970 (Peru) describing the development of the Peruvian breed of sheep "Junin".sheep breeding junin sheep, australian corriedale association, pettitt, mr r. w., sheep breeding, junin sheep -
National Wool Museum
Booklet, El ovino tipo "Junin"
El ovino tipo "Junin": una futura raza Peruana, a publication of the Sociedad Agricola de Interes Social 1970 (Peru) describing the development of the Peruvian breed of sheep "Junin".sheep breeding junin sheep, australian corriedale association, pettitt, mr r. w., sheep breeding, junin sheep -
City of Ballarat Libraries
Photograph - Card Box Photographs, James Airth Wilson circa 1880
James Airth Wilson was the last Captain of the Prince of Wales Light Horse Regiment when it was disbanded in 1883. Costume detail Carte de Visite. The photo was taken at the Bardwell Studio.james airth wilson, prince of wales light horse regiment, person, costume, uniform, bardwell -
Mont De Lancey
Functional object - Clock, Late 19th Century
Used by Henry and Martha Sebire at Mont De Lancey . Part of the original furnishings of the dining room. Mass produced. Marie Colling (Sebire) is the great granddaughter of Henry and Martha Sebire.A dark brown wooden carved cased pendulum mantel clock with a highly decorated floral and column transfer design on the hinged glass front and black roman numerals and hands on the white face. Chimes on the hour.Marked inside "Ansonia Clock Co"clocks, mantel clocks -
Bendigo Military Museum
Photograph - Army Survey Regiment’s Fortuna Lions Football Club Grand Finals, Seymour, Victoria, 1983
This is a set of 27 black & white photographs of Army Survey Regiment’s Australian Rules football team – the Fortuna Lions aka “Fortuna Fumblers”, taken at Seymour Victoria in 1983. The Fortuna Lions competed in the Puckapunyal Area Football Association for several years from 1978 to 1984 and in 1983, fielded a great team it managed to reach the Grand Final. Held at the neutral ground at Kings Park, Seymour, the match was an incredibly exciting and bruising contest played in damp conditions and ended in a draw. Dave Lawler’s spectacular mark was a highlight. Due to heavy rain during the following week, the Grand Final replay was held the following week in even heavier conditions. The Fortuna Lions prevailed in the replay with an emphatic victory. The team’s leaders were Eddie Jacobs (coach), Rhys De Laine (captain), Greg Else (vice-captain), and Ken Slater (manager). See item 6245.25P for colour photographs taken at the two grand finals, team photo and premiership banner with names. See item 6245.25P for colour photos of the finals, the team photo with names and a photo of the premiership banner. The team changed its name to the Fortuna Falcons and its guernsey to gold with a blue ‘V’ in 1988 and continued to compete in the competition up to 1995. This is a set of 27 black and white photographs of Army Survey Regiment’s Australian Rules football team – the Fortuna Lions aka “Fortuna Fumblers”, taken at Seymour Victoria in 1983. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. Players named below are in Fitzroy jumpers. .1) - Photo, black and white. 1983. L to R: Mick Hogan, Peter Jones (ruck), Rod Skidmore (No.14), Greg Else, Stu Ridge (No.2). .2) - Photo, black and white. 1983. L to R: Rhys De Laine, Doug Home, Mick Hogan (no.12), Rod Skidmore. .3) - Photo, black and white. 1983. L to R: unidentified (x2), Keith Quinton, Doug Home, Mick Hogan. .4) - Photo, black and white. 1983. L to R: Rod Skidmore, Greg Byers, Rhys De Laine, Rhys De Laine, Jim Ash. .5) - Photo, black and white. 1983. L to R: Stu Ridge (No.2) Peter Jones (ruck No.5), Mick Hogan. .6) - Photo, black and white. 1983. L to R: Keith Quinton (No.3), unidentified (No.8), Dennis Learmonth, Greg Byers. .7) - Photo, black and white. 1983. L to R: Greg Byers, Greg Higgins, Stu Ridge, Dennis Learmonth (No.10), Keith Quinton. .8) - Photo, black and white. 1983. L to R: Bob Thrower (No.21), Peter Jones, Dennis Learmonth (No.10). .9) - Photo, black and white. 1983. L to R: all unidentified. .10) - Photo, black and white. 1983. L to R: Mick Hogan (no.12), Doug Home, Peter Jones (No.5), Greg Else, Jim Ash. .11) - Photo, black and white. 1983. L to R: Dennis Learmonth, Keith Quinton. .12) - Photo, black and white. 1983. L to R: unidentified, Eddie Jacobs (No.16), Greg Higgins (No.20). .13) - Photo, black and white. 1983. L to R: all unidentified. .14) - Photo, black and white. 1983. L to R: Rod Skidmore, Jim Ash. .15) - Photo, black and white. 1983. L to R: Greg Else (No.6), Mick Hogan (No.12), Alan Staley, unidentified. .16) - Photo, black and white. 1983. L to R: unidentified, Peter Jones, Rhys De Laine. .17) - Photo, black and white. 1983. L to R: Eddie Jacobs, Greg Else. .18) - Photo, black and white. 1983. L to R: Keith Quinton (No.3), Rod Skidmore, Eddie Jacobs, Dave Lawler. .19) - Photo, black and white. 1983. L to R: Doug Home, Greg Byers, Bob Thrower, Rod Skidmore, unidentified. .20) - Photo, black and white. 1983. L to R: Stu Ridge (No.2), Greg Higgins (No.20), unidentified (No.8). .21) - Photo, black and white. 1983. L to R: all unidentified. .22) - Photo, black and white. 1983. L to R: Peter Jones (no.5), Greg Byers (No.19), unidentified (x2). .23) - Photo, black and white. 1983. L to R: unidentified. .24) - Photo, black and white. 1983. L to R: Mick Hogan, unidentified (no.13), Rhys De Laine, Jim Ash, Keith Quinton (No.3). .25) - Photo, black and white. 1983. L to R: Steve Burke, Peter Dillon, Jim Ash, Dave Lawler, Paul Baker, Tracy Ash, unidentified, Warren Hall. In far-right background: Greg Else, Megan Reynolds. .26) - Photo, black and white. 1983. L to R: Warren Hall, Ken Slater, Cliff Webb, shirtless Glen Cannon. .27) - Photo, black and white. 1983. L to R: Warren Hall, unidentified..1P to .27P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
The Beechworth Burke Museum
Photograph - Carte de Visite, William E Barnes
This Carte-de-visite (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. In this photograph, eight men stand along the railway line near Glenrowan. The photo dates to shortly after 1880 and references the attempt by the Kelly gang to derail a police train in June 1880 on those very tracks. Ultimately, this plan failed and the police train was never derailed. Ned Kelly and the Kelly gang took their final stand at Glenrowan which has been immortalised through Australian popular culture.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege of June 1880. Taken at an unknown time, after the siege at Glenrowan, this image depicts eight gentlemen standing about the railway line near Glenrowan. This is a reference to the Kelly gang's plan to derail a train which would barrel up to Glenrowan after news reached Melbourne that Aaron Sherritt had been shot by Joe Byrne in the Woolshed Valley. This image is important for its artistic information that it can provide about the Kelly story and the fashion and streetscape of Glenrowan.This sepia coloured Carte de Visite is attached to yellow cardboard. The obverse of the photo depicts the railway line near Glenrowan around 1880s. The rails are positioned in the centre of the image and are made on an incline of earth. In the foreground are three men, two standing next to the rails and one slightly off to the right of the image. In the background are trees which line the side of the rails and slightly in front of these trees is a group of five men standing on the rails. The reverse of the image is yellow card and contains printed and pencil writing. The printed writing is in the centre of the card. It reveals that the photographer was William E Barnes from Wangaratta. The pencil writing provides the inscription stating that the photo was taken near Glenrowan around the time of Ned Kelly.Pencil: Railway line near / Glen Rowan / Kelly's time / Printed: W. E. Barnes / Photographer / Wangaratta / BMM 8089 /kelly album, glenrowan, glenrowan siege, carte-de-visite, glenrowan railway, ned kelly, kelly gang, last stand, colonial australia, kelly siege, train, railway line, railway, sepia, photography, william e barnes, william barnes -
Mont De Lancey
Book, Sunday School Union, Arthur's Victory, 1873
A story depicting life in the C19th and schools. Arthur is a kid thoughtful pupil who goes through many trials and tribulations as he manages life each school day. Strong religious themes throughout to help with character development of boys who read this story.Small red cloth covered hardcover book for children with gold imprint picture of boys at school sitting at a desk in a classroom. The title and author are in red with a gold background. There are black lined patterns of fleur de lis on the front cover as well. Full page black and white illustrations are throughout as well as floral decorations at the top of each we chapter. Illuminated style lettering is used for the first word of each chapter. Gold edging to the pages and a printed coloured Presented To, page is at the front of the book. The back cover has a fleur de lis symbol in the middle. This is a fine book depicting the world of the C19th. It is believed to be published in 1873. 174p.fictionA story depicting life in the C19th and schools. Arthur is a kid thoughtful pupil who goes through many trials and tribulations as he manages life each school day. Strong religious themes throughout to help with character development of boys who read this story. religious stories, school stories, stories for boys -
Melbourne Tram Museum
Negative, Ellis Collection, Cable Tram - Nicholson St at Gertrude St, 1940
Negative (120) of a cable tram grip car and saloon car 565 outside the Nicholson St Winding house tram stop, with several passengers walking from the tram, the conductor attending to the "dolly" for the Gertrude Street cable so the gripmen can line it up with grip and the grip man looking down. In the image are adverts for Col. W. de Basil's Covent Garden show at Her Majesty's Theatre, Fosters Lager, Hoyts De Luxe Bourke St a Richard Greene film. See Also Reg Item 3600 for the full bill board. Based on the date for the Covent Garden show commencing Thursday March 14, the year is 1940. trams, tramways, cable trams, nicholson st, winding houses, conductors, passengers, tram stops, tram 565 -
Mission to Seafarers Victoria
Flyer - Invitation, Invitation to Emmanueli Collection, 2018
The Mission to Seafarers hosted an art auction on July 12 2018, with works by well-known artists such as R_O_N_E, photographer John Gollings, illustrative artist Jeremy Kyle and Catherine de Boer who brought together their work, as well as her own, into the same room. During an attempt to climb Mt Kilimanjaro in Tanzania Catherine de Boer, promised the guide who helped her, Emmanueli to finance his studies and get his diploma in safari guiding and wildlife management. On the Go Fund Me page Catherine explains: By running this type of event, the Mission to Seafarers demonstrates its support to the Community,emmanueli collection, auction, catherine de boer, tanzania, mount kilimanjaro, community -
Federation University Historical Collection
Photograph, Clare Gervasoni, Perseus, 28/01/2004
Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Various photographs of a marble sculpture of Perseus when at Camp Street. Perseus was the son of Zeus who was the most supreme Greek god of all.perseus, statue, marble -
Federation University Historical Collection
Photograph - Photograph - Colour, Lisa Gervasoni, Perseus at Camp Street, Ballarat. 2006, 2006
Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Marble statue of Pegasus at Camp Street, Ballarat, outside the former Ballarat State Offices.pegasus, statue, sculpture, camp street -
Mission to Seafarers Victoria
photograph - Photograph, Black and white
Large b & w photograph. A desk covered with magazines and chair make the "Dutch corner of the dutch seaman's center" as indicated in dutch on the wall "hollands hoekje van de nederlandse zeemanscentrale". The calendar indicates it was taken in 1966. "projuventute oranje kalendar 1966" with photograph of Queen Julian of the Netherlands.stamp: "Melbourne Harbour / Trust Photograph / Negative Number ..... [blank]"rotterdam, netherlands, mission to seafarers, seamen's mission, dutch, desk, litterature, magazines, newspapers, queen julian of the netherlands, calendar, 1966, overseas missions, melbourne harbour trust