Black and white copy of original photograph showing a lady sitting in a chair, holding a book in her lap, wearing a long dress, with two ruffles on the bottom of dress. Her hair is in plaits and pinned up. A bearded man is standing to her right, with his left hand resting on the chair and his right in his pocket. His legs are crossed and he is wearing light coloured pants and vest, with a dark jacket.henry nicholls, marian nicholls née downes

1. Jacket, light green. Wool/polyester two hip pockets in front. Jacket fastened with 5 brass buttons. Colours are broad. Short sleeves with small cuffs. 2. Trousers - light green, zip fly. No cuffs at bottom of legs, no pockets. 3. Hat, two tone green with RACT Badge - peaked brim. 4. Belt - light green. No buckle, has a press stud arrangement at one end.3. Hat - written inside is "Browne F3207657." 4. Number “360” written inside belt.wraac, uniforms, passchendaele barracks trust

This is a teacher's desk which came from Woodford State School. The school began in 1854 in a private dwelling with a new building constructed in 1874. The school still operates today.This is a very fine example of an early 20th century school teacher's desk. As it comes from one of the earliest schools in the district, it is of considerable significance.This is a wooden desk, now varnished, with a lift up, slanted lid with brass hinges and a brass key hole. On the top right hand side is a brass insert with a porcelain ink well. The desk has four turned legs with end struts. The desk lid may be made of pine but the rest of the desk seems to be made of a different wood. There are signs of old borer on the left hand front and the curved part on that side is missing.woodford state school, teachers desk, wooden teachers desk

Inscription on the back of the photograph indicates that the photograph was taken in 1948 at a demonstration day in Ballarat. Standing, L-R: Bill Caldow, Eugene Grigg, Jim Barr (Captain), Joe Reidy, Ted Cheeseman, Arnold Chasey. Seated: V. McDonald.Framed black and white photograph of a Linton fire brigade team. Six team members are standing with arms behind their backs in front of a hand-drawn fire cart, one is seated in front of them with part of a fire pump resting on his crossed legs. Six of seven team members wear polo shirts with "LINTON" appliqued on them. The seventh wears a fire brigade uniform with double-breasted jacket and peaked hat.On back of photograph: "Linton Fire Brigade Team 1948 - Ballarat Demonstration / Standing: (L-R) W. Caldow, E. Grigg, J. Barr (Capt), J. Reidy, ? Cheeseman, A. Chasey / Sitting: V. McDonald / N887 / See Fire Brigade file".linton fire brigade, william (bill) caldow, eugene grigg, jim barr, joe reidy, ted cheeseman, arnold chasey, v. mcdonald

Refers to the service of "Sgt Toby Martin", 15 Tpt Sqn. C.M.F.1. Jacket - Four front pockets. Top 2 held shut with 4 BN buttons. No epaulettes. Brass belt keepers in situ. 2. Trousers - black, button fly. Single red stripe down outsides of legs. Three pockets. 3. Belt - black, 50 mm with brass buckle. Two black plastic buttons. 4. Belt - black, 50 mm, no buckle, 3 black plastic buttons on it.1. Typed note - “Sgt Martin L.C”army, uniforms, sgt toby martin, passchendaele barracks trust

BHS CollectionTwo handwritten notes on the North Hustlers Mine. (a) reads: North Hustlers originally known as New Hustlers. Shaft 450 ft. No gold production. Worked 1940 - 1942. Given by Eric Wilkinson to me, May 1971. (b) reads: Hist. Guide. Rectify - North Hustlers (originally known as New Hustlers. (No Production) should read - No gold produced. Shaft 450 feet deep. Poppet legs recently dismantled.cottage, miners, north hustlers mine, new hustlers, eric wilkinson, hist guide

Underground section of three mines - Shaft No 94, New Chum United Co, Cross Section No 89 - Shaft No 93, Lansell's 222 (DENIS), Cross Section No 87 - Shaft No 92A (New Shaft), Lansell's 222, Cross Section No 86. Map shows depth of cross sections below the sill and stone encountered. Poppet legs are drawn at the top of the shafts. Lansell's 222 Shaft No 92A has measurements penciled in.mining, parish map, new chum united, lansell's 222

Transverse Section of the United Hustler's & Redan Mine on the Hustler's Line of Reefs Bulletin No 33, Plate No XXIX. Map has drawing of poppet legs on the surface, depth of levels, type of stone encountered and some geological features. Sill of shaft 745.62 ft above sea level. Map has Geological Survey of Victoria emblem and signed by H S Whitelaw, Underground Survey Office Bendigo, 'September 1913. mining, parish map, united hustler's & redan mine, hustler's line of reef, geological survey of victoria, h s whitelaw

This chemise combination was basically a long chemise with panty legs attached, but in a briefer form than pieces of previous decades. It was made by Marjorie Burton's mother, Mrs Whiteman, and was for Marjorie's trousseau. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from amiddle-class, working church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. This item is an example of ahomemade piece of clothing and reflects theneedlework skills of women during the first half of the twentieth century.A chemise combination made of pink silk and buttoning at the crotch. It has lace insets and thin straps. It is waisted and has a defined bustline.underwear women's-clothing chemise burton-marjorie

"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. In this sculpture "Vietnam", the soldier is based on veteran Bill Cantwell’s experience in the Vietnam War. The young soldier wears an eye patch – Bill’s legacy of his wartime injury. The base of the statue represents being held down – you can see the hands reaching up the soldier’s legs. Carved by Hikaru. The laser-cut steel shield has a pattern of Huey helicopters flying over rubber trees, Bill’s memory of being evacuated after being shot in the eye. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project

The White-Throated Needletail is a highly sociable bird commonly seen in large flocks containing a hundred plus birds. This species is also known to mingle with birds of different species. They have a distinctive white throat and undertail. This species is mainly airborne, however they are known to reside in trees when on land. They can mainly be spotted along the north and east parts of Australia. This species is listed as vulnerable and threatened in the Australian Capital Territory, Queensland and Victoria. Since this is a taxidermy mount, it is not an accurate depiction of the White-Throated Needletail. The species should have a predominantly grey-brown plumage, with the exception of the throat and undertail which are white. There should also be a green tint to the species feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White-Throated Needletail had grey-brown feathers. It has distinctive white patches on its throat and under the tail. The back of the bird is a light brown with a white patch in the center of the back. This specimen stands upon a wooden mount and has an identification tag tied around its leg. The bill is short and the wings are long and pointed. The bird's tail is short and square in shape with protruding feather shafts which give a spiky appearance.2a / Spine-Tailed Swift / See catalogue, page 7taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, white-throated needletail, australian birds

The Eurasian Jay is a small passerine bird occurring in Europe, northern Africa, and Asia. There are very distinct variations between the species of the Jay which assists in their identification. These birds inhabit mixed woodland, parks, orchards, and large gardens. They are generally solitary but can gather in large communal roosts during periods of cold weather. Eurasian Jays are known for their mimicry. They can often sound like a different species and during the day may mimic the birds they are attacking in order to confuse their opposition. This particular specimen has been mounted in an accurate but stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Eurasian Jay, as depicted in this specimen, has distinctive blue, white and dark brown stipes at the top of the wing. The body and head are light brown with a reddish undertone and there are streaks of dark brown at top the head. The tail, bottom of the wings and underneath the eyes are dark brown. This particular specimen stands upon a wooden mount and has an identification tag tied around its leg. It has pale coloured glass eyes which are accurate for this species.Swing Tag: [illegible] / to Sydney - N =99taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, jay, eurasian jay, europe, european birds, blue stripes

The Bassian Thrush is a secretive bird, often difficult to see, as it is an unobtrusive species that forages among dense vegetation. When disturbed, it sometimes crouches on the ground and freezes, relying on its scalloped plumage to conceal its presence. The Bassian Thrush feeds on the ground, scratching under the leaf-litter for small invertebrates. This specimen has been mounted in an accurate and yet stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The plumage of this Bassian Thrush specimen is a mottled brown to olive-brown colour, heavily scalloped with black crescent-shaped bars on the back, rump and head. The paler underparts all have brown-black scalloping. It has a white eye-ring which surrounds glass eyes which have been included by the taxidermist to replace the originals. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing Tag: 44a / mountain Thrush / See Catalogue Page 15 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, bassian thrush, thrush, zoothera lunulata

Little owls (also known as the owl of Athena or owl of Minerva) usually prefer the warmer parts of Europe, North Africa and Asia, enjoying open country and agricultural land with high trees to swoop down upon their prey from. Their diet includes amphibians, small mammals, reptiles and insects that they also hunt from small holes in the ground. Little owls are monogamous and while they're usually solitary creatures, pairs who breed together will often stay together past breeding season. An Athene Noctua would usually be slightly smaller than this specimen. The colouring of browns and whites speckling the feathers is an accurate representation however the posture of a typical little owl would be more crouched, not so thin and tall. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Athene Nuctua (The Little Owl) is dark to medium brown with white specks all over the feathers. Large white spots are located on their wings/back. This specimen has some inconsistencies with how it has been styalised by the taxidermist. The tail curls in under itself where it should be straight and flat. There are several feathers which appear disheveled on the chest, shoulder and wing. The specimen is mounted on a wooden stand with paper and metal tags attached to the legs. Swing tag: 41. / Allied to / Diurnal Owl / Catalogue page 53 / Other tag: 31 / Strix Noctua / Holland Metal tag: 4061 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, owl, little owl, athene noctua

This particular Musk Duck is a female specimen. This is ascertained through the lack of a large bulbous lobe of skin hanging under the bill. This particular duck has a much smaller lobe on the underside of its bill which is only visible when close. The name Musk Duck comes from the strong musk odour produced from a gland on the rump of the bird. These ducks are found only in Australia, in south-western and south-eastern mainland and in Tasmania. They prefer to reside in locations which have deep water and plenty of aquatic vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A large duck with a sooty-brown plumage and paler brown colouring on the stomach and areas of the neck. This bird stands with its head turned to look over its right shoulder. The eyes are made of brown coloured glass. The legs on the Musk Duck are positioned towards the far back of the stocky body and the feet are webbed. This enables the duck to swim but provides a clumsy gait. The bill of this Musk Duck is dark grey and the tail feathers are positioned in a fan-shape.Paper tag reading "9a Musk Duck. See Catalogue, page, 39."taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, duck, musk duck, aquatic, biziura lobata

The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. It is facing forwards but looking over its left shoulder. The eyes of this specimen are made from yellow glass. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron

About the specimen: The Californian Quail is a highly sociable bird commonly seen in small flocks. They have a distinctive appearance with the black plume on top of their head and white markings on the head and torso. This species reside in open woodland, bushy grassland, roadsides and fringes of urban areas. They are native to western America but have been introduced to areas outside this location including King Island. This species was established as the state bird of California in 1932. Explain how it should look: Copy and paste: This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.Copy and paste this section: This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Californian Quail has a black forward drooping plume on the top of its head. It has a dark brown/black coloured cap on its head and a black face with distinct white markings on the sides of its face and neck. The back of the bird is brown.The belly is a lighter brown colour and the chest and back of the neck is a blue-grey. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 46 / (b)? Californian Scrub Quail / Catalogue Page, 30. / Metal tag: 4341 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, californian quail, california, american birds, quail, californain sub wren, wren

Two printed leaflets (a & b) ‘Freedom of Entry to the City of Bendigo, Friday 26 October 1990, commencing 10.00 am. Army Survey Regiment. Parade Queen Elizabeth Oval. Challenge Ceremony Charing Cross, Mayoral Salute Memorial Hall. On the leaflet is a triangle with R A S C badge. The left and the right side of the triangle are purple. Behind the triangle, on the left is a mauve picture of Fortuna and on the right are poppet legs with chimney and buildings.bendigo, council, army survey regiment, document, freedom of entry to the city of bendigo - army survey regiment

sepia tinted photograph mounted on cream board. Older woman seated, younger standing behind. Both women wearing corsages, wearing light coloured dresses with leg-o-mutton sleeves, high necklines with bar brooches. Written in pen on back ' To dear Brother Tom and Sister Jane. With our very best love from Bessie and May 2.8.08 ' 'Goggon' wiritten in pencil top back RH top corner.Melba & co, Melbourne.person, family, mother and daughter ?

Black and white photograph, copy, of the Big Deborah Gold Mine, possibly taken in the 1930's. Deborah mine was near the junction of Abel and Adam Street, Golden Square. Image shows the mine site, a square brick chimney on the extreme RH side, engine room and stamper sheds in the middle and steel poppet head on LH side. Colour photo of Big Deborah, minus less the winding wheels at the top of the poppet legs.bendigo, mining, deborah gold mine

Copy of a black and white photo of the Hercules Gold Mine, Long Gully, N Grenfell Butchers Shop and three men wearing suits all on the one page. Photos are very dark. The photo of the mine shows the chimney, poppet legs, a fence and buildings. The butcher shop has a veranda and above the veranda has the name Grenfell Butcher. The photo of the three men wearing suits are standing in front of a small table with an object resting on it.bendigo, history, long gully history group, the long gully history group - hercules gold mne, n grenfell

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Hand made Authentic Bavarian doll. He wears a bottle green woolen hat with light green band and white feather. Bottle green jacket with red trim on front opening and pockets. Red jumper with white pointed collar. Leather lederhosen with flower embroidery on waist and braces. Arms and legs made from hessian? Leather boots with laces. White knitted socks with green band. Hand sewn and painted face.else oertel, friedel dehnel, bavarian, doll, dressmaker, else-lore hukins

US Army Rogers M-1950 Stove Portable Gasoline Burner Vietnam Era Removable Hand pump set into base to pressurise fuel Maroon plastic flame control valve handle, that swings left to right through 180 degrees. Purpose built service spanner secured between burner support legs. Operating Instruction have worn off. Significant damage to Safety warning label. Still fully operational1 Gold adhesive label with Operating Instructions 1 Red adhesive label with Safety Warning under instructions

BHS CollectionBlack and white photo of the squared oregon poppet legs , braces, wooden cage framework, guides for the skids and safety clamps of the cages of the Hercules Mine. Beside the photo is a printed description of the photo. In the bottom right corner is a printed description titled Interior of a Mine Battery. Written above it is Kocks Pioneer. Inside View of Kock's Battery. There is no photo. Descriptions and photo are mounted on pale blue paper which is then mounted on brown card and laminated.bendigo, history, long gully history group, the long gully history group - hercules mine & inside view of kock's battery, sheepshead line of reef, kock's pioneer, lincoln mine, lansell's big blue battery, quartz hill, whiffly tables, the chinese

Handwritten carbon copy of notes with typed copy of same, for signs on Victoria Hill. Signs mentioned are: Ballerstedt's First Open Cut,20 Head Crushing Battery, Victoria Quartz Mine, Victoria Quartz Foundations of Steel Poppet Legs, Coloured rock formations, Primitive tunnels, Adit, Engine Beds Lansell's Big 180 Mine, Anticlinal Arch, Coloured rock formations marking and patterns. Notes prepared by Albert Richardson.document, gold, victoria hill, victoria hill, abridged signs for victoria hill, ballerstedt's first open cut, 20 head crushing battery, victoria quartz mine, victoria quartz foundations of steel poppet legs, coloured rock formations, primitive tunnels, adit, engine beds lansell's big 180 mine, anticlinal arch, coloured rock formations marking and patterns

This decorative brass table-top Missal stand was presented to the Missions to Seamen in Williamstown in memory of Richard Hodgkiss, after his death on December 14th 1938, by Mrs M A Hodgkiss. Decorative book rests like this one were used to support the Bible during services at the Williamstown Missions to Seamen and is now part of the St. Nicholas Seamen's Church Collection. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel.This table-top Missal stand is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England, when a Seamen's Mission was formed in 1837. It is socially important for its connection to the Williamstown St. Nicholas Seamen's church as it was dedicated to a family member.Table-top Missal stand, also called a Bible rest, book rest or table top stand: brass, rectangular surface with clover motifs holes in each corner. The triangular leg frames are screwed beneath the short sides to create a slope. The lower edge has a vertical, decorative shelf. The inscription on the top surface dedicates the book stand to Richard Hodgkiss, 1938. This book stand is part of the St. Nicholas Seamen's Church Collection. "In Loving Memory of Richard Hodgkiss - passed away 14 12 38. Presented by Mrs M A Hodgkiss."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religious service, missions to seamen victoria, st nicholas seaman’s church williamstown, church furniture, religious worship, bible rest, tabletop lectern, bible reading, preaching accessory, book rest, memorial object, m a hodgkiss, richard hodgkiss, missel table book stand, book stand, bible stand, table-top stand, table-top book rest, table-top missal stand, missal desk

Brown stained wood with lift-up to for access to gramophone turntable, arm & fittings of metal green baize on turntable. Underneath is fold out compartment. Lattice work in Cathedral style with new material backing. Bottom of cabinet has 2 cupboard doors opening to 3 shelves Small metal handles on doors Legs have casters. Label inside lid Rexonola and in front of turntable Rexonola pat 29/3/12 4455Rexonola pat 29/3/12 4455audio-visual technology, audio - visual appliances

"The Chalet has 8 cutlery cabinets, all in the same undecorated Edwardian style, with tapered legs and slightly flared feet. They were identified in the 1992 inventory and listed on the Third schedule ... The cutlery cabinets and serving table probably date from the earliest years of the 1925-26 Dining Room ... Although the items lack a recorded provenance, their stylistic unity implies that they are part of a specific set of Chalet furnishings. Such items derive their meaning from their relationship with other furnishings and objects in the setting where they were originally used, with each complimenting the other." (Pg 77. Historica, Cultural heritage projects - Mt Buffalo Chalet Collection - Significance Assessment, Prepared for Parks Victoria, 2011)Listed in Draft Inventory of Significant Collection Items. (Pg 162. Historica)8 x small cabinets with 2 cutlery drawers each and wire to hang towels or curtains on underneath the drawers. Lower open shelf under drawers to store crockery. Some cabinets have laminex on top. (later addition)

Sydney James Davidson enlisted on 18.8.1914 age 19 years 4 months in E Coy 8th Bn AIF. Embarked for Eygpt 19.10.1914, embark for Gallipoli 5.4.1915, reported missing then WIA 25.4.1915, GSW left foot, rejoin unit 24.8.1915, hospital with Appendicitis 18.11.1915, rejoin unit 28.1.1916, embark for France 26.3.1916, transfer to 6th Field Ambulance 26.4.1916, appointed Driver 1.3.1917, WIA 4.10.1917 GSW Right leg, rejoin unit 3.1.1918, hospital Influenza 16.7.1918, rejoin unit 22.7.1918, embark for Australia 24.9.1918, discharged from the AIF 8.4.1919. He also had pre War Service in the 73rd Infantry under the 1895 quota re conscription.Yellow metal medallion with crown at top. Central motif is missing.Underneath crown: “ANZAC” Around outside: “HE ANSWERED HIS COUNTRY'S CALL” Rear: “Presented to No 541, DVR S DAVIDSON for duty nobley done, AIF Abroad 1914-18”shire, duty done

This particular small ice chest was once part of the domestic furniture of Dr W.R. Angus and his young family in 1927 when they lived in the Nhill and Ballarat districts. The family relocated to Warrnambool in 1939 and brought the ice chest with them. An ice chest, also called an icebox or refrigerator, was invented by Thomas Moore in 1802 and had become a common home appliance from the mid-1800s until around the 1930s, when electric refrigerators became affordable and safe. The non-mechanical ice chest allowed perishable food to be kept fresh for longer than the food-safe or ‘Coolgardie’ used in colonial days in Australia. It required the use of ice blocks, which were delivered to households by the ‘iceman' and his horse and cart. The ice man would use an ice pick to cut the blocks into the right size for the buyer’s ice chest. The ice came from an ‘ice house’, a factory where the ice was made. The ice chest required a block of ice to be placed into the insulated top section on top of the corrugated iron stand. The ice would cool the air and the cool air would flow downwards through the oval hole under the stand and into the refrigerator compartment below. The water from the melted ice would drain from the sloping floor of the top compartment and into the hooded pipe. The pipe went through the refrigerator and ended below its floor, where the drained water would be collected in the metal bowl placed there for that purpose. The lip on the bowl allowed it to be easily removed and emptied at regular intervals before it overflowed. W.R. Angus Collection- The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. He and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the early planning stages of the new Flagstaff Hill, where they contributed to the layout of the gardens. Dr Angus passed away in March 1970.This ice chest is significant for representing a method of refrigeration and food preservation used in the 19th to mid-20th centuries when people were beginning to afford powered domestic refrigerators. After the second world war, most households replaced their food storage cupboards and ice chests with refrigerator appliances. The ice chest is also significant for its connection with the domestic furniture of Dr W.R. Angus and his family, and its inclusion in the W.R. Angus Collection.Ice chest; single front wooden cabinet with two doors and a flap, and three accessories. The top door is a lid with a metal handle at the front and two metal hinges along the back. The front door has two metal hinges on the right-hand side and has a metal lever catch. A hinged flap fits between the front legs at bottom of the ice chest and swings upwards. The front legs have wheels. The insulated top compartment has a metal lining and its floor slopes towards the centre of the back wall. In the floor are a formed oval air-flow hole and the open end of a pipe that has a hood partly covering it. The front compartment is an insulated metal-lined cupboard with a vertical pipe down the centre of the back wall and horizontal rails in the centre of each side wall. The accessories are a rectangular corrugated iron stand, a rectangular wire grid shelf and a round aluminium bowl with a lip and two sides pushed in. The ice chest was made circa 1927 and is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, doctor angus, dr angus, ice chest, ice box, antique, food preservation, refrigeration, domestic equipment, kitchen appliance, refrigerator, non-electric refrigerator, non-mechanical refrigerator, w.r. angus collection