Leigh Conkie is a well known Eltham artist who creates a wide variety of subjects in wood modelled by chainsaw at his home in Main Road. Location unknownfay bridge collection, chainsaw sculpture, leigh conkie, 2013-07-21, sculpture

Golden Lister hand piece produced in the late 1906's, part of the Lister Ace Family. Hand piece has a wide fork and is missing its comb.Golden lister no.60695 shearing handpiece.Golden Lister

The successful dropping of supplies to remote fire crews involved a great deal of experimentation. The result was a large heavy-duty cardboard container being developed in 1964 by Athol Hodgson from the FCV Fire Research Branch which employed fold-out wings and was called the “helibox”. It was suitable for supplies weighing less than 9 kg and best dropped from about 300 feet and became a standard technique. It was adopted Australia wide, but the wider availability of helicopters made the helibox eventually redundant. Unique to Victoria but adopted across Australia.Large cardboard box with "wings" to cause it to rotate when dropped from the air. Wings held in place by means of string office "Ty-Tite" fasteners.bushfire, forests commission victoria (fcv)

Lal Lal Coal Mine, 1923. Two black and white photographs of the Lal Lal Coal Mine. .1) A man, Bill Thomas of Talbot, stands high on a timber construction. .2) A mine site with poppet head and two chimneys..1) verso: Lal Lal Coal and [Iron?] Mine 1,000 ton hopper or brown coal Designed and Built by D. Mather 1923 [15?] miles of sapplings in the building [Ci?] called and drying [oval] 120' long 45' x 20' wide Bill Thomas shown in this photo, from Talbot.lal lal, lal lal coal mine, donald mather, mather, bill thomas, talbot, mining

Panning dishes were used for washing fine gold from river sediments or from the residue trapped in cradles and puddling tubs. They were often used on the edge of streams/rivers to sift gold from alluvial soil or crushed quartz. This simple pan would have been filled with sand and gravel which might have contained gold. The pan was submerged in the water and shaken to sort the gold from the gravel and other material, with the lighter material gradually being washed over the lip until only the heavy deposits, such as gold, remained at the bottom. (ref. Museum Victoria) This pan was used by George Henry Douglas Russell Snr. As a young man prior to his enlistment in WW1 he panned for gold using this dish. During the war he became a vet sergeant in charge of horse lines.Gold panning is the oldest and simplest method of extracting gold. Gold pans had widespread use in alluvial gold fields where water is available. This item is an example of the type of pan commonly used on Victorian gold fields.A circular dull metal panning dish which has a wide rolled top lip which tapers down to a smaller diameter for the base which is flat. The pan has been made from ironmetal which has a coating of another metal with a matte grey finish. It has a small hanging hole and a reinforcing ring all around the top.russell-doug gold-panning mining

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance- Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacityMetal instrument with 2 parts. 1. heavy solid metal cylinder - hollow with 1 section open to fit onto handle 2. long metal hollow 3 sided curved handle spreading out to saddle shape and back on 80 degree angle to wide curve shape. Holes used for tape and tied to stirrups (therefore self retainer).BRITISHMADE between 2 holds on saddlemedical equipment. hospital equipment. tawonga. mt beauty. medical. hospital. nurse. doctor. speculum. auvard.

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.For removing tonsils. The curette is designed to scrape the surface. Long metal instrument with yellow (brass?) handle which is flatish with grooves on opposite sides. The instrument part is about the same length splitting out and forming a hook at right angles. The hook is formed by 2 parts together the lower part having 3 sharp teeth protruding inwards. The hook is wide. hospital equipment. medical equipment. tonsil. curette. mt beauty. tawonga.

Safety helmets were worn during construction work on the Kiewa Hydro Electric Scheme and during its operation. Each group of workers had a different coloured helmet to identify their role.A pale green fibre glass oval shaped helmet with a small rim and with hard white plastic 'netting' inside - shaped with 6 pieces coming towards the outside from an oval in the centre. These are attached with screws. Around the circumference of the head is a plastic adjustable piece covered by soft plastic in the front. This has a wide cord attached that fits under the chin.On the outside front: a triangle colored in black with "operator" underneath. Inside rim at front: "Made in England"helmet. safety. kiewa hydro electric scheme. operator.

This is a dress for a young girl aged about twelve. It seems to date from the late 19th century and would have been worn at a wedding or a family celebration. This dress is a fine example of vintage clothing and is a valued display item.The dress is made of fine muslin. It has a round neck with lace edging, the gathered skirt has pin tucks with a spoke stitched wide hem. There is lace insertion at the waist and on each shoulder. On the three quarter sleeves there is lace edging at the cuffs. The bodice has machine made embroidery, spoke stitching and tucks. The back has press studs and hooks and eyes .vintage clothing, warrnambool and district historical society collection

These items have no provenance but would be useful for display purposes. They are typical of the Victorian era displaying the romanticized beauty of children and young women. Flowers, gardens and pets were also displayed in this manner. This is all amply displayed in these two prints. Items were also quite readily and cheaply mass produced and thus available for many people to cheaply decorate their homes in the latest styles. Reproduction was possible and popular resulting in an enduring style which could be said to be eclectic The Victorian Era is named after the reigning monarch, of the second half of the 19th century Queen Victoria.This pair of prints has little provenance but being typical of the era will be useful for display. These are a matching pair of framed prints of a young boy and girl with a wide dark green border around the edge with a row of dots on the outside of the glass. The boy is holding posy of violets and the girl a fan. The edge is finished in a metal, possibly tin. Both are backed with heavy card. The glass on the girl frame is broken .There is a small metal chain from the girl frame.warrnambool

This petticoat came from the estate of Ena Heazlewood and was donated to the Warrnambool and District Historical Society by Ena’s daughter. It appears to have been home-made. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. A petticoat such as this one would have been stiffened with starch and worn under a ball dress (or a stage costume) in the mid 20th century. This petticoat is of interest as an example of a skirt worn underneath a ballroom dress or a stage costume in the mid 20th century. It also has some provenance as it come from the estate of Ena Heazlewood, a former Warrnambool resident.This item is a white cotton petticoat with a flap opening at the front waist enclosed by two white buttons. The petticoat is gathered at the waist to make a wide flared skirt and has alternating panels of plain white cotton and broderie anglaise material. There is a flounce at the end stitched with cotton-covered rope at the top and the bottom of the flounce. The bottom of the petticoat has a cotton lace trim. vintage clothing, todd & heazlewood families, warrnambool, history of warrnambool

Part of a nurses' uniform during the Second World War. No exact matches for a female "W Wilson" were found in research, though the hat could have belonged to Nancy Wilson, born in Carlton to W Wilson.Navy wool felt hat with wide brim and navy grosgrain ribbon band with bow on right side and black rising sun badge on centre front of ribbon. The hat also has a synthetic sweatband on the interior, on to which a cotton label has been sewn with the name "W. WILSON". Elastic chip strap on interior has deteriorated and broken in half.Label on interior reads "W. WILSON" second world war, world war ii, world war 2, world war two, wwii, nurse, medical, women

Soft cover book of 293 pages; Appendix, Sources of Images, Endnotes, Bibliography and Index, by Margaret and Graham Bride. Front cover is sky blue and features a 2.5 cm wide strip of five small photos above the cream coloured title. Organisational logos on the back; Port Melbourne Historical and Preservation Society, City of Port Phillip, Port of Melbournenon-fictionport melbourne, early settlers, port of melbourne, port phillip, reverend kerr johnston, seamen's mission, mission to seafarers, sandridge, bethel, church, hulk emily, pmhps, pat grainger

This "homemade rake" is constructed from a branch of a tea tree. This item demonstrates that in the mid to late 1800's the isolation of the Kiewa Valley was more pronounced than during the early 1900's. The availability of gardening implements to the residences within the Kiewa Valley was scarce to non existence. with the upgrading of roads into the valley and the boost to the Valley's population (S.E.C. Kiewa Valley Hydro Electricity Scheme) transport into the valley, firstly via commercial Hawkers in their mobile caravans and later by commercial trucks. This "home made" rake is very significant because it highlights the ingenuity of local farmers and graziers in overcoming the semi isolation of the Kiewa Valley and its regions from the commercial availability of gardening implements enjoyed by gardeners in the towns and cities of the 1800's and the early 1900's. This "home made" garden rake highlights the ingenuity of the "Australian" character per se. A slice of this ingenuity can be seen by the amount of inventions, per capita, produced within Australia throughout its history.Handle is a long, stripped branch of tea tree. The head of the rake is a 2.3 cm. wide piece of wood, compressed between two 0.5 cm. pieces of metal joined with bolts, nuts and rivets. The holes drilled into the wood hold metal tines 10.5 cms. high. There should be 16 tines but 4 are missing. This type of rake is/ was used in dairiestimber, dairy, farm, rural, implement

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house. Other features include an open porch with 2 brick pillars and white trellis on one wall, tiled roof, white sash windows, feature brick wide and tall chimney and low unpainted brick fence and brick garage with white door. A public footpath and nature strip are in the foreground.42murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, lindsay avenue, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, chimneys, sash windows, garages (private), brick fences

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house. Other features include an open porch with brick pillar and white trellis on one wall, tiled roof, white sash windows, feature brick wide and tall chimney and low unpainted brick fence with "42" on the wooden letterbox atop the brick pillar alongside a black metal gate in the foreground.42murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, lindsay avenue, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, chimneys, sash windows, brick fences, cast iron work

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man dressed in a light jacket and trousers, carrying a brief case. He is standing at the entrance of building with a wide doorway which has an ornate carving over the door frame. A light and dark chequer board tiled floor can be seen inside. Thick vine covers the outer wall above the door. The man is Frank Wright.frank wright, composer, adjudicator, musician

This gown was worn by Shirley Falkinder (nee Ogden). She was the principal nurse educator and lecturer at the Ballarat Base Hospital from 1973-1985 when nurse education was hospital based. She was seconded to prepare the Accreditation document for a three year "Diploma of Applied Nursing", which commenced at the Ballarat College of Advanced Education in 1986 and she retired in 1989. Shirley continued her interest in the education of nurses and became the Vice President of the Ballarat University College Council in 1990 and President in 1991.A black polyester and wood academic gown with a wide red (edged with white) silk lapel. Across the shoulders and below the back yoke there are padded pin tucks which form gathers. The long sleeves reach to within 8 cm of the hemline of the garment. They are slit below the armpit on the front side for the arm to go through and the rest of the sleeve falls open below.Makers woven patch - R.W. Bredin & Son, Melbourne Australia, Academic, Legal & Civic Robe Makersshirley falkinder, shirley ogden, academic gown, ballarat base hospital, ballarat university college, ballarat college of advanced education, costume, uniform, graduation, academic gown, textiles

Diggers & mining. The gold era. Collins Street in 1851. From the Collection of Sir Russell Grimwade. Slide shows the 2 & 3 story buildings ling the sides of the wide road. Horses with carts and wagons and people for as far as the eye can see. Very busy part of Melbourne. Markings 47 994.031 GOL:5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Black velvet jacket. Black velvet has cream coloured spot pattern. Long sleeves with wide gathered black velvet cuffs (18cms). Front opening with ruffled black velvet edging which continues and widens to form a collar. Satin lined jacket and sleeves. Fastened at waist by a large velvet covered button (3cms) and velvet loop.costume, female, ladies velvet jacket

Small circular milk jug cover. Centre panel - seven cms in diameter of fine double thickness net. A Three cm wide band of very fine crochet surrounds the net.This fine crochet is surrounded by twenty five green glass beads, attached by the crochet edging - very fine "chain stitch" crochet passes through each bead.Made by Merle's Grandmother - Geuerdomestic equipment, food storage & preservation, milk jug cover

black and white photo. Mounted on soft manilla card. Image is of double fronted villa. Double gabled tiled roof, single rough cast chimney, buttressed arched verandah. Rectangular vent in shingled area above triple leadlighted double hung bow window, brick walls, stepped wide entry verandah. Brick/concrete fence.buildings, residential, art deco

White First Day Cover. On the left side is a mining scene with poppet legs, bins, chimney and mullock heap. At the top 1851 - 1951 and under the scene Bendigo Gold Centenary Philatelic Exhibition Official Cover. Printed in dark blue, Bendigo in white. First Day Cover printed in black. Wide World printed in the bottom left corner.philately, covers, first day cover, envelope, bendigo gold centenary 1851 - 1951

Railways Collection - colour photo (part of a series ) of an Unspecified number of Multi wheel Super Heavy Transport Vehicles-all of which appear to be transporting Railway related items. The front vehicle appears to be carrying a partly scrapped Locomotive Diesel engine there is a sign on the front vehicle - 'Danger Long wide Load' and a boy is standing on the step to the Passenger door.photograph, train, diesel