Inspected by Joanna Freslov, archaeologist 2.6.22008. Grinding stones are slabs of stone that Aboriginal people used to grind and crush different materials. Bulbs, berries, seeds, insects and many other things were ground between a large lower stone and a smaller upper stone. This is the lower stone.Large grinding stones such as this one were designed to be left at a camp site for use the next time the group moved there. Smaller grinding stones were carried between sites. Grinding stones were not abandoned when they became worn and smooth through use. The stone would simply be roughened again so it was once again suitable for its function. This is an example of a food preparation utensil used by the Early Indigenous people of Eastern Australia.A large flat rock with grind hole in top. Rock has split. gridstone aboriginal stone-artefact

This is a soft-cover book of 133 pages on the settlement of the Western District from prehistoric times to the present. It has a blue paper front cover and a grey paper back cover. The front cover is covered with a clear plastic sheet and the binding is plastic. The cover has an image of a sketch of the Warrnambool beach showing the lighthouse complex on Middle Island and the lighthouse on the beach (established 1860). There are a Contents page, a Foreword, a List of Plates and seven articles on different aspects of the Western District history by different authors. There are black and white photographs and illustrations. One page (p.17) has been annotated by Les O’Callaghan.This booklet documents a public lecture series held in Warrnambool 3rd November 1984.western victorian history, edmund gill, peter ronald, john sherwood, jan critchett, tony dingle, miles lewis, kevin o’toole, warrnambool, history

Contents: • Next meeting, guest speaker; Chris Marks: The Nillumbik Art Collection • July Meeting • Gawa Wurundjeri Aboriginal Resource Trail • Society Happenings • Andrew Ross Museum • Some Other Brief News Items • Poems and Writings of Gwendoline Margaret Baker – nee Bowes The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Massacre Bay is located on Victoria's Great Ocean Road, and is in the centre of the Bay of Martyrs. The bay consists of 20 m high, red limestone bluffs. This paper by Ken Clements considers the origin of the term martyr in connection to this location, and where the Aboriginal massacre may have taken place. Thirteen page document by Ken Clements relating to Peterborough, Victoria. Contents include coastal features, local Aborigines, Bay of Martyrs, Massacre Bay, Massacre Hill, Buckley Creek Run, Pioneer Pastoralists, British Traversers, settlers, Peterborough, Maps, tourism, history method. Photographs by Laurie Moore.aborigines, bay of martyrs, massacre bay, massacre hill, buckley creek run, pioneer pastoralists, british traversers, settlers, peterborough, maps, tourism, history method, childers cove, barque children, murnane bay, sandy bay, dog trap bay, buckley creek, viviennes lookeout, stanhope bay, buttres bay, burnies beach, armstrong creek, flaxman hill, antares rock, lovers nook, crofts bay, clements, worm bay, halladale point, the well, wold dog cove, james irvine monument, curdies inlet, squirrel creek, wallaby creek, boggy creek, whiskey creek, pioneer beach, schomberg rock, young australia, spit, crown of thorns, newfield bay, the grotto, london bridge, point hesse, high cliffs, the arch, cape martyr, little massacre bay, aboriginal massacre, ken clements

Dean BOWEN (1957 -) Born Maryborough, Victoria Dean Bowen's work combines humour and gentle irony with technical proficiency to explore the world around him. 'The car park epitomises qualities found in the best of his post 1990 work. Born out of the daily grind of stop-start commuting by car along Melbourne's Punt Road to and from his former workplace, the feeling of this large work (just over two metres long) is of duality. On the one hand there is the crowded chaos of a relentless number of cars choking the roads; on the other, order is imposed in his aerial view of cars 'parked' around intersecting roads as well as the actual charting of roads and interstitial spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming tracks from above. And as seen in the famous 'X ray' paintings of Arnhem Land, his cars and buildings are cross-sectioned to reveal the objects (usually humans) within. The impression of Aboriginally is further given by his use of earthy browns and by the outlining of shapes (cars, roads, trees).' (Susan McCulloch) This work was selected by the Art Acquisitions Committee (1995) to be placed in the 1870 Founders Hall at Mt Helen Campus. The Federation University Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A multiprint etching depicting a carpark that won the 1994 Fremantle Print Award;Edition 12/20art, artwork, dean bowen, bowen, etching, multi-plate etching, printmaking, printmaking etching, carpark

The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. The event triggered debate on Australian national identity, Aboriginal rights, historical interpretation and multiculturalism. The calendar was one of many types of souvenirs created to celebrate the occasion.The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. The calendar was one of many types of souvenirs created to celebrate the occasion.1988 200 YEAR CALENDAR. It has a cream and red cover with a large photo of an old painting of a coach and bushranger. Inside are photos of events and paintings.1988 200 YEAR CALENDARcalendar bicentenary 1988

A coolamon is an Indigenous Australian carrying vessel. It is a multi-purpose shallow vessel, or dish with curved sides, ranging in length from 30–70 cm, and similar in shape to a canoe. Coolamons or pitchis were traditionally used by Aboriginal women to carry water, fruits, nuts, as well as to cradle babies. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This container is an example of an implement used by the early Indigenous people of Eastern Australia.A large shallow elongated hand-made wooden receptacle used by Australian aborigines as a container for food and drink or for carrying babies.pitchi coolamon aboriginal container

This is the transition year as the Wangaratta High school magazine is renamed to Korrumbeia. Korrumbeia is Victorian aboriginal term meaning restful river/creek (Kurrabi; creek, Umina; rest, Beeia; river) This is a reference to the Ovens and King rivers merging in Wangaratta, and the fact that WHS houses are named after local waterways.Black and white photocopy of the 1952 edition of Korrumbeia featuring a large image of the interschool sports athletics team

Brown and blue soft covered book featuring three faces. Contents include: David Caro, David James, Kerry Cox, Camp Street Arts Precinct, Canadian Wetlands, John Keller, Naming of the W.J. Gribble, establishment of University Brewery, Aboriginal Education Centre, Ray Over, William Pryor, John Brumby, IBM Global Servicesuniversity of ballarat, brewing, brewery

Booklet. ALEC H CHISHOLM COLLECTION. 36 page paper cover booklet by the Rev. E. I. Watkin D.D. on the meaning of aboriginal words. Published by the Commonwealth of Australia, Sydney Endacott, Melbourne. Date not known. Printed by E. W. Cole, Melbourne. Catalogue sticker ''2233 WAT'' on front cover. Handwritten in pencil on flyleaf ''Harry Burrell''Rev. E. I. Watkinbooks, collections, etymology, alec h chisholm collection, aboriginal words, e.i.watkin, etymology

Sepia tones photo, on grey mount, of group of Aboriginals. Males, females and children. One white male in suit with small child on left of photo. One male on horseback on right of photo (policeman?) and two males on right, one in uniform (policeman?) and the other in suit. Inscriptions: on front - printed below image 'Martin Murphy, Laverton and Morgan's, Photographer'Martin Murphy, Laverton and Morgan'sperson, group, aboriginals

Part of original kit produced by a Primary and Senior Secondary School in Western Australia dealing with communication, language and Aboriginal History. Video 1. Moving Into Other Worlds Video 2. Two Way Learning and Two Kinds of Power Video 3. Now You See It, Now You Don?t Video 4. A Shared World of Communicationb&w illustrations, colour illustrations, b&w photographs, colour photographs, DVDaboriginal education, aboriginal english, cultural awareness, school curriculum, language and literacy, bilingualism, two way learning

"A landmark history of Indigenous Australia which accompanies a major nine part Australian television series. It combines the most rigorous academic research with capitvating contemporary story-telling. Richly illustrated book that includes images of the landscape, evocative ninteenth-century photography and Aboriginal art. Written by Australia's leading Indigenous historian and public intellectuals"--Provided by publisher.maps, document reproductions, b&w illustrations, colour illustrations, colour photographs, b&w photographscolonisation, race relations, australian aboriginal history, pictorial histories

Purchased when author Ann Blainey spoke to the Surrey Hills Historical Society. There was a Moran and Cato store in Surrey Hills.This biography tells the story of Fred Cato the businessman, who co-founded the Moran and Cato grocery chain. He was an influential Methodist layman, whose major involvements spanned more than forty years, from the Lonsdale Street Central Mission in 1893 to the Aboriginal Methodist Mission at Yirrkala in 1935. He lived to celebrate his 70th birthday.For the History Group, Surrey Hills / with best wishes / Ann.(mr) frederick john cato, grocery trade, business people, methodists, grocers, shops, moran and cato, (ms) ann blainey

Poster - history of Australian flags. Covering histories of the following flags. New South Wales, Victoria, Queensland, South Australia, Australian Aboriginal, Australian Red Ensign, Western Australia, Tasmania, Northern Territory, Norfolk Island, Governor General, Royal Australian Navy, Royal Australian Air Force and Her Majesty's the Queen Personal Flag for Australia

Item in the collection re: "William Anthony (Bill) Theodore DSM". Refer Cat No. 7926P for his service record. This is a commissioning poster. Poster - colour print on paper of painting by Tom Freeman of the HMAS ARUNTA, No. 151 painted on ship's hull. The ship's emblem and motto appear lower right. An image of Aboriginal men appears in the sky above the ship. Artist's signature appears lower left. Frame - varnished timber frame with decorative moulding. Glass front and cardboard backing. Information printed on poster - black ink print. Top: "HMAS ARUNTA" Bottom - "Commissioned 12 December 1998/ Port Melbourne, Victoria".framed accessori4es, poster, ran, hmas arunta, william anthony theodore

A coolamon or pichi is an Indigenous Australian carrying vessel. It is a multi-purpose shallow vessel, or dish with curved sides, ranging in length from 30–70 cm, and similar in shape to a canoe. Coolamons or pichis were traditionally used by Aboriginal women to carry water, fruits, nuts, as well as to cradle babies. A shallow hand-made wooden dish used for carrying food, water and sometimes small babies. It is decorated on outside with burnt incisions.pitchi coolamon aboriginal container

The Victorian Archaelogical Survey managed this study onbehalf of the Ministry for Planning & Environment. The study was intended to provide a brief history of Aboriginal and European occupation and use of the area and an outline of the geography of the chief areas of cultural heritage concern, with recommendations for protection of significant cultural sites and recommendations for further research, survey and consultation.115 p., photocopy, unbound. Illus., mapsplenty river

January, 2011. Floodwaters entering Lake Bolac through the Fiery Creek inlet. This shows the accumulation of water behind the barrier dunes and the strength of the flood entering the lake through the narrow debouchment. The aboriginal midden can clearly be seen in the front left to centre of the photograph. Photograph courtesy James Davidson.lake bolac, fiery creek, 2011 flood, midden

Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’

Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths, and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’

Keith and Kath Hamilton at Blythwood Grange chapel, the former St Joseph's Home. Keith Hamilton, born 9 May 1936 in Ballarat was the MP for Morwell for the Labour Party. He was Minister for Aboriginal Affairs, and Minister for Agriculture for some years. See more information https://en.wikipedia.org/wiki/Keith_Hamilton_(politician)Digital photograph pf Keith and Kathleen Hamilton. keith hamilton, kath hamilton, ballarat, morwell, member of parliament, minister for agriculture, minister for aboriginal affairs

Dr Sydney PERN (c1879- 23 October 1967 ) Sydney Pern was a doctor who practiced in Ballarat. He was a competent artist who also collected Aboriginal artefacts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil landscape on oil sketching paper.signed lower right 'S. Pern'art, artwork, sydney pern, pern, landscape, available

Contents: - The Calling of Mt Riddell (Frank Endacott), - With its wooden walls still shadowed by lilacs (Pam Firth), - Mechanic Institute (Eric and Pam Firth), - Coranderrk Aboriginal Cemetery , - Our Mob: Interesting Healesville connections (Connections to Captain Cook philately and Red Baron of WW1 notoriety), - Plus moreThe first newsletter of the Society was issued July 1984 and has been published continuously ever since on a quarterly basis....mt riddell, mechanic institute, coranderrk

Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy