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Queenscliffe Maritime Museum
Functional object - Horse Harness Buckles
Schomberg was a large clipper ship built for James Baines' famous Black Ball Line. Schomberg has historical significance as one of the luxurious ships built to bring emigrants to Australia, cashing in on the gold rush era. The clipper is one of only three clipper wrecks in Victorian waters that operated the England to Australia run. While the other two, Empress of the Sea and Lightening, were built by the famous American shipbuilder, Donald MacKay, Schomberg was built in Aberdeen. The Schomberg story was almost the nineteenth century's Titanic; built at great expense, labelled the most perfect clipper ship ever built and designed to be the most comfortable vessel to sail to Melbourne?and sinking on its maiden voyage in 1855.10 horse harness buckles in various condition and completeness. Some encrusted and corroded.cargo, salvage, ship wrecks, shomberg -
Vision Australia
Administrative record - Text, Thirteenth Annual Report of the Association for the Advancement of the Blind 1908, 1908
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including the growth of membership to 219, over 400 visits were made to people in their homes, all items designed for blind in England and have sold and a new order will be drawn up with members invited to add their items, the Correspondence Club continues to flourish with Brazil and Chile, via Esperanto, now involved and there are insufficient correspondents to keep up with demand from American writers.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Flagstaff Hill Maritime Museum and Village
Functional object - Rod, Approx. 1871
This rod was salvaged from the American three-masted wooden clipper ship, Eric the Red, named after the Viking discoverer, Eric the Red. The ship first traded in coal between America and Britain and later traded in guano nitrates from South America. In 1879 its hull was re-metalled and the vessel was in first class condition. On 10th June 1880 Eric the Red departed New York under the command of Captain Z Allen, with 24 crew plus two passengers. It was heading for Melbourne and then Sydney. The ship was commissioned by American trade representatives to carry a special cargo of 500 American exhibits for the U.S.A. pavilion at Melbourne’s first International Exhibition. The items included furniture, ironmongery, wines, chemicals, dental and surgical instruments, paper, cages, bronze lamp trimmings, axles, stamped ware, astronomical and time globes, and samples of corn and the choicest of leaf tobacco. Also on board was general merchandise such as cases of kerosene and turpentine, brooms, Bristol's Sarsaparilla, Wheeler and Wilson sewing machines, Wheeler’s thresher machine, axe handles and tools, cases of silver plate, toys, pianos and organs, carriages and Yankee notions. The ship had been at sea for 85 days when, on 4th September 1880, it hit the Otway Reef on the southwest coast of Victoria and was quickly wrecked. Captain and crew ended up on floating parts, or in the long boat or the sea. He was amongst the 23 battered and injured men who were rescued by the steamer Dawn and later taken to Warrnambool, where they received great hospitality and care. Four men lost their lives; three crew and one passenger. Captain Allen took the train back to Melbourne and then returned to America. The captain and crew of the Dawn were recognised by the United States Government in July 1881 for their humane efforts, being thanked and presented with substantial monetary rewards, medals and gifts. The salvaging ship Pharos collected Wheeler and Wilson sewing machines, nests of boxes, bottles of Bristol’s sarsaparilla, pieces of common American chairs, axe handles, a Wheelers’ Patent thresher and a sailor’s trunk with the words “A. James” on the front. A ship’s flag board bearing the words “Eric the Red” was found on the deckhouse; finally, those on board the Pharos had found the name of the wrecked vessel. The government steamer Victoria and a steamer S.S. Otway picked up flotsam and wreckage. A whole side of the hull and three large pieces of the other side of the hull, with some of the copper sheathing stripped off, had floated onto Point Franklin. Some of the vessel's yards and portions of its masts were on shore with pieces of canvas attached, confirming that the vessel had been under sail. On shore were many cases of Diamond Oil kerosene labelled R. W. Cameron and Company, New York. large planks of red pine, portions of a small white boat and a large, well-used oar. There were sewing machines, some consigned to ‘Long and Co.”, and notions, axe and scythe handles, hay forks, wooden pegs, rolls of wire, some branded “T.S” and Co, Melbourne”, and kegs of nails branded “A.T. and Co.” from the factory of A. Field and Son, Taunton, Massachusetts. Other cargo remains included croquet balls and mallets, buggy fittings, rat traps, perfumery, cutlery and Douay Bibles, clocks, bicycles, chairs, a flywheel, a cooking stove, timber, boxes, pianos, organs, wooden clothes pegs and a ladder. There were three cases of goods meant for the Exhibition Other items salvaged from amongst the debris floating in the sea were chairs, doors, musical instruments, washing boards, nests of trunks and flycatchers. Most of the goods were saturated and smelt of kerosene. A section of the hull lies buried in the sand at Parker River Beach. An anchor with a chain is embedded in the rocks east of Point Franklin and a second anchor, thought to be from Eric the Red, is on display at the Cape Otway light station. A life belt was once on the veranda of Rivernook Guest House in Princetown with the words “ERIC THE RED / BOSTON”. Parts of the ship are on display at Bimbi Park Caravan Park and Apollo Bay Museum. Flagstaff Hill Maritime Village also has several artefacts from the wreck. There seemed to be no personal luggage or clothing. “The Eric the Red is historically significant as one of Victoria's major 19th century shipwrecks. (Heritage Victoria Eric the Red; HV ID 239) The wreck led to the provision of an additional warning light placed below the Cape Otway lighthouse to alert mariners to the location of Otway Reef. The site is archaeologically significant for its remains of a large and varied cargo and ship's fittings being scattered over a wide area. The site is recreationally and aesthetically significant as it is one of the few sites along this coast where tourists can visit identifiable remains of a large wooden shipwreck, and for its location set against the background of Cape Otway, Bass Strait, and the Cape Otway lighthouse.“ (Victorian Heritage Database Registration Number S239, Official Number 8745 USA)Iron rod with flat lugged washer. The rod is made of a heavy metal with encrustations and signs of rusting on the surface. It is stepped down in diameter mid-shaft and is slightly bowed on the narrower end. The narrow end flares out slightly in the last few centimetres with a burred foot and has a circular head on the wider end. The washer on the narrower end cannot move past the centre or the narrow end of the rod. The washer is a different metal from the rod and has a small lug jutting out along the circumference in one position. The rod was recovered from the wreck of the ship the Eric the Red.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rod, iron-rod, eric the red, steamer dawn, cape otway reef, 1880, captain allen, usa pavillion, melbourne exhibition, melbourne international exhibition, captain jones, medal, united states government, pharos, a. james, flag board, steamer victoria, steamer otway, diamond oil, r w cameron and company, long and co., t s and co melbourne, a. field and son, taunton, massachusetts, ketch apollo, ship nail -
Bendigo Historical Society Inc.
Book - ALEC H. CHISHOLM COLLECTION: BOOK ''GOOD INTENTIONS'' BY OGDEN NASH
Book. ALEC H. CHISHOLM COLLECTION. 195 page hardback book of humorous verse by Ogden Nash, an American poet. Published in 1944 for J.M.Dent & Sons Ltd by George Jaboor, Melbourne. Printed by Speciality Press, Melbourne. A newspaper cutting inside front cover from The Australian, 22 May 1965, relating to Ogden Nash. Catalogue sticker '2038 NAS' on spine. Handwritten in ink on flyleaf ''To my old friend Alick Chisholm with best wishes for 365 days of health and happiness in 1946 Any man who loves birds and animals as you do, must be a great man 31/12/45 Tom Nettlefold''Ogden Nashbooks, collections, poetry, alec h. chisholm collection, ogden nash, tom nettlefold, poetry -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''CHOSEN POEMS'' BY DOUGLAS AINSLIE
Book. ALEC H CHISHOLM COLLECTION. 168 page hardcover book of verse by Douglas Ainslie. Psychedelic colours on covers. Preface by G.K. Chesterton. Published in 1926 by Leonard and Virginia Woolf at the Hogarth Press, London. Printed by Neill & Co., Edinburgh. A printed extract from this book, on a separate loose page, is pasted inside the front cover. Handwritten in ink on this extract is ''Wishing you a Happy New Year. Your home is a treasure-house for my poetry! Am in America talking to many ------. I want to come to Australia. Can you arrange it !? See British Who's Who --- ---. Douglas (not A.D.) Ainslie'' Catalogue sticker '2053 AIN' on spine.Douglas Ainsliebooks, collections, poetry, alec h chisholm collection, douglas ainslie, leonard & virginia woolf, poetry -
Bendigo Historical Society Inc.
Book - THE SCHOOL PAPER - GRADES V AND VI
A cardboard folder that contains pages of the "the School Papers". The folder has the name "Max" inscribed on the back cover with a pen who is probably the student who owned this. The contents inside delve into many subjects such as the American Indians and many other school subjects at the time. Inside front cover has the name M. J. Martin, "Fermanagh", Pompapiel, via Dingee. 1942 from February 2 up to December 1 for grades VII VIII. 1943 from February 1 to June 1, August 2 untill November 1. (20 copies in all). The name Frank Martin is written on a number of the actual School paper books.Frank Martinorganisation, government, education -
Bendigo Historical Society Inc.
Document - THE GREAT GOLD TRANSACTION AND A MATTER OF MORALS AND ETHICS
Typed notes mentioning the earning of pocket money, The Great Gold Transaction which tells of two boys, aged 7 and 8 going to the Bank of Victoria in View Street and selling their gold, the visit by American sailors to Bendigo, A Matter of Morals and Ethics which tells of two boys who were given 3d by some ladies preparing for a tea-meeting to buy some milk. After a mishap crossing a gully they lost the 3d, so they went to a herd of goats and milked some to fill their pail. The boy’s mother was horrified. Also mentions the train crash at the Sunshine Station and about their house and the tradesmen who called, e g the milkman, baker, etc.document, the great gold transaction and a matter of morals and ethics, bendigo advertiser, bendigo independent, mrs jones, mrs james mcduff, lewis ad whitteys blacking, bill leigh, bank of victoria, c b c of sydney, great white fleet, arnold street methodist sunday school, nelson and sons, highroads of history -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: SET OF PHOTOS
Page with three black and white photos pasted onto it. Two are the same group of people, but in different poses. They are all holding a tray with Yes We Have No Bananas painted along the front edge. They are all wearing scarves, blouses, the ladies are wearing skirts and the men are wearing trousers. They are all wearing head scarves and large round ear rings. The third is a copy of an advertisement for 'Yes! We Have No Banana's, America's Greatest Song Craze. It has a man standing in front of fruit and vegies in a fruit shop. A picture on the wall shows two men and a lady with the names Bailey & Cowan with Estelle Davis. Also on it is: Published by J Albert & Son.photo, group, mixed group, peter ellis collection, arthur wylie, vera jewell, alf bennett, elsie fraser, bob green, elsie wandell, frank dodd, chris thompson, yes! we have no bananas, bailey & cowan, estelle davis, j albert & son -
Melbourne Tram Museum
Magazine, Australian Electric Traction Association (AETA), "The tramway journal - Vol 5 No 15, November 17, 1916", 1978
Book - 12 pages centre stapled titled "The tramway journal - Vol 5 No 15, November 17, 1916". Contains the industrial agreement with the Tramway Board with new clauses marked, minimum wage decision. Has notes on the Committee of Management, The American Presidency, the Northcote cable trams, Tramway employees mortality fund, with lists of new members, members transferred or enlisted and unions in general. Includes the balance sheet of war funds subscriptions of members. Has adverts for Bradshaw's Business College, Coles book arcade, The Big Paterson furniture store, F. C Needham Optician, Carlton Ale and Abbotsford Ale and Victor Taylor dentist. Full document scanned.Has "Tramway Board Agreement" in ink along the top edge.trams, tramways, unions, agreements, world war 1, tramway board, northcote, benefit society -
Bendigo Historical Society Inc.
Magazine - PETHARD COLLECTION: PROMOTE VICTORIA MISSION
GEORGE PETHARD COLLECTION INCLUDING REFERENCES TO TARAXALE BREWING COMPANY PTY LTD / large advertising magazine - front page title 'Promote Victoria Mission ., photos include 'Councillor George Albert Pethard J.P. , Top business leader of Bendigo , Vic., with multitude of interests , including dried fruits , Tarax brewing industry , automobiles and nuts .Three times Mayor of Bendigo and prominent in numerous public movements of all kinds . Rotarian. 'Promote Victoria Mission- Eleven Victorian Business men promoted the State of Victoria 'The Promote Victoria Mission has one aim - to direct the attention of American businesses to the great opportunities which exist for investment in Victoria ……-book, magazine, advertising, george pethard / 'promote victoria mission / 'councillor george albert pethard j.p. / tarax brewing industry -
Orbost & District Historical Society
flag, After 1983
In 1983 the boxing kangaroo received national and international prominence when it served as the symbol for the successful Australian challenge for the America's Cup, where the boxing kangaroo flag, a red-gloved golden kangaroo on a green background, was flown from the yacht Australia II. Alan Bond (owner of the Australia II yacht) owned the image and licensed it for mass production. The image was later bought by the Australian Olympic Committee, and is used as a mascot to represent the Australian Olympic team and to promote sport and fair play in schools.A synthetic rectangular green flag of the yellow boxing kangaroo wearing red boxing gloves. -
Bendigo Military Museum
Souvenir - SOUVENIR, FRAMED, WW2, Post WW2
The spoon was given to Maxwell Barry Cowden VX19297 2/2 Pioneer BN by an American POW. He carried the spoon tied to the side of his loin cloth. Max worked on the Burma Railway and in the Coal Mines in Japan, Senryu 24 and Fukuoka camps. After the war he could not sit on a chair for a long time and would just squat on the floor with his back to the wall as he had done as a POW. Refer Cat No 7076P for more service details.Framed brown timber with gold edge, inset background is green, within is a silver spoon and medal displayed. The medal is a Commemorative unofficial Prisoner of War. On the spoon stamped in "U.S"framed, pow, souvenir, u.s -
Warrnambool and District Historical Society Inc.
Bottle, The Perfect Agee Feeding Bottle, Mid 20th century
This baby’s feeding bottle was made by Agee (Australian Glass Manufacturers) and marketed by the Crown Crystal Glass Company. It is made of pyrex which is a brand of glass first produced by Corning Inc. of America in 1908. Pyrex is a clear low-thermal-expansion borosilicate glass used for laboratory glassware and kitchenware. The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment. This baby’s bottle has no known local provenance but it is retained because it is a good example of the advancement in infant health and welfare over the past 80 years. This is a baby’s feeding bottle made of glass (pyrex). The body of the bottle is hexagonal-shaped (circular with rounded edges). It has a circular-shaped neck and an open top with a moulded glass around it. The bottle has no feeding nipple or stopper. There are measurement marks on the side of the bottle up to 8 ounces. ‘The Ideal Agee Pyrex Feeder’ ‘AGM 1S 1561 6’ infant welfare, history of warrnambool -
Warrnambool and District Historical Society Inc.
Bottle, Feeder Bottle Pyrex, Mid 20th century
This baby’s feeding bottle was made by Agee (Australian Glass Manufacturers) and marketed by the Crown Crystal Glass Company. It is made of pyrex which is a brand of glass first produced by Corning Inc. of America in 1908. Pyrex is a clear low-thermal-expansion borosilicate glass used for laboratory glassware and kitchenware. The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment. This baby’s bottle has no known local provenance but it is retained because it is a good example of the advancement in infant health and welfare over the past 80 years. This is a baby’s feeding bottle made of glass (pyrex). The body of the bottle is hexagonal-shaped (circular with rounded edges). It has a circular-shaped neck and an open top with a moulded glass around it. The bottle has no feeding nipple or stopper. There are measurement marks on the side of the bottle up to 8 ounces.‘The Ideal Agee Pyrex Feeder’ ‘AGM 1S 1561 6’ infant welfare, history of warrnambool -
Warrnambool and District Historical Society Inc.
Badge, Warrnambool Amateur Basketball Association, 1960s
In the 1950s and 60s what we know as netball today was played by women and was known as basketball. No information has been found on this Warrnambool Basketball Association but it is most probable, however, that it was an early organization of men’s basketball teams. The game of basketball, founded in America, has become much more popular in Australia for both men and women in the last three or four decades with the local organization in Warrnambool known as Warrnambool Basketball Inc. and the teams Warrnambool Seahawks and Mermaids playing in a state-wide competition. This badge is retained for display purposes as an example of a sporting badge from the mid 20th century.This is a metal badge in the shape of a shield with gold lettering on a brown background and gold-coloured images of a net and ball on a green background. It has a metal ring at the top for attachment to a ribbon or cord.Warrnambool Amateur Basketball Associationwarrnambool basketball, warrnambool netball, history of warrnambool -
Warrnambool and District Historical Society Inc.
Camera Case, Houghtons Ltd, C 1920
This camera is a folding one, the Ensignette No 2 model made by the British firm of Houghtons Ltd which was originally a glass warehouse founded in 1834. The firm of George Houghton and Sons, dating from the late 19th century, established their camera business at Ensign House in London in 1903 and the Ensignette No 2, designed by a Swedish engineer, was introduced in 1912. Eastman Kodak of America produced a film for this model. This camera was a popular one with amateur photographers and the general public, being affordable, compact and easy to use. This camera is retained as an example of a British-made folding camera dating from nearly 100 years ago. It will be useful for display..1 This is a black metal camera which is rectangular in shape. It is a strut folding rollfilm camera with a lens that is folded inside in a thin leather concertina or bellows covering. It has the maker’s name and logo etched into the front of the camera. The logo is a flag with the British Union Jack in one corner and the word ‘Ensign’ inside the flag. The metal on the back of the camera is rusted. .2 This is a brown leather cover for the folding camera described above. It has a top lid flap which closes with a metal stud and a leather handle stitched on to the sides of the case. The cover is much worn and scuffed. Ensignette No 2 Ensign British Made Made by Houghtons Ltd England vintage cameras -
Eltham District Historical Society Inc
Document - Folder, Nyberg, Keith
Keith Nyberg began playing lacrosse at Eltham Primary School, later playing in the 1990 Australian lacrosse championships and in America; he played for the Eltham Lacrosse Club. Contents Newspaper article: "Rural life", Diamond Valley News, 3 September 1997, describing Keith Nyberg's career to date as a lacrosse player. Newspaper article: "Gold medal on agenda", Diamond Valley Leader, 7 August 2019, describing Keith Nyberg's career to date as a lacrosse player.Newspaper clippings, A4 photocopies, etckeith nyberg, eltham primary school, eltham lacrosse club -
Seaworks Maritime Museum
Model Ship, HMS Supply
The supply was the smallest of the fleet being only 170 tons and 70 feet long. Carrying 50 people and skippered by Captain Henry Bull, she led the fleet most of the way primarily because of her speed. Little is known of this brig's early history, but it seems she was built in America in 1759 and was commissioned by the Admiralty in October 1786. The Supply returned to England where she was renamed the Thomas & Nancy. The ship seems to have carried coal on the Thames until around 1806. Model of the HMS Supply -
Robin Boyd Foundation
Functional object - Canister set
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of melamine kitchen canisters. They were used for flour, sugar, rice and biscuits etc. Both Robin and Patricia liked melamine, and also had melamine serving dishes. Seven melamine containers with coloured exteriors (ranging from white through yellowy-green, orange and black) with black interiors and teak lids. Height ranges from 100-200mm, width ranges from 110-170mm, Base measures 100-155mmcookware, walsh st kitchenware, robin boyd -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Ephemera - Documents, 1952
Catalogue no 10140.1 Daily Express English Newspaper King George VI Death 1952, Cat no 10140.2 Sunday Graphic English Newspaper King George VI Death 1952, Cat no 10140.3 Sun News Pictorial Queen Elizabeth visit Febr 1954, Cat no 10140.4 Preview of Royal Wedding Elizabeth and Philip, Cat no 10140.5 Sun News Pictorial Souvenir of Australia's America's Cup win 1983, Cat no 10140.6 Weekend Australian Magazine The Bradman Letters 2004Various cuttings, patterns, poetry, contained in a manila folder, also magazine articlesdocuments, newspapers -
City of Greater Bendigo - Civic Collection
Ephemera - Advertising pamphlet, Tivoli Theatre Bendigo, 1912
The Tivoli Theatre was an open air theatre located behind the ANA building on View Street in Bendigo which began operating in 1910. This pamphlet features portraits of popular silent film actors of the day such as Paul Capellani noted French star and Miss Florence Turner American actress alongside tobacco slogans such as 'For Aroma, Sweetness and Flavour.' The 'Seasons Greetings' message from the Tivoli Theatre is limited to the front page which features illustrations of a fairy, Father Christmas and various Australian characters.Fold out, double sided, two colour printed brochure promoting Perfection Tobacco and the Tivoli Theatre Bendigo. Features photographs of a variety of actors and characters endorsing the tobacco.Xmas 1912 / With the Compliments of the Season / From Tivoli Theatre, Bendigomaking a nation exhibition, city of greater bendigo commerce, city of greater bendigo leisure -
Bendigo Military Museum
Photograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM, HMAS Hobart 1941 Mediterranean and early 1942 Singapore
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set coincide the Hobart's service in the Mediterranean theatre in 1941 and Singapore in early 1942 Whilst not taken personally, they do capture some of the events he and his Hobart crewmates would have experienced and witnessed.Each description is preceded by an approximate date e.g.1940 06 is June 1940. 1. 1941 German bombs in Mediterranean.jpg 2. 1941 Hobart 2.jpg 3. 1941 Hobart in Bight heavy weather.jpg 4. 1941 Hobart Supermarine Walrus decommissioned June 1941 2.jpg 5. 1941 Hobart Supermarine Walrus decommissioned June 1941 3.jpg 6. 1941 Hobart Supermarine Walrus decommissioned June 1941.jpg 7. 1941 Hobart.jpg 8. 1941 Mediterranean German bombs 1941.jpg 9. 1942 02 Dutch medics Batavia from 013.jpg 10. 1942 02 combat ships under attack 042.jpg hmas hobart, aden, mediterranean theatre, arthur george holley ran, fall of singapore -
Bendigo Military Museum
Photograph - ARTHUR GEORGE HOLLEY PHOTOGRAPHIC ALBUM 10 PHOTOGRAPHS, HMAS Hobart 1940-1941
Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set illustrates the Hobart's visit to Yemen early in the Second World War, and the British Somaliland actions in 1940. Whilst not taken personally, they do capture the events he and his Hobart crewmates would have experienced and witnessed.Each desription is preceeded by an approximate date e.g.1940 06 is June 1940. 1. 1940 06 Aden after being bombed by Italians - Hobart was in Aden.jpg 2. 1940 08 Evacuation of Berbera British Somaliland August 1940 .jpg 3. 1940 08 Holley Indian soldiers at one of the shore posts at Berbera British Somaliland which personnel from HMAS Hobart helped to establish.jpg 4. 1940 Holley Somaliland photographed from Hobart Walrus.jpg 5. 1940 Shipboard Hobart sailor greeting Yemeni party .jpg 6. 1940 Yemen Captain Harry Howden with the Prince of Yemen 2.jpg 7. 1940 Yemen Captain Harry Howden with the Prince of Yemen 3.jpg 8. 1940 Yemen Captain Harry Howden with the Prince of Yemen.jpg 9. 1940 Yemeni guard.jpg 10. 1940 Yemen gift of cow.jpghmas hobart, british somaliland, aden -
Flagstaff Hill Maritime Museum and Village
Furniture - Cupboard, Possibly 1920, when the City of Rayville was built
The biscuit locker came from the vessel the "City of Rayville", an American motor-driven freighter constructed in 1920. The ship was the second victim within 24 hours of an extensive minefield laid by German raiders in October 1940, during World War Two and the first American ship to be sunk in world war II. She was under the command of Captain Cronin and bound from Adelaide via Melbourne to New York, carrying a cargo of 1500 tons of lead from Port Pirie along with a cargo of wool and copper from Adelaide, when she struck a mine in the Bass Strait, six miles south of Cape Otway at 7:45 pm on 8th November 1940. The explosion was heard on shore at Apollo Bay; the force of it tore out the foremast and the ship sank within 25 minutes. There was a crew of 38 and all but one survived. A rescue crew of fishermen from Apollo Bay left shore in the dark and picked up the survivors from the dangerous sea taking them back to safety. The US Secretary of State Cordell Hull at the time wrote individual letters of thanks to all the rescuers involved. The biscuit locker is of historical and marine archaeological significance because of its association with the wreck of the City of Rayville. The vessel is listed on the Victorian Heritage Register No VHR S126. Additional significance is that the ship was the first American vessel sunk in the second world war and is still socially significant to the descendants of the City of Rayville crew and the Apollo bay fishermen who took part in the rescue.The external surfaces of the cupboard and the inside of the door are painted brown. The interior is painted blue the door has 2 metal hinges attached on the outside, each with 6 single-slotted screws and a wooden rotating door latch attached to the side of the door. There is a round eyelet on the door near the latch, the cupboard sides are each made from wood joined vertically and sit within a slightly wider, flat base and top. The frame of the cupboard is split with the paint on the outside of the cupboard scratched and chipped revealing a darker paint underneath. There is also a rough slash of white paint from the side of the cupboard going to about the Centre of the door. “PI/298” is hand written in black pen, paint or ink on the inside panel of the door in neat letters. "MS CITY OF RAYVILLE" stamped on back of cupboard in black paintcity of rayville, cupboard, locker, biscuit locker, 1940, world war ii, wwii, cape otway, german mines, american ship, flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rayvill -
Kew Historical Society Inc
Clothing - Evening dress, Norma Tullo, 1967-8
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant and rare example of a couture range by Norma Tullo.Long red cotton evening dress with overall white polka-dots, designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with ruffles at the cuffs and on the hem. The light-weight cotton outer layer is supported by a thick cotton underlayer. Atypically, the dress has a label stating it is an example of 'Tullo Couture'. Dimensions: Shoulder width 40cm Bust: 92cm Waist: 72cmLabel: TULLO COUTUREaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses, tullo couture -
Kew Historical Society Inc
Clothing - Evening dress, Norma Tullo, 1967-8
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue cotton evening dress designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with buttoned cuffs. The light-weight cotton outer layer is supported by a thicker cotton underlayer. Dimensions: Shoulder width 37.5cm Bust: 90cm Waist: 66cm Hips: 96cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses -
Kew Historical Society Inc
Clothing - Evening coat, Norma Tullo, 1967-8
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue evening coat designed by Norma Tullo. The floor length coat has a wing collar, long sleeves and silver buttons at the front. The coat was worn over a long blue evening dress by the same designer and could be worn buttoned or unbuttoned. Dimensions: Shoulder width 38cm Bust: 96cm Waist: 87cm Hips: 116cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses -
Flagstaff Hill Maritime Museum and Village
Book - Portfolio, Newcraft Pulicity, The Line of Sail; Magnificent Clipper Ships, 1969
These prints include large sailing ships that were also referred to as Clippers and Tall Ships. These ships were used to transport cargo and passengers across the world in the 19th century. They were powered purely by harnessing the wind. It could take three to four months to sail in this manner from England to Australia. On many occasions the ships were wrecked, often close to their destination, through errors of navigation. The method of production of the original images is over a century old. The Melbourne publisher of this portfolio book, Newcraft Publicity, describes the contents as follows-' Magnificent Clipper Ships: Clipper ships in the line of sail make the most romantic and spectacular pictorial chapter of marine history. This collection depicting early clippers and other types of sailing ships were originally fine engravings on wooden printing blocks used in newspapers a century ago. They were taken directly from the original newspaper prints, and reproduced in enamel inks to provide a choice of fine line prints suitable for framing. LIST OF PRINTS- The New Australian Clipper "BLUE JACKET" The Clipper Ship “CHRYSOLIER” The “GAUNTLET” Clipper Ship The New American Clipper “GREAT REPUBLIC” The Clipper Ship “GUIDING STAR” New Emigrant Ship “HESPERIDES” for the South Australian Line Capt. Beatson’s Expedition in search of Sir John Franklin – the “ISABEL” The Black Ball Line Clipper Ship “JAMES BAINES” The “MERCHANT PRINCE” – Australian Clipper The White Star Line Clipper Ship “MORNING LIGHT” The Aberdeen Clipper Built Barque “PHOENICIAN” New Australian Clipper Ship the “ROYAL FAMILY” The “SOVEREIGN OF THE SEAS” American Clipper The New Iron Clipper Built Ship “TAYLEUR” for Australia H.M. New Frigate “THETIS” The American Clipper Ship “WITCH OF THE WAVE” ABOUT THE PUBLISHER- The Newcraft Publicity was a Melbourne business that operated in the 1960s at 243 Collins Street, Melbourne.This portfolio book of clipper ship prints is historically significant as it shows an important part of Australia's history, It includes some of the shipping lines famous in the 19th century for transporting passengers and goods to Australia. The prints are also significant for their origin in the carved wooden blocks used a century ago for creating images for the newspapers of the time. Book is also significant from being one of a limited edition of books produced. There are copes in both the Victorian State Library and the National Library of Australia.The Line of Sail is a portfolio of sixteen fine line, black and white prints on paper. The subject is clipper ships. The covers are paper-covered card, coloured a strong blue with white line images and text. The image side of the pages has a sheen, the back is matt. Each print has a caption. The top of the book is stapled and bound with grey tape. Produced by Newcraft Publicity, Melbourne. Limited Edition - Copy Number 086. Stamped on front cover "086"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithographs, newscraft publicity, book, the line of sail, dlipper ships, tall shipos, sailing ships, wood block print, newspaper drawings, newcraft productions, newcraft melbourne, portfolio of clipper ships, limited edition, wooden engravings, magnificent clipper ships -
Federation University Historical Collection
Photograph - Tintype, Portrait of two young girls
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man