Gravel Hill Primary School No. 1566 replaced the Sandhurst School. It was designed by H R Bastow, the chief architect of the Education Department and was opened in 1875 at 65-71 Mundy Street, Bendigo.The school closed in 1992 and the site was taken over by the Salvation Army.Gravel Hill School - Centenary Back-To Souvenir Program. Dates on front cover: 28th & 29th June 1975 Cover made of light cardboard, black & white with a drawing of the school Inside pages of program are printed on white paper with black & white photos on some pages Autographs in blue ink on back cover Small writing on back cover at the bottom states that 'Printed Offset by Cambridge Press, Bendigo' souvenir programme, gravel hill school

Gravel Hill Primary School No. 1566 replaced the Sandhurst School. It was designed by H R Bastow, the chief architect of the Education Department and was opened in 1875 at 65-71 Mundy Street, Bendigo.The school closed in 1992 and the site was taken over by the Salvation Army.Bendigo Advertiser ''The way we were'' from 2002. School's in: Gravel Hill Primary School's grade one class 1938. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The decorative art-nouveau style leadlight side and transom lights were a popular form of entrance lighting set into recessed panels in late Victorian homes at Ballarat. This home built by local architect/builder Thomas Turton features these popular glass lights.The side and transom lights at Hymettus form part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective and popular art and architecture movements at the turn of the 19th and 20th centuries. They contribute to our understanding of social and family life in twentieth century Ballarat and providing interpretative capacity for family, local, art, architecture and social history themes.ballarat architects and architecture,, hymettus, taffe, art nouveau, leadlight

Jock Ryan of Nillumbik Historical Society, Diamond Creek spoke about Charles Maplestone (1809-1878) who was an architect and designed St John's Anglican Church, Diamond Creek. In the background of the photo is an information banner headed: "Centenary of Federation 1901-2001".Colour photographsenior citizen's hall, association of eastern historical societies conference, activities, jock ryan, centenary of federation

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Colour postcard of the interior of St Paul's Cathedral, Melbourne by Max Ahearne, Renwick Pride, Gravure Print.St Paul's Cathedral, Melbourne, Australia - Sanctuary / Foundation stone, 1880; Consecrated 1891; Spires computed 1931. Exterior length, 276 feet. Moorhouse spire, 317 feet in height. Architect, William Butterfield, 1814-1900. / Colour photo by Max Ahearne, Renwick Pride, Gravure Print.st paul's cathedral -- melbourne (vic.), postcards -- churches -- melbourne (vic.)

This Japanese journal features a photographic article on Boyd's Walsh Street home. It was written by a Japanese architecture student who visited Walsh Street with a group of 6 such students in 1961. A translation of the text follows. ________________________________________________________ "An Architect’s House in Melbourne, Australia Author: Tamon Okubo This house was built by architect Robin Boyd as an experimental work. Although in a residential area of Melbourne, the site is a 40 x 126 ft rectangle in a corner of a former park with high rise buildings on either side. Due to its location, the design focuses on protecting the privacy of the house from the outside and on the composition of the interior space, creating a somehow introverted plan. However, the interior is not completely closed from the outside; it is cleverly designed to provide both views of the rooves of nearby houses as well as the mountains in the distance. Firstly, the couple’s room and the children’s rooms are in separate buildings. These two independent structures are connected by a courtyard. The ceiling of the courtyard is partly open, so one can look out from the second-floor terrace of the couple’s room. The walls on both sides of the courtyard are of opaque glass to ensure privacy from outside. In both buildings brick walls with three-inch steel pipe inserted into the brick cavities form the structure and separate each room. The roof is connected to pairs of 3/4-inch thick cables, spaced four feet apart, attached to the brick walls of both buildings and supported by wooden posts that separate the glass panels in the rooms. The cables are not tightly strung together but are loosely suspended from the front structure, where the entrance is, to the rear one. The upper cable in the courtyard is covered with vine. The materials used are insulation board for the roof, raw timber for the structural materials, native jarrah for the timber sections of the interior walls and white eucalyptus for the joints. Robin Boyd – A Brief Personal History 1919 Born in Melbourne, Australia 1947 As an architect, was the first director of the Small Homes Service, a public housing research institute established to provide homes for needy Australians. 1960 Wins the American Institute Architects Prize (the Japanese architect, Kenzo Tange, was awarded the same prize in 1959). In the same year he was elected an honorary member of the Institute. Mr Robin Boyd is currently writing a book on the history of Australian architecture, The Walls Around Us, as well as a book on Kenzo Tange. He is a frequent visitor to Japan to exchange ideas with Japanese architects and is quite a Japanophile. " This is a photocopy of the article from Japan Interior Design No 17. Pages 4-5 are glued together, and pages 6-7 are glued together, p8 p9, p10 are separate. There is writing on it (not Robin Boyd's hand). Geoffrey Serle, Robin Boyd's biographer, may have given it to Patricia Boyd.walsh st library

Official opening of the Karralyka Centre - L-R A.C. Robertson (City Engineer), Harry Seidler (Architect), (name unknown), Sir Henry Winneke, Cr Pat Gotlib (Mayor), Arthur W Hall (Town Clerk). +Additional Keywords: Robertson, Alan C. (City Engineer) / Seidler, Harry / Winneke, Sir Henry (Governor of the State of Victoria) / Gotlib, Pat (Cr) / Hall, Arthur W. (Town Clerk)

site plan, buildings, administration building, plant science laboratories, quad, library, student amenities building, engineering, urban horticulture, nursery

Author Herbert Newell. Alphabets of varied fonts, headings, flourishes, plans, numerals, sketch maps, scrolls, shading, common errors, compass points. Especially designed for use in Australian Schools, offices of Lawyers, Architects, Surveyors, Engineers, Engravers, and Draughtsmen. Table of contentsThe author is a teacher of show card and ticket writing at Sydney Technical College. Book used by many students and offices. Note by the publishers provides standards for the correct form of the characters. Light brown light card cover with black ink font and border patterns. 32 Cream pages with black ink. Two staples. Hand written name on top of outline black border S. R Coleston. Price 3/9warrnambool, lettering book, angus & robertson limited, s.r. coleston, herbert newell

Published posthumously in 1972, “The Great Great Australian Dream” was Robin Boyd’s satirical review of Australian culture at the end of the 1960s. Included, for example, were chapters on the peculiarities of the Australian accent, the prevalence of blowflies, and the unrealistic dreams of a fictional post-war architect Gordon Hope.Hardcover w/ Dust JacketWritten by Boyd, with printed inscription "It compensates for half-recognized inadequacies in the sunny, wideawake life."australian satire, national characteristics, humor, walsh st library

Published posthumously in 1972, “The Great Great Australian Dream” was Robin Boyd’s satirical review of Australian culture at the end of the 1960s. Included, for example, were chapters on the peculiarities of the Australian accent, the prevalence of blowflies, and the unrealistic dreams of a fictional post-war architect Gordon Hope.Hardcover with Dust JacketRBF Acquisitionaustralian satire, national characteristics, humor, walsh st library

Published posthumously in 1972, “The Great Great Australian Dream” was Robin Boyd’s satirical review of Australian culture at the end of the 1960s. Included, for example, were chapters on the peculiarities of the Australian accent, the prevalence of blowflies, and the unrealistic dreams of a fictional post-war architect Gordon Hope.Hardcover with Dust JacketRBF Acquisitionaustralian satire, national characteristics, humor, walsh st library

Published posthumously in 1972, “The Great Great Australian Dream” was Robin Boyd’s satirical review of Australian culture at the end of the 1960s. Included, for example, were chapters on the peculiarities of the Australian accent, the prevalence of blowflies, and the unrealistic dreams of a fictional post-war architect Gordon Hope.Hardcover with Dust JacketRBF Acquisitionaustralian satire, national characteristics, humor, walsh st library

Published posthumously in 1972, “The Great Great Australian Dream” was Robin Boyd’s satirical review of Australian culture at the end of the 1960s. Included, for example, were chapters on the peculiarities of the Australian accent, the prevalence of blowflies, and the unrealistic dreams of a fictional post-war architect Gordon Hope.Hardcover with Dust JacketRBF Acquisitionaustralian satire, national characteristics, humor, walsh st library

Published posthumously in 1972, “The Great Great Australian Dream” was Robin Boyd’s satirical review of Australian culture at the end of the 1960s. Included, for example, were chapters on the peculiarities of the Australian accent, the prevalence of blowflies, and the unrealistic dreams of a fictional post-war architect Gordon Hope.Hardcover with Dust JacketRBF Acquisitionaustralian satire, national characteristics, humor, walsh st library

Robin Boyd wrote two books on Japanese architects and architecture - 'Kenzo Tange' published by Braziller in 1962 and 'New Directions in Japanese Architecture' published by Studio Vista in 1968. Boyd may have had these to help with writing these books. This is a very rare copy of this journalarchitecture, japanese architecture, walsh st library

Eltham was a creative hub during the twentieth century, attracting innovative visual artists, architects, writers and film makers to collaborate, forging lifelong friendships and artistic legacies. Skipper produced this bronze sculpture of friend, Composer George Dreyfus for the then Shire of Eltham Art Award. Matcham Skipper (b.1921 NZ - d. 2011 Melb.) was a renowned local sculptor, jeweller and builder and an accomplished teacher, designer, ironworker, and photographer. His work is held by many museums and public collections in Australia and overseas. He was a long term resident of Montsalvat in Eltham with his family deeply involved in the building and evolution of this artists colony, which was the vision of architect and painter Justus Jorgensen. George Dreyfus (b.1928 Germany - arrived 1939 Aus) is an Australian contemporary classical, film and television composer. He has composed numerous film and television scores, including Tim Burstall's 'The Adventures of Sebastian the Fox' (1963), 'A Steam Train Passes' (1974), 'Rush' (1974), 'Dimboola' (1979) and 'The Fringe Dwellers' (1986). It was the score for 'Rush' which brought him wider recognition. He has written four operas, two symphonies, chamber music and film scores spanning five decades. Dreyfus is well known for having worked with the late director, writer and producer Tim Burstall, a key figure in Australian postwar cinema and local who lived in Eltham. Burstall was instrumental in rebuilding the Australian film industry in the 60s, creating groundbreaking Australian films including 'Stork' and 'Alvin Purple'. Figurative bronze bust of well known Australian composer George Dreyfus. He is wearing a shirt underneath a sweater. His left arm/hand is placed over his chest. His eyes are half closed as if immersed in the music. A green patina can be seen in areas on the sculpture. Signature and date cast (incised with tool) onto the back shoulder blade: 'MATCHAM SKIPPER 1987'ek prac 2015, montsalvat, eltham, george dreyfus, matcham skipper, bronze, bust, tim burstall, sculpture, rush

St Joseph’s was built between 1869 and 1874 to the design of amateur architect E. Shepardson, who was a schoolteacher at Eganstown. Modelled on St Peter's Catholic church, Daylesford, a Gothic Revival church designed by William Wardell. The church on .81 acres was sold in 2021 for $965,000.Colour photographs of a bluestone church - St Joseph's, Blampied. .st joseph's blampied, st joseph's mount prospect, catholic church, bluestone, church, e. shepardson

St Joseph’s was built between 1869 and 1874 to the design of amateur architect E. Shepardson, who was a schoolteacher at Eganstown. Modelled on St Peter's Catholic church, Daylesford, a Gothic Revival church designed by William Wardell. The church on .81 acres was sold in 2021 for $965,000.Colour photographs of a bluestone church - St Joseph's, Blampied. .st joseph's blampied, st joseph's mount prospect, catholic church, bluestone, church

Langi Willi station, between Pittong and Skipton, was settled by Mr George Russell in the 1800s. His daughter, and her husband Mr E.D. McKinnon and afterwards their children continued to own and manage the property until recently. Architect: Charles D'Ebro. Date built: 1903Black and white photograph of a large two story brick house with pitched roof set in well kept garden - lawn and trees."Langi Willi Homestead".langi willi station, homesteads, houses, pittong, george russell, mckinnon family, skipton

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. It depicts Parkes Post and Telegraph Office which was built in 1880 and designed by colonial architect, James Barnet and is noteworthy as one of the first 'grand' buildings in Parkes.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of Post and Telegraph Office, Parkes NSW On back left-hand side of card, handwritten: ' "Newthorp" Dec 12 1906 / Wishing you a / Merry Xmas & a / happy New Year / with love from /M (?)Marslock / Parkes PO On back right-hand side of card, handwritten: 'Mr & Mrs W Stuart / Richmond Plains / Wedderburn / Victoria'postcard, photography, 1900s, buildings, parkes, "green postcard album"

The foundation stone of the present church was laid by the Hon James Balfour on 15 June 1875. Mr Charles Webb was the architect, the builder Mr James Bonham and the cost was 2,826 pounds 17 shillings, exclusive of fittings. The opening services were held of 2 December 1875.B&W matt photograph mounted on grey card of the Brighton Congregational Church interior showing Harvest Festival displays and banner text: "Thou crownest the year with thy goodness". brighton congregational church, harvest festival, hon james balfour, charles webb, james bonham

Excerpt labelled page 10. Boyd criticises vulgar mess in the streets and irrelevant ornament. He asks if all externalities were swept aside, which architects, faced only functional and structural challenges of a building, what shape would we like architecture to take?Typewritten, pencil edits, foolscap, 1 page. Untitled single page (10)Two handwritten pencil editsfunctionalism, ornament, robin boyd, manuscript

Article stating that The Royal Australian Institute of Architects will launch an appeal to restore a church hall in South Melbourne to Robin Boyd's memory. Several months before, Robin Boyd was president of the Victorian chapter and arranged for the purchase of the hall plus other buildings for its new headquarters.walsh st library

Article stating that The Royal Australian Institute of Architects will launch an appeal to restore a church hall in South Melbourne to Robin Boyd's memory. Several months before, Robin Boyd was president of the Victorian chapter and arranged for the purchase of the hall plus other buildings for its new headquarters.walsh st library

This letter to Robin Boyd is written by Proctor Mellquist, Editor of SUNSET Magazine. This letter invites Robin Boyd to be on the 1965 jury for an architectural award called Western Home Awards, jointly sponsored by American Institute of Architects and SUNSET magazine. This entails travelling to California in July 1965.On the reverse side of the letter, Robin Boyd has drafted in pencil a reply letter accepting the invitation.