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Warrnambool and District Historical Society Inc.
Tie Pin, Tie Pin half crown, Late 19th century
This tie pin has as its centerpiece a souvenir medal from the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition was held in the Town Hall and Council Buildings and the Mechanics’ Institute and temporary buildings at the corner of Liebig and Timor Streets, Warrnambool. It was held over three months and attracted many visitors and featured concerts, sports events, industrial exhibits and a variety of competitions. This is an interesting and important item. It is one of the more unusual mementoes from the Warrnambool Industrial and Art Exhibition and shows the use made of souvenirs from exhibitions around the world. This tiepin was purchased in an antique shop in England in the 20th century. This is a metal tie pin with three circular coins, soldered together at the edges. In the middle is a souvenir medal of the Warrnambool Industrial and Art Exhibition of 1896-7 showing an image of the Exhibition buildings at the corner of Timor and Liebig Streets on one side and a Coat of Arms on the other side. The two smaller coins on each side are imitation British half crowns. The clip at the back is soldered on to the two smaller coins Medal: Industrial Exhibition, Warrnambool 1896 Coins: 1889-90 warrnambool industrial and art exhibition 1896-7, warrnambool, tie pin -
Bendigo Historical Society Inc.
Photograph - PRINCE OF WALES IN MILITARY UNIFORM, 1917
Black and White photograph of a young H.R.H. Prince of Wales in a military uniform with walking stick & cigarette in hand, standing in the snow, mounted under glass in a slim brown wooden frame, markings on rear of photo read 'Arcade Art Gallery Bendigo Art Pictures and Framing, L Pattern (Late AIF)'person, individual, portrait, military uniform, military person, military -
Federation University Historical Collection
Photograph - Image - Black and White, Ballarat School of Mines Students' Magazine Editorial Committee, 1922
A group portrain of the Ballarat School of Mines editorial group. Back row (left to right): H.A. Palmer (Chemistry), G.R. Simons (Ballarat Junior Technical School), Percival A. Trompf (Hon. Treasurer) Centre row (left to right): H.E. Nicholls (Trade), Miss C. McIlvena (art), Miss G. Tunbridge (Art), Miss V. Gilchrist (Girls' Prep. School), Miss E. McKissock (Art); G.W. Cowdell (Military). Front row (left to right): Harold Jolly (Staff Representative), D.R. Evans (Sport)percy trompf, harold jolly, c. mcilvena, e. mckissock, g. tunbridge, h.e. nicholls, v. gilchrist, h.a. palmer -
Melbourne Tram Museum
Newspaper, The Australian Financial Review (AFR), "Track Stars", 29/09/2018 12:00:00 AM
Newspaper Article, Australian Financial Review comprising cover, pages 40 and 41, titled "Track Stars" 29 September 2018. Written by Clare Morgan with assistance of Russell Jones. Tells the story of the Melbourne Art Trams, the arts festival and Transporting Art. Has photos trams 731, David Larwill and tram 722, Elizabeth Gower, tram 243 and 504. Artists noted: David Larwill, Clifton Pugh, Mirka Mora, Peter Corrigan and promotes the Transporting Art trams exhibition at the Hawthorn Museum.trams, tramways, transporting art, arts festival, decorated trams, melbourne tram museum, tram 722, tram 731, tram 504, tram 243 -
Federation University Historical Collection
Booklet, Doug Bradby, Lydiard Street: The Goldfields Grandeur of Ballarat, 2021
Thirty two page green covered book on Ballarat's Lydiard Street, including information on the Old Colonists' Association of Ballarat, Art Gallery of Ballarat, Ballarat Fine Art Gallery, The George Hotel, Leonard terry. Provincial Hotel, Ballarat Mining Exchange, Ballarat Railway Station, Soldiers Hill, Regent Theatre.non-fictionballarat, lydiard street, old colonists' association of ballarat, art gallery of ballarat, ballarat fine art gallery, the george hotel, leonard terry. provincial hotel, ballarat mining exchange, ballarat railway station, soldiers hill, regent theatre, charles lydiard, government camp, golden fleece hotel -
Clunes Museum
Book - COUNTER BOOK
.1 COLLINS COUNTER BOOK SINGLE CASH BOOK WITH NAMES AND NUMBERS AND SOME LOOSE PAGES .2 BILL FROM WILMOT HARVEY TO WILLIAM BARKELL ART AND HISTORY CENTRE 22/06/1981 .3 BILL FROM WILMOT HARVEY TO WILLIAM BARKELL ART AND HISTORY CENTRE 25/05/1981counter book, wilmot harvey -
Warrnambool and District Historical Society Inc.
Photo, Negatives Pioneers of Warrnambool & District board, 1975
The following extract written by Karen Tyers Warrnambool Family history group explains the journey and background of the Warrnambool Pioneer Board. Warrnambool is fortunate to have a photographic record of some of its pioneers. They are commemorated on the Pioneers’ Board. The Pioneers’ Board with its elaborate frame measures approximately 2 metres by 3 metres and holds 204 photographs of Warrnambool’s early pioneers. In 1907 Edward Vidler, secretary of the Warrnambool & District Progress League and Chamber of Commerce and Industry, invited descendants of those who arrived in Warrnambool before 1860 to send photographs of their pioneer ancestors to commemorate the Diamond Jubilee of Warrnambool’s foundation in 1847. A charge of £1 for each photograph was set. Lillian Foyle of Foyle’s photographic studio, was engaged to colour the photographs and undertake the associated artwork. By December 1907 the honour board was on exhibition in Bernard’s Gallery, Melbourne. Unfortunately Vidler left Warrnambool in 1907 with the honour board expenses unpaid. The Progress League refused to take responsibility for the debt and the honour board remained with Foyle’s Studio for 17 years. In 1922 subscriptions were called for and £43 16s 6d was acknowledged. After a final determined effort was made in 1924, the £100 debt was collected and Charles Foyle, Lillian’s brother, accepted settlement of the debt. On 2 May 1924 the honour board was moved from Foyle’s Studio to the Art Gallery. For many years the honour board was in the entrance passage to the public library. After the library was demolished in 1975 the pictures were removed to the Art Gallery where it was restored by the Director of the Art Gallery, Jack Welsh. The board was later stored in an empty front room at Murweh and the dismantled frame stored in an outbuilding. By 1982 the honour board was in the foyer of the City Council offices. During the renovations of the interior of the council offices in 1997 the honour board was moved to the library where it remained until moved to HeritageWorks in March 2014. For a full list of names go to http://www.warrnamboolhistory.org.au/warrnambool-history/pioneers-board/ The Warrnambool pioneer Board is one of those rare items which can claim significance on most if not all of the primary and comparative significance criteria. As a collection of early pioneers in the district it provides a valuable resource for historians and researchers. It gives light to a social scene in the district much of which can be verified from diaries and other items held by the historical society and also available on websites such as Trove. It has relevance to this day with many family historians enquiring of people included on the board. The collation of the board is a story of great interest in itself. While there are images of 204 men on the board the only reference to a woman is Lillian Foyle the artist who was responsible for much of the artistic work on the board. It compares well in size and quality with a number of montages, and collations of images from around the state of Victoria. It is by no means a complete list of pioneers of the district but there are many well- known ones included. They come from a wide range of backgrounds and as such presents a cross section of our earliest settlers in the district from 1840's to 1860’s.Cardboard folder with black and grey mottled cover with 3 metal studs along spine and white paper label with the word negative printed in black on front cover. Inside is a printed index of pioneers with reference relating to board number and negative number. There are three loose strips of negatives and 20 pages with pockets to hold strips of negatives. Up to page 13 have negatives strips inserted. There are 15 large and one small print of some of the pioneers from the board.This negative album was prepared by John A Welsh MBE JP Dip M Eng Director Warrnambool Art Gallery 1/7/1975 to 11/12/1977.There are a number of grey lead notations possibly corrections against some of the names in the index.warrnambool, warrnambool pioneer board, jack welsh, warrnambool art gallery, pioneers of warrnambool, foyles photography, lillian foyle, bernard framers, w mcaree, -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, 1890s
These oak and rattan arm chairs were previously used in the old Warrnambool Museum and Art Gallery, opened on 29th July 1886 with Mr Joseph Archibald as Curator, demolished in 1960. Chairs are significant to local history as they were originally purchased for use in the Warrnambool Museum and Art Gallery. The chairs were part of the social and cultural history of WarrnamboolChair, oak wood arm chair (set of 9), cureved back with decorated wooden edges, shield carved into top and protective metal plates on top at rear. Padded leather seat studded at edge, over rattan cane seat. Rattan cane is stitched onto wooden frame through drilled holes. Front and side legs each have two spindles between them. back legs have one. Legs are turned and slightly cambriol. Some chairs have written on back leg "1486". Made in England, c. 1896Some of the chairs have hand written black pen on back leg "1486"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, arm chair, rattan chair, warrnambool museum, warrnambool art gallery, 1890s chair, 19th century furniture, domestic furniture -
Federation University Historical Collection
Book, Modern Architectural Sculpture, 1930
Green cloth hard covered book of 160 full page photo plates. Ballarat Technical Art School book platenon-fictionsculpture, ballarat technical art school library, neville bunning, w. aumonier, architecture, art deco, stone carving -
Federation University Historical Collection
Booklet, Sketchbook in Geometry, 1921
Art Student's Drawing Book completed by Mary Rash. It has been used for geometry, including Plane Geometry and Geometric Drawing.mary rash, geometry, sketchbook -
Federation University Historical Collection
Artworks, Artworks from the Ballarat School of Mines Students' Magazine, 1939
A number of pages from the Ballarat School of Mines featuring artworks, some linocuts, by students from the Ballarat Technical Art School.e. gribble, max coward, enid johnston, r. mchutchison, violet d'angri, marian peirce, f.p. manning, j.r. rowe -
Federation University Historical Collection
Document, Report into thirteen Schools of Mines, including the Ballarat School of Mines, 1898-1906
Thermo copies of a report into Schools of Mines. Reports are by John Dennant Esquire, T.S. Monkhurst (Art Inspector), and Ponsonby Carew-Smyth.ballarat school of mines, ballarat technical art school, john dennant, ponsonby carew-smyth, t.s. monkhurst -
Australian National Surfing Museum
DVD Movie, Surfing 50 States, Circa 2008
Cult Australian surf travel documentary made by Stefan Hunt and Jonno Durrant as they endeavour to surf 50 states of the United States of America in 50 days (32 without an ocean). Music by Spiderbait, The Wahas and many more. World Premier at the Hayden Orpheum Picture Palace, Cremorne, Sydney on 15th October, 2008.On of the most popular independent surf travel documentaries ever made. Unique insight into surfing and popular culture.Colour cover art of an American flag over a sand, movie title and colour photograph of Johnno and Stefan with the infamous Hurley Van.Movie title, one line synopsisjonno durrant, stefan hunt, surfing 50 states, spiderbait -
Tennis Australia
Book, 1921
Book: 'The Art of Lawn Tennis'. 171 pages. Hardcover. Second edition (first published 1920). Materials: Paper, Ink, Cardboardtennis -
Robin Boyd Foundation
Slide, Robin Boyd, 1965
Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. The Los Angeles County Museum of Art, Los Angeles, California, USA, 1965. (Architect: William Pereira.)Made in Australia / 20 / JUL 65Mcalifornia, slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1965
Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. The Los Angeles County Museum of Art, Los Angeles, California, USA, 1965. (Architect: William Pereira.)Made in Australia / 23 / JUL 65Mcalifornia, slide, robin boyd -
Brimbank City Council Art Collection
Various Public art sculptures, circa 2006
The Moore Park and Taylors Lakes Commonwealth Games Public Art Project consisting of mosaic panels, concrete blocks and exercise equipment -
Tatura Irrigation & Wartime Camps Museum
Book, Museums Australia Journal, 1993
Information for museums e.g. Cultural policy and new directions.Decorative cover. Beige background - dark printing. Dated 1991 - 1992. Subject of decoration - Sydney waterside workers art mural.museums, museums australia -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Sculpture garden, Museum of Modern Art, New York, New York, USA. (Architect: Philip Johnson.)Made in USA / 3 / Encircled 15F (Handwritten) / B (Handwritten) / 04819mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Yale Art & Architecture Building (Rudolph Hall), New Haven, Connecticut, USA. (Architect: Paul Rudolph.)Made in Australia / 18 / OCT 64M / 49 (Handwritten)usa, slide -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - VMR Association
The 8/13 Victorian Mounted Rifles Regimental Association was formed in 1987 and was made up of former members of the regiment.Coloured photograph of 8/13 Victorian Mounted Rifles Association marching past Albury Art Gallery on Anzac Day 2005.vmr, association, anzac, albury -
Australian Gliding Museum
Machine - Glider – Sailplane, 2001
This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo -
Whitehorse Historical Society Inc.
Article, In Celebration of Dear Old Prof, 1991
The Art of Frederick McCubbin exhibition at the National Gallery of Victoria, from 18 Dec 1991 until 25 Feb 1992. With photo.shows and exhibitions, mccubbin, frederick, heidelberg school, national gallery of victoria -
Glenelg Shire Council Cultural Collection
Souvenir - Glass Dish, n.d
Art Deco glass view ware dish, coloured photo of Henty Street, Casterton, on base, royal blue painted base. -
Glenelg Shire Council Cultural Collection
Document - Invitation - Portland Artists Society's Second Annual Art Show, 1990-1992
Invitation to Portland Artists Society's second annual art show. Blue light card, black print, Friday Nov. 15th ? -
Bendigo Military Museum
Souvenir - TRENCH ART, c WW1
Brass mug shaped vessel with decorative etching. possibly trench art made from some other decorative brass item.souvenir, ww1, trench art -
Footscray Community Arts
Genesis, Lee Waddell, Taken 1987, print 2005
MEDIUM: Ink print on paper DESCRIPTION: Made with eight Epson Ultrachrome K3 inks on Lyson Smooth Fine Art paper -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph
Black and white photograph of Val Pilgrim and Barbara Hughes at Berry Farell stall Bruthen Parish Fair Art and Craft weekendreligion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper
Black and white photograph of Art Workshop members at a get together identified are Janice Fanke and Jan Langtip Lakes Entrance Victoriaarts, exhibition -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 2/10/1994 12:00:00 AM
Black and white photograph showing Pearl Arvidsson at her Hand Painted Porcelain stall at Art and Craft Show Bruthen Victoriaarts, exhibition