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Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1903
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1903. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 16 and was won by Misses Kathleen and Mary Foster. Certificate is signed by President E Cahill and General Secretary Frederic A King.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1906
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1906. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Third Prize was awarded for Piano Duet Open and was won by Misses Kathleen and Mary Foster equal with Misses Buckell and Johns. Certificate is signed by President E Vigau?.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1903
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1903. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 16 and was won by Misses Kathleen and Mary Foster. Certificate is signed by President E Cahill and General Secretary Frederic A King.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music -
Bendigo Historical Society Inc.
Postcard - HARRY BIGGS COLLECTION: BUSINESS CARD, Pre 1891
Card containing an illustration of a little boy in a sailor suit. Above the illustration are the words: John A. Whitlam, painter and Decorator Sandhurst. Below the illustration is the phrase 'May Father Christmas banish every fear, save that of laughter from your eyes my dear' PTO.. On the back of the card John Alf Whitlam, House Painter and Paperhanger, Sign Writer and general Decorator, Mitchell St. Sandhurst. Latest designs in paperhanging's, panel decorations and dados. Your patronage respectfully solicitedpostcard, business card, john alf whitlam, mitchell st. sandhurst -
Dandenong/Cranbourne RSL Sub Branch
Plaque - Bronze Plaque, Unknown
WW1 Historical significanceNext of Kin Plaque: 6310 Pte H. McGregor. The round bronze Memorial Plaque shows Britannia and a lion on the front and bears the inscription 'He died for freedom and honour'. The full name of the dead soldier is engraved on the right hand side of the plaque. No rank, unit or decorations are shown, befitting the equality of the sacrifice made by all casualties. The shape and appearance of the plaque earned it nicknames such as 'The Dead Man's Penny, and the 'Widows Penny'. Plaque is still in it's original envelope addressed to Mr A. McGregor.Gunner H.G. McGregor. -
Ringwood RSL Sub-Branch
Photo Album, Capt. A. Greig, C. WW1
Captures a soldeirs experiences in Egypt including rare photos of the everyday life and experiences of a soldier.Possibly a rare collection of a WW1 soldiers experiences captured in photographsBound album with cardboard front and back covered in aqua fabric. Greek scroll decoration on bottom, KODAK gold lettering, frontleft. 11 pages plus one cut in half. Each pages contain four photo pockets with black and white photos. Each photo has handwritten description on bottom of pocket. Photos depict Mena Camp, Egypt.1914 /1915, warships in Mudrus harbour, hospital ship and photos of soldiers with local people. Photos missing.Each photo inscribed below image with information about location. Top Right inside cover Donated by R.F. Ormaton, Box Hill. Photos belong to Capt. A. Greig Dec. 1988. Also written top left ‘J. Crowley / 105 Ocean Street/ Rosebud/ (059) 861246world war 1, ww1 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 16/12/1927 12:00:00 AM
Yields information about the opening of the Geelong tram system and the first trials undertaken prior to the official opening.Black and white reproduction photograph of Geelong No.23 as the "first car" over the Barwon River bridge, Belmont line, Geelong in ?? The tram is showing "Special" with decorations on the handrails and many flags on the roof. A large number of people of are on the left hand footpath, with a few on the right. Copied from a photograph in the Hugh Ballment collection, and titled "First Car over Bridge". Print made by scanning the photograph and printing two copies on the same sheet. Printed on "Kodak Picture Maker Paper".In ink on rear "Hugh Ballment Collection" trams, tramways, geelong, first tram, belmont, tram 23 -
Ballarat Tramway Museum
Photograph - Digital Image and Black & White Photograph/s, Valentine & Sons Publishing Co, 1938
Digital image provided by David Critchley of a postcard looking east along Sturt, north side towards Grenville St, at Doveton St. Has a detailed image of the tram. Tram has the destination of Lydiard St North. Note the decorations along the roadside for the centenary of settlement in the Ballarat district in 1938. Valentine Postcard No. 3273. .1 - large format print of the above image without the lower label. Has "Sturt St, Ballarat c1940's" along bottom edge. Print has "J75" in red ink in the top left hand corner on rear - the tram's Melbourne number.trams, tramways, sturt st, postcards, centenary, tram 14 -
Bendigo Historical Society Inc.
Accessory - BOXED DRESSING TABLE SET
Black wooden case silk lined with diamond shape bevelled edge mirror set in li, compartments for grooming aids including wooden hand mirror, wooden brush with handle, comb, nail buffer, nail cleaner & boot button hook, all have black wooden handles and nickel plated decoration. Contains small card reading Andrew.G.Williamson Jewellery, Fancy Goods, and Stationery. 186-192 York Street Belfast Private Address 32 Cedar Avenue Belfast.Made In United Statespersonal effects, hairdressing, dressing table set -
Tennis Australia
Racquet, Circa 1940
A Slazenger P.M.instructional racquet, with red and white decoration. Decal on throat on obverse: PM. Instructions feature on base of racquet head, on both sides, and along right side of handle. Inscription along left side: SPECIALLY MADE BY SLAZENGERS IN CONSULTATION WITH FRED PERRY/WORLD CHAMPION, AND DAN MASKELL COACH, ALL ENGLAND CLUB WIMBLEDON. Partly legible decal of retailer features on throat on reverse. Materials: Wood, Nylon, Paint, Ribbon, Leather, Adhesive tape, Ink, Guttennis -
Kew Historical Society Inc
Photograph - Drawing Room, 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Drawing Room, Tara Hall, circa 1957. A reception room in Tara Hall (previously named Byram, Goathland and Lowan). The room is presumed to be the original drawing room. In the La Trobe collection, there is a drawing by Charlie Hammond, depicting a group of painters who are gilding the elaborate stucco ceiling of this room. The drawing is dated 16 September 1889. The elaborate stucco decoration is characteristic of E. G. Kilburn’s late style. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "A sitting room, one of many handsomely decorated rooms at Tara Hall.( Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 27A / Kew / Butleigh Wooton / Looking down on stairs / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.) -
Kew Historical Society Inc
Photograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Staircase / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Kew Historical Society Inc
Photograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Staircase looking up to dome / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Kew Historical Society Inc
Photograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Railing at head of stairs / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Kew Historical Society Inc
Photograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Entrance / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Melbourne Tram Museum
Slide, Ess-vee-vee, late 1960s
Colour slide - red and white cardboard mount - reproduction of a photo looking east along Bourke St from Queen St with tram 1002, for City Spencer St route 88. Has Christmas decorations along Bourke St, late 1960's or early 1970's. Produced by Ess-vee-vee, No. 1079, Set No. 31, and then number "8600 - Looking east in Bourke St from Queen St hill"\. Stores in the view are McEwans, London Stores and Coles and Garrad.trams, tramways, bourke st, w7 class, route 88, tram 1002 -
Warrnambool and District Historical Society Inc.
Ephemera - Labels, Gaspers Modern Print, Giffen Russell, Early 20th century
These labels come from the business of Giffen Russell and Company, a wine and spirits store in Fairy Street, Warrnambool. Giffen Russell commenced business in 1878 and was joined by Joseph Powell as a partner in 1881. The business of Giffen Russell and Co. was operating in the early 1900s and still went by that name in the 1940s with H.L.Lynch the proprietor at that time. These labels are of considerable interest as they show the extent of the goods sold by Giffen Russell, a prominent wine and spirits dealer in Warrnambool in the late 19th and early 20th centuries. .1 A sheet of white paper with a gilt edge and black printing .2 A sheet of white paper with a blue border and blue printing .3 A sheet of paper with blue printing and decoration on a green background .4 A sheet of white paper with a blue border and blue printing .5 A sheet of white paper with a decorative blue border and blue printing .6 A sheet of white paper pasted on to a piece of card. The printing is gold and blue surrounded by decorative patterns, including bunches of grapes .1Australian Gin bottled by Giffen Russell & Co. Warrnambool .2 Finest Virgin Olive Oil Product of Italy .3 Pure Australian Wine Frontignac bottled by Giffen Russell & Co. Warrnambool .4 Raw Linseed Oil bottled by Giffen Russell & Co, .5 Finest Brown Malt bottled by Giffen Russell & Co. Warrnambool .6 Seppelts Invalid Port bottled by Giffen Russell, Merchants, Warrnambool giffen russell, wine merchant, history of warrnambool -
Flagstaff Hill Maritime Museum and Village
Accessory - Grooming Set, T R Cadman, ca. 1924
This men's grooming set of personal care equipment and toiletries is an example of items packaged in attractive cases and sold as gifts in Australian chemist outlets and department stores in the 1920s to 1940s. This set was originally packaged in a leather-covered, lined and fitted case, with a comb, hair brush, and razor included as well. as the items shown here. The razor, once included with the set, had the inscription "T.R. Cadman and Sons, Sheffield England". The family business began with Luke Cadman in 1748. Thomas Radley Cadmen (1833 - 1917) took over the business in 1871, by which time it was operating in Sheffield. The business became incorporated as T.R. Cadman & Sons in 1924 but shortly afterwards the straight razors manufactured by them were stamped T.R. Cadman & Sons Ltd. The company specialised in pocket knives and razors from 1933 and supplied the British Royal Navy with razors in WWII. Over 80 per cent of sales were for the overseas market including Australia. Some of their razors were sold in stores in Victoria. The business traded in 1965. This grooming set was donated for exhibit in Flagstaff Hill Maritime Museum and Village's exhibit of the vessel 'Reginald M', a two-masted coastal trading ketch built in Port Adelaide in 1922. These items are examples of personal objects sold in Victoria in the 1920s as gifts for men, cased or packaged for special occasions and sold in retail stores. The items are associated with the historic coastal trading ketch 'Reginald M', listed on the Australian Register of Historic Vessels; and active from 1922 until 1975. The items were displayed in the Master's Quarters of the Reginald M exhibit at Flagstaff Hill Maritime Museum and Village until 2016 when the ship was decommissioned from Flagstaff Hill's fleet.Men's grooming set; metal soap container with star decoration, oval soap cake, oval hand mirror in a black frame ten-sided clear glass cologne bottle with silver metal lid, yellow bristle clothes brush with brown wooden hand grip, yellow bristle shaving brush with black base and white body, and two button hooks with white handles; the larger one has floral motifs. Inscriptions were on the razor originally included in the grooming set.Soap container once had star motifs.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, grooming set, men's grooming set, personal grooming, toiletry set, personal care, soap box, soap container, cologne bottle, clothes brush, shaving brush, button hook, hand mirror, personal efects, toiletries, t.r. cadman & sons, reginald m, soap dish -
Bendigo Historical Society Inc.
Photograph - T.J. CONNOLLY BUILDING, approx, 1880's ?
Sepia photograph on cream board. Two storey building with parapet and decoration. Lamp post at left centre. Trees in streets. Men, women and children on footpath. Horse and cart at right under trees. In photo on building 'T.J. Connelly' ' Established 1853' The building of Thomas James Connelly, a hardware business that was established in 1853. W.C. Vahland was the architect for this building which was erected in 1877 on the corner of High and Forest Streets. On back Royal Historical Society Of Victoria 1959 see notation infothomas james connelly, t.j. connelly, ironmongers, tin business -
Flagstaff Hill Maritime Museum and Village
Accessory - Gold Cross, Bef. 01-06-1878
The gold cross was discovered by Victorian scuba diver Julie Wilkins, who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The small decorative cross dates back to on or before 1878, when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ or a ‘blessing’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The cross is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its scratched, pitted and worn condition, and the damage near the loop, is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. Three edges of the cross have slightly raised narrow ridges of gold which could have been cause by the gold being cast liquid gold into a mould.This gold cross pendant is significant as a symbol of Christianity, a sign of hope and safety, and a sample of the religious following on board the Loch Ard, although not everyone wears a cross for this reason. This cross is a sample of jewellery owned by people migrating to Australia in the late 19th century. The cross and the guinea recovered together from the wreck of the Loch Ard are made of gold and help interpret the financial status of some of those on board.Gold cross; yellow gold with decorative hand engraved foliage design on the front, fitted loop and ring on top. The simple Latin or Roman variation of the cross, with an elongated vertical arm, has no figure on it and the reverse has no decoration. The right, left and base edges have sections of narrow, long slightly raised ridges. The top edge has remnants of red-black colour. Victorian era cross, ca. 1878. The cross was recovered from the wreck of the ship Loch Ard.Engraved foliage design. Slightly raised long ridges on sides and base edges. flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, gold cross, religious cross, religious trinket, religious jewellery, engraved cross, cross pendant, cross with ring, victorian era, 1878, antique cross, crucifix, religious symbol, christian symbol, christian jewellery, contamination phenomena, gold corrosion, good luck, lucky charm, blessing, pendant, loch ard, wreck of the loch ard, mutton bird island, peterborough, scuba diver, 1980s, shipwreck artefact, relic, latin cross, roman cross, pectoral cross, julie wilkins -
Kew Historical Society Inc
Clothing - Cotton underbodice and drawers, 1912
In 'Underwear: Fashion in Detail' (Lynn, Eleri, V&A Publishing, 2014) the chapter on 'Decoration' includes a contemporary quote by the fashion writer Mrs Eric Pritchard, who stated that even the virtuous woman should now wear pretty underwear, and in fact was morally bound to do so to remain attractive to her husband and save him from the sin of adultery. This prettiness included 'underwear that became decorative and delicate, trimmed with the lace and baby-ribbon that complemented the Edwardian predilection for indulgent and seductive lingerie' (Lynn, Eleri, p.46). This bodice and Director Knickers formed part of the trousseau of Margaret Grace Burland, who married John Lawrence Henty Hindson at St George’s Church, Malvern in 1912. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Cotton lingerie including a camisole and drawers owned by Grace Burland, and forming part of her trousseau. Fine lawn, lace, blue silk ribbon threaded through at neck and waist, embroidered, concealed buttons at front (some missing) and rear buttoned flap. Distinguishing feature is the extensive use of lace which was an innovation in taste during the Edwardian period.Nilunderwear, henty collection, grace burland, bodices, drawers, knickers -
Kew Historical Society Inc
Equipment - Blackened Wood Toolbox with Hinged Lid containing 45 Moulding Planes, 1880-1940
Bertie Greenwood was born c. 1880/81 and died aged 82 in Hawthorn in 1963. His father and possibly his grandfather were also carpenters. Bertie’s work as a cabinetmaker required precise planing to give lovely edges and other elaborate decorations. The major item in the tool collection is Bertie’s wooden box, which houses 45 different moulding planes. Later in his life, he used these skills extensively when he worked as a patternmaker for a plastering company. Bertie worked through his seventies, retiring when he lost a finger. The tool collection was donated to the Kew Historical Society by Bertie’s granddaughter, Pamela Webster Bloom, a former resident of Kew.The blackened wood toolbox contains 45 wooden moulding planes, many made in England. In woodworking, a moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed.Toolbox engraved with the initials ‘BG’ on the lidmoulding plane, bertie greenwood, woodworking tools -
Mont De Lancey
Cloisonne - Vase
Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IPair of miniature royal blue Chinese Cloisonne vases with pink floral design.vases -
Mont De Lancey
Cloisonne - Vase
Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for Cloisonne ware is SHIPPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Small Japanese Cloisonne iridescent red vase, with pale pink flowers on black wooded stand.vases -
Mont De Lancey
Cloisonne - Vase
Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for cloisonne ware is SHIPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Pale blue Japanese Cloisonne vase with peony flower design in pink and white with green leaves on black wooden stand. vases -
Federation University Historical Collection
Book, Details of Gothic Architecture, 1852 (exact)
“Details of Gothic Architecture is measured and drawn from existing examples by James K. Colling, author of ‘Gothic Ornaments’.“—Front cover. It contains detailed drawings of parish churches during the 19 century.A large book with blue hardcover and black cloth corners and spine. Illus. with b&w plates of architectual drawings. Vol.1. Title is printed in black and red. This book contains measured drawings of details from parish churches. It includes 8p. table of contents. Inscription on title page "W. H. Piper, architect". A plate inside front cover titled "Ballarat Technical Art School Library No. AD/14".and, architecture gothic, decoration, ornament gothic, james k colling, gothic england, norman, early english, decorated, perpendicular, burnby church, etton church, yorkshire, walsoken church, norfolk, great grimsby church, lincolnshire, bookplate, ballarat technical art school library -
Warrnambool and District Historical Society Inc.
Artefact, Archie Graham & Son Warrnambool - 4423, Mid 20th century
This pencil was used as an advertising medium for the Warrnambool firm of Archie Graham and Sons. It was given to customers of the firm. Archie Graham (1906-1992) commenced a building business in Warrnambool in the 1930s and was well-known for his many building projects in the city and his innovation in the industry. Archie Graham was a prominent member of the Uniting Church and a tireless worker in community affairs in Warrnambool for sixty years. He planned and organized the street decorations for the Warrnambool Centenary in 1947, was chairman of the committee that developed Albert Park and the Reid Oval and was active in Rotary Club and Cricket Club affairs. He was also a member of the Warrnambool Technical School Council. Today the building in Timor Street for senior citizens and other community use is named after Archie Graham. This pencil is of interest as a memento of the type of complimentary article given to customers of businesses in Warrnambool in the mid 20th century. It is also a memento of Archie Graham, an important businessman and community worker in Warrnambool in the 20th century. This is a large six-sided wooden pencil sharpened at one end. The pencil is painted green with a white band near the top and a black-colored end rounded at the top. The paint on the pencil is slightly chipped. The inside of the pencil contains graphite for writing or drawing. The business name on the side of the pencil is inscribed in gold lettering. ‘With Compliments ARCHIE GRAHAM & SONS WARRNAMBOOL – 4422’ archie graham, warrnambool, history of warrnambool -
Federation University Historical Collection
Booklet, Berry Anderson & Co, The School of Mines and Industries, Calendar, 1914, 1913
Contents of the Booklet: Associateship, Calendar, Certificate Courses - Science, Certificate Courses - Art, Draughtsman's Courses, Discipline, Discipline Board, Examination Results, Fees, Full Certificates Issued, General Regulations, Introduction, Junior Technical School, Railway Fares, Teaching Staff, Technical Art and Craft School, Subjects of Instruction - Department of Chemistry and Metallurgy, Geological Department, Engineering Department, Electrical and Electrical Engineering Department, Department of Mathematics, Department of Physics, Electrical Wiring, Electrical Engineering for Post Office Mechanics, Turning, Fitting and Blacksmithing, Telegraphy, Art and Applied Art Subjects, Architecture and Building Construction, Engineering Drawing, Carpentry and Manual Training, Dressmaking and Dresscutting, House Decoration and Signwriting, Photography, Plumbing, Sheet Metal Working Blue covered 176 page booklet relating to the School of Mines and Industries in the year 1914. school of mines and industries, william poole, professor a. mica smith, daniel walker, hubert r. murphy, a. e. c. kerr, e. j. a. mcconnon, john m. sutherland, ralph williams, e. gutheil, t. wlliams, herbert h. smith, a. m. lilburne, m. c. young, h. j. hall, d. t. johnson, e. j. cannon, g. clegg, c. e. campbell, w. j. hall, w. h. steane, j. wright, s. h. hodder, w. j. patterson, h. w. malin, r. v. maddison, science department, associate courses, certificate courses, technical art and craft department, associated trade classes, sir redmond barry, judge rogers, r m. serjeant, thomas bath, e. ballhausen, dr stewart, james oddie, associateship and final certificates, mining engineering course, metallurgy course, applied chemistry course, irrigation engineering course, certificate courses, geology course, electrical engineering course, municipal and hydraulic engineering course, chemistry, agricultural chemistry, technical chemistry, engineering chemistry, physical chemistry, metallurgy, assaying, minerology, petrology, engineering and mining department, turning and fitting, mining, electricity, electrical technology, graphical algebra and analytical geometry, physics, mechanics and heat, sound and light, technical, art, craft and trade schools, teachers' certificates, drawing, modelling, ballarat junior technical school, full certificates issued, examination results - 1910, 1911, 1912 -
The Beechworth Burke Museum
Animal specimen - Nankeen Kestrel, Trustees of the Australian Museum, 1860-1880
The Nankeen Kestrel, also known as the Australian Kestrel, is a common native to the open country's grasslands and farmlands, preferring agricultural areas. They are drawn to animal pests like mice, insects, small animals, reptiles, and birds. Due to the shape and ability of their tail feathers, which allows them to hoover over their prey, they do not rely on speed to catch their meal like most falcons in their family group. These birds are among the smallest raptors in the Falcon family, having well-known face characteristics and body shapes. The females of the species are distinguished by their darker patterns and red-brown (rufous) tones, as well as their larger size, whilst the males are more greyish. The yellow markings around the eyes and top of the beak, as well as the noticeable black dipped wings, distinguish each species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Kestrel is a small raptor in the Falcon family. It has a stockier appearance, with the upper parts of its body, such as the head and the tops of its wings, being a light red-brown (rufous) colour and the tips of its wings appearing dipped in black. The top of the beak and the eye rings are both yellow, and this bird's falcon appearance shows its inherent dark streak markings visible near the eyes and on the chest. The underparts are pale, with a tail feather that spreads out to help it hover and is ornamented with fine black decorations.20. / Unnamed / Catalogue page 5 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen kestrel