A 1930s cream nylon seersucker dance dress. Full skirt with horizontal pleated bodice with plaited roleua straps covered in sequins. Self fabric bow & tail on left side at bodice. Boning on side of bodice with gold metal zip on left side.costume, female

Item could date later if used by someone wearing ceremonial or uniform dress collars after collar attached shirts became the norm rep[lacing detachable collars for everyday wear.Small leather- look composition board, horseshoe shaped collar box with thin real leather strap and buckle fastening. Saddle stitched on outer edges, inside box is lined with paper printed with faux alligator or crocodile skin pattern in sepia colour.On top of lid in right lower corner: 'Collars' in faded gilt cursive printed text.costume accessories, male, personal effects, travel goods

FERRET BOX made from old liquor box/ crate. Rectangular shaped box with lid. Lid has been hinged, with leather strap for fastening lid down and has sliding metal piece used as a door to the cage. Stands on four legs.[on 2 sides]: "OAKLEY, ADAMS/ AUSTRALIAN WINE MERCHANTS/ MELBOURNE", [ONE END]: "G MU SHERRY WHITE PORT"

Used by Australian service personnel in WW2.Gas mask with rubber face mask, glass eye plates and filter to cover mouth and nose.Fabric hose attached to a metal cylinder canister. Straps to hold mask in place to go around back of head. Canister is heavy, two slits on side of canister.Base of canister: No 4A Richard Hughes Pty Ltd Sydney 1942 H B 5 E (undecipherable) gas mask, military equipment ww2

This brassard was worn by the military services in Somalia or East Timor. This DPCU fabric was commonly known as the hearts and bunnies design. Polyester Cotton brassard in Disruptive Pattern Camouflage Uniform (DPCU) fabric. Sewn on the main body of the brassard is a woven patch with the Australian flag. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and elastic strip around the arm. brassard, hearts and bunnies, somalia, dpcu

This mask would have presumably been manufactred and used as a gas mask during World War One conflicts. It is presumably British made. It could also possibly date to the World War Two era.This item is a piece of protective equipment which presumably dates to the World War One era. As a surviving artefact from the Great War, this item holds historic value.Gas mask with rubberised light brown fabric face cover, plastic goggles for seeing, straps for fastening and a nozzle to attach to a canister. The canister is now missing. The goggles have corroded steel rings around themwhich protrude sloghtly from the mask. The light brown fabric covered rubber nozzle is attached to a black metallic component, which is attached to the mask with a circle of black rubber in between the metal and the mask. There is also another short piece of rubber attached to this black metallic component which is folded and positined between the nozzle and the mask. There is an inscription On the exterior of the mask, where the nose would ordinarilly be positioned. There is also an inscription in the interior on an almost full circular piece of fabric which is stitched into the same posion. This has a circle of metal stitched beneath it, which protrudes in two sections towards the wearers face. On the ends of the protruded sections are square pads of fabric, which are presumably there to position on either side of the wearers nose. The mask has a reinforces rubberised fabric rim where it would be incontact with the face. The main rubber nozzle protrudes through the inside of the mask, forming a mouth piece. There are four black straps and one light brown colour strap stitched to the exterior rim of the mask. Two of the black straps are severed.On the exterior at the nose: 3 On the interior at the nose: 22 109gas mask, mask, world war one, first world war, world war 1, ww1, wwi, the great war

Items in collection of K W Peatling. Refer Cat No. 5140.2. Box 173 for service details. Water bag holds the equivalent of 3 bottles.1. Clear rubber bladder with screw neck spot for filling, with green plastic cap. 2. Camouflage, plastic pouch for water bladder, webbing straps on back with black plastic buckle, metal press stud for closure on front, 3 eyelets in bottom on pouch.1. AGM M#G Co 1971 ^ 8465 66 024-4020equipment, army, water bag

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Blue enamel water bottle covered with a khaki woolen cloth. Bottle is then secured in a khaki webbing pouch. Pouch has 2 straps for connecting to a webbing belt. The bottle's cork has a metal cap with a ring on top. A piece of cord is attached to prevent loss.Stamped on cork cap: Rider & Bell, Sydneyequipment, container, military, webbing

Soft, cream coloured cover. Title in brown ink. Most of the cover has an image in black ink of a 19th Century soldier in helmet with Royal badge, spike & chin strap. The uniform is a high neck variety. 15 pages & illustrated with black & white photos.booklet, 200 years

Samuel Davies No 64187. Sam signed Attestation papers on 27.4.1918 age 19 years. The page is stamped at the top “passed Light Horse riding test, volunteered to serve in Eygpt”. Listed as joined on 10.6.1918 in 5th General Service Reinforcements, embarked for Eygpt 14.9.1918, disembarked 14.10.1918, allotted to A.A.S.C 30.10.1918, appointed Driver 1.12.1918, embark for Aust 29.8.1919, discharged from the AIF. A.A.S.C. “Australian Army Service Corp” Sam had 3 older brothers already serving overseas, all came home. On 15.10.1940 Sam signed Mobilization Attestation papers in the CMF No V6868 in 6th Auxillary Horse Transport Coy AASC. His service in the CMF finished on 19.8.1942 then transferred to the 2nd AIF 20.8.1942 No VX101248 until discharge on 12.11.1945Coloured certificate with Australian & Union Jack flags at the top with 2 servicemen in front. Golden wattle around border & a docked ship at the bottom. Tan wooden frame with glass front & white cardboard backing with wire hanging strap. Certificate mounted with a green border.Printed on certificate: BOROUGH OF CLUNES FOR LIBERTY ANZACS FOR JUSTICE Presented to Pte S Davies Dated 25.3.19 Signed by Mayor & Town Clerk Bottom R: Red seal aasc, aif, 2nd aif

Coloured picture of red poppies with fields, trees & sky in background. A slouch hat with Rising Sun badge is with the poppies at the bottom centre. Poster is covered in clear plastic & has a brown border & is mounted on chipboard with black border. Short white hanging strap at back.Emblem at top centre: “THEIR SERVICE OUR HERITAGE” Printed at bottom centre: “On the 11th of November pause at 11..... to remember the fallen”poster, remembrance day

.1) Clinometer Mortar MKIII, brass,machined, with curved graduated markings. Centre is a bock with bubble in cross hairs. .2) Heavy leather case with ends sewn in. Rear has 2 leather keepers for a belt. Case shuts via strap & brass button..1) “TARGET - F TOUCH 1943 'A.3457'” .2) CASE. “MOR CLINO MKI (scratched on '3389') RB up arrow DCD 1944”instruments - measuring, containers - commercial, military history, clinometer

.1) Black Painted Metal Box with hinged Lid Leather Straps .2) Black Painted Metal Tray .3) Pair of Ink Bottles with Metal screw lids .4) Pair of Ink Bottles with Metal screw lids .5) A pair of Keys for Lock personal effects, containers, travelgoods, writing trunk

Item issued to Robert George Bennetts. Refer 560.3 for service history.Peaked cap, blue with RAAF brass cap badge. Size 6 7/8. Black outer headband, narrow black plastic front strap secured with small brass buttons at either end. Tan inner headband with clear plastic top lining.Marked inside:"MTX size 6 7/8 A↑F Made in Australia 36088 RAAF Bennetts"raaf, headwear, peak caps

The uniform was issued to Paul Francis Reidy No 3793403 National Serviceman KIA Vietnam. Refer Cat No 2526.2 for his service history and details re his death. The uniform being winter dress remained in Australia as there was no need for this to go to Vietnam..1) Jacket (Battle Dress winter) .2) Trousers (Battle dress winter) .3) Lanyard, red colour. .4) Slouch Hat with leather chin strap, cloth pugaree and brass regimental badge depicting a kangaroo with crossed rifles and wattle. .5) Braces.4) “Reidy 3793403 6 3/8"uniform, slouch hat, army, reidy

This linesman belt was used under the 1947 Electricity Regulations and before tighter Occupation and Health regulations (late 1990's early 2000's) were introduced that mechanical lifting platforms(wherever possible) replaced the belt up the pole method.The safety concern was that it required that tools needed by the linesman had to be placed in a large canvas bag and attached to the belt (extra weight) then the linesman had to climb the ladder. Ladders had to be at the correct angle and not able to "slip" from their initial footings. A full harness and a secondary fall belt is now mandatory for pole linesmen. The safety of fellow workers could be compromised if they were required to assist or recover the first linesman if needed. In 2006 an additional 269 registered lineworkers were employed. Please note that the terminology of linesman has become unisex. The linesman's belt enabled the linesman to place his feet against the pole adjust the belt (if needed) and lean back securely allowing both hands to be free to work with. This linesman belt is very significant to the Kiewa Valley due to the numerous poles and high voltage overhead power structures that needed maintenance for the extensive "mushroom" installation of electrical power polls(wood and metal). On high poles (steel) climbing pegs were welded on, however in the Alpine areas snow in winter caused an OH&S problem which were hard to overcome. The safety of a linesman when maintenance of electricity line on poles can be highlighted by the New Zealand linesman who survived an 11,000 volt shock when carrying out maintenance. For the record 11,000 volts is four times more powerful than execution by "the electric chair". The maintenance of the linesman's belt was his responsibility (keeping it clean and in "good" condition). Labour laws change this initial responsibility, from the linesman, to the employer. Climbing pegs were installed on higher poles that extended beyond the reach of ladders.This thick leather linesman belt is made from two lengths of heavy lengths of leather straps sewn together to make up 80% of the belt. The remaining 20% is "the belt tonge" which has eleven holes for three (solid steel tang) buckle connections.kiewa hydro electricity scheme, victorian state electricity commission, relays, generators, electrical pole maintenance

A foghorn is a device that uses sound to warn of navigational hazards like rocky coastlines, or boats of the presence of other vessels, in foggy conditions. The term is most often used with marine transport. When visual navigation aids such as lighthouses are obscured, foghorns provide an audible warning of rocky outcrops, shoals, headlands, or other dangers to shipping. An early form of fog signal was to use a bell, gong, explosive signal or firing a cannon to alert shipping. From the early 20th century an improved device called the diaphone was used in place of these other devices, The diaphone horn was based directly on the organ stop of the same name invented by Robert Hope-Jones, creator of the Wurlitzer organ. Hope-Jones' design was based on a piston that was closed only at its bottom end and had slots, perpendicular to its axis, cut through its sides, the slotted piston moved within a similarly slotted cylinder. Outside of the cylinder was a reservoir of high-pressure air. Initially, this air would be admitted behind the piston, pushing it forward. When the slots of the piston aligned with those of the cylinder, air passed into the piston, making a sound and pushing the piston back to its starting position, whence the cycle would be repeated. This method of producing a low audible sound was further developed as a fog signal by John Northey of Toronto and these diaphones were powered by compressed air produced by an electric motor or other mechanical means that admitted extremely powerful low-frequency notes. The example in the Flagstaff collection is an early cased and portable diaphone used on pleasure or sailing craft. By manually turning the crank handle air is produced and fed into valves that direct air across vibrating metal reeds to produce the required sound. in foggy weather, fog horns are used to pinpoint a vessels position and to indicate how the vessel is sailing in foggy conditions. One blast, when sailing on starboard tack and two blasts, when sailing on a port tack and three dots, when with wind is behind the vessel. Since the automation of lighthouses became common in the 1960s and 1970s, most older foghorn marine installations have been removed to avoid the need to run the complex machinery associated with them, and have been replaced with an electrically powered diaphragm or compressed air horns. The example in the collection is significant as it was used in the early 19th century for sailing vessels was important but these portable crank fog horns have also been superseded by modern electric varieties. Therefore the item has a historical connection with sailing and maritime pursuits from our past.English Rotary Norwegian Pattern nautical foghorn within a boxed pine varnished case with exposed corner dovetailing, original leather carrying strap, brass side crank, and original copper trumped horn. Card accessory with Directions for Use in both English and French.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, foghorn, maritime technology, maritime communication, marine warning signal, portable foghorn, bellows foghorn, crank handle, robert hope-jones, john northey

DC Voltmeter 0-150 volt, analogue display on semi-circular scale. Scale wndow protected wit hinged black metal lid. Lacquered wood case. Leather carry strap on right hand side. Two terminal posts on bottom end. Trade Mark "Megger" Serial Number 117729scientific instrument, voltmeter, evershed and vignoles

Wooden Ammunition Box with webbing & metal handles with metal spring lock clip. Canvas hinge painted brown. Webbing carry straps in 3 locations. Box assembled with wood and small nails. Inside box is a wood divider running length ways .Unpainted.side 303cc (in White), rectangle with 500 cartges,.303 ball, MF cc 9-4-52 MK7 (in Yellow) Governement Explosives W^D 6 six (in White) Opposite side; Tropic Treated Charger clips (inred/pink paint) 500 cartges/.303 Ball/MF cc 9-4-52/ MK7ammunition, 303, ball, 1952, mk7

History has it that the origins of the Slouch Hat began with the Victorian Mounted Rifles; a hat of similar design had been worn in South Africa by the Cape Mounted Rifles for many years before 1885. The design of the Victorian Mounted Rifle hat originated from headgear of native police in Burma where Lieutenant-Colonel Tom Price had recognised its value. The Victorian hat was an ordinary bush felt hat turned up on the right side. The intention of turning up the right side of the hat was to ensure it would not be caught during the drill movement of “shoulder arms” from “order arms”. The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol.Slouch Hat - made of fur felt with an 8 fold hat band (puggaree) it has the blue/gold unit badge on the band denoting the 8th Light Horse brigade with a leather chin strap. The right hand side is held by a brass rising sun badge.army, slouch hat

Belonged to and used by Patrick O'Kane 1872 - 1947 in the Burramine/Boosey districtHeavy all iron well bucket. Riveted together in two halves (top and bottom). Made from metal sheets riveted together, also strengthened with iron straps. It has a large, round iron rod turned into a hook which is attached across the top.nonebucket

Evening dress, burgundy velvet, 1950s. Shoulder straps, A-Line design, 30cm zip down back. Matching jacket, long sleeves, sixteen self covered buttons and loops down the front. Sequin design pattern down the front of the jacket and over the shoulders.costume, female

Worn b y Gloria Woodland as a foundation garment for special evening gown - she found it a very impractical garment taking up to a half an hour each time at the toilet. Only worn once...Flesh coloured elastic & lace body length garment. Lace bra cup - lace panel down front - elastic shoulder strap, silk nylon crutch with eight adjustable hooks and eyes to close under the crutch - also four loops to hold suspenders.Hickory Style 4512 - size 16Bcostume, female underwear

The donor was a collector of evening bags. Her collection has been acquired by the Society. She was a friend of Barbara Rogalski, who donated them to the Society after Jenny's death.Evening Bag with front of bag covered with needlework in gold & silver thread. Coloured embroidery on the tail of a Peacock. Three butterflies on sides and two flowers in corners. The bag is made of black velvet with cotton lining. An embroidered hand strap on the back. Closed by press stud.Made in India.costume accessories, female

Gas mask similar in style to 1339.1, possibly dating from the 1940s. This mask and associated case were intended for noncombatant use i.e. for use by civilians during wartime.Khaki colour gas mask constructed from cylindrical tin with open valve filter, attached to a plastic mask which attaches to the face with adjustable canvas straps. Mask includes two circular cut outs with plastic windows with valve on left hand side. Printed instructions on canister. “MED ADULT” embossed on top centre of the mask component. On interior of mask, “US MI/LOT/7 3SC.”gas mask, equipment, civilian, gas warfare, second world war, world war two, world war ii, mustard gas, chemical warfare

Large oak barrel - metal straps brass tap on front. Wooden stand - Ex old maize barrel - wood damaged both sides. 4 iron bands. cork placed on top. Barrelis sitting on a stand made of 4 small pieces of wood.9/92 OLD ENGLISH OAK EX. OLD MAIZE SPIRIT BARRELS regimental property, 5/6 rvr

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Blue and white gingham one-piece swimsuit. Short overskirt. Two rows of white cutwork lace form a frill along neckline and down either side of back straps, which fasten with buttons. Inbuilt bra with label: "Miss Watersun", size T14.Label in bra, blue with yellow sunburst logo containing the words “Miss Watersun” in red, above the text: “T14”swimwear, watersun, david waters, ada productions, miss watersun, melbourne designers