Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 88 - BOOKINGS AVAILABLE AT SKYLINE LODGE July snow conditions are well-known to experienced skiers for their dry powder surfaces, fast running and reasonable weather generally. The lower mid-winter temperatures are mainly responsible for the crisp skiing atmosphere offered us during that month. It is surprising therefore to find that bookings for July this year are unusually light at all Victorian resorts. Skyline Lodge in particular, with its good transport, easy access, and usually abundant snow cover has everything to offer keen skiers: at present there are vacancies in its booking list through the month. Why ret sample is delightful skiing?schuss journal, the ski club of victoria, skyline

Bendigo Advertiser ''The way we were from 2002. Football legends: do you recognise any of these faces? Bendigo Advertiser ''The way we were'' from 2002. Football legends: this photo appeared in the Bendigo Advertiser on Saturday. Elaine Gledhill of Bendigo tell us it is the Marong Football Club in 1946-47. Back row from left: R. March, B. Runnek, J. Burton, A. Andrews, H. Trahair,, B. Burton, L. Gooch, H. Andrews, G. Hunt, C. Gledhill. Centre row: G. Cocks, S. Gledhill, H. Bolitho, S. Bolitho, L.Girvan. Front row: B. Enever, R. Andrews, B. Hunt, J. Barr, J. Shearer, R. Trahair. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionHand written list of war restrictions: On paper with blue lines for writing, sheet came from a writing pad. War situation Ordinance Factory Guns. Con on Trams. Guards - Women in Industry - Stacking. Man power regulations. Direction of Labour. Rationing Coupon System. Black Marketing. Black out regulations - Street lighting, Shops and Homes. 100 mile inland. Road Signs. Shovels for road trenches. Petrol rationing. 4 Galls Police Supplies. Women in slacks for Winter. Power restrictions. Air raid wardens. Organise spare ........... Race course was camp. Show grounds was camp also. American troops billeted with us. Volunteer Air observers. Corps. All planes to be accounted for and ......................................................Severe Winters. Radiators banned. Box 625

A leaflet issued by General William Birdwood to the AIF troops just after the Armistice on 11 November 1918 to end the first world war. 'To the officers, Non-Commissioned Officers and Men of the Australian Imperial Force. It is now just four that we have been serving together, often through days of hardship and peril, and often through times of well-deserved success. During this time I hope and think we have come to know each other well and I trust we realised how rightly we have confidence in each other. No words of mine can possibly express all I feel for the magnificent work which has been done by the Australian soldier during these long four years. It is well known and recognised, not only throughout the British Empire, but throughout the world - and now we have peace in sight, and peace after a victory in which the Australian soldier has taken so large a share. Even then, with peace there are still difficult times before us. Faith in our recent foe cannot quickly be established, and it may be that some little time yet we shall be able to relax no precautions, until we are assured of the complete and honest fulfilment of our terms. Then will come the difficult time of demobilisation, and it is regarding this that I wish to make a personal appeal to every single member of the AIF in the full confidence that it will be met as every other appeal to face and tackle the strongest positions has ever been met by the Australian solider. Never has the name of Australia stood higher than it does now throughout the world, thanks to the bravery of her soldiers, and it sup to everyone one of us to see that this is maintained, and that no reproach can be cast on the Australian Flag owing to any behaviour of ours. The time of demobilisation will undoubtedly be difficult and irksome - I fully realise what great personal self-restraint will certainly be required - but if each individual of us makes up his mind to do his best during these times, realising the good name we bear, I feel confident that all will go well. I want you to remember that everything possible will be done to look after and help the troops during this period, while every energy will be strained to get men back to their homes as soon as this possibly can be done. You will have to realise, however. that there is a great shortage of shipping, and that there must be a considerable inevitable delay. Play the game, boys, during this time, as you have always done, and add still more to the deep debt of gratitude which will always be acknowledged to you by the Empire and remembered by me as your comrade and commander. In the field, 14 November 1918.' (Signed) 'W Birdwood'.A rare example of a notice to troops about the Armistice.A leaflet issued by General Birdwood to AIF troops to commemorate the end of World War 1.world war one, soldier

[from EDHS Newsletter No. 39, November 1984:] MALDON TRIP A bus load of members and friends travelled to Maldon on 28th October. This proved to be a long but enjoyable day. Peter Bassett-Smith provided an interesting commentary on points of interest along the way. At Maldon local resident, Mrs Frances Gray, guided the bus around the many interesting features and entertained members with her lively and knowledgeable comments. Because our usual driver, Bruce Ness, was recovering from an illness, Mees Bus Lines provided a replacement driver at the cost of the company. Mees have provided us with excellent service over a number of years, but this action goes well beyond what could be reasonably expected, and is very much appreciated. Colour photographactivities, maldon

The Royal Commission into Institutional Responses to Child Sexual Abuse is investigating how institutions like schools, churches, sports clubs and government organisations have responded to allegations and instances of child sexual abuse. It is the job of the Royal Commission to uncover where systems have failed to protect children so it can make recommendations on how to improve laws, policies and practices. The Royal Commission is about creating a safer future for children. It can look at any private, public or non-government organisation that is, or was in the past, involved with children. This includes where an organisation caring for a child is responsible for the abuse or for not responding appropriately, regardless of where or when the abuse took place.(http://www.childabuseroyalcommission.gov.au/about-us, accessed 30/05/2015)A number of colour photographs that show chalk grafitti drawn onto the steps and paving outside the Ballarat Law Courts during the May 2015 sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse.ballarat, ballarat law courts, royal commission into institutional responses to child sexual abuse, graffiti

The Boyds brought this vitamiser from their Camberwell home. Mandie Boyd, Robin and Patricia's eldest daughter, has very vivid memories of this gadget. "It made everything from milkshakes for us to mayonnaise, stuffing for chicken, soups, but especially I remember Robin in the kitchen using it to make daiquiris, endless ice, rum and lemon juice crushed and blended in the good old Vitamiser. He was wearing an amazing pale grey suit. American fabric beautifully cut, must have been synthetic, and had flecks of a darker grey through it, sounds hideous and was “of the time”. His American cotton business shirts were also beautifully tailored, with loads of room to move your arms unlike the daggy Aussie shirts." "Semak" Vitamiser, with a white plastic base, with 'on/off' switch at front of base. 4 black holders. Glass jug with black plastic lid. Black power cord. 3 black rubber stoppers at base.SN 7-81. 50 CYCLE 240v 120Wcookware, walsh st appliances, robin boyd

What can the life of the modern professional soldier have in common with a Roman legionary, a Frankish warrior, or the musketeer of the English Civil War? The Footsoldier tells the story from the personal viewpoint of individual soldiers over the last 2,500 years. With stories ranging from Timocrates of Athens -- practising his shield and sword skills at the gymnasium -- to Corporal Joe Borelli, US 2nd Armored Division -- complaining about 'C' rations after more than eighteen months active service in World War II Europe -- a clear account of the development of warfare emerges, with no lack of insight into its prizes and its costs. Detailed information about uniforms and equipment is accompanied by superb color illustrations. ..".informative, exciting, accurate and realistic."part of a serieshard cover bookStamped "Withdrawn from Moorabbin Library"

Large, bound page containing an ornate certificate of appreciation. Includes coloured paintings of ships at sea, the beach, stag, seagulls, the Huddart Parker and Co Flag, Australian flowers and vegetative illustrations. Borders of the page are red leather with gold pattern. Outside is red leather binding with gold writing and decorationLeft inside page: "James Huddart Esqr./ Managing Director/ Mess ts Huddart Parker & Co Limited/ Melbourne/ Dear Sir/ Having become aware that you are about to leave for the purpose of opening/ a London Office, with a view to the future expansion of the Company's business, and the promotion of the/ interests of the company generally, we the Ships Office, and the Staff of the Head and/ Branch Offices in Australia, consider the occasion opportune to record our appreciation of you as/ Managing Director of such an enterprising Company as that of Huddart Parker and Co. Limited, and to/ give expression to the feelings of kindest regard which we, each and all, have for you as the result of/ frequent business contact./ The kindness which yourself and Mrs Huddart have exhibited towards us at various/ times in providing for our entertainment and enjoyment, as expressive of the sympathy and kindly/ feelings with which you regard your employees, are not likely to be soon forgotten by us./ In conclusion, we desire to tender Mrs. Huddart, yourself and your family our hearty/ good wishes for a pleasant voyage, and for the Health and Happiness during your residence in/ England and trust that when your mission is accomplished we shall have you amongst us/ again in Australia." "Ferguson & Mitchell/ Illuminators/ Melbourne" Right inside page: "Fear God/ Ferguson & Mitchell. Melbourne" Artist signature: "Alfred Adov" written in pencil: "PWO 1265" Outside, Front Page: "Presented to/ James Huddart Esqr./ By the officers of/ Messrs.. Huddart Parker & Co. Limd/ Melbourne 13th March 1891"

Contents: People we know --Places we love--Nature around us--The Ways things were--New Dimensions "The snapshots in this publication are clothed in the techniques of fiction. They contain a writer's view of Nillumbik through their awareness of and importance of setting, character and dialogue; syntax, metaphor and literary allusion. The writers have lovingly evoked the past and present, the ordinary and the extraordinary. They have sung their songs loudly and clearly and with their words have addressed Nillumbik's unique history and identity" - Foreword "A collection of short stories and verse about people and places in the Shire of Nillumbik" Members who have contributed stories, poems and illustrations to this volume are: Prue Clark, Kath Every, Theresa Fitzmaurice, Fay E Gravenall, Kevin Henry, Susanne Haywood, Gwayne Naug and Tina Seaton. Additional illustrations by John Every.Small softcover book with stories and some black and white illustrations. 52 pages.Signed on introductory page Fay Gravenall one of the contributors ISBN 0646451707 short stories, reminiscences, living and learning centre

This is the story of the women of the bush, women who performed more than the traditional duties of wife and mother. They worked alongside their men, through good/times and bad and they were rare to complain. Six former country women of the Portland/Heywood district provide us with a snapshot of life as it was from the 1920's through to the 1960's. They speak about their own and their mother's lives, lives which have experienced the greatest material and personal changes in history. The story of the 'Remarkable Mary Stuchbery' details the struggles of a wife and family whose husband/father contracted polio shortly after returning from WWII service. Garry Kerr has produced a series of local history stories, initially for the Heywood [history group] and more recent items privately.The material contained in these interviews provides a first-hand insight into the experiences of women who were involved in carving farms from virgin bush. Their recollections of work, social activities and opportunities for their children are an invaluable primary source.Full colour DVD cover featuring image of old hip-roof weatherboard house with front verandah and skillion roof to rear with stone chimney attached to outside. Corrugated iron roof is rusty. To the left is an outbuilding. Picket and wire fencing is in the foreground, background has large cypress tree to left and gum to right. At the bottom is a series of three black and white images showing (L-R) three women in working clothes and a woman holding a baby; woman chopping wood; woman milking cow with young boy standing beside her. The back cover is yellow with images of the seven women featured showing coloured images of the interviewees beside black and white images of the interviewees when young. DVD features the same images as the front cover.Garry Kerr's LOCAL HISTORY Series 5/On Our Selection/The/Women's/Story/Produced by Garry Kerr (front) WOMEN WERE THE UNSUNG HEROES OF THE BUSH/This is the story of the women of the bush [see historical information] ... Running time 74 minutes/Plus an additional 30 minutes of/'The Remarkable Mary Stuchbery'

from EDHS Newsletter No. 122, September 1998 - There is a new display in our local history cabinet in the Eltham Library. This time we have used our growing collection of material on Eltham, England. It includes the painting by Lionel Backhurst presented to us on behalf of Eltham Society by Clifford Crate. The booklet on the Eltham town sign that Clifford also brought is in loose leaf format so we have been able to include the whole of that which really presents an excellent summary of the important historic buildings of Eltham. Also on display is another painting by Lionel which was presented to Russell and Marion Yeoman. (Much of this material was presented to the Society during a visit by Margaret Taylor and Clifford Crate of the Eltham Society during Christmas/New Year 1997/98.)Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6activities, art, clifford crate, displays, eltham library, eltham society (london), lionel backhurst, local history, margaret taylor

The University of Ballarat was granted a Coat of Arms from the College of Arms in London. The grant has five parts: the Shield, the Crest, the Supporters, the Motto and the Badge. The origin of the University Arms us based on the history of the University and its antecedents. The earlier institutions include the School of Mines and Industries, the Ballarat Teachers' College and its successor, the State College of Victoria at Ballarat. A Coat of Arms signifies the heraldic achievements of an individual or community. The University of Ballarat's Coat of Arms symbolises the golden past of the City of Ballarat and the former institutions, the School of Mines and Industries Ballarat Ltd and the Ballarat Teachers' College, which came together to form the University. At the same time, the motto 'dare to be different', presents a challenge to everyone in both the University and the region to strive for new ways of achieving.Pullup Banner of the University of Ballarat Coat of Arms on white background - in grey carry caseuniversity of ballarat, university of ballarat coat of arms, pullup banner, marketing, logo, coat of arms

A blowtorch is a fuel-burning tool used for applying flame and heat to various applications, usually metalworking. Early blowlamps used liquid fuel, carried in a refillable reservoir attached to the lamp. Modern blowtorches are mostly gas-fuelled. Their fuel reservoir is disposable or refillable by exchange. The term "blowlamp" usually refers to liquid-fuelled torches still used in the UK. Liquid-fuelled torches are pressurized by a piston hand pump, while gas torches are self-pressurized by the fuel evaporation. In 1882, a new vaporizing technique was developed by C. R. Nyberg in Sweden, and the year after, the production of the Nyberg blow lamp started. It was quickly copied or licensed by many other manufacturers. The US blowlamp was independently developed with a distinctive flared base and was fuelled by gasoline, whereas the European versions used kerosene for safety and low cost.The family of Mr Howcroft were early settlers in Moorabbin ShireA brass blow-torch B.A. HJOP Co. STOCKHOLM SWEDENblowtorch, stockholm sweden, welding, moorabbin, cheltenham, bentleigh, early settlers

This is Australia’s first monument to the famous Scottish poet Robert Burns and his dog. It was carved from marble in Italy by sculptor John Udny and is inscribed with quotes from the writer himself and features beautiful patterned tiles at its base. This sculpture tells us much of Ballarat’s Scottish history by placing their most revered poet and ballardier of Auld Lang Syne at the corner of Lydiard and Sturt Streets. The local design was carried out by artist John Undy in Carrara marble and placed with this scene. The proud figure of Burns faces west and is accompanied by his collie dog with a book purposely hanging in his hand and a pencil in the other as his constant companions. Burns is mounted on a plinth engraved with some beautiful Burn’s poetry and surrounded by art deco styled tiling and a cast iron palisade. The statue is of aesthetic and historical significance to the people of BallaratCarved marble statue of Scottish poet Robert Burns and his dogIncludes panels with poems and writings by Robert Burns. Plaque reads - Designed by Thomas Thompson Ballarat Sculptured by John Undy, Carrara, Italy.robert burns, scottish poet

This was the official state flag of Italy used by Italian armed forces during WWII. The tri-colour flag with the emblem of the former Royal House of Savoy was the first national flag and lasted for 85 years until the birth of the Italian Republic in 1946. Soldiers' inscriptions on the flag suggest that it was capture from Italian troops during the Battle of El Alamein on 9 July 1942. The service numbers tell us that these soldiers served with the 2/24th Battalion which was raised Wangaratta. Walter Edward PARKER VX34529 Lancelot HALL VX32047 DOB 25/10/1904 Mildura Greville Egerton DENNYS Capt. NX4731 DOB 4/3/1917 DOD 4/10/1969 Enlisted 27/10/1939 George Charles GREEN VX21968This was the official state flag of Italy used by Italian armed forces during WWII. The tri-colour flag with the emblem of the former Royal House of Savoy was the first national flag and lasted for 85 years until the birth of the Italian Republic in 1946. Soldiers' inscriptions on the flag suggest that it was capture from Italian troops during the Battle of El Alamein on 9 July 1942. The service numbers tell us that these soldiers served in the 2/24th Battalion which was raised in Wangaratta. Recognising the cultural and historical significance of the flag to both Italy and Australia, the Wangaratta RSL received a grant to have the flag professionally restored and framed in 2017.Large Italian flag with green, white and red vertical panels of equal size defaced with the Savoyan coat of arms, a red shield with white cross bordered with blue. Three two-piece hoist ties on the green side. Panels are sewn together from separate pieces of fabric. The shield appears to have been printed directly onto the white panel. The edges are hemmed.There are several handwritten inscriptions on the coat of arms in red and blue/black ink detailing the name and service numbers of different soldiers. (Not all of the writing is legible). Legible texts reads: "VX32047 / L HALL / ALAMEINE / 9.7.42" "VX21968 / G Green" "VX?45?? / W PARKER / ALAMEIN" - "NX4731 Greville Denys"italian flag, italy, el alamein, battle of el alamein, 2/24th battalion, wangaratta, ww2

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In part 8, Boyd concludes his lecture with an overview of the state of Australian design. Boyd points to the uniqueness of Australia's natural landscapes and asks a series of pointed questions, implying that Australian design does not reflect or match up to its context. In Boyd's view, Australia now produces world-class designers, but lacks a world-class design culture, leading the best professionals to leave for the US or UK. Boyd concludes by arguing that Australian design culture can be developed into something both connected to the rest of the world and still uniquely Australian.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 12 pagesInscription in pencil on p.8 - "good ideas (Kings + fountain)"university of the air, design in australia, robin boyd, henry lawson, d.h. lawrence, kangaroo novel, canberra, manuscript

Photograph of Lynne Scott and her five children to promote Legacy week. The newspaper cutting says that her husband Colin Scott died in 1985, he had served in the Vietnam War as a reconnaissance pilot. One of his children, Chris, has become a Brisbane Bears footballer. The family were interviewed and said how Legacy had been very good to their family. Lynne Scott says "The most important thing for us was knowing there was someone we could call on if we needed and that the children were being looked after". The Scott family were featured on the 1994 poster for Legacy Week. 1994 was the year of the family and it was fitting that a family was chosen to promote Legacy. They were also featured on the cover of The Answer and article in August 1994.A record of a widow and Junior Legatees promoting Legacy Week and a record of their story and appreciation of Legacy's work.Black and white photo of the Scott family supported by Legacy and a newspaper article about them.legacy promotion, junior legatee, legacy week, answer

This book was written in 1801 in an epic poem form. It is unrhymed. It falls into the category of fantasy. The original owner of this book seems to have been John Bland. He is most important in the early history of Port Fairy and had a business in Port Fairy with John Cowtan (corn millers and general merchants). The Cowtans originally had land in the vicinity of the Cassady property of Boughton, Merri River (in Caramut Road near Cassady’s Bridge today) and were related by marriage to the Cassadys. A later owner of the book was William Anderson whose father came to the Yangery district in 1854 and established the property of Rosemount and William remained in this area until his death in 1909. The Andersons were related by marriage to the Cassadys and this book came to us following a clearance sale at the Cassady property, Boughton. This book is of great interest less for its literary content than for its ownership which probably dates back to the 1840s. It is associated with the families of Bland, Cowtan, Cassady and Anderson, all early settlers in Warrnambool and district.This is a brown leather-covered book of 271 pages. The cover has gold decorative borders and patterns and gold lettering. The pages are gilt-edged. The book is the fourth edition of volume one of a Robert Southey poem and has a Preface and Books 1 to 5 with Notes. The inscriptions are handwritten in black ink. One signature has not been deciphered. ‘Wm. Anderson’ ‘John Bland’ william anderson,, rosemount, william cassady, john bland, john cowtan, thalaba the destroyer, warrnambool, poem thalaba the destroyer, 19th century poems, robert southey books

One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD This Space may be used for Correspondence. The Address only to be written he (rest obscured by postage stamp) Date stamp / MAR 4 Orange postage stamp with portrait depicting Queen Victoria 95686 To Bessie/ Hope you are enjoying yourself/ I see there was some excitement/ at the Marysville Races/ Kind regards and/ best wishes/ & love from all of/ us at 384/ Punt Road/ & William Miss Bessie Taylor/ The Chestnuts/ Marysville Vicmarysville, victoria, nicholas john caire, watts river, fernshaw, 95686, postcard, souvenir

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Black and white photo of six Mildura students arriving by bus in Bendigo about to start PTSMildura Schools no 27 and 28. 1956. Arrival at Bendigo for first year block - see also Newsclip enclosed re bus passengers who bought us lunch. Sitting L to R Lois Berryman (now Richards), Beverly Cass (now Giles), Lorraine Morey (now Wethers), Margaret Gillespie (Blazinic) Standing Gwen Jenkins (now Cannard), Sue Peach (now Gehrig). From Bev Giles 1 Williams Ave. Mildura mildura nurses, nurse training

3 pages. First page has an image of a bouquet of flowers and the words 'in loving memory' , the second page depicts the crossed Australian and New Zealand flags C. F. Willcox's death date and his age, as well as a poem. The third page includes three quotes.IN LOVING MEMORY OF C. F. WILLCOX WHO GAVE HIS LIFE FOR THE EMPIRE IN FRANCE. JULY 28, 1916, AGED 21 YEARS He gave his life for his Country, For honor, faith and right: With us his memory ever lives, He fought a noble fight. 'Midst the roaring of the battle. And the rain of shot and shell, Fighting for Home and Country He like a hero fell. "To live in hearts we leave behind is not to die"

Black and white monochromatic photograph mounted on a piece of card showing a working horse pulling a piece of rotary farm equipment. Sun overexposing the top left part of the photo and dust fills the frame. Opens to find'Paramoor Farm, Macedon Ranges' on the front of the photograph Catalogue number written in pencil on reverse. Stamp on the rear: 'Janet Hawkins Photography (c)/Glen Osmond RSD 3050/Woodend 3442 Ph:03 5247 2523/Email:[email protected]' Letter on the inside: 'Dear Sally, What a lovely surprise, thank you very much. Who is the artist? Life goes along happily up here, the March wedding was enjoyed by all (except us!) John is holding his fourth introductory seminar on heavy horse farming in a month or so. Hope all goes well for you, look forward to catching up too! PS Channel 9's program (5.30pm Sundays) have filmed a story about us, should go to air in a month or so. PPS - Have you heard from "Postcards" - story goes to an in new timeslot at Saturday 23 June at 7.30 pm, show is now an hour instead of half hour. Jill + John'churchill island, farm machinery, working horses, photograph

A copy of an Anzac Day Address at the Anzac Commemoration Ceremony for Students, the year is unknown but it is presumably the address given by the President of Legacy. It seems to be one of the earlier ceremonies. It was stored with documents about the building of the Shrine and another speech from the 1939 service. The presenter had probably served in World War 1 so was very close to the events he was talking about. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The ceremony is usually attended by representatives from schools throughout the state and the Governor of Victoria. The text says: 'We have gathered here too commemorate the historic landing on the Gallipoli Peninsula of the Australian and New Zealand troops on the 25th of April 1915 - the day that has come to be universally known as Anzac Day. . . I expect most of you know how the word 'Anzac' came into being. How General Birdwood and his officers took the first letters of the words Australian and New Zealand Army Corps and formed them into the code word "Anzac". They did not expect it would become the famous name by which the men fighting under them would become known. But it did, and Anzac Day has become Australia's greatest national day because on that day Australia's manhood was put to its first great test. You see up to that that time, the world knew very little about us. We had not, thank God, ever had to fight for the existence of our Nationhood and everything we hold most dear. Everyone wondered how our men would compare with the men of other nations when a real crises arose. . . . You have been told there thrilling story of Anzac Day. Of the landing at dawn on that terrible coast: the hand to hand fighting that went on continuously all that day and through the days and nights that followed. How the Anzacs - outnumbered, exhausted and tortured by thirst held on, and how during the terrible nine months that ensued all the efforts of a brave enemy to dislodge them failed. Such was their gallantry that a British Officer described the Australian soldier as "The bravest thing God ever made". What a wonderful tribute that was; and how proud we should be of the men who earned it. . . . These men carried on all the traditions of the Anzacs and made a wonderful name for Australia and New Zealand in France, in Belgium, in Egypt and Palestine and in all the theatres of war in which they served. And this great Shrine was build by the people of Victoria, not in any boastful sense of Victory, not in any attempt to glorify war - which is a horrible, dreadful thing, but in memory of those thousands of Victorian sailors and soldiers who so loved their country that they laid down their lives in her service. . . All of them were brave, but do not think that a soldier who is brave need alway be a great warrior. I hope when you have passed through the Shrine you will go and see a little bronze statue near the road yonder. A statue of a man leading a donkey which carries a wounded comrade. You will see the soldier leading the donkey carries no weapons. Yet he was a hero indeed, for he saved the lives of scores of his comrades at Anzac by carrying wounded from the battle to safety and the hospital. And in the end he too gave his life for his friends. . . Let us all try to help each other in peace as they did in war. Instead of divisions, let us have unity. If we think of no one but ourselves we shall not achieve anything nor shall we deserve to. Let those of you who are strong help those who are not so strong - all through life - like John Simpson, the man with the donkey did. Be proud of your country and do nothing to dishonour it. If you get an order from one in authority, obey it, even if you do not understand it.A good solider always obeys his orders. If he did not, he may bring disaster and cause harm to his fellow soldiers. Remember that those thousands of men died so that we could still live here in freedom. A country is judged by its citizens. Let us be worthy of those great citizens who have left us the legacy of their fame and devotion to duty. And when you file through the Shrine and look down on the Rock of Remembrance, read the inscription on it, "Greater Love Hath No Man", remember those wonderful words written in the greatest book in the world nearly two thousand years ago, "Greater love hath no man than this, that a man lay down his life for his friend."A record of a ceremony at the Shrine for school students. The text of the speech is significant in that it was written by a man who had served in World War 1 and knew first hand what it meant to be part of the first Anzacs. White quarto paper x 4 pages with black type of a speech at one of the Annual Anzac Commemoration Service for Students.Handwritten in blue pen 'Shrine, Children's Service'anzac commemoration for students, wreath laying ceremony, speech

Special coronation issue of the sun news - pictorial dated Monday, June 1st, 1953. on the front a photo of queen Elizabeth II in her royal carriage with the words " happy and glorious, long to reign over us: God Save The Queen!" On the back a photo of Queen Elizabeth II and Philip, Duke of Edinburgh. With the words underneath: The Queen and her consort in state dress. with her robe and garter collar, the Queen wears the diamond tiara-crown which from tomorrow will be replaced on high occasions by the Imperial State Crown. Contents: Elizabeth is crowned - Chair and stone of destiny - The coronation story - The queen's reign - The regalia and its history - King George VI - The royal romance - The royal family tree - Princess Margaret - The royal children - The queen and the people - The mountbattens - Queen Mary - The first Elizabeth - The economics of royalty - Empire/Commonwealth - The coronation route.newspaper, sun news -pictorial, coronation issue