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Bendigo Military Museum
Memorabilia - PHOTOGRAPH, Oct / Nov 1943
Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Black / white group photo of 18 male RAAF personnel in uniform. Group is arranged in 3 rows each of 6 men. Each person in the photo is named. Group name appears at the bottom of the photo. On front: 3 men marked with an X Names handwritten in white on each person: Group: No 68 Course Pilots Back L - R: Startin, Chamnes, Price, Rodgers, Hawson, Davey Middle L - R: Woodhams, Cornish, Wilson, Clark, Carter, Carbuff Front L - R: Chadwick, Smith, Edgar, Campbell, Hall, Gray Stamped on back: Crown copyright reserved. Handwritten in black ink: B Talbut 12 Salcey Street, Far Cotton Handwritten in blue ink: 17 O.T.U. Silverstone Northants England Oct / Nov 1943 In pencil: ? Indecipherablephotography, pilots, training -
Melbourne Legacy
Postcard, Penny Royal Gunpowder Mills Postcard
The place shown on the photo still has an important relevance for the local history in Launcestown Tasmania. This place represents one of the most relevant touristic places of Tasmania and brings to the local government a very good amount of income for local developments and self management of the place. The date of this postcard is unknown but probably around 1980 as this place apparently was opened by 1979. The connection to Legacy is unknown but other postcards were sent to the Comradeship Committee when Legatees travelled.Comradeship Committee often received postcards from Legatees when they were away on holidays.Glossy postcard, with serrated edges, showing a photo of the Penny Royal Gunpowder Mills.Handwritten text: 'They have the small cannons on the boat - noisy and scared Alison but quite effective really. The whole complex is build in an old quarry', in black pen. Back side: Printed in paper, PENNY ROYAL GUNPOWDER MILLS / The 10 Gun Sloop-of-War 'Sandpiper' sails to prove its gun and powder in battle against those on Fort Island. / Douglas Souvenir Distributors [Logo] / DS 118, Colour Photography and Copyright by Robert Schorn. Printed in Australia. / I LIKE TO BE SEEN - PLEASE don't send me in an ENVELOPE. / Published by Douglas Souvenir Distributors - Tasmania (004) 312806tasmania, souvenir -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, Keith Kings, 11/04/1953 12:00:00 AM
Black and White prints contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Set of two photographs of the AETA Special trams Golden Jubilee Anniversary Saturday 11-4-1953, by Keith Kings. .1 - Bogie 23 and Birney 29 and service car 20 at Golden Square. .2 - Birney 29, Bogie 23 at Quarry Hill. On the rear in blue ink .1 - "Bendigo, AETA specials Bogie 23 & Birney 29 (also service car 20), at Golden Square, Saturday 11/4/53. /Golden Jubilee Celebrations. (Two flags broken off drop centre roof by centre pole notices!!!!)" .2 - "Bendigo, AETA specials Bogie 23 & Birney 29, at Quarry Hill, Saturday 11/4/53. /Golden Jubilee Celebrations." Both have the K. S. Kings copyright stamp in the top right hand corner, and the numbers H(f)(iii) and H(e)(ii) written in respectively.trams, tramways, bendigo, decorated trams, gold tram, quarry hill, golden square, aeta -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 4, Keith Kings, 8/01/1956 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Set of four black and white photographs from Keith Kings of the staged closures of the Geelong tramways. Note some of these photographs are very similar to those of Geoff Grant - See Reg Item 476i8. Also see Reg item 4398 and 4399 for same images of Keith Kings collected by Bill Scott. .1 - No. 1 - last tram ex Chilwell back at Depot - Sun 8/1/56 - KSK Photo Q(x)(8). .2 - Scene for the last tram in Ryrie St, Sun 26/3/56, many people in photograph, with tram in background, has destination of Belmont. KSK Photo T(g)(7) .3 - ditto, for 31 and 38 as the third and second "last" trams, back at Ryrie St, Sun 26/3/56 - KSK Photo T(g)(6) .4 - Nos. 31 and 38 as the last trams at Belmont terminus, Sun 26/3/1956 - KSK Photo T(g)(4)On the rear in ink and with the Keith Kings Copyright stamp: .1 - "Geelong - 1 - last tram ex Chilwell back at Depot - Sun 8/1/56" - Q(x)(8) .2 - "Geelong - 4 - last tram back at Ryrie St, Sun 26/3/56" - T(g)(7) .3 - "Geelong - 31 & 38 - as third and second "last" trams, back at Ryrie St, Sun 26/3/56" - T(g)(6) .4 - "Geelong - 31 and 38 as last trams at Belmont terminus, Sun 26/3/1956" - T(g)(4)trams, tramways, geelong, closure, chilwell, ryrie st, belmont, last tram, tram 1, tram 4, tram 31, tram 38 -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTOGRAPH OF FOUR HANRO EMPLOYEES
Photograph of four Hanro models: Black and white photo of four ladies modelling Hanro dresses.. Three ladies are wearing Hanro dresses and the fourth is in a tailored suit .On the left the dress is of light material and has short sleeves, padded shoulders, high neck with three darts either side at the next and four buttons down the centre. The dress has darts at the waist and is drawn in with a belt. Second lady from the left is wearing a long sleeve dress with padded shoulders set in sleeves, and gathered at the cuff and secured with a button. The bodice is V necked with a collar, has gathering at the shoulders and is buttoned up with two buttons down the centre, darts under the bust line and a belt is at the waist. The third lady is in a dark suit with a long sleeved tailored jacket with padded shoulders, V necked with a collar and five buttons down the centre. Pockets either side are trimmed with buttons. The suit has a straight skirt. The lady to the right is in a light coloured dress with short set in sleeves and a peter pan collar. At the top half of the bodice the dress has vertical pin tucking with five buttons down the centre. The waist has darts at the bust line and the skirt is of a gored style, there is a belt at the waist. The hem line are all below the knee and are all wearing high heals. The ladies are standing in front of a wall of wood panelling. On the back written in pencil is *Joyce, Yvonne and Clarice. Copyright Bendigo Advertiser. Bendigo Advertiser Photographic Service. For re-order Quote CK242. Box 116ABendigo advertiser Photographic Servicephotograph, person, hanro, hanro. bendigo advertiser photographic service -
Clunes Museum
Domestic object - LACE MAKER
Includes; .1 Lace Maker .2 3 x samples of lace .3.Bill of Sale dated 7 March 1916 payment received with thanks C.H Coombe .4 Price list of Torchon Lace Co.229 Collins Street, Melbourne, Victoria, Australia .5The Torchon Lace Making Booklet, 12th edition, copyright 1904 .6 Letter (undated) offering The complete lacemaking outfit .7 Document with customer reviews .8 Booklet "The Torchon Lace Maker (illustrated) Copy right 1904 All rights Reserved .9 30 x cardboard lace making patterns No. 20 Torchon Edging, Diamond Point Edging, Net Ground, 2 x Round Point Edging, Edging No. 11, Diamond Antique Edging, Jewel Insertion, Smyrna Edging, Rose Ground, Edging No. 24, Insertion No. 22, No.5 Twisted Hole Ground with "Spider". Spider insertion, Copenhagen Lace, Plain Hole Ground, Ornamental Ground Pin Check, Block Lace, Spider Lace, No. 18 Medici Lace, ZigZag Lace, Wide Antique Lace, Diamond Antique Edging, Block Lace, Jewel Insertion, Edging No. 24, Spider Lace, Zig-Zag Lace, Medici Lace, No. 21 Maltese Lace. .10 .35 x bobbins (8 with cotton) .11 2 x cream coloured lace doyleys with square linen damask machine sewn into the centre of the doyley. .12 Large wooden cotton reel with cream coloured lacemaking thread .1 White sticker, "63" printed in black placed on Lace Maker .12 Eagley imprinted into one end of the reellace making machine, christina mckenzie lawrence -
Ballarat Tramway Museum
Postcard - Folder set, Rose Stereograph Co, "7 Rose Series Heritage Collection Postcards - Bendigo Victoria", c1990
Set of seven Rose Series Heritage postcards in a strip production featuring Bendigo Victoria. Each black and white postcard features an historic view of Bendigo from older Rose Series or Valentine's postcards and are perforated on the top and bottom so they can be separately used. On the rear of each card are areas for address, stamps, title, Rose logo and copyright note. Each card has been given a new Rose Series Number. On the top of the set of cards is a short history profile on the Rose Stereograph Co. 1. Photo of the Mall showing two ESCo trams, and the Alexandra Fountain with a third tram in the background c1908. Rose series Number 2764. Photo supplied by Rod Aikman - see image btm1662i1. 2. Photo of mining operations , c1900. Rose series Number 2765. Photo supplied by Rod Aikman 3. Image of Pall Mall, Law courts and Post office building. Rose series Number 2766. Photo supplied by Rod Aikman. Was Rose Series P3213. 4. Photo of Mitchell St. looking west from Pall Mall with fountain on right and two ESCo trams c1906.Rose series Number 2767. Photo supplied by Rod Aikman - see image btm1662i2. 5. Photo of Alexandra Fountain - was Valentine Series No. 1393 c1920's. - now Rose Series 2768. 6. Photo of Chinese Dragon "Loong", now Rose Series 2769 c1950 - was P2846. 7. Photo of Williamson Street Bendigo, showing Shamrock Hotel c1920- now Rose Series 2770 - was Valentine's M5710. trams, tramways, bendigo, pall mall, esco, mitchell st. -
Kew Historical Society Inc
Archive (series) - Subject File, Artists II (Kew), 1958
Various partiesReference, Research, InformationKHS OrderThe second of two reference files on artists in Kew, this file including research and printed copies of a publication by Elizabeth Mackie, ‘The Artists of Kew’ (self-published 1981 - ISBN 0 9594081 0 X). The publication is attached to this record as a PDF file, but it should be noted that copyright is still held by the descendants of the author, but may be used and quoted for research purposes. One of the copies in the file of the publication is an ex-library copy and includes an index. The other unpublished material/research is held in copyright by the Kew Historical Society Inc. The files include descriptions, addresses and or dates relating to artists mentioned in the file. Within the file, there is also detailed correspondence and notes from and relating to Gwen Walker, Marguerete Mahood, Stanley Ballard, and Kathlyn Margaret Ballard. Index - ‘The Artists of Kew’ (Mackie E, 1981): Louis Abrahams, Edith Alsop, William Nichols Anderson, Louis Anquetin, Dorothy Baker, Alice [Marion Emily] Bale, Kaye Ballard, Stan Ballard, George Bell, Leila Bell, Charles Bennett, A Bolam, Shirley Bourne, Arthur Boyd, John Brack, Louis Buvelot, Donald Cameron, Robert Camm, Sir Hugh Casson, S Cochrane, Alexander Colquhoun, Amalie Colquhoun, Archibald D Colquhoun, Beatrice Colquhoun, Elizabeth Colquhoun, George Colville, Charles Conder, Colin Coulihan, Noel Counihan, David Cox, Sir William Dargie, Isobel Davies, Miss De Mole, L Dunn, Frank Emery, Albert Enes, Alma Figuerola, W H Fitchett, Paul Fitzgerald, George Frederick Folingsby, E Phillips Fox, William Frater, John Frith, Miss Fullwood, Alistair Cameron Gray, Harley Griffiths, Gilda Gude, Nornie Gude, Dora Hake, Elsie Bernard Hall, Robert Hannaford, John Hassell, Carl Hempel, Harold Herbert, June Hobart, Kenneth Jack, Jean Jeffery, Cliff Judge, Lois Kahan, William Kearney, Percy Leason, Bastien Le Page, J Lewis, Norman Lindsay, Percy Lindsay, Sir John Longstaff, John Loxton, Arthur Loureiro, Gordon McCrae, Frederick McCubbin, Herchfield Mack, Alan Martin, Karlis Mednis, Max Meldrum, Bertha Merfield, Anne Montgomery, David Moore, Lillian Morrison, Carl Nelson, Sydney Nolan, Ambrose Patterson, Lawrence Scott Pendelbury, John Percival, John Perry, W Pinderson, Marie Pinschoff, John Piper, J Reverdy, Tom Roberts, James Robertson, John Russell, Jan Hendrik Scheltema, Arnold Shore, Joseph Simpson, Joy Stewart, Sir Arthur Streeton, Jane Sutherland, Ruth Sutherland, Evelyn Syme, Eric Thake, Isobel Thorn, Albert Tucker, Tudor St George Tucker, Isobel Tweddle. Other artists noted in file include: Marguerete Mahood, Leopoldine Mimovich, Julius Wentscher, Tina Wentscher, Sigismonde Zacutti, Napier Waller, Percy Gair, Stuart Warmington, Len Annois, Margaret Baskerville, Clara Southern, Andre Maszaros, Michael Maszaros, Walter Withers, Edith Ussher, Arthur Wills, Douglas Annand, and Gwen Walker.artists - kew (vic)artists - kew (vic) -
The Beechworth Burke Museum
Photograph, est. 1860-1875
In 1875, the Rocky Mountain Extended Gold Sluicing Company Ltd was created, utilising the previous Rocky Mountain claim for the area near Lake Sambell. The company employed A.L Martin to survey an area for a tunnel underneath Beechworth and Johnson Stephens to dig it. The tunnel was built at a rate of 40 feet a month and eventually measured 800 metres. The tunnel was a true accomplishment both in the present and during the 19th century. It was considered to be a marvelous engineering feat. Beechworth is renowned for its hydraulic sluice method of mining. This involved soil being exposed to torrents of water from high-pressure hoses. From 1876 until its closure in 1921, the mine produced an astounding 47,926 ozs of gold. Companies like this were the source of income for many Chinese gold-diggers who sought to make their fortune on the goldfields of Beechworth. During the height of the rush, the town had around 7,000 Chinese inhabitants living on the outskirts of town as they were not permitted to live within Beechworth itself.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portrays an open-cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in 1910. It also shows a location where sluicing was undertaken which provides insight into the impact of sluicing on the environment at a time when it was done. This image of the Rocky Mountain mine is historically significant as the mining complex is now non-existent, with the only remains being the tunnel built in 1880 by the company, which was considered one of the greatest engineering feats of the time. The image also provides a first-hand look into the social and cultural networks at play during the 19th century with racial segregation of the Chinese at the 'Chinese Camp', as well as an insight into Beechworth's origins during the Gold Rush.A sepia rectangular photograph printed on matte photographic paper as a postcardReverse: Historic Beechworth / 7792.1 / ROCKY MOUNTAIN MINE / Viewed from the “Chinese Camp”, shown partly in the foreground, we see the central plant of the famous Rocky Mountain Mining Company. This extensive complex, of which nothing remains, was situated between Silver Creek and the present Lake Sambell area. The company was responsible for a tunnel cut through solid bedrock underneath the town of Beechworth and surfacing near the keystone bridge on the Wangaratta side. Completed in 1880 it was declared to be one of the greatest engineering feats in Australia. The tunnel is still basically intact today. / Series by Wooragee Graphics: Historic Beechworth. / COPYRIGHT BURKE MUSEUM / No.72 beechworth, rocky mountain mine, sluicing, gold rush, mining, gold -
Marysville & District Historical Society
Postcard (item) - Novelty postcard, Valentine Publishing Co. Pty. Ltd, Good Luck from MARYSVILLE, 1940's -1960's
A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Good Luck from MARYSVILLE 1782 PRINTED PAPER MAILING NOVELTY TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD COPYRIGHT Printed in Great Britain To "Kooringa"/ Sunday Dear Heather. JUST A LINE FROM MARYSVILLE/ TO LET YOU KNOW WE ARE OK AFTER OUR/ TRIP UP. LEFT HOME AT 8-30 THIS MORNING,/ AND AFTER LUNCH AT HEALESVILLE ARRIVED/ HERE AT 1-30. IT CERTAINLY MAKES A/ DIFFERENCE HAVING THE CAR. YOU DO/ ENJOY THE TRIP. WE HAVE A NICE BIG/ ROOM SO SHOULD BE QUITE HAPPY./ LOTS OF LOVE FROM AUNTY AND UNCLE XXXXmarysville, victoria, postcard, souvenir, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), blacks spur (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9) -
Melbourne Legacy
Photograph, Anzac commemoration for students 1945, 1945
A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. This is a close up photo of the son of soldier wearing his fathers medals, at the service in 1945 (see also 01193). It is the son of Lieut. G Ingram, a VC medal recipient.A record of a ceremony for school students at the Shrine.Black and white photo a boy wearing his fathers medals at an Anzac Commemoration Ceremony for students at the Shrine in 1945.Photo is stamped with purple copyright stamp of The Argus with identifying number, U-1673 in pencil. Also 'Anzac Eve 24th April 1945' and 'Ingram VC's son' in pencil. There are marks for cropping and dimensions for reprinting in a newsletter. A paper label says: ' 18. The son of Lieut. G.M. Ingram, Victoria Cross, wears his father's decoration awarded in France in 1918. 1/2 page' in blue pen. Was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.anzac commemoration for students, wreath laying ceremony, vc medal, ingram -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, c1926
Black and white photograph of the construction of the tram track in St Kilda Road, during 1925 or 1926 by the Foundation Construction Ltd, with a concrete mixer tracked vehicle and two aggregate or crushed rock trucks. Photo from the Collection of the Department of Infrastructure now with the Public Records Office - image number H514. Note: this photo is now out of copyright and was not an original VR photograph, but one copied from another source and collected as their Heritage series. See Image 3674i2 and 3674i3 for a digital image of the card photograph at the PRO on 7/1/2019 that this photograph comes from. Further notes from Rod Atkins 11/7/2019: The cement mixer was state of the art machine at the time. "Buddy" in the USA were making them but this one is slightly different and may have been made by a company call AAC in Sheffield U.K. You can just make out the word " ….field" etc … on the water tank . The sign; now this is very interesting. "The Foundation Company" is the Australian company of the one in London.. from The Argus at the time. run by no less than by Herbert Del Cott Ply Ltd. (you can just make that out in the bottom line of the sign.) A rather interesting person in Melbourne society between the wars. His name pops up a lot in The Argus. was not short of a pound either.... Had his "Buick" stolen from Russell Street in 1920. Had some issues with wages on Wellington Street conversion. Looks to have run a electrical business before seeing opportunity with cable tram replacement coming up. In the 1930' lived in Stevenson Street, Kew. Travelled a lot to Europe. (Austria) …..Has Department of Infrastructure copy right stamp on rear and number "H 514" in ink on rear and "2-1"trams, tramways, st kilda rd, trackwork, construction, conversion -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, London News Agency Photos Ltd. (LNA), Giant liner's mast replaced, 13 Fevrier 935
The repaired mast of the giant liner Cunard White-Star Liner "MAJESTIC" was installed in the liner at Southampton today. Photo shows the mast being lifted by the giant floating crane into the liner. A comparison of the size of the crane and mast is given by the men is picture.Black and white photograph depicting the mast being lifted onto the liner deck. A few men can be seen on board.On a thin paper glued to the back, typed in black ink: Issued 13-2-35 /Supplied: LNA/GIANT LINER'S MAST REPLACED./The repaired mast of the giant liner Cunard White-Star Liner "MAJESTIC" was installed in the liner at Southampton today. Photo shows the mast being lifted by the giant floating crane into the liner. A comparison of the size of the crane and mast is given by the men is picture. On the left side written in blue pen: Copyright LNA / NB (an arrow directs to stamp). On the right top corner an oval shape stamp in red ink: London News Agency Photos LTD. 46, Fleet Street, London, ECA. In the centre: Photo Supplied/L.N.A/Tel: Central 3751.passenger ship, liner, cunard-white star, rms majestic -
Kiewa Valley Historical Society
Four photographs of the Blue Duck Hotel and two Photos of the Glen Wills area, c1920 Post cards, c1949/50 small photographs
The Blue Duck Hotel stands at the confluence of 3 trout rivers - Cobungra, Bundarra and Mitta Mitta, called Angler's Rest. The original 1900's building was of slab construction and operated as a butcher shop, servicing miners on the track from Omeo to Mt. Wills. In 1912 it was purchased by a miner, Billy O'Connell, and he obtained a hotel license. In the early 1920's he transported 2 houses from Omeo on Horse drays. One is the main building of the Blue Duck and the other was a residence where Billy and his wife raised their nine children. The small log structure behind the pub is State School No.4286 where the children attended school. A teacher was shared with Glen Wills. By the late 1920's the hotel was discovered and patronized by keen anglers. Sir Harold Clapp (head of the railways) was one and he had the bronze blue duck cast and presented to the owners in the 1930's. This stands at the entrance to the premises.These photographs are of a building, in a remote area, that has provided a service to miners, anglers and travellers for over 100 years and continues to do so today. It also played a vital role in the history of the Mt. Wills/Omeo gold mining days.3 Post cards, Black and White photographs. 3 small black and white photographsPost Card No. 1 - "Blue Duck Hotel- Omeo-Glen wills road Ray Love Series No.2"(written on lower front) Post Card No. 2- "Looking towards Bogong High Plains. Omeo-Glen Wills road"(front, bottom, L hand) Ray Love Series No. 18 (front, lower R hand corner) On both of above photos, centre back, is stamped POST CARD and underneath this is printed "A GENUINE PHOTOGRAPH'/ Post Card No. 3 - Bottom L hand corner "Mystic Sea Australian Alps". R hand corner "(Bulmer Copyright)". Each small photograph, handwritten on back "Blue duck Hotel". All have circular stamp with "Print by Wilson White Albury" blue duck hotel; anglers rest; omeo highway; fishing; mining -
Marysville & District Historical Society
Postcard (Item) - Black and white postcard, Rose Stereograph Company, "CROSSWAYS," MARYSVILLE, VIC, 1923-1967
A black and white postcard of the Crossways historic inn in Marysville in Victoria. The Rose Series P. 4826. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of the Crossways historic inn in Marysville in Victoria.THE ROSE SERIES P. 4826/ COPYRIGHT "CROSSWAYS," MARYSVILLE, VIC. POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. 30.5-34 Dear Shirley/ How are you all getting along/ I got your letter a long time ago. You/ got a lot of presents you ought to have/ another one soon. This is the place where/ I work you cannot take a picture of the/ front of the place because it's big trees./ This is the back photo the kitchen is on the/ right. There is no news. Hoping Mum & Dad & Arch/ are all well Yours Lovingly Fred xx xx/ I'll give him a knock in the eye for Archie xxxxmarysville, victoria, australia, crossways historic inn, accommodation, 2009 black saturday bushfires, rose stereograph company, rose series, p. 4826, postcard, souvenir -
Marysville & District Historical Society
Postcard (item) - Colour and black and white photographs, Murray Views, Pictorial Souvenur of Marysville, Vic. 15 Favourite Views, 1950's
A fold out postcard of 15 colour and black and white photographs of scenes and landscapes in and around Marysville in Victoria.A fold out postcard of 15 colour and black and white photographs of scenes and landscapes in and around Marysville in Victoria. These photographs were produced by Murray Views in Gympie, Queensland as a souvenir of Marysville.Pictorial Souvenir/ of/ Marysville, Vic./ 15 Favourite Views PRODUCED BY MURRAY VIEWS. GYMPIE. Q. COPYRIGHT SAMUEL LEE & CO., PRINTERS Serial No. R 4152 NICHOLL'S LOOKOUT, MARYSVILLE, VIC. TAGGERTY RIVER, MARYSVILLE, VIC ROAD SCENE, MARYSVILLE, VIC. MAIN STREET, MARYSVILLE, VIC. THE CROSSWAYS, MARYSVILLE, VIC. FRUIT SALAD FARM, MARYSVILLE, VIC. ROAD TO CUMBERLAND VALLEY, MARYSVILLE, VIC. CROSSWAYS CABARET, MARYSVILLE, VIC. TREE FERNS, MARYSVILLE, VIC. STEVENSON'S FALLS, MARYSVILLE, VIC. Looking towards Marysville, Vic. Tourists at Marysville, Vic. Taggerty River, Marysville, Vic. On Buxton Road, Marysville, Vic. Panorama from Black Spur, Marysville Road, Marysville, Vic.marysville, victoria, souvenir, postcard, nicholl's lookout (image 1), taggerty river (image 2), road scene (image 3), main street marysville (image 4), crossways hotel (image 5), fruit salad farm (image 6), cumberland valley (image 7), crossways cabaret (image 8), tree ferns (image 9), steavenson falls (image 10), marysville view (image 11), tourists marysville (image 12), taggerty river (image 13), buxton road (image 14), black spur (image 15) -
Marysville & District Historical Society
Postcard (item) - Colour and black and white photographs, Pictorial Souvenir of Marysville, Vic. 15 Favourite Views, Unknown
A fold out postcard of 15 colour and black and white photographs of scenes and landscapes in and around Marysville in Victoria.A fold out postcard of 15 colour and black and white photographs of scenes and landscapes in and around Marysville in Victoria. These photographs were produced by Murray Views in Gympie, Queensland as a souvenir of Marysville.Pictorial Souvenir/ of/ Marysville, Vic./ 15 Favourite Views PRODUCED BY MURRAY VIEWS. GYMPIE. Q. COPYRIGHT SAMUEL LEE & CO., PRINTERS Serial No. R 4152 NICHOLL'S LOOKOUT, MARYSVILLE, VIC. TAGGERTY RIVER, MARYSVILLE, VIC ROAD SCENE, MARYSVILLE, VIC. MAIN STREET, MARYSVILLE, VIC. THE CROSSWAYS, MARYSVILLE, VIC. FRUIT SALAD FARM, MARYSVILLE, VIC. ROAD TO CUMBERLAND VALLEY, MARYSVILLE, VIC. CROSSWAYS CABARET, MARYSVILLE, VIC. TREE FERNS, MARYSVILLE, VIC. STEVENSON'S FALLS, MARYSVILLE, VIC. Looking towards Marysville, Vic. Tourists at Marysville, Vic. Taggerty River, Marysville, Vic. On Buxton Road, Marysville, Vic. Panorama from Black Spur, Marysville Road, Marysville, Vic.marysville, victoria, souvenir, postcard, nicholl's lookout (image 1), taggerty river (image 2), road scene (image 3), main street marysville (image 4), crossways hotel (image 5), fruit salad farm (image 6), cumberland valley (image 7), crossways cabaret (image 8), tree ferns (image 9), steavenson falls (image 10), marysville view (image 11), tourists marysville (image 12), taggerty river (image 13), buxton road (image 14), black spur (image 15) -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene on the Yarra, near Rourke's Bridge, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: SCENE ON THE YARRA, NEAR ROURKE'S BRIDGE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 16. / SCENE ON THE YARRA, NEAR ROURKE'S BRIDGE. / The subject of the present illustration represents the New Bridge crossing the River Yarra on the road from / St. Huberts to the Native Station at Corranderrk, and to the township at Healesville. The river at this place abounds / with fish of a large description, which are caught by the Natives, frequently in considerable quantitities. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography - victoria -
Ballarat Tramway Museum
Photograph - Bendigo steam tram No 2 Mollison St, William H Robinson, 1892/1895
Copy print of a sepia toned image of a Bendigo Tramways Co. Ltd steam tram motor (No. 2) and trailer No. 6, possibly on the depot access track. Shown as a W. H. Robinson photograph, was scanned from a block mounted print. Has in pencil "1892 - 1902" reproduced on the photograph. Trailer No. 6 has a roof advertising board "Drapery half price Beehive Sale". shows in detail the presentation of the trams, painting scheme, bogie arrangements. Two copies held. 4369.2 - Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 30/6/2013. Has 'WJ T168" written in ink on the front of the photograph. See item 9464 for a glass plate negative of this image and 987 and 1439 for other images.Yields information about Bendigo steam tram and their trailers.Black and White reproduction printCopy 1 - Has "17)" in the top left hand corner of the front of the photograph. On the rear "(8)" in pencil in the top left hand corner. In pencil and ink "Bendigo Tramways (steam system) 1892", "Copied from William H Robinson / Leonard C. Bennetts Collection" and a "William F Scott" address label in the bottom right hand corner. Also has cropping instructions and other marks. Copy 2 - In pencil "Bendigo / William H Robinson / Leonard C. Bennett Collection" 4369.1 - on rear in ink "Bendigo No. 2 Motor, No. 6 Car, Mollison St. 1895" Motor No. 2 by Baldwin B/No. 12242 of 1891" Has Wal Jack copyright stamp on rear and number T168 written in.trams, tramways, bendigo, mollison st, steam trams, trailers, tram 2, tram 6 -
Chiltern Athenaeum Trust
Booklet - Booklet of Selected Verse by A.W. Eustace published 1992, Selected Verse/ A.W. Eustace of Chiltern/1820-1907
Alfred William Eustace was a well-known self-taught Australian artist who spent his spare time painting the local landscapes in the Chiltern area. When not doing his work or painting, Eustace regularly contributed letters and verse to the Chiltern newspaper "The Federal Standard". A collection of A. W Eustace's verse and other writings, written between 1845 and 1899, was presented to The Chiltern Athenaeum Trust by Cam Boadle, a grandson of A.W. Eustace, and his wife Connie. The Chiltern Athenaeum Trust created a booklet of some of his poetry which was published in 1992. Copyright for the booklet is held by Chiltern Athenaeum Museum 1992. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. A.W.Eustace was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederich of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Alfred William Eustace made a valuable contribution to the culture of 19th century Chiltern and his booklet of Selected Verse gives us an insight into life during that time.22 page booklet of Selected Verse/ A.W. Eustace of Chiltern/ 1820-1907. Printed on thick cream paper with a copy of an oval photograph of the author.a. w. eustace, selected verse, chiltern -
Kiewa Valley Historical Society
Photographs - Townships of Mt Beauty and Bogong and the Kiewa Valley, c 1940, 1950, 1960
The township of Mt. Beauty was built to provide family accommodation for personnel working on the construction of the Kiewa Scheme. construction commenced in 1946. Photo 1 is looking towards the corner of Lakeside Ave. and Kiewa Crescent. The Post Office is on the corner and the original building housing the Co op store was in Kiewa Crescent. Photo 2 is taken at a later date as the garden in front of the Post Office is well established. The Community Centre is centre left of the photo and the back buildings are the staff accommodation called "The Chalet". Photo 3. Farming country taken from Wallacedale. The Wallaces were one of he early farming families in the Kiewa Valley. Photo 4. This photo is of Junction Camp at Bogong Village and was commenced late in 1939 and by 1940 accommodated 96 men who were engaged in work on Junction Dam. Sleeping accommodation was provided in hutments, each of four rooms, each room being approx. 12 feet by 10 feet and provided for the accommodation of 2 men. This camp remained in use until November 1962.These photos have both historical and social significance. They show the type of accommodation available for workers during the construction of the SEC Kiewa Hydro Scheme as well as early streetscape views of Mt. Beauty. The Junction Camp photo also shows the state of the forest following the 1939 fires in the area.4 Black and white photographs of various sizes.Photo 1. On back, hand written in pencil: top left hand corner: "Sept 1950". Centre of photo: "Return to Gibson Envelope". Right hand side: "Cooper". Bottom left corner: "Mt. Beauty Camp SEC Kiewa Scheme". Photo 2. No inscriptions or markings. Photo 3. Back of photo handwritten in pencil: "In W>T> June 14. 1961 page31. Some of the farming country in the Kiewa Valley. This taken from the home of Mr. Geoff Wallace Wallacedale, Kergunyah where some of his 600 cattle were rounded up." Bottom right corner "Return to Gibson Envelope". There is a copyright stamp belonging to "the Herald & Weekly Times Ltd. also on the back. Photo 4. Typed on a sticker on the back of the photo "Stable attendants Cottage and Camp Sept. 1940".camp, sec kiewa scheme, kiewa, cattle, mt. beauty -
Marysville & District Historical Society
Postcard (item) - Novelty postcard, Having a High Old Time at MARYSVILLE-KEEP WELL AND BRIGHT KEEP SMILING AND WRITE, 1940's-1960's
A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Having a High Old Time at MARYSVILLE KEEP WELL/ AND BRIGHT/ KEEP SMILING/ AND WRITE 1902 VALENTINE'S/ MAILING NOVELTY From VALENTINE'S "MAIL NOVELTY" POSTCARD. COPYRIGHT/ PRINTED IN GT. BRITAIN To Dear Mrs Bannan, I was expecting/ you down to meet "my folks" while they/ were over. Sorry you couldnt fit it in/ They went back last Tuesday & we came/ up here on Wednesday. Weve settled in/ to have a restful holiday. its a lovely/ place spotlessly clean & beautiful meals/ Ive never eaten so much for years. We/ will be here for 10 days so I should put/ on at least a stone the way Im eating/ love & best wishes to you all from Wm Staceymarysville, victoria, postcard, souvenir, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), blacks spur road (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9) -
Anglesea and District Historical Society
Three Bears Porridge Bag, Jas. F. McKenzie & Co, 1936
Calico bag originally containing porridge and sold in Australia during 1930's. Patent is dated 1936.Front top: THREE BEARS PORRIDGE / OATMEAL / picture of three bears / SOMEBODY'S BEEN TASTING MY PORRIDGE AND THEY'VE EATEN IT ALL UP / 7 LBS.NET Back of bag: Cut-out pattern of Brere Rabbit. Directions - cut around outline of design, place both patterns face to face, stitch around the outline leaving open down the side of the trousers for filling; cut notches, turn right side out, then fill with suitable filling. Sew down side of trousers when filled. Copyrights and Patents Applied for. In order to complete this doll it will be necessary to obtain the Back Design from another Bag of "Three Bears" Rolled Oats or Oat-meals. LOOKOUT FOR FURTHER DESIGNS OF NEW DOLL CUT OUTS ON ALL MCKENZIE'S "THREE BEARS" ROLLED OATS AND OATMEAL BAGS.porridge. oatmeal, mckenzies -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the Township of Fernshawe, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board. [Note: This is the first of two copies of this photograph in the collection]printed in ink on support l.c.: VIEW OF THE TOWNSHIP OF FERNSHAWE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 14. / VIEW OF THE TOWNSHIP OF FERNSHAWE. / Fernshawe may be considered the most romantic town in the Colony of Victoria. It is situated at the foot of / the Black Spur, and is surrounded by a great many high hills, such as Mounts Riddell, Juliet, Munday, and others, / which form the crossing range into Gipps Land. It has, no doubt, derived its name from the fact that it is the / greatest Fern-growing district in the Colony. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, fernshawe -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the Township of Fernshawe, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography,An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board. [Note: This is the second of two copies of this photograph in the collection]printed in ink on support l.c.: VIEW OF THE TOWNSHIP OF FERNSHAWE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 14. / VIEW OF THE TOWNSHIP OF FERNSHAWE. / Fernshawe may be considered the most romantic town in the Colony of Victoria. It is situated at the foot of / the Black Spur, and is surrounded by a great many high hills, such as Mounts Riddell, Juliet, Munday, and others, / which form the crossing range into Gipps Land. It has, no doubt, derived its name from the fact that it is the / greatest Fern-growing district in the Colony. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, fernshawe -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Fern Terrace, on the River Watt, near Mount Munday, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 17. / FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / Of the various Rivers which exist in the Colony of Victoria, the River Watt (though a small one, and to some / extent unimportant) may be said to contain the most charming as well as the greatest variety of romantic scenery. / The scene of the present issue is perhaps the most unique of its character to be found in any of the Colonies. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography - victoria -
National Wool Museum
Photograph - Piebald Sheep and First Crosses, c.1928
This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Piebald Sheep and First Crosses. / [printed] The piebald breed of sheep (sometimes called Spanish, Zulu, Jacob's / sheep etc.) is represented by many flocks in this country. The piebald / pattern is distinctive. Crosses with all other breeds give nothing but / self-blacks. A back cross to piebald have half blacks and half piebalds. / This shows that Piebald sheep posses a dominant black and a recessive pat- / tern factor. / Fig. 1 shows a typical Piebald ewe, Figs. 2 and 3 the extremes of / dark and light patterns. Figs. 4 and 5 show black first cross rams. Back: [handwritten] Piebald Sheep / [?] Crosses / 2 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland -
Bendigo Historical Society Inc.
Document - ART EXHIBITION, BENDIGO, c1972
Art Exhibition, Bendigo Easter Fair Society presents The Annual Art Exhibition. Painting Section. Artists: Gordon Allen, Mrs D Allender, 'April', Bruce Barklamb, Thomas R W Benkendorff, Christine Berkman, Mrs J A Blakey, James E Bowman, Darryl Brown, Malcolm H Cannon, R L Carless, Pamela Caswell, Bett Cheek, Mrs Betty Cooper, Peter Costello, Jennifer Cottrell, Stephanie Cottrell, Dorothy Dempsey, Noelene Edmunds, Emma J., Ruth Epps, Mrs Jean Ferguson, Mrs Margot Flood, Lorraine Fraser, Maureen French, Neil Friswell, Ian Glanville, Sheryl Gregory, Mrs Valmai Hill, Mr A B Hocking, Ivy Jeffrey, George Kendall, Mrs Joan Kerr, Miss Jillian Locket, R McKenzie, Mrs J E McLean, Mrs Coral Manfield, Meenah Marchbank, Lillian B Mark, Ian John Mark, T Matthews, Mrs Judy Maxwell, Margaret Metcalf, Jean Morrissey, Mrs E Noble, I Osborne, Max Paull, R Paynter, Anthony N Penno, Norman William Penrose, Mark Phillips, Janice Pinder, Yvonne Pocock, Jennifer Reilly, Mrs S Reed, R J Ritter, Roma Robbins, Faye Roberts, Frank S Saunders, Jeanette Skrokov, Mrs C A Slootjes, John Spink, Ruth E Stewart, Mrs W Tebb, Gerard Terpstra, Stan Thomas, Pat Frewin, Dominic Tuohy, Peter Tyndall, Neil G West, Tony Wilson, Wilma Wilson, Pam Wright, A McGregor and R Pearce, T A Solbig. World Prints. List of various world print available for sale and prices, for the first time in Australia. World Prints Pty. Ltd. Copyright. Aztec Graphics, Moorabbin.- Design R H Bultows 72Aztec Graphics, Moorabbinevent, easter fair, bendigo easter fair society, art exhibition, bendigo easter fair society annual art exhibition. artists: gordon allen, mrs d allender, 'april', bruce barklamb, thomas r w benkendorff, christine berkman, mrs j a blakey, james e bowman, darryl brown, malcolm h cannon, r l carless, pamela caswell, bett cheek, mrs betty cooper, peter costello, jennifer cottrell, stephanie cottrell, dorothy dempsey, noelene edmunds, emma j., ruth epps, mrs jean ferguson, mrs margot flood, lorraine fraser, maureen french, neil friswell, ian glanville, sheryl gregory, mrs valmai hill, mr a b hocking, ivy jeffrey, george kendall, mrs joan kerr, miss jillian locket, r mckenzie, mrs j e mclean, mrs coral manfield, meenah marchbank, lillian b mark, ian john mark, t matthews, mrs judy maxwell, margaret metcalf, jean morrissey, mrs e noble, i osborne, max paull, r paynter, anthony n penno, norman william penrose, mark phillips, janice pinder, yvonne pocock, jennifer reilly, mrs s reed, r j ritter, roma robbins, faye roberts, frank s saunders, jeanette skrokov, mrs c a slootjes, john spink, ruth e stewart, mrs w tebb, gerard terpstra, stan thomas, pat frewin, dominic tuohy, peter tyndall, neil g west, tony wilson, wilma wilson, pam wright, a mcgregor and r pearce, t a solbig. world prints. list of various world print available for sale and prices, for the first time in australia. world prints pty. ltd. copyright. aztec graphics, moorabbin.- design r h bultows 72 -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Neil Cutts, The Marysville Story-Steavenson Falls, Pre 2009
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of Steavenson Falls in Marysville, Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. At 84 metres high, Steavenson Falls is Victoria's tallest cascading waterfall. The falls are split into roughly five cascades, with the last of these plunging into a small, picturesque rock pool. Rose Series Postcard No. 3530. The Marysville Story/ Marysville lies in the Great Dividing/ Range, a peaceful town where lush/ mountain forests provide a perfect setting/ for bush walks or just relaxing. Lookouts/ and waterfalls abound, the most famous/ being Steavenson Falls, one of the tallest/ in Victoria and spectacularly floodlit at/ night./ Established in 1863, Marysville was/ named after the wife of surveyor John/ Steavenson. The discovery of gold at/ Woods Point meant that it became/ an important stopover for/ diggers on their/ way to the/ goldfields. Steavenson Falls POST CARD The "Rose" Series/ De Luxe Proudly Printed in/ Australia Since 1880 AFFIX/ STAMP/HERE/ Rose Series/ Post Card No./ 3530 ADDRESS/ POSTCODE the MARYSVILLE STORY & Steavenson Falls/ MARYSVILLE, VICTORIA, AUSTRALIA/ Photo Neil Cutts Copyright Rose Stereograph Co., Glen Waverley, Victoria (03) 9560 7772marysville, steavenson falls, victoria, postcard, souvenir, rose stereograph co, 3530, john steavenson -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Neil Cutts, The Marysville Story-Steavenson Falls, Pre 2009
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of Steavenson Falls in Marysville, Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. At 84 metres high, Steavenson Falls is Victoria's tallest cascading waterfall. The falls are split into roughly five cascades, with the last of these plunging into a small, picturesque rock pool. The Rose Series postcard No. 3530. The Marysville Story/ Marysville lies in the Great Dividing/ Range, a peaceful town where lush/ mountain forests provide a perfect setting/ for bush walks or just relaxing. Lookouts/ and waterfalls abound, the most famous/ being Steavenson Falls, one of the tallest/ in Victoria and spectacularly floodlit at/ night./ Established in 1863, Marysville was/ named after the wife of surveyor John/ Steavenson. The discovery of gold at/ Woods Point meant that it became/ an important stopover for/ diggers on their/ way to the/ goldfields. Steavenson Falls POST CARD The "Rose" Series/ De Luxe Proudly Printed in/ Australia Since 1880 AFFIX/ STAMP/HERE/ Rose Series/ Post Card No./ 3530 ADDRESS/ POSTCODE the MARYSVILLE STORY & Steavenson Falls/ MARYSVILLE, VICTORIA, AUSTRALIA/ Photo Neil Cutts Copyright Rose Stereograph Co., Glen Waverley, Victoria (03) 9560 7772marysville, steavenson falls, victoria, postcard, souvenir, rose stereograph co, 3530, john steavenson