Vivienne McDERMOTT Working primarily in printmaking, drawing, mixed media and found/recycled object sculpture Vivienne McDermott lecturerf in Printmaking and Drawing at Ballarat University in 2000-2010 and collaborated with arts group Ratartat on public and community arts projects has taken her to many places throughout Australia. Her subjects include the Australian landscape, local characters and wildlife, the human condition and landscape. Now based in the Western Kimberley region of Australia Vivienne McDermott was Artist in Residence at Wulungarra Community School in 2012 -2013, and exhibits annually in Australia and New York City. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract FigurativeFramed drypoint etching on Fabriano paper.vivienne mcdermott, mcdermott, apple, fruit, alumni, printmaking, available, drypoint, etching

The event was started by Michelle Ryan in memory of her mother "Tupps" Ryan, who was a long time resident of the town. Winners are: Women: 1996 L Bourke 84, 1997 I Younis 77, 1998 F Rundle 79, 1999 L Bourke 73, 2000 P Roberts 80, 2001 L Loader (9 holes) 42, 2002 I Younis 78, 2003 E Willox 81, 2004 F Rundle, 2005 F Rundell 72, 2006 M Hesketh 69, 2007 M Hesketh 84, 2008 F Rundle 83, 2009 F Rundle 79, 2010 F Rundell 81, 2011 M Hammond 89, 2012 M Hammond 82, 2013 K Robertson, 2014 K Burl, 2015 T Cartledge, 2016 J Walsh, 2017 T Cartledge 2018 K Hammond. Men 1996 W Couch 66, 1997 W Dumesny 66, 1998 A Klemn 73, 1999 W Couch 64, 2000 D Smith 69, 2001 D Bradshaw (9 holes) 30, 2002 D Bradshaw 68, 2003 D Bradshaw 65, 2004 P Plozza 63, 2005 D Bradshaw 78, 2006 W Dumesny 62, 2007 P Plozza 66, 2008 B Dumesny 68, 2009 L Smith 70, 2010 B Dumesny 73, 2011 B Norton 75, 2012 A Haberfield 73, 2013 W Dumesny, 2014 W Dumesney, 2015 J Mckenzie, 2016 B Dumesny, 2017 H Huffadine, 2018 B Hammond. Significant as it records the successive winners and their scores. It is an ongoing memorial to "Tupps" Ryan who was a stalwart of the town.Wooden base with sculpted central column with two side wings with a gold painted golfer on top. Glued to the front is a representative ball, flag and hole.Inscribed on the base " The Michelle Ryan Day Stroke Event sponsored by the Rylance Family. The winners and score are inscribed onto individual plates attached to the front and back of the "wings"peterborough, golf, peterborough golf club, michelle ryan day

This collection of 22 photos was most likely taken in 1984. Mr Gordon Scholes AO was the Minister for Defence in the Hawke Government from 1983 to 1984. It’s evident in these photos he was taken on a tour through the production areas. Mr John Brumby AO at this time was the Federal Member for Bendigo. He later moved on to Victorian state politics, serving as Treasurer from 2000 to 2007 and Premier from 2007 to 2010. Key Army Survey Regiment personnel identified include COL Alex Laing, the Director of Survey from 1983 to 1988 and CO LTCOL Jorge Gruszka who led the unit from 1982 to 1985. The rank of the senior officer is not known, however would have been a Major-General or above, due to the presence of the aide-de-camp (female captain). This is a set of 22 photographs of a visit to the Army Survey Regiment, Bendigo circa 1984, by Mr Gordon Scholes AO, who was the Minister for Defence. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. Photographs .1P to .11P, .14P to .17P and .19P to .22P were scanned at 600 dpi. Photographs .12P to .13P and .18P were scanned at 300 dpi. .1) - Photo, black and white, c1984. L to R: unidentified, Mr John Brumby AO, Mr Gordon Scholes AO CO LTCOL Jorge Gruszka, unidentified, D-SVY COL Alex Laing, unidentified (x3). .2) - Photo, black and white, c1984. L to R: unidentified, CO LTCOL Jorge Gruszka AO, Mr John Brumby AO, Mr Gordon Scholes AO, unidentified (x4), D-SVY COL Alex Laing. .3) - Photo, black and white, c1984. L to R: unidentified (x2), Mr John Brumby, unidentified, CO LTCOL Jorge Gruszka AO, Mr Gordon Scholes AO, CAPT Danny Galbraith. .4) - Photo, black and white, c1984. L to R: unidentified, CO LTCOL Jorge Gruszka AO, Mr Gordon Scholes AO Mr John Brumby AO, unidentified. .5) - Photo, black and white, c1984. L to R: unidentified, Mr Gordon Scholes AO, unidentified, CO LTCOL Jorge Gruszka AO Mr John Brumby AO, unidentified. .6) - Photo, black and white, c1984. L to R: MAJ Daryl Hockings CSM, unidentified (x2). .7) - Photo, black and white, c1984. L to R: CAPT Danny Galbraith, unidentified (x2), Mr John Brumby AO, unidentified, CO LTCOL Jorge Gruszka AO, Mr Gordon Scholes AO, unidentified (x2). .8) - Photo, black and white, c1984. L to R: unidentified, Mr Gordon Scholes AO, CO LTCOL Jorge Gruszka AO, MAJ Daryl Hockings CSM, D-SVY COL Alex Laing, unidentified. .9) - Photo, black and white, c1984. L to R: unidentified, Mr John Brumby AO, CAPT Bob John, CO LTCOL Jorge Gruszka, Mr Gordon Scholes AO, unidentified (x2), MAJ Graham Baker, unidentified, MAJ Daryl Hockings CSM. .10) - Photo, black and white, c1984. L to R: Mr John Brumby AO, CAPT Bob John, Mr Gordon Scholes AO, unidentified (x2), MAJ Graham Baker, unidentified, MAJ Daryl Hockings CSM. .11) - Photo, black and white, c1984. L to R: unidentified, CO LTCOL Jorge Gruszka, Mr Gordon Scholes AO, unidentified (x2), MAJ Graham Baker, unidentified (x2). .12) - Photo, black and white, c1984. L to R: unidentified, CO LTCOL Jorge Gruszka, Mr Gordon Scholes AO. .13) - Photo, black and white, c1984. L to R: unidentified, Mr John Brumby AO, Mr Gordon Scholes AO, D-SVY COL Alex Laing, CO LTCOL Jorge Gruszka. .14) - Photo, black and white, c1984. L to R: unidentified, Mr Gordon Scholes AO, unidentified media, D-SVY COL Alex Laing, unidentified, CO LTCOL Jorge Gruszka, unidentified media (x2). .15) - Photo, black and white, c1984. L to R: unidentified, D-SVY COL Alex Laing, unidentified (x2), Mr Gordon Scholes AO, unidentified media (x3). .16) - Photo, black and white, c1984. L to R: unidentified (x5), CO LTCOL Jorge Gruszka, Mr Gordon Scholes AO. .17) - Photo, black and white, c1984. L to R: unidentified (x2), D-SVY COL Alex Laing, unidentified (x3), CO LTCOL Jorge Gruszka, Mr Gordon Scholes AO, Mr John Brumby AO. .18) - Photo, black and white, c1984. L to R: unidentified, CO LTCOL Jorge Gruszka, Mr Gordon Scholes AO. .19) - Photo, black and white, c1984. L to R: unidentified, CO LTCOL Jorge Gruszka, Mr John Brumby AO, D-SVY COL Alex Laing, unidentified, Mr Gordon Scholes AO, unidentified (x2). .20) - Photo, black and white, c1984. L to R: D-SVY COL Alex Laing, unidentified (x2). .21) - Photo, black and white, c1984. L to R: Mr John Brumby AO, unidentified, D-SVY COL Alex Laing, unidentified. .22) - Photo, black and white, c1984. L to R: unidentified (x3), Mr Gordon Scholes AO, Mr John Brumby AO, CO LTCOL Jorge Gruszka. .1P to .22P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Twelve drawings undertaken for the 'Drawing the Human Figure from Casts' class at the Ballarat Technical Art School. The works were undertaken by Edith Alice Watson. The full folio of work undertaken while Alice Watson was a student at the Ballarat Technical Art School is held by Federation University Australia.most are signed A.Watson 1932.edith alice watson, alice watson, ballarat technical art school, plaster cast, artwork, alumni, drawing the human figure from casts, visual arts

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.A series of drawings undertaken by Alice Watson when she was studying "Drawing From the Plaster Cast" at the Ballarat Technical Art School. Some drawings are double sided.plaster casts, drawing, ballarat technical art school, alice watson, edith alice watson, alumni, visual arts

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. commercial artSeven paintings undertaken by Edith Alice (Alice) Watson at the Ballarat Technical Art School, a division of the Ballarat School of Mines. ballarat technical art school, edith alice watson, ornament, flora, alumni, composition, composition of form and colour, general design, australian flora, light and shade, commercial art

This gold miner's pick from the Ballarat Goldfields c 1920 was donated by Mr David Hopcraft, a dealer at the Arkuna Market Berwick, Victoria in December 2010. When Gold was discovered in Victoria c1853 most of the labourers and some landowners left the market gardens and farms to try their luck on the goldfields. Local Blacksmiths made picks similar to this one for them. There was a great shortage of labour in Melbourne and at the same time, due to the huge influx of people lured by the Gold, there was an increased demand for food. The market gardeners were getting very good prices for their produce and many increased their wealth considerably and many of these tenant farmers were able to purchase their blocks of land and live a profitable life. There was such a shortage of labour that J.B.Were applied for Irish immigrants to work the farms. This pick is an example of the hand made tools many pioneers took with them when they abandoned their farms and market gardens in the District of Brighton to try their luck at prospecting when gold was discovered in Ballarat and Bendigo c1853. Some were successful , most were not and retuned again to the hard life of farming. A forged steel pick with a wooden handle. The steel pick-head was hand-forged by a blacksmith. This miner's pick was used on the Ballarat gold-fields c1920gold mining, ballarat, bendigo, early settlers, market gardeners, moorabbin, bentleigh, mining equipment, gold rush, immigrants, blacksmiths, forges, tools

The Ladies C Grade championship starting in 1991. Winners were: 1991 P Bradshaw, 1992 D Smith, 1993 D Irvine, 1994 N Wills, 1995 D Delaney, 1996 E Spies, 1997 K Bul, 1998 M Smith, 1999 J Bogner, 2000 A. Deppeler, 2001 M O'Connor, 2002 M Bacon, 2003 Jenny Stevens, 2004 M Smith, 2005 Jenny Cunnington, 2006 L Norton, 2007 J Nesseler, 2008 M Price, 2009 J Irwin, 2010 H Finlayson, 2011 H Finlayson, 2012 K Matheson, 2013 K Matheson, 2014 K Morrison, 2015 L Norton, 2016 L Norton, 2017 L Norton, 2018 A Thompson, 2019 F Groves.Significant as it provides a record of C grade winners over the years. Also provides a snapshot of playersSmall silver cup on a pedestalInscribed with the competition title and the names and year of the winnerspeterborough golf club, peterborough, women's golf, women's golf championships

David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork

Ingénue Trophy Donor: David James and Rosie Colahan Deed of Gift: David and Rosie owned the yacht Ingénue which they regularly raced at RBYC and elsewhere, including the 2-handed race to Japan, and two races to Vanuatu. They have both been very active in assisting new owners learning to sail and encouraging them to join in regular racing at RBYC. They also were very active in encouraging women crews and skippers to join in regular racing. The Ingénue trophy is awarded to the winner of a short series of mid-distance races. In 2010/11 the series was extended to allow for Cruising Division 1 and 2 with trophies allocated for both (click on the right arrow on the phot to see both trophies) First Winner: Rampallion, R. Incleden 2007/08 ingenue, david james, rosie colahan

1995 Courtney Ford, 1996 Shae Haefele, 1997 Neil McComiskie, 1998 Rebecca Austin, 1999 Dean Rode, 2000 Jarryd Hay, 2001 Quinn McGennisken, 2002 Kirsten Lieshout, 2003 James Lu, 2004 Sarah Grzregorczyn, 2005 Colin Lu, 2006 Declan English, 2007 Abbey Steer, 2008 Nahreen Mostofa, 2009 Karlee Dal Pra, 2010 Nathan Catherwood, 2011 Bhavi Patel, 2012 Lachlan Jewell, 2013 Mitchell Bellingham, 2014 Charley Whitby

Pollard Photographs:; 1. Back of postcard of the Pollard home in Wonga Road (also called Anderson Creek Road Road, and now Warrandyte Road).; 2. One bushel net apples, J Pollard, Victoria, Australia.; 3. Joseph and Emma Pollard and Family. Emma is nursing baby Ethyl.; 4. Ringwood PS photograph. Jack Pollard is second from the RHS in the back row.; 5. Woods Point with arrow indicating mine manager's house: that of Joseph Pollard. Circa 1900. The Pollard family had a 20 acre orcharding property between Mullum Mullum Road and Wonga Road. Given on 4th September 2010 by Arthur Lunt from his cousin. The Pollard family. School photo at Ringwood State School. Jack�s father was Joseph � land (orchard) between Mullum and Wonga Roads +Additional Keywords: Pollard

Prior to the sealing of the Princes Highway west of Orbost, the road surface was anything but good, even by C1917 when cars started to use the road. From Orbost the old road via Marlo to Sydenham was abandoned for the new location which traversed more rugged country via Cabbage Tree, Bell Bird and Club Terrace to Cann River, and the reason for this diversion was on account of settlements being established at Murrungowar and Club Terrace, at which latter place there was a temporary rush to obtain gold. This road was constructed by the Public Works department and a maximum grade of 1 in 19 was adopted, and as speed was not to be catered for the grade followed in and out round the spurs and gullies, resulting in a maze of turns and twists which required a good deal of skill on the part of the horse driver to negotiate." - Bairnsdale Advertiser, Friday, May 2, 1947. (More information from Newsletter February 2010)This is a pictorial record of an early road distance sign on a major highway through East Gippsland. The distances are indicated in miles, a measurement standard no longer in use.A black / white photograph postcard of the signpost at the Victorian - New South Wales border. It shows distances to Sydney and Eden on one arrow and distances to Melbourne and Genoa on another. on front - Vic - NSW Borderprinces-highway-east-gippsland road-transport road-sign

Prior to the sealing of the Princes Highway west of Orbost, the road surface was anything but good, even by C1917 when cars started to use the road. From Orbost the old road via Marlo to Sydenham was abandoned for the new location which traversed more rugged country via Cabbage Tree, Bell Bird and Club Terrace to Cann River, and the reason for this diversion was on account of settlements being established at Murrungowar and Club Terrace, at which latter place there was a temporary rush to obtain gold. This road was constructed by the Public Works department and a maximum grade of 1 in 19 was adopted, and as speed was not to be catered for the grade followed in and out round the spurs and gullies, resulting in a maze of turns and twists which required a good deal of skill on the part of the horse driver to negotiate." - Bairnsdale Advertiser, Friday, May 2, 1947. (More information from Newsletter February 2010)n the late 1800's early 1900's transporting goods by road was difficult and at times impossible because roads as thoroughfares did not exist.The means of travelling along the roads in the 1800's was by bullock wagon, horse pulled dray, pack horse or simply by foot. This road is still in use in East Gippsland as a part of many four-wheel-drive touring routes.A large black / white photograph of two horse - drawn wagons on a narrow sandy bush track. It is surrounded by scrub. There is one man standing beside a horse not harnessed to a wagon.on front - "The Coast Road to Mallacoota from Orbost JPC"

This china jug has been made in England by Grindley Hotel Ware. The Grindley company that manufactured earthenware and ironstone items was founded in 1880 by William Grindley and was initially based in Tunstall, Stoke-on-Trent, England. The jug has had a red stamp added so that it could be used at the Criterion Hotel in Warrnambool and identified as the hotel property. The jug was used during the licenseeship of Theresa Lynch. The Criterion Hotel was situated on the western side of Kepler Street near Lava Street, Warrnambool. It opened in 1872 with the first licensee, John Tate. In the 1920s there were extensive renovations to the hotel in the Art Deco style. Theresa Lynch was the licensee from 1919 to 1926. In 1922 she bought the hotel and sold it to Harry McGennan in 1926. In 2006 the Criterion Hotel was closed and it was partially destroyed by fire in 2010 and later completely demolished. This jug is of interest as a 1920s souvenir of the Criterion Hotel, Warrnambool that closed in 2006. This hotel was a prominent one in Warrnambool, known in the 1990s for its promotion of live rock music. This is a white china jug with a circular base slightly tapering to an open top with a spout and handle. On the side of the jug there is a red stamp in the shape of a belt with red lettering. The base has a crown image and the maker’s name.‘Lynch’s Criterion Hotel Warrnambool’ Grindley Hotel Ware, Made in England, Patent’. criterion hotel, warrnambool, theresa lynch

This plate has been produced by the English firm of W.H.Grindley for use at the Criterion Hotel in Warrnambool. The Criterion Hotel was on the western side of Kepler street near Lava Street and was established in 1872 with the first licensee being John Tate. The hotel closed in 2008, was partially destroyed by fire in 2010 and was demolished in 2013. The Humm family had a long association with the Criterion Hotel, with George Humm of Woodford taking over as the licensee in 1882 and buying the hotel in 1887 and remaining there until his death in 1894. George Humm’s widow, Elizabeth, was the licensee from 1894 to 1907, her son, John was the licensee from 1907 to 1916 and his widow, Bridget, was the licensee from 1916 to 1919. The plate could have been in use for all or part of these years but is most likely to have been bought early in the 20th century. This plate is of considerable interest because it came from the Criterion Hotel, a prominent hotel in Warrnambool for over 130 years.This is a white china plate which has a red embedded stamp in the shape of a belt (the maker’s trademark) on the front and on the back it has the blue markings of the maker with an image of a crown. The bowl has a shallow base and was perhaps a soup plate. The edges of the plate are somewhat worn and scuffed. ‘Humms Criterion Hotel Warrnambool’ ‘Grindley Hotel Ware England Vitrified’ criterion hotel, humm family of woodford, history of warrnambool

This plate has been produced by the English firm of W.H.Grindley for use at the Criterion Hotel in Warrnambool. The Criterion Hotel was on the western side of Kepler Street near Lava Street and was established in 1872 with the first licensee being John Tate. The hotel closed in 2008, was partially destroyed by fire in 2010 and was demolished in 2013. The Humm family had a long association with the Criterion Hotel with George Humm of Woodford taking over as licensee in 1882, buying the hotel in 1887 and remaining there until his death in 1894. George Humm’s widow, Elizabeth, was the licensee from 1894 to 1907, her son, John, was the licensee from 1907 to 1916 and his widow, Bridget, was the licensee from 1916 to 1919. The plate could have been in use for all or part of these years but is most likely to have been bought early in the 20th century. This plate is of considerable interest because it came from the Criterion Hotel, a prominent hotel in Warrnambool for over 130 years. This is a white china plate which has been broken into three pieces and inexpertly mended. The plate is much stained. It has a red embedded stamp in the shape of a belt (the maker’s trademark) on the front and on the back it has the blue markings of the maker with an image of a crown. The bowl has a shallow curved base and was perhaps used for soup. ‘Humms Criterion Hotel Warrnambool’ ‘Grindley Hotel Ware England Vitrified’ criterion hotel, humm family of woodford, history of warrnambool

Newspaper article: Goodwill gifts, Diamond Valley Leader, 15 December 2004, Melbourne City Mission seeking donations for residents of Eltham Retirement Village, manager Colleen Tenni. Newspaper advertisement: Diamond Valley Leader, 25 June 2005, Eltham Villa Aged Care. Newspaper advertisement: Diamond Valley Leader 15 October 2008, Eltham Villa Aged Care, manager Joanne Tomada. Newspaper advertisement: Diamond Valley Leader, 11 November 2009, Eltham Villa. Newspaper article: A home away from home, Diamond Valley Leader, 14 March 2007, Details of Eltham Villa, manager Mary Maleki. Newspaper article: A home away from home, Diamond Valley Leader, 21 July 2010, Eltham Villa Aged Care, manager Joanne Tomada, co-ordinator Tania Fox.main road, eltham, melbourne citymission, eltham retirement village, colleen tenni, eltham villa aged care, joanne tomada., mary maleki, tania fox, judge book retirement village

ACRONYMS: The name of the organisation is Australian Trust for Conservation of Nature (ATCV) from 1981 to 1999 and Conservation Volunteers Australia (CVA) from 2000 onwards.............................................Last used in 1999 the Echidna logo was used for 17 years. It was designed by John Zulic, then a young graphic designer at Sovereign Hill Outdoor Museum in Ballarat, and by 2010 the longest serving employee. John was briefed by Peter Hiscock, then director of Sovereign Hill and also President of ATCV, in 1982 to design ATCV’s first logo. Through the image of the echidna John Zulic tried to capture a unique Australian identity (a combination of uniqueness, strength, resilience, role in a balanced habitat and a national feel) for a fledgling local group with big plans. John presented concept to Tim Cox and Peter Hiscock – both were enthusiastic: the rest is history. For many years newly arriving volunteers were photographed with the mascot.The echidna was synonymous with ATCV for many years. The logo appeared on team vehicles and buses and on all publications until 2000. For many years new volunteers had their photograph taken with "Eddy". Even today overseas visitors to CVA's head office clamour to be photographed with it.This item is a taxidermal (preserved and stuffed) echidna. The echidna is an Australian marsupial animal resembling the porcupine or hedgehog found in other continents. It is a nocturnal, burrowing, egg-laying mammal of the genera Tachyglossus and Zaglossus of Australia, Tasmania, and New Guinea, having a spiny coat, slender snout, and an extensible sticky tongue used for catching insects. NOTE: The provenance of this item is not yet established but it has been the unofficial "mascot" of ATCV/CVA from soon after foundation till the present.australian, echidna, mascot, logo, wildlife

Edith (Alice) WATSON (1914–2010) Murtoa | Australia The monogrammed initials on these buttons are for Alice Watson. Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Two circular enamelled buttons with dark blue background and gold edging. The initials A W are the design feature. The A is white with gold edging and the W is red with gold edging. The reverse side is gold. They are contained in a small, green, octagonal shaped cardboard box. buttons, edith alice watson, alice watson, enamelled buttons, ballarat technical art school

Richard Carter Ltd is still making edge tools in Honley, near Huddersfield. Established in 1740 by Jeremiah Carter in High Burton: the 1834 Piggots directory list three edge tool CARTER - makers at Kirk Burton: Henry Carter, John Carter and Robert Carter. By 1870 the company was known by its current name. The Stanley Rule and Level Company was founded in 1857 by Henry Stanley in New Britain, Connecticut. In 1920, this company merged with the separate but related Stanley Works, founded by Henry Stanley's cousin Frederick Trent Stanley, and continued operating as its hand tools division.. 2010 merger of The Stanley Works with Black & Decker Subsequent reports by visitors to Vic. Collections are noted Geoff Thomas 2019, Mitchell 2019 , Bob Burgess 2022 The early settlers were resourceful and self sufficient so they made and repaired their tools as required.Early settlers were self sufficient and resourceful making and mending their tools, farm and household equipment.c1900 A 'Carter' hand wood plane, made of metal with an adjustable screw for blade thickness.early settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools

Trudi HARLEY Born Korumburra, Victoria Born in country Victoria Trudi Harley graduated with a Bachelor of Education (Art and Craft) at Victoria College, Burwood. After teaching for 10 years in both Government and Independent schools in Melbourne she worked as a Sales Executive and Art Educator for Cavalier Art Supplies for 16 years. Recently Trudi Harley completed a Bachelor of Arts (Visual Arts) (Honours) with Distinction between 2008 – 2009, and a Master of Arts (Research), Visual Art between 2010 – 2012 at the University of Ballarat (now Federation University). Maintaining an artistic practice while in a business partnership Trudi Harley owns and runs Atelier Art Supplies in Williamstown, Victoria, which is a major supporter of the arts in the western suburbs of Melbourne/ This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artist's Statement: As an artist am continually drawn to ‘what makes us who we are’ and as a result the work, whatever it may be, is a reflection on what makes me who I am. In this I refer to perception, experience and memory as aspects that contribute to our sense of reality. By using these references I intend to engage the audience and develop a sense of connection and community through the visual image. ‘Fallen’ was not necessarily a reflection on my own life but of life in general as I recall at the time I had a family member who was struggling to cope with their own reality. I can also recall at the time reflecting on the adage ‘walk a mile in my shoes’ and the pressures we all face in life. Added to this were my own influences of upbringing, I have always been particularly drawn to fabrics and patterns as my mother was/is (getting a little old now) a seamstress and my father was a bit of a ‘perfectionist’. During my honours study I came across the term ‘Esperpento’ which included such visual elements as exaggeration and unusual viewpoints. Fallen was a comment on the psychology associated with expectations in life, or more importantly those expectations placed on offspring by their parents. This painting reflected the consequences of not living up to those expectations. It is unfortunate that in life, by the time you get to the point of realising that you have the opportunity to set your own standards, that you’ve probably embodied a great many set of values by osmosis and that you’ve now claimed them as your own. The view is from above to dramatize the subject, the figure placed compositionally in the top right hand corner to open up the picture plane and allow for the narrative to continue outside the visual area of the canvas. It was also in this painting that I rubbed back some of the darker oil paint to allow the lighter underpainting to show through.art, artwork, trudi harley, harley, carpet, portrait, self-portrait, alumni

The cuneiform envelope and accompanying letter were acquired by Aquila Dodgson in 1890. He acquired the items from the collection of a Mr Cutter with the assistance of Theodore Pinches, Keeper of Oriental Antiquities at the British Museum, who went to view Mr Cutter's material at Aquila's request. The envelope was addressed by Nadin-ahi to his brothers Bil-bullit-su and Marduk-balat-su-ikbi and the letter inside concerned land contracts. This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Clay envelope with cuneiform inscription.cuneiform, envelope, james dodgson, aquila dodgson, flinders petrie, theodore pinches, mr cutter