Female holds a cassette tape whilst looking at a sheet of paper in her other hand. The tape has been pulled from a cardboard box which has a reference number (eg: C90), a title and the sequential number (Side 5) listed on the front side of the box. Multiple boxes are nestled on wooden shelves, each with a black band that is attached below the box to assist in pulling them on and off the shelves. Books on cassettes were physically bulky and were stored separately for easy retrieval and return when borrowers were done. When a tape was dispatched, the requisite number of cassettes were removed and placed into mailing pouches for dispatch. Upon return, the cassettes were placed in individual boxes, that allowed staff to retrieve selected parts of a book if needed or incomplete books were returned. Underneath the image is written "Up to date talking book cassette library". Digital image of woman holding a cassette taperoyal blind society of new south wales, talking books

The office of The Sentinel or Wodonga and Towong Sentinel newspaper was in High Street, Wodonga. The Sentinel began operation in 1885 and was owned, managed and edited by James Ryan. It was published weekly until he was killed by a train at Wodonga station on 27 July 1912. James Ryan was born in Beechworth in 1861 and served his apprenticeship with the printing business of the "Ovens and Murray Advertiser”. For a time, he worked on the Melbourne "Herald”, followed by the Ballarat “Courier”. With a fellow printer, William Oldfield Taylor, he moved to Wodonga and they began the "Wodonga and Towong Sentinel" with the first issue on 29th August 1885. Mr Taylor died in June 1894. After James Ryan’s death the “Sentinel” was continued by his son Charlie until his death 26 February 1965. It was sold to the Border Morning Mail in 1965. The last issue was published on 22 March 1968.This image captures th80e premises of an important newspaper published in Wodonga for 80 years.A black and white image of the Sentinel newspaper office in Wodonga.At the top of the building "The SENTINEL"wodonga businesses, wodonga & towong sentinel, wodonga buildings

This ship was number 1 of 2 ships named Bangalore and run by P & O. This ship has listed the same tonnage as that on the inscription on the frame of this work. The ship was subsequently sold in 1886 sold to Hajee Cassum Joosub and used for passengers on pilgrimage into Jeddah. Another view of the history of the Bangalore is that to be found at the Maritime Museums of Sydney listing of another painting of the Bangalore which provides a somewhat different history. It is possible that the story of Bangalore 1 and Bangalore 2 have become conflated further research is needed to verify. see Links field. SS BANGALORE was built in 1867 by William Denny of Dumbarton. Owned by P&O, SS BANGALORE operated from Bombay and Galle to Melbourne and Sydney from 1872 to 1886 as a passenger and mail ship. In 1891 BANGALORE was sold to Wilh. Wilhelmsen, Norway and renamed SS CORINGA.Marine art, Maritime artP&O S.S. Bangalore by George Frederick Gregory (1821-1887)Thinly painted image on board featuring centrally a moored, at anchor, 19th C dual masted steamship with black funnel and flying at the stern a red ensign. To either side are conventional rigged clippers or sailing ships. Near the bow of the steamship there seems to be a tug or paddle steamer face on. In the foreground is a small rowing boat with boatman and two passengers, a male and a female. The painting on board is mounted in a large polished or varnished cedarwood frame with edge carving and a decorative pitted slip which holds in place a thin piece of glazing. Backing paper and seal has all been removed except for hanging wire. Central at front lower edge of frame is a small chipped wood plaque with inscription.Painted in black on plaque and coloured black: "P & O S.S. "BANGALORE" / 2342 tons Built 1867"s.s. bangalore, marine painting, sailing ships, 1867, william denny, artwork-paintings, peninsular and oriental steam navigation company, steamship, p&o, sandridge, port melbourne, hobson's bay, charles dickson gregory, centenary maritime exhibition, george frederick gregory (1821-1887), ss bangalore

The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. On August 22, 2007 Feelix staff organised an activity to supplement the book "We're going on a bear hunt" by Michael Rosen. First the book was read, then the young children (and their parents) replicated the actions of the book's characters in their search for a Bear who followed them home for morning tea. Later that day, Burwood School children also joined in on their own Bear Hunt.70 digital images of staff and children during the Bear Huntroyal victorian institute for the blind, feelix, rvib burwood school, louise curtin, ed gamble

These articles were collated by Mary Gilbert. Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert, and had seven sisters and one brother. Four siblings died at a young age. .She was a teacher historian loved and respected by her family and the wider community.These articles are contemporary reports of prominent Orbost identities and are a useful reference tool.A manila folder containing newspaper articles of local identities. 745.1 is titled,"What's In a Name? Their Meanings and Derivations". 745.2 is from the Weekly Times, February 23, 1955, page 25 and is titled, "Orbost Women Who Are Well-Known". 745.3 is from the Weekly Times, May2, 1951, Page 5 and is titled, " People of Orbost (Vic)". 745.4 is from the Snowy River Mail and is titled, "Vale: Richard Forsythe Beattie: Came to Orbost Over 80 Yrs Ago". On the back is an article titled, " Report of Death of Mr George Seymour Luckins". 745.5 is titled, " Happy Family Life is Answer - Harold (79) and Olive (78) Sheffield. It is a black and white photograph. 745.6 is titled, "Tubbut and the Whittakers".beattie-richard-forsythe luckins-george-seymour sheffield-harold whittakers-tubbut

Negatives No. N345 to N348 and black and white prints made by a laser printer (stored in folder ) of AETA tour (Australian Electric Traction Association) on 25/6/1955 at Spencer St. terminus. Both trams have AETA tour signs and the slogan "Save traffic congestion, Move People not vehicles" 1611.1 - 980 at terminal with two buses (ET 330? and bus 585) alongside and Eliza Tinsley building in the background. 1611.2 - 980 and part of W7 1001. 1611.3 - 980 and 1001 at terminal with a bus standing alongside the Mail Exchange building. 1611.4 - 980 at terminal with tour passengers standing around. Negative scanned hi res and imaged updated 22/5/2020.trams, tramways, melbourne, bourke st, spencer st, aeta tour, tram 980 tram w7 1001

Yields information about the seven window horse tram and passengers and streetscape in the gardens at the time. Only known photograph of this type of tramcar.Stereo pair of photos, black and white, of a 7 window horse tram in Wendouree Parade, possibly near Windmill Drive, Nth end, mounted on heavy card. Photographed and published by Geo Rose. Has many lady passengers on the top deck of the tramcar. Tram has the destination of "Boatsheds". Possibly around 1900. Only known photo as at 2/96 of these seven 7 window horse tram in Ballarat. For a print of one of these photos - see Reg. Item 258. Was borrowed and returned 5/18 by Bob Carmichael, Stereograph collector, PO Box 1349, Ballarat Mail Centre, 0418 528 270, George Rose Specialist. Use print - Reg. No. 258 for displayIn ink on rear "Horse Tram at Botanical Gardens Ballarat Vic."trams, tramways, ballaarat tramway company, horse trams, 7 window horse tram, gardens, stereo photograph

The correspondent of the Argus on 10 May 1901 wrote: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.An invitation, mounted on card for Mr & Mrs James Maitland Campbell to an evening reception at the Exhibition Building, Melbourne, on 9 May 1901, to meet the Duke and Duchess of Cornwall as part of the celebrations of the opening of the first Federal Parliament. A figure of Britannia, in red dress and mailed vest holding a shield like the Union Jack, is on the left of the invitation; she reaches out her hand towards a younger female figure, representing Australia, who is dressed in blue and holds a shield which is white with a blue cross decorated with stars. The writing is on a scroll in the centre of the certificate, and there is a border of vines and vine leaves. The royal crest is at the base of the certificate. James Maitland Campbell of ‘Ramornie’ in Pakington Street was mayor of Kew on three occasionsFront, printed. gold ink: "His Majesty's Ministers of State for the Commonwealth of Australia request the honour of the presence of / Mr & Mrs J. M. Campbell (handwritten) / In the Exhibition Building, Melbourne, on Thursday, 9th May, 1901, to witness / the Opening of the Parliament of the Commonwealth. / Edmund Barton / Prime Minister." Front, bottom left, printed: "The Young Queen / Her hand was still on her sword hilt - the spur was still on her heel ... (and further text) KIPLING'S COMMONWEALTH ODE."australia -- federation -- 1901, invitations, parliament -- opening -- 1901, james maitland campbell

Report - comb bound 63 pages + appendices 30 pages - titled "Upgrading the tracks of Melbourne's Street Tramways", written by Bob Vanselow, MMTB Project Engineer and presented to the Third International Rail Sleeper Conference Brisbane September 1979. The paper looks at the then current system, historical track methods, current track laying methods and parameters, special work, crossings, joints, concrete mixes, design, open ballast track. The appendices has various diagrams and photographs showing track construction details. Hard copy added 29/3/2020 - received and printed in an e-mail dated 28/4/2011, from Bob Vanselow - See Reg Item 4431 for details.trams, tramways, track, mmtb, track laying, construction, sleepers, rails, points

Black and white negative, by Wal Jack, of SW6 915 decorated for the Golden Jubilee of Australia, on a route 20, Coburg service in Elizabeth St, just before crossing Collins St. Has in the background Muraltune and Andrews stores and adverts for Nestle's and Dulux. Mal Rowe advised 23/8/2020 by e-mail: From the draft text of "The W book": "The first SW6 tram to be decorated was No. 915, which was painted and fitted with panels and aprons promoting fifty years of the Federation of Australia, 1901 to 1951. No. 915 ran on all lines from November, 1950 until May, 1951. In November 1951 No. 915 was fitted with roof illuminations for a six week Christmas promotion. "trams, tramways, decorated trams, elizabeth st, sw6 class, route 20, tram 915

Set of four hanimount light brown 35mm slides - December 1963 taken by Les Fordham. .1 - PCC Class 980 (Exhibition Route 95) eastbound in Bourke St between Elizabeth and Swanston St's - has Coles Stores, London Stores, Myer and Buckley's stores in the background along with Christmas decorations. .2 - view looking west from near Swanston St .3 - W2 415 southbound in Swanston St with a traffic policeman on duty. A W7 (route 88) is waiting to cross. Has the Royal Mail House, The Leviathan building in the background. .4 - 1002 (Route 88) waiting to cross Swanston St. In the background is Douglas Trading, Southern Cross Hotel,trams, tramways, bourke st, route 95, christmas, police, route 88, tram 980, tram 1002, w7 class, pcc class, w2 class, exhibition, swanston st, tram 415, mmtb

Set of 10 digital images of Ballarat trams prior to closure, scanned from original slides by Stuart Lodington, 1971 prior to closure of the system. .1 - No. 32 entering the depot from Wendouree Parade, with the Lake in the background. Shows the depot fire alarm on an adjacent pole. .2 - No. 26 at Sebastopol, before turning the pole. Has a bus stop sign on a pole already. .3 - No. 27 and 26? crossing at the Bell St loop in Skipton St. No. 27 has a Twin Lakes sign. .4 - No. 32 outbound to the Gardens in Hamilton Ave about to enter Wendouree Parade with Loreto convent and Olympic monument the background. .5 - No. 26, Albert St Sebastopol, approaching the Sebastopol terminus, with Sebastopol Food Stores building on the left of the photo. .6 - No. 12 leaving the Parker St. Loop, Sturt St West after crossing a tram. No. 12 has destination of Victoria St. .7 - No. 12 inward bound in Lydiard St North with Fine Art Gallery in the background, 3BA. No. 12 has destination of Sebastopol and has a Twin Lakes sign. .8 - No. 12 inward bound, Sturt St West, No. 12 has destination of Victoria St and has a Twin Lakes sign. .9 - No. 26 at Sebastopol terminus, outside the Royal Mail Hotel, has a bus stop sign on a pole. Tram pole yet to be turned, but destination adjusted to Lydiard St. North. .10 - No. 12 at Sebastopol terminus, outside the Royal Mail Hotel. No. 12 has destination of Lydiard St Nth and has a Twin Lakes sign.trams, tramways, ballarat, sturt st west, sebastopol, skipton st, wendouree parade, hamilton ave, depot, depot junction, parker st loop, bell st, lydiard st nth, tram 32, tram 26, tram 27, tram 12

This unusual wall decoration was created by Anna Wilson (nee Henry), daughter of pioneer John Stephenson Henry, who arrived in Australia from Ireland with his children in 1851. Family documents confirm that Anna most probably made the diorama for her sister-in-law, who married a member of the Giles family. The diorama was later given to Vera Giles who was a family friend and possibly related to Anna’s sister-in-law by marriage. The diorama is now part of the Giles Collection. Anna married William Wilson in 1860, who had arrived in Australia from County Tarrane in about 1850, aged 19. In 1869 they moved to their new property called ‘Glenlyall’ in Cooramook, north of Grassmere, Victoria, where he lived for 49 years until his death in 1918. He left behind a family of four sons and a daughter. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The family of the creator Anna Wilson nee Henry and her husband William Wilson are of significance to the early history of Victoria and the South West of Victoria in particular, being pioneer families who farmed the land, built the towns and cities and contributed to their communities. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Wall decoration, diorama with decorative gild frame and glass front. The 3-dimensional seascape includes sailing boats, land and sea, all made from materials such as shells, coral and seaweed. The work was made by Anna Wilson. It is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, 19th century decor, 19th century handcraft, handcraft, wall hanging, diorama of a seascape

Catalogue card reads, "North Ringwood Cricket Team 1937-8". Typed on back of photograph, "Nth Ringwood R.D.C.A. Premiers 1937-38. B. Rimmer, Back - M. McAlpin, F. Flentje, W. Whitehouse, Mid. K. Allen, A. Whitehouse, H. McAlpin, H. MacKinlay, P. Vergers, Front - R. Maroney, A. McDonald. Also Premiers 1938 - 1939. See "Mail" 9/9/65."

Newspaper article reads as follows: "Ringwood's turf wicket - Ringwood's rival to the M.C.G.- The turf wicket being put down at Jubilee Park is coming along nicely now, Merri Creek soil is being put on, and will shortly be followed by the sowing of the grass. Batsmen will not the long drive to the boundary - the oval will actually be bigger than M.C.G." Article "Mail 8/3/56". Stamped on back of photograph, "John Gallagher, Photography".

Black and white photograph of nurses and a man and women in ordinary dress standing in garden in front of brick building. (4 copies)Written below photograph, "Ringwood Private Hospital, Adelaide Street (later 'The Pines')". Also, "The Kendalls who ran the hospital". Written on back of one of the photographs, "Ringwood Private Hospital, Adelaide St. c1920. Later 'The Pines' next to 'Mail' office". "R to L - Sister B. Kendall, Mrs. J. Roberts (Sister of nurses), Vera Kendall, Mr. James Kendall, Sister Annette Kendall, Sister Edith Kendall".

White document with blue printing. Has a border with circles and squares 1.5 cm from the edge of the paper. Lists some of the principal houses of accommodation issued by the Bendigo Progress Association. A. Morrison, Arcade Chambers, Bendigo. Listed are the: Hotel Shamrock, City Family Hotel, Masonic Shades Hotel, City Club Hotel, Hopetoun Hotel, Harp and Shamrock Hotel, Duke of York Hotel, Heywood's Coffee Palace, Trengrove's Dining Rooms, Court House Hotel, Olympic Hotel, Metropolitan Hotel, European Hotel, Reed's Dining Rooms, Terminus Hotel, Beehive Exchange, Belfast Arms, Brady's Arcade Hotel, Mulcare's Royal Mail Hotel, Tregear's Olive Branch Hotel, Bryant's Union Hotel, Hutchens' Telegraph Hotel.document, bendigo, houses of accommodation bendigo, hotel shamrock, city family hotel, masonic shades hotel, city club hotel, hopetoun hotel, harp and shamrock hotel, duke of york hotel, heywood's coffee palace, trengrove's dining rooms, court house hotel, olympic hotel, metropolitan hotel, european hotel, reed's dining rooms, terminus hotel, beehive exchange, belfast arms, brady's arcade hotel, mulcare's royal mail hotel, tregear's olive branch hotel, bryant's union hotel, hutchens' telegraph hotel

Newspaper clipping from The Courier, Ballarat, 1/11/1957 titled "From trammie to Mailman at 65". Article about the retirement of Mr. V. McGann retiring from the Ballarat Tramways after 30 years of service, 10 in Geelong and 20 in Ballarat. Plans to holiday for three months and then take over a mail run near Geelong. Farewell function at SEC offices in Sturt St, speakers Branch Manager, H. W. Linaker, Superintendent, L. J. Denmead and union representative, Mr. M. Pinkard. Has photo of Mr. V. McGann shaking hands through a tram door with conductor L Godsall. Has advertisements for Woodmason Trading Co (Paint sale) and Commonwealth bank on the same sheet.In blue ink in top left hand corner "1/11/57"retirements, geelong, ballarat

.1 - Agfa colour slide, blue and white plastic mount, photo by Keith Caldwell 1/11/1978 - of Z3 turning from Flinders St into Spencer St, route 75. Has the Flinders St over pass, over King St and the railway viaduct in the background. In the background is the Great Southern Hotel. .2 - Kodachrome cardboard mount, same date of Z12 southbound in Spencer St passing Bourke St with the Mail Exchange in the back and Z 97 standing in the Bourke St terminus with another Z arriving. Taken from the 2nd floor of Spencer St station building. .3 - as above with Z23 northbound in Spencer St. The cable tram track in Bourke St, can perhaps just been seen.In red ink "1-11.78" and in pencil "MLB 10/78 BX".trams, tramways, spencer st, flinders st, z class, bourke st, tram 3, tram 12, tram 97, tram 23

Copy of typed letter dated November 2, 1961 from R K Munro to R M Ansett, re Basil Watson's aircraft flight 'the first man to build and fly an aeroplane long distances in Australia way back in 1916-17' The letter details Basil's flight from Melbourne (Point Cook) to Bendigo on 29th November, and carried the first letter to be carried by aeroplane in Australia. 1916 and discusses the carriage of mail by aeroplane. R. Keith Munro also writes of a list of significant aeronautical history dates that he encloses ( not with item ) and requesting details about commencement dates of Ansett Airways and ANA. 'Copy' written at top. Signed 'R K Munro, address 63 Pyke Street,Bendigo.basil watson, airmail, r.keith munro, bendigo

Mr Harry Mason was born in Stanley, Victoria, on the 23rd of July 1925, attending the primary school in Stanley and high school in Beechworth on the mail truck. His family initially moved to the area during the initial Gold Rush period. He moved to Beechworth in 1960. For seven years after school, he worked in the local orchard full time before becoming the local gravedigger, responsible for digging the graves of Beechworth residents and Asylum for 23 years. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth-century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mr Harry Mason's account of his life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. He details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal roles in a rural area. Mr Mason also discusses agricultural and gravedigging practices of the time as well as what it was like growing up in rural Australia. This first-hand account is imperative to our understanding of life during the last century. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Harry Madon /listen to what they say, beechworth, oral history, burke museum, harry mason, stanley, orchard, jennifer williams, asylum

This is a photograph of Jack Warren, Jessie and Sylvia McNaughton. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of three young chilodren sitting in a pumpkin in water. There is a Union Jack at each end.pumpkins-orbost warren-helena-photographer mcnaughton-jessie mcnaughton-sylvia

The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker, A black / white photograph of a young boy in a carved out pumpkin in water. It has two flags.warren-helena-photographer pumpkins-orbost

Tait collection: item 56 of 62. This is a document giving details of the Will and Probate of Hannah Wines of Warrnambool. She died in 1909 at the age of 77 years. She was the widow of Charles Wines who died in 1900 and they had migrated to Australia from England in the early 1850s. They settled first in the Woodford area and in the 1880s moved to Mailors Flat. Hannah and Charles Wines had a large family with eleven surviving children at the time of Charles’ death in 1900. Hannah Wines left no real estate but had personal estate to the value of £8. This she left to her daughter Sarah Lees. This document was in the possession of Ernest Chambers, the lawyer involved in drawing up the document. He had legal offices in Port Fairy, Koroit and Warrnambool at the end of the 19th century and the beginning of the 20th century. The document then passed down to successive lawyers occupying the legal premises in Kepler Street, Warrnambool where it was located in 2014. This document is of some interest as it gives details of the Will and Probate of Hannah Wines who was a well-known resident in the Warrnambool area during the second half of the 19th century and the beginning of the 20th century. This is a cream-coloured piece of paper folded in two to make four pages. Two of the pages have ruled black lines around the edges and three of the pages have handwritten material in brown ink. A seal of the Supreme Court of Victoria is attached with a green ribbon and there is one red stamp of the Master in Equity of the Supreme Court. There is also a blue stamp of the Warrnambool Savings Bank. The document is a little stained and the writing is somewhat faded but legible. This is a 1910 document giving details of the Will and Probate of Hannah Wines of WarrnamboolIn the Supreme Court of Victoria in the Probate Jurisdiction In the Will of Hannah Wines late of Warrnambool in the State of Victoria Widow deceased.warrnambool, hannah wines, charles wines, hannah wines will, tait collection, ernest chambers

This book belonged to Robert Giles. He obtained it in 1914 and the bookseller was Mrs Tilly Rowan who was a well-known businesswoman in Warrnambool with a book shop and newsagency in the Oddfellows Hall in Koroit Street. Robert Giles (1895-1967) was born in Wangoom and went to the Wangoom State School and the Warrnambool Agricultural High School. He served in World War One and worked at the State Savings Bank in Warrnambool from 1911 to 1921 (excluding war service). He later worked in banks in Koroit, other Victorian country districts and Melbourne and retired to Mailors Flat. He was married to Vera King and they had one child, Joyce Aurelin. A Warrnambool branch of the Savings Bank was opened in Warrnambool in 1859 and it moved into a new building in Timor Street in 1885. (This building in now part of the Archie Graham Senior Citizens’ Centre). The State Savings Bank became the State Bank of Victoria in 1980 and in 1990 was subsumed into the Commonwealth Bank of Australia. This book is retained because it belonged to Robert Giles who lived in the Warrnambool area for part of his life and who worked at the State Savings Bank in Warrnambool early in the 20th century. This is a hard cover book of 408 pages. The cover is red with a gold-coloured image of a horse and a mounted policeman on the front cover and gold printing on the spine. The book has 25 chapters of text. Two labels of the book’s seller are affixed to the front cover and a title page. The cover is much scuffed.‘July 9th 1914 Robert P. Giles State Savings Bank Warrnambool’giles family, warrnambool, state savings bank warrnambool, history of warrnambool

This photograph was published in the Snowy River Mail on November 27 1974. "Shoppers in Nicholson Street, Orbost, have been treated to band music each Saturday morning when members of Orbost Municipal Band have rendered items in the shopping centre. Members, both senior and junior, are pictured here as they prepare instruments for a recital on a sunny Saturday." The photograph was taken by Peter Fagg in Nicholson Street on the corner of Wolseley Street on Saturday morning 1.12.1973. The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall This is a pictorial record of the Orbost Municipal Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A black / white photograph of a group,of uniformed band members sitting in a circle at the edge of a main street. Each is holding a musical instrument with music stands in front of them.music-orbost orbost municipal band recreation entertainment

Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: naming the computer which will store the book catalogue for the library 'Tilly', RVIB declared a public library and Minister for the Arts has determined for services to rationalise with the Chairman and Vice-Chairman meeting their counterparts with meetings ongoing, first time borrowers asked to nominate their choice of winning title for Braille Book of the Year, with the literary panel of Stephen Murray-Smith, Joyce Nicholson and Barrett Reid making a short list from which borrowers voted, first time presentation held in the afternoon (with increased attendence) and inaugural Narrator's Award (The Bathurst in honour of former President Hector Bathurst) to Eirene Pappas, Hector Bathurst to receive OAM, Jan Smark Nilsson appointed to National Advisory Committee on Library Services to People with Disabilities and Australia Post approval to change cassette mailing pouches.1 volume of text and illustrationsbraille and talking book library, annual report

The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. Launched at the Melbourne Zoo on 11 February 2003, ambassador Sigrid Thornton read 'The Story about Ping' by Margery Flack and Kurt Wiese to a group of five children, who played with the other objects in the suitcase as well as those for 'The Tiger who Came to Tea' by Judith Kerr. These included a soft toy duck in bright plaid fabric, a shiny metal tea pot, a cassette recording of the story, tactile books for both stories, and metal cups.37 digital photographs of Sigrid Thornton and five children at launch of Feelix libraryroyal victorian institute for the blind, feelix, sigrid thornton

The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. Launched at the Melbourne Zoo on 11 February 2003, ambassador Sigrid Thornton read 'The Story about Ping' by Margery Flack and Kurt Wiese to a group of five children, who played with the other objects in the suitcase as well as those for 'The Tiger who Came to Tea' by Judith Kerr. These included a soft toy duck in bright plaid fabric, a shiny metal tea pot, a cassette recording of the story, tactile books for both stories, and metal cups.36 digital photographs of Sigrid Thornton and five children at launch of Feelix libraryroyal victorian institute for the blind, feelix, sigrid thornton