weller album, reverend john reginald weller (1880-1969)

on page 14ss anchises, 1928, port melbourne, fan album

Black and white photograph with a thin white border depicting the Australian wharf: two horses, steam ship, two men one siting on a barrel. Across the Yarra river: docks and in the background, the Robur Tea House.Stamps: In purple ink: Herschell's Print, Pathe Agents / in blue ink: "384" Handwritten in black ink and in pencil: "6" australian-wharf, yarra-river, robur tea house, weller album

The photograph was originally on album page 1595 and then detached. william mitchell, sailing ship, reverend john reginald weller (1880-1969), weller album, stuart wilkie

Dockside photograph of young man loading/measuring wood Small monochrome photograph depicting an apprentice on the wharf holding planks of woodWritten in pencil on verso "12"apprentice, wood, lumber, timber, wharf, yarra river

Photograph of sign that appears to have been painted on rocky hill side of road' It states "THERES NO PLACE LIKE HOME - SOUND YOUR HR & YOU WILL GET THERE"g.o.r: early example of roadside graffiti

G.O.R. Passing Point and TollgateHarrisons Passing Pointtollgate g.o.r

Photo showing the curves on the Great Ocean Road west of the Cumberland River/great ocean road: west of cumberland river;

Photograph showing construction of the bridge at Wye River on the G.O.R.g.o.r; wye-river; g.o.r; bridge-construction;

Photograph showing men at work on the G.O.R near Wye River. View of Pier centre photographg.o.r.; workmen; pier-at-wye-river;

Photograph of men working on the steep hill site during the construction of the G.O.R.g.o.r. workmen

Photo showing Powder Monkey working at Devil's Elbow near Eastern Viewg.o.r., devil's elbow, eastern view, powder monkey

1948 photograph of Dot Callahan, Graham and Joan Wheal, resting on the beach wall at the early Lorne Surf Life Saving Club shed. dot callanahan., graham wheal, joan wheal, lorne life saving club 1948, beach

photo of horse and dray with sign to welcome traffice to the Great Ocean Roadgor, horse and dray, welcoming

Group photo of men and women on the balcony of the Grand Pacific Hotel Lorne 1898. Centre front is Nell Gwynne the daugher of the proprietor grand pacific hotel, lorne 1898, nell gwynne

non-fictionkeith oliver, donation

250-page hardcover book with colour photos and illustrations; On the dust jacket paiting of a cutter in wild weathernon-fictionThe age of sails Piracy in Port Phillip Lost at sea The threat of war and much more.port phillip sea pilots, port phillip bay, george tobin, brendan moloney, port phillip, sea pilots, interest group

Leather like material Covers with silver inlaid tittle. Same leather type material covering cardboard slip case with silver inlaid crest.non-fictionport phillip sea pilots, interest group, port phillip, sea pilots, victoria, brendan monoley

HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse

Part of collection of Rose & Valentine Series of Postcards - Copied by John Jansson 1984Black & White Postcard. Picnic party on rocks looking towards Pyramid Rock. CopyRocks Headlands near Cowes, Phillip Island. over printed "A Merry Xmas"local history, photography, photographs, postcards, views phillip island, picnic party, beach rocks, pyramid rock, phillip island

Part of collection of Rose & Valentine series of Postcards - copies by John Jansson 1984Black & White Postcard - Copy. Wool team of two wagons on narrow tree lined road.Phillip Island Wool team on road to Cowes - over printed "A Happy New Year"local history, photography, photographs, postcards, views phillip island, wool team, cowes, wagons, phillip island

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. view from end of Cowes Pier looking back at the Isle of Wight Hotel. Large crowd of locals on pier, some sitting on Rail Trolley. Children in foreground Gwenda & Keith MacIlwraith.local history, photography, photographs, postcards, phillip island, black & white postcard copy, cowes pier, jetties, rail trolley, macilwraith children, isle of wight, cowes

S.S.Genista - built 1886, Sydney. Western Port Ferry 1889 to early 1930's.S.S. Genista sailing on Western Port Bay.local history, photographs, transport, shipping, maritime technology, fisheries, ferries, black & white photograph, phillip island, western port

From Jessie Smith's collection of Island events & landscape. Weighing of shark on jetty caught by Mr. Arnie Brown.Shark hanging on pier. Women surrounding it.local history, photographs, fisheries, cowes pier, commercial fishing, black & white photograph, arnie brown, jessie smith collection, stan mcfee

From Jessie Smith's collection of Island Events & Landscapes. 1st plane to land at Phillip Island.Pilot sitting in Bi-plane. Man in suit welcoming.local history, photographs, transport, aviation, aircraft, phillip island, black & white photograph, jessie smith collection, stan mcfee

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the Elbe River in Germany. In the foreground is a lounge area with chairs and railing. Behind this are masts, rigging and rope near what appears to be a jetty with partial roofing. In the middle ground is the Elbe River running from the bottom right to middle left of the photograph. In the background is a passing ship and a mountain.germany, 1950, ship, deck, mast, chairs, mongabarra, allan quinn collection, allan quinn, tailing, elbe river, mointain

Snapshot in time of tall ship and the relaxed clambering about the rigging by sailors. The C.B. Pedersen is also referred to as a Training Ship for Swedish seamen and cadets. A reference in Annual reports and in Jottings from our log notes that classes in Swedish amongst other languages were offered by the LHLG to members and some of the earliest photographs note Swedish sailors relaxing. The first officer and captain of the C.B. Pedersen are depicted in photograph (0706) on permanent display. In the Sydney Morning Herald, Tuesday 27 April 1937, page 12: "The C. B. Pedersen was built in 1891. It has visited Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist Violet Teague was one of the passengers. She painted during the voyage and exhibited her work in 1938. Built in 1891 the C.B Pedersen, a four-masted steel barque (2142 tons) was used as a training Barque. The ship foundered in April 1937, the crew was saved. Several other photographs of the C.B. Pedersen taken by the same studio are held at the State Library of Victoria.Training of seamen has always been of of keen interest to the Mission to Seamen and many cadets have been welcomed over the 20th Century when widespread training was undertaken by a number of seafaring nations. Black and white photograph of 9 men hanging from ropes in the rigging. One man is upside down, another is holding his hat out. The mast is off to the right-hand side of the photograph and there are several ropes and chains.On the back of the photograph in the top left-hand corner is an ink stamp with the text "Peckham Photographic Studios/Geo Beachcroft/Propr./21 Charlotte St./Richmond/Victoria, Australia". In black pen is the text "Hanging on up aloft/C.B.Pedersen".richmond, chains, rope, seafarers, rigging, peckham photographic studios, geo beachcroft propr, cb pedersen, tall ships, captain hjalmar dahlström, windjammer

This photograph depicts the ritual of "crossing the line" which marks the point at which a sailor first crosses the equator. Allan worked aboard the M.T. Ariston during 1946 and worked between Sweden, Central America, North West Indies and South America.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting life at sea for a young man in the period immediately following World War II.Black and white photograph of the "crossing the line" ceremony aboard the Ariston.Black ink on reverse: Crossing the equator on Ariston/ 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston

"Crossing the line" ceremonies were routinely conducted when a crew member made their first crossing of the equator. This photograph depicts aspects of that ceremony and, as Allan Charles Quinn is the photographer, it is obviously not his first crossing. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting aspects of the life of a young man who went to sea in the period immediately following World War II.Black and white photograph depicting aspect of the "crossing the line" ceremony performed at sea on the Ariston. This ceremony was performed to mark a person's first crossing of the equator.Black ink on reverse: Crossing the equator 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston, letters-from-abroad