Felt Beret with leather Trim at base and adorned with RACT Metal BadgeHat label 1999 -N.S.N. (8405-66-136-2950) Size: Small Name ………….. Army No ……………. Badge Royal Australian Corps Of Transport -- PAR ONERI.

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. An annotation underneath the photo identifies two of the leads: Carla Jeffries and Alan Wilson. The photograph was taken on the night of 21 or 27 June when Jeffries performed the title role, a role she shared with Val Breen. Stan Wilson played Don Jose on these same nights.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson, Carla Jeffries". Tilley also records that: "Carla sang a solo at Joan's Wedding".Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".marion tilley, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia, "q" theatre guild

Military cap dating from 1966, possibly worn by military personnel in West Germany.This cap is significant as an example of military headwear dating to 1960’s West Germany. Olive drab coloured forage or side cap lined with matching colored fabric. Cap has a flap on each side which may be unfolded. Side flaps are joined by by strip of fabric (all one piece), across the front of the cap which when extended, may form a covering for the mouth area. Flap may be secured with a silver stud button attached to each side of cap. Front of cap displays West German roundel in black, red, and yellow set in olive coloured diamond shaped piece of fabric. Off-white manufacturer’s label on inside, sewn to lining with white thread. Cap is size 54. On inside of hat: (in red) BAMBERGER MUTZEN INDUSTRIE (in black) US12d/22/15565/0028 IX/1966 /5 54 8405-12-138-8897

A plume of emu feathers was worn in the puggaree of the slouch hat by Australian Light Horse. The tradition was continued by Australian armoured regiments wearing a smaller tuft of emu plumes behind the hat badge on the black beret. In 1992, the slouch hat with plumes was reintroduced as the official head dress of the Roya Australian Armoured corps although the black beret continues to be worn as work dress.A bunch of emu feathers attached to a piece of tanned skin.emu, light horse, plume

Hat was issued to the decommissioning crew of the HMAS Bendigo. Bendigo 2 was a Fremantle Class Patrol Boat built in 1983 and decommissioned in Cairns on 9th Sept 2006. Hat belonged to Rear Admiral Daryall Lynam.Dark blue baseball cap with gold rim edging. Gold writing on front and back embroidered into material. On front is a picture of a ship (HMAS BENDIGO). On side is a picture of a Marlin fish (in blue) within a gold sunburst circle. Strap on back to adjust size.On front " HMAS BENDIGO", Picture of ship " FCPB 211". On Back "RADM LYNAM", "Decommissioning Crew".hmas bendigo, ball cap, patrol boat

.1) Gold coloured metal Rising Sun hat badge with the words "The Australian Army". Two attached pins & keepers on back. .2) Gold & silver star shaped hat badge with the words "Royal Australian Corps of Transport" inside a circular laurel wreath. Two attached pins on back.numismatics-badges-military, metalcraft, passchendaele barracks trust

Small Four folded page program of 1951 Bendigo Centenary Festival Year. Coloured illustration of a Miner in period clothes carrying a pick with hand on hat beside a woman with umbrella, basket of flowers, decorated hat also in Victorian period dress. Program of activities for each month of 1951 listed.bendigo, history, city history. the goldfields.

Salvation Army Group, four standing two seated in front of a paling fence. Adjutant John Perry seated next to this wife Mrs. Perry was the leader of the Stawell Salvation Army at this time in 1911. The post card was donated to the society by Mrs. Ruth Pickering from Dadswell's Bridge and the daughter of John Perry. A black & white Post card with four people standing and two seated in front of a paling fence. The five woman have long dresses and four have hats on. One of the women has a white shirt & white hat where the other women are in dark clothing. The male in the photograph is dressed in a uniform.Post Empire Card. Handwritten - Standing from left Jean Chandler, Sadie Mathews, Mrs. Moy. adj. John Perry & Mrs. Perry, Stawell 1911.stawell religion

This object relates to Oliver Charles MURPHY. He was born on 1/01/1879 in Lexton, VIC. Oliver Charles served in the Army (6047) enlisting on, 20/03/1916 in Swan Hill, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 23/06/1919. Oliver Charles MURPHY was not a prisoner of war. His next of kin is Mrs Sarah Ann MURPHY - Wife.Badge with motif of the Rising Sun, for use on Australian Army slouch hats. Rising Sun includes rays of sunshine in an arch around a crown, below which there is a scroll bearing text. On reverse, two loops are soldered to the badge and a pin is fed through both loops, used for attachment to slouch hat. On front: “AUSTRALIAN COMMONWEALTH/MILITARY FORCES”first world war (ww1), 1914 - 1918, uniforms, ballarat rsl, ballarat

Schools of this era were very proud of their identity. This was particularly so in country based ones. Schools in isolated or semi isolated regions provided social cohesion and pride and community involvement that was not so inherent in schools located in larger cities. The exception here being the Greater Public Schools. Mrs Beverly Johnson nee Davis designed the school badge.This badge was worn by a local girl, who has the spirit shown by many pupils from the Mount Beauty High School that the identity of belonging to a Kiewa Valley High School is a treasured part of life for them in this regional area. Mount Beauty High School badge made of brass. The front is coloured enamel depicting a scene of sky, mountains, grass and river. It is surrounded on four sides by the words Excelsior, Mount Beauty, High, School. The outside edges are decorated with gold colored fernsExcelsior, School, Mount Beauty, High On flip side K. G. Luke Melb.school badge, hat, lapel badge, high school memorabilia, brass badge

Identity uncertain but suspect it is LT. Ian Robertson MacCLEAN (Jock) VX17358 enlisted 25.5.1940 Discharged 19.11.1945 2/6 Aust Div Sup Col AASCPhotograph of officer in frame. Wooden gold frame, brown cardboard border around photo. Officer has uniform and hat on. Written in ink on back “I.R. MacCLEAN (Jock) 2nd aif, officer

Items belonged to James Worland Mills No 3441 59 th Batt AIF. Refer 169P. .1) Crossed rifles - uniform accoutrement (no fasteners) .2) Rising sun hat badge, metal, pressed blackened brass..2) "Australian Commonwealth Military Forces".numismatics, badges-military, regimental insignia

Part of a collection donated by Miss Edith Elms via Chrisy Northcott. Lady probably early 1900's going on a visit by buggy.Woman in large hat and long dress covered by check rug sitting in a pony trap, on a grassy paddock with tree to left.local history, photography, photographs, transport, horse & buggy, sepia photograph, san remo

A local identity of Rhyll, Phillip IslandFull length sepia photograph mounted on cardboard of woman in long, dark dress and pale coloured hat. Posed in a studio.Annie Reidlocal identity, annie reid nee saunders, photograph, portrait

Valley in photo is Fyans. Peak is thought to be Bellfield. Photo shows a man seated on rocky outcrop looking out over a valley. he is wearing a hat and suit coat.scenery, peaks

The balding man is then Victorian Premier Henry BolteBlack and white photo of young school girls presenting posies to two men and two women. The women are wearing hats.

WW1Black and white photo -full length,standing,legs astride-WW1 uniform-slouch hat-rising suns on collarwilliam, ww1 mercer, c

Black and white photo of soldier in uniform wearing a peaked hat and standing with his hands clasped behind his back.world war one, photo black and white, rudolph a fenchner, service number 6011

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a three piece suit and hat standing in front of a timber building. The man is Frank Wright.Written in pen on back - Frank Wright, 21, 6 Pleasant St N. Ballarat, Taken by Vernon Holt, Jan, 1921frank wright, ballarat, cornet, conductor, smeaton, vernon holt

Australian slouch hat, Manufacturer-Akubbra 1983, Kings Crown "Forces" botton sroll. Khaki Puggarie. With B 033headgear, ww2, army

Given to PMH&PS by the local RSL Branch on their closure in May 1998.Slouch hat from uniform of Digger Les Jones, signed by mates in his regiment and kept by the RSL Sub BranchSignatures all over!war - world war ii, societies clubs unions and other organisations, costume, returned services league, rsl, les jones, les gilbert, r mcgregor, v hallas, john thomson, joe williamson, 'bluey' hobson, braemer, ron moss, bob wille, bruce peterson ?, 'bully' hayes, ted tile, bill dean, max wright, shields, alan condie, r johnson, geoff ruddick ?, lawrie ward, alec cassidy ?, max nankervis, ken muirhead ?, bert foster ?, d reynolds, jack bennett, jim chislets ?, spence, doc jefferies ?, pringle, les osbourne ?, r c kearney, j h clarke ?, collins ?, wal hooper ?, norm watson, don draper ?, r augustine ?

John Coghlan as a boy, dressed in father's police jacket and hat. In the backyard at 139 Station St. B&W photopolice, coghlan family, senior constable martin coghlan, john coghlan

Black and white Clive McNamara emptying ore into skip at Central Deborah Mine, Bendigo.Wearing hard hat and mining lightmining, business, central deborah gold mine

Newspaper. Norman Penrose collection: page cut from a newspaper showing an advertisement for women's hats and a few news items.newspaper, norman penrose collection, artwork, women's hats

METAL HAT PIN WITH CUT GLASS DECORATION INSET ON EACH OF THE FLEUR DE LYS PATTERN AT EACH END OF THE PINNILpersonal adornment, fashion item