Showing 16616 items matching " or lower"
-
Nillumbik Shire Council
Collage (textile): Barbara MUNRO, Outback
collage; fabric on board. A flock of birds (galahs?) in colours of pink, purple and white fly above the dry barren (red) landscape. Low horizon line and vast open purple, blue sky. Signed lower right corner "Munro", not dated.fabric, collage, munro, textiles, outback -
Nillumbik Shire Council
Painting: Alison Hann, A Summer's Day, Panton Hill, 1982
Lower right corner "Alison Hann 1982" oil, panton hill, alison hann, landscape -
Nillumbik Shire Council
Painting: John DUDLEY, John Dudley, Night Predators, 1960s/70s
John Dudley was a well-known local artist who lived in the Shire during the 50s, 60’s and 70s. He was represented by Wiregrass Gallery in Eltham. Formerly two separate galleries: The Eltham Gallery and The Wiregrass Gallery. The Wiregrass Gallery opened on 4th February 1977 at Station Entrance, Eltham, Victoria and closed on the 19th November 1989 when its lease expired. The gallery then moved in early 1990 to 559 Main Road Eltham, the premises of the Eltham Gallery and from then on operated under the name Eltham Wiregrass Gallery. This work is of the local environment and an excellent example of the artist’s work practice.A visual language of shape, form and colour (abstract) to create a composition referencing the physical and emotional experience of landscape. Blended colours of dark blues in background and warm yellows in foreground. Signed 'Dudley' red paint, lower left.landscape, abstract, eltham -
Inglewood & District Historical Society
Framed black and white print showing Bandsmen, Bridgewater Brass Band, 1910
Names of members on back of photograph. BACK ROW: J.S.Lechan, H.Beechley, N.Lucas, B.Wodetzki, B.Lucas, B.Wright, A.Harrison, T.Coghlan, J.Gook, C.Wright MIDDLE ROW: T. Kossock, F.Harrison, *. Wilson, A.Cumming, R.Lucas, B.Wylie, E.Fogarty, P.Lucas, E.Burge, B.Pissoli, J.Scholes SEATED: T.Stewart, B.Harrison, A.Broewn, B.Prouse, J.Harrison, *. Brown, B.CarrThe band originally started in 1910. Mr William Heap was the first bandmaster with about 32 members. The second bandmaster was Mr George Prouse, Eaglehawk, followed by Mr William Wallace of Inglewood who was in charge until the band disbanded in 1914 due to the WW1. Twenty Eight of the 32 members enlisted and served overseas. More REF in Catalogue No 11. Framed black and white photographic print of Bridgewater Brass Bandsmen in Formal Suits standing in an outdoor settingA.G. Lo--- (in lower right hand corner) -
Latrobe Regional Gallery
Painting, A.P.M Forester, Pine Planter, 1976
Oil on canvasSigned lower right corner 'Jungwirth'. Not dated -
Latrobe Regional Gallery
Drawing, Untitled, Not dated
Ink on paperSigned 'George Bell' in lower right cornerfigure drawing, life drawing -
Latrobe Regional Gallery
Drawing, BELL, George b.1878 Kew, Victoria d. 1966 Toorak, Victoria, Untitled, Not dated
Ink on paperSigned 'George Bell' in lower right corner.life drawing, figure drawing, figurative study -
Latrobe Regional Gallery
Drawings, BELL, George b.1878 Kew, Victoria d. 1966 Toorak, Victoria, Untitled, Not dated
Ink on paperSigned 'George Bell' in lower right corner.life drawing, figure drawing, study -
Latrobe Regional Gallery
Drawing, BELL, George b.1878 Kew, Victoria d. 1966 Toorak, Victoria, Untitled, Not dated
Ink on pape.Signed 'George Bell' lower right corner. life drawing, figure drawing, study, pose, human form, body -
Latrobe Regional Gallery
Drawing, BELL, George b.1878 Kew, Victoria d. 1966 Toorak, Victoria, Untitled, Not dated
Charcoal on paperSigned 'George Bell' in lower left corner.body, human form, figure drawing, life drawing, pose -
RMIT Design Archives
Drawings, 1958
Louis Kahan (1905-2002) is best known in Australia for his skill as an artist. As Independent Fashion Curator, Laura Jocic has observed, ‘It is less known though that Kahan had a career in theatre and fashion in Vienna and Paris during the 1920s and 1930s that continued when he came to Australia in 1947. He signed his fashion illustration with the initials 'nac', a phonetic interpretation of his surname spelled backwards. In this illustration on newspaper we can see Kahan playing with the graphic effects of line and text, while communicating the cut and drape of late-1950s fashions.’ Kahn was born in Vienna in 1905 and first travelled to Australia in 1947. He moved to Melbourne in 1950 where he became friends with artist George Bell, writer Alan McCulloch who introduced him to Clem Christensen, editor of the literary journal Meanjin, where many of his portraits of Australian writers were published. His 1962 portrait of the author Patrick White won the Archibald Prize, bringing him national recognition. He also designed sets and costumes for the Elizabeth Theatre Trust (Opera Australia) and the Melbourne Theatre Company. In 1993 his contribution to Australian cultural life was recognised when he was made an Officer in the Order of Australia (AO). He died in Melbourne, at the age of 97 in 2002. Ann Carew 2018Fashion illustration on newsprint. Drawing depicts two women. Women in foreground is wearing a long green coat and hat.Woman at rear is wearing a green and white evening dress with white gloves.Signed lower right in ink, 'nac 1958'.fashion illustration, fashion design -
Melbourne Legacy
Photograph - Portrait, Brigadier Stanley Savige, circa 1939
Stanley Savige is seen as the founder of Legacy when it was founded in Melbourne in September 1923. He was born in Morwell Victoria on 26/6/1890. He served in the Australian Army between 1915 and 1946, including service in both World Wars. Stanley Savige was a awarded a KBE, CB, DSO, MC,EDThis is a photographic portrait of the founder of the First Legacy Club in Australia, Stanley Savige. Black and white photograph of Brigadier Stanley Savige. He is wearing a uniform and it is of note that he has 8 ribbons including an MID and wears the rank of Brigadier. Photo is placed behind discoloured white mounting board.Austin Murcott Melb (Front lower right) savige, portrait, stan savige, founding legatees -
Kew Historical Society Inc
Work on paper, Joy Stewart, Finalists, 'Queen Competition', Southesk, 1967, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Joy Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994.Watercolour, pen & Ink on Paper by the artist and local historian Joy Stewart of 'Southesk' (demolished), Cotham Road, Kew. Inscription: "Southesk." Signed lower right: "JStewart"southesk, ordsall -
8th/13th Victorian Mounted Rifles Regimental Collection
Memorabilia - Medal, Anzac Commemorative Medalion, 1967
Medallion was issued to Miss Edna Huf of Albury, sister of No 533 Sergeant Carl Wilhelm Huf, 7th Battalion AIF who died at sea on HMT "Royal George" on 13 May 1915 of wounds received at Gallipoli and buried in Chatly Cemetery Egypt. Huf was aged 20. Miss Edna Huf donated the medallion together with other items to 8/13th Victorian Mounted Rifles Collection prior to her death at Albury.Part of a collection of items relating to the service and death of a single Australian soldier in WWI which was kept by his sister and passed to a local military collection for keeping shortly before her death in Albury.Bronze medallion featuring Simpson and donkey on obverse and map of Australia and New Zealand on reverse. Issued in 1967 to surviving persons who had served at Gallipoli and NOK of deceased servicemen. Inscribed on lower portion of reverse "CW Huf"huf, gallipoli, anzac commemorative medalion, anzac day, wwi, world war one, anniversaries, medals, numismatics, donkeys, simpson -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - VMR Officers with Philip, 1954 circa
This and another photograph (Catalogue 3393) was taken at a gathering of Officers and NCOs of the 2nd Armoured Brigade (RAAC) to meet Prince Philip at Government House, Melbourne during the Royal Visit 1954. The two photographs were framed and hung on the wall of the Headquarter Building at Buna Barracks Albury till 1991 when they were relocated to the Regimental Collection.Rare record of an historic gathering during the Royal Visit to Victoria in1954.Framed black and white photograph of large gathering of soldiers in uniform standing on steps of Government House, Melbourne. The group is the officers of the 2nd Armoured Brigade, Royal Australian Armoured Corps (RAAC). Lieutenant Colonel Tom Fogarty, Commanding Officer 8/13 Victorian Mounted Rifles, is standing on HRH Prince Philip Duke of Edinburgh's right. Signed at lower centre of photograph "Philip 1954"2nd armoured brigade, prince philip duke of edinburgh, fogarty tom lieutenant colonel, martin arch warrent officer class 1, royal visit 1954 -
The Dunmoochin Foundation
Oil Painting, Male Nude - Double Axe Head, 1984
Painting of a male nude holding a double axe head, seated in a claw foot chair in front of an ironwork gate. Signed and dated lower right 'Clifton 28.3.84'. clifton pugh, painting, male nude, gate -
The Dunmoochin Foundation
Oil Painting, Marlene (Standing Nude), 1963
Painting depicting a female nude with dark hair standing in a landscape with lake and three white trees. Signed and dated lower right 'Clifton '63'.clifton pugh, painting, portrait, landscape, marlene, female nude -
The Dunmoochin Foundation
Oil Pastel Drawing, Nude with Parrot, 1982
Oil pastel drawing depicting a reclining female nude with parrot. Signed and dated lower right 'Perceval '82'.john perceval, drawing, oil pastel, female nude, parrot -
Federation University Art Collection
Work on paper - Bookplate, Alice O'Brien, Alice O'Brien Ex Libris Bookplate, 2013
The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. ExLibris bookplate for Alice O'Brien featuring two mushrooms.Signed lower left side 'Alice O'Brien'keith wingrove memorial trust, bookplate, alice o'brien, ex libris, o'brien, framed bookplate, available, available bookplate, mushroom -
Federation University Art Collection
Drawing - Artwork, Wes Walters, Life Drawing by Wes Walters, 1980, 1980
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large charcoal drawing framed behind acrylic.Signed lower right side 'Walters '80'wes walters, artist, artwork, drawing, available -
Federation University Art Collection
Painting - Artwork, David Alexander, [Landscape] by David Alexander
Framed landscape paintingSigned lower right by artist 'D. Alexander'. david alexander, landscape, artwork, artist, available -
Federation University Art Collection
Work on paper - Printmaking - Lithograph, 'Adagio' by John Brack, 1967
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white lithograph of a male and female circus performer. Lower edge " 60/200 John Brack"art, artwork, john brack, printmaking, circus, edition, lithograph, available -
Federation University Art Collection
Watercolour drawing, 'Children with Bicycle' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Street scene with two children playing with bicycles.Signed Neville M Bunning lower rightart, artwork, neville bunning, bicycle, needs framing -
Federation University Art Collection
Drawing - Pencil ink & Water colour on paper, [Flower Study] by Sybil Craig
Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed sketches of plantsSigned lower left side "Sybil Craig"art, artwork, sybil craig, craig, flora, plants, flowers, available -
Federation University Art Collection
Painting, 'Journey Beyond' by Neville Bunning
Neville Bunning taught Ceramics at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Framed watercolour painting with three abstract figures. Gift of Dr David Alexandersigned lower right side 'Neville Bunning'neville bunning, artist, artwork, ballarat technical art school, available -
Federation University Art Collection
Watercolour & ink on paper, [Trees] by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed watercolour on paper, attached to masonite. Signed lower left "Neville M. Bunning"art, artwork, neville bunning, framing required -
Federation University Art Collection
Artwork, 'Verandah Chair' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Signed lower right 'Neville M. Bunning'art, artwork, neville bunning, chairs, pot plant -
Federation University Art Collection
Oil on board, 'A Way of Life' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting in an aluminium frame of six people relaxing around a green beach umbrella.signed lower right "Neville M Bunning"art, artwork, neville bunning, available, beach umbrella, bar -
Federation University Art Collection
Painting - Artwork - Drawing, Neville Bunning, [Young Girl] by Neville Bunning
Neville Bunning taught Sculpture and ceramics at the Ballarat Technical Art School, a division of the Ballarat School of mines, from 1945 until 1964. During that time he formed the Ballarat Artist's Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly column in 'The Courier', where his insightful comments made readers aware of significant trends in art.Portrait of a girl with red ribbons in her hair.Signed lower left "Neville M. Bunning"neville bunning, art, artists, ballarat school of mines, bunning, available -
Federation University Art Collection
Painting, 'Portrait of Mr Max Hopper, Director 1870-83 ' by John Scurry, 1986
John SCURRY (26 August 1947- ) Born Melbourne, Victoria John Scurry studied at the Prahran College of Advanced Education, graduating with a Diploma of Art and Design in 1969. In 1971 he gained a Trained Tertiary Certificate from Hawthorn Institute of Education. From 1973 to 1976 Scurry was a Full time Senior Tutor in the Printmaking Department of the Preston Institute of Technology, becoming Acting Head of the Department in 1976. Working as a Lecturer in the Drawing Department of Prahran College of Advanced Education he then became a Lecturer in Printmaking from 1977 to 1978. In 1979 he began teaching as Full time Lecturer in Printmaking at the Victoria College of the Arts, where in the following years he was Senior Lecturer in Charge of Printmaking in the Faculty of Art and Design (1982-1991, Head of Printmaking School of Art (1991-2003) and Senior Lecturer (2003-2007) before retiring to focus his time on his own work. Max Hopper was Director at the Gippsland Institute of Advanced Education from 1979 to 1983.Framed academic portrait of Max Hopper, director at Gippsland from 1970-1983.signed and dated lower left "Scurry '86"artwork, artist, academic portrait, max hopper, john scurry, gippsland campus, churchill