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Tatura Irrigation & Wartime Camps Museum
Book, The Modern Home Doctor
Informative book - medical. Produced to assist in home nursing, first aid etc.Brown hard cover, black title on front and spine.health, modern home doctor, home nursing, first aid -
Tatura Irrigation & Wartime Camps Museum
Recorder, 1940's
Made by internees at Camp 3, Tatura. The mataerial was selected from firewood. Eric Bulach tuned the recorder to a perfect pitchHandmade richly coloured (dark brown) wooden recorderrecorder, frank r, doster h, vollmer h, camp 3, tatura, ww2 camp 3, musical, instruments, wind -
Tatura Irrigation & Wartime Camps Museum
Booklet, Kyabram The Larger Valley Township, 1989
Presented by author to Tatura Historical SocietyYellow soft cardboard cover with brown printed titletown of kyabram, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Booklet, From Chock and Log to Rolltop, 1985
Compiled by former students, Pearl Craven, James Crawford, Linda Stephenson, Brian WilliamsSoft cover booklet, cream coloured, brown writingtoolamba families, books, history, local, school, educational -
Williamstown High School
Form 1E 1946
Original black and white photograph, mounted on brown card.Wilma Robins 1946williamstown high school, 1946, class photographs, form 1e -
Stawell Historical Society Inc
Textile - Blanket from North Western woolen Mill, North Western woolen Mills, 1976
Red Green & Brown Woolen Blanket with Presentation PatchPresented on the 50th Anniversary of the Commencement of the North Western Woolen Mill Pty Ltd.manufacturer, industry -
Woods' Farming and Heritage Museum
Biscuit Tin
Rectangular tin, brown with picture of ship in a bottle on the lid. -
Numurkah & District Historical Society
Wooden planks labelled Brown & Corke
The wood was found during renovations of the house at 36 Katamatite Rd. The wood was around the window sills of the house3 x Wooden planks labelled with "Brown & Corke"timber, wood, planks, house construction, renovations, brown & corke -
Chiltern Athenaeum Trust
WW1 Framed Photograph of soldier Adde Cooper, WW1 1914-1918
Photograph relates to Chiltern resident and soldier of the first world war Adde Cooper. Service number 5002 Rank Private Unit 21st Australian Infantry Battalion Service Australian Imperial Force Conflict/Operation First World War, 1914-1918 Award Military Medal Commonwealth of Australia Gazette 27 August 1917 on page 1828 at position 38 London Gazette 11 May 1917 on page 4601 at position 9photograph relates to WW1 Soldier Adde Cooper, a Chiltern Resident. Brown framed photograph of WW1 Soldier Adde Cooper. Small sign at the bottom of the photograph identifying soldier as being Adde Cooper, Chiltern Resident and WW1 soldier. ww1 1914-1918, the great war ww1, soldier adde cooper -
Tatura Irrigation & Wartime Camps Museum
Sign - Notice Board, Rodney Irrigation and Water Supply Trust
Made to commemorate the first meeting of the Rodney Irriagation and Water Supply Trust.Commemoration Board of dark brown wood with gold writingRodney Irrigation and Water Supply Trust First meeting held on 28th May 1889 Commissioners M Cussen Chairman W Bray, M Minter, J Cooke, J Morrisey, T Hogan, J Stewart, M Kavanagh, J Teese, S Lancaster, C W Wilson, J McKenzie Engineer W S Murray Secretary J A Careym cussen, w bray, m minter, j cooke, j morrissey, m kavanagh, j stewart, j teese, s lancaster, c w wilson, j mckenzie, w s murray, j a carey, rodney irrigation and water supply trust -
University of Melbourne, Burnley Campus Archives
Document, Proposed Agricultural Education Programme for the Victorian College of Agriculture and Horticulture, 1985
Report to VCAH by Howard C. Brown, 4 volumesagricultural education, victoria, howard c. brown, vcah -
Wangaratta RSL Sub Branch
Plaque
Stones mounted on brown timber with black plaque attachedANZAC beach Gallipoli April 25 1990anzac beach, gallipoli -
Wangaratta Art Gallery
Painting, Ailsa Seargent, The Junction, 1969
Rural City of Wangaratta Collection.A rural river landscape painted in blues, greens and browns.wangaratta art gallery, ailsa seargent, painting, landscape, river -
National Wool Museum
Textile - Blanket, Eagley Woollen Mills, 1960s
Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Queen sized brown, green and blue checked blanketEagley Blanket, Pure Woolblanket, blanket fever, wool, eagley woollen mills, victoria -
National Wool Museum
Textile - Travel Rug, Onkaparinga Woollen Mill Company, 1960s
Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga -
Stawell Historical Society Inc
Memorabilia - Realia
Lapel Ornament (Ladies) Brown and Green. Clip on Back stawell -
Stawell Historical Society Inc
Memorabilia - Realia, c1930's
Brown Paper Bag (Whiteside's Hatter and Mercer Stawell)stawell -
Stawell Historical Society Inc
Archive, Grand United Quartz Mine Journal, 1872 - 1874
Brown Cover - Gold Lettering on Red Square - "Journal"stawell, gold mining -
Stawell Historical Society Inc
Archive, Joachim Popp & Hugo Evans of Gertrude Street / Newington Road Stawell - Ledgers, 1893 - 1899
Green Cover with Brown Suede Binding and Covers on Cornersstawell, business -
Stawell Historical Society Inc
Memorabilia - Realia, c1920's-1930's
High Closs Brown Patterned Water or Milk Jugstawell -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1950
Cream Straw Hat with Brown Trim. Of fine Strawstawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1900
Brown Half Length Fur Coat. Satin Linedstawell clothing material -
Uniting Church Archives - Synod of Victoria
Lapel Badge
Round lapel badge. White with brown text and image."Methodist Church Diamond Jubilee Daylesford 1861 - 1921"methodist church, methodist church daylesford, methodist church diamond jubliee -
Hume City Civic Collection
Petrified Wood
This piece of petrified wood was found at the sand quarry between Sunbury and Bulla.A petrified piece of wood showing various shades of brown.smith, kevin, john, wood, george evans collection -
Numurkah & District Historical Society
Leather coat
Used by Jim Waites (Shearer/Farmer), Kanyapella (Item over 100 years old?)Long, brown leather coat. Well-worn. No labelleather, satin lining -
Brimbank City Council
Ledger, Shire of Keilor, 1874-1890, mid to late 19th century
Local historical and research significance.Local historical and research significance.Light tan-coloured hardcover with brown coloured spine. -
Ambulance Victoria Museum
Monitor defribulator, Lifepak 4, Physio-Control Corporation, Circa 1975
Used in Mobile Intensive Care Ambulances (MICA) 1, 2 and 3 during the 1970s and 1980s. These units were effective and reliable. Paramedics were happy, however, when they were replaced by the Lifepak 5 as the new unit was much lighter and smaller. Source Ian Donaldson AHSV assistant curator. This particular item was donated to Ambulance Service Melbourne by the Collier Charitable Fund. Cream and brown plastic medical equipment with carry handle.PHYSIO-CONTROL PRESENTED TO AMBULANCE SERVICE - MELBOURNE BY COLLIER CHARITABLE FUND collier charitable fund, paramedic, mica -
Vision Australia
Photograph - Image, The Senatorial Suite, 1991
In recognition of the support from various Qld senate parties, the Royal Blind Foundation of Queensland named a meeting room in their honour at the Kent Street offices.Digital image of gold coloured plaque with brown writing"The Senatorial Suite" In a display of genuine unity, Queensland's 12 senators of four political persuasions contributed equally toward part of the cost of the 1990 restoration of our premises. This is, in all likelihood, the first occasion in our nations history of such a unified act of giving of this kind. This room was officially named "The Senatorial Suite" on 20 March 1991 by Qld's longest serving current senator, Senator Mal Coulson.royal blind foundation of queensland, nameplates -
Federation University Art Collection
Bookplate, 'Ex Libris Dylan Pfeiffer'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A brown boat is depicted on waves beneath a starry sky.Name in pencil on back Dylan Pfeifferprintmaking, bookplates, australian bookplate design awards, keith wingrove memorial trust -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - Sam Browne belt
Brown leather Sam Browne belt with sword froguniform, belt, sword