Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the east, looking west. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the portico of Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered rear of the building, viewed from the east, looking west. A two storey wing of the Mount Royal Hospital, facing Nolan Avenue is at the right. The slide shows a set of wire gates separating the east garden of Villa Alba from the main house."Villa Alba"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.)

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the west, looking east. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the earliest known photograph of Villa Alba, 44 Walmer Street, Kew, 3101. "Villa Alba photo / 1800s"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.)

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the portico of Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered tower and entrance, viewed from the east, looking west. The bay window of the drawing room is in the foreground."Villa Alba Exterior 1987"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.)

Gallipoli star medal and badge belonged to Private Thomas E. Rollings 1983 who was born at Tallangatta and enlisted on the 21/6/1915 at age 24 . He served with the 24th Battalion and on the 11/ 11/1915 at Lone Pine received severe bomb wounds to both legs and right arm. On 24/12/1915 his right leg was amputated and he was repatriated home in January 1916. He passed away in 1966 and is buried at Eldorado.Black timber frame containing bronze coloured star shaped metal medal with red blue and white striped ribbon and a gold-coloured metal badge/medallion depicted a soldier with rifle both mounted on red felt."1983 / Pte. Thomas E. Rollings / 24th Battalion A.I.F."gallipoli star, medal, anzac, wwi, world war one, 24th battalion

William George Pyke enlisted in the 1st reinforcements 21st Batt AIF on 8.4.1915 No 1565 age 33 years 4 months. He was hospitalised at Anzac was returned to Australia and discharged medically unfit on 13.3.16. Classed “Asthma. He re enlisted again on 30.4.17 No 4869 in the 13th reinforcements 29th Batt then transferred to the 38th Batt on 1.1.1918. He was gassed severely on 11.8.18. He was discharged medically unfit on 8.7.1919. He passed away 26.7.19.Medal set, court mounted, set of (3) re W.G Pyke. 1. 1914-1915 Star. 2. War medal 1914-18 replica not engraved. 3. Victory medal 1914 - 19 replica not engraved. .1 "1565 Pte W G Pyke 21 BN AIF"medals, history, military, ron mills collection

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

This is a flag awarded to the Premiers of the Warrnambool District Bowls Association for 1963-4. The members of the Warrnambool District Bowls Association are Timboon, Dennington, Koroit, Port Fairy, Terang, Lawn Tennis, City Memorial and Warrnambool Bowls Clubs. It is presumed that this flag was awarded to St. John’s Bowls Club as it was passed over from that club to the Warrnambool and District Historical Society in 2014. St. John’s Bowls Club in Princess Street, Warrnambool was associated with the Warrnambool Presbyterian Church. It was formed in the 1930s and ceased to exist in 2013. This flag is of some interest as a memento of St. John’s Bowls Club in Warrnambool. This club was a well-known sporting club in the 20th and early 21st centuries in Warrnambool. Bowling is a popular sport in Warrnambool. This is a triangular-shaped cloth flag or pennant. It is dark blue with yellow lettering stitched on (Warrnambool District Bowls Association Premiers 1963-4). The base of the triangle has a white canvas folded binding in which is enclosed a plaited rope with a metal clip for attachment to a pole. The smallest section of the flag has been stitched over with black cloth. The flag is somewhat grubby with the white binding particularly dirty.‘W.D.B.A. Premiers 1963-64’warrnambool district bowls association, st. john’s bowls club, warrnambool, warrnambool

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

The first three photographs of the Original Heidelberg Printing Press were probably taken circa 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The last photo was taken in 1990. The Original Heidelberg Printing Press was a single colour offset press. It was a robust and well-made lithographic printing press and was in service at the Army Svy Regt for decades. Its primary use was for initial training and rapid response tasks, such as single pass overprints over existing print stock.This is a set of photographs of the Original Heidelberg Printing Press at the Army Survey Regiment, Bendigo c1980s, 1990. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1980s, SPR Mick Ellis, Lithographic Squadron .2) - Photo, black & white, c1980s, unidentified, Lithographic Squadron .3) - Photo, black & white, c1980s, SPR Terry Winzar, Lithographic Squadron .4) - Photo, colour, 1990, Ni Vanuatu Printer Technicians, Lithographic Squadron.1 – personnel annotated .2 to .3 – no annotation .4 – annotated with dateroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, printing

Ruby Forge (April 15th 1881-April 2nd 1969) was the sister of James Leslie Forge. She donated the fund for one of the memorial stained glass window to her brother after his passing in 1917. Ruby was engaged to a young man who was sent to the front during WWI. Unfortunately he died over there, and she never married. She passed away in April 1969. Sue McPhail, her niece, visited the Mission on Thursday 7 September 2023, bringing this photograph.Small black and white portrait of Ruby Forge wearing a hat.ruby forge, sue mcphail

This bottle of castor oil was used during the mid to late 1900's when there was a Hospital in the Kiewa Valley, but regarded as only for serious injuries and near death situation. For this reason many households had a "first aid" box full of items such as this bottle of castor oil. Home based remedies for non life threatening injuries and illnesses were a part of life in a semi remote rural region. True and trusted family "health" remedies were passed from generation to generation.This Castor Oil bottle is very significant to the Kiewa Valley as it demonstrates the self reliance of the early farming and grazing pioneer families. Knowledge of "first aid" was uppermost to the survival of families before the late 1900's. Naturopathic remedies such as connected with the castor oil contained in this bottle, although may not be sanctioned by medical research, does not take into account of the positive "self healing" of the human mind (if you think it is doing you good it creates a positive action). Such preservation techniques were handed down through the generations.Medical Reference material was limited to books available and read and not not from "the internet" in the latter part of the 1900's. The availability of General Practitioners increased because of the boost in the population growth (SEC Vic Hydro Electricity Scheme) in the Kiewa Valley from 1940's onward. This small indigo coloured glass bottle has a narrow neck and a screw on lid.It has an embossed manufacturer's name and contents (Castor Oil) on one side and identification marks embossed on the underside base.medicine bottles, home first aid remedies, indigo glass medicine bottles

These cards have been sent to Christina Lawrance (1889-1970). She was born in Williamstown, Victoria and married James Robertson in 1912. They lived in the Gundagai area of N.S.W. on a property named ‘Nargoon’ (sheep and cattle) and they had five children. One of the daughters, Margaret, married Jeffrey (Bill) Whitehead of ‘Goodwood’ near Hawkesdale and the cards have been passed on to us from a Whitehead descendant. It is not known who sent the cards to Christina Lawrance who would have been 16 or 17 at the time. These cards are of interest because they are of Warrnambool scenes and demonstrate the practice at the time (1906) of sending cards that had photographs of local scenes. The photographs, although printed in great numbers, are of historical interest today. The cards are also of interest because of the recipient’s connection with the Warrnambool area – Christina Lawrance is an important person in the family tree of the Whitehead families today. These are four colour post cards in green, yellow and black tonings. They have photographs of the Hopkins River, Warrnambool and the Hopkins Falls on one side. They all have a penny red Victorian stamp and were posted from Warrnambool in 1906. The address is handwritten in black ink. Addressed to: ‘Miss C. Lawrance, C/O Kirkpatricks Hotel, Mornington, Victoria’whitehead family of ‘goodwood’, christina robertson nee lawrance, history of warrnambool and district

This card from the Warrnambool Amateur Turf Club is a pass for a lady for the meeting of 5th May 1914. This day was part of the three-day 1914 May Racing Carnival which featured the Warrnambool Cup and the Grand Annual Steeplechase. The first organized horse race in Warrnambool was held in 1848 at Jetty Flat and the Warrnambool Racecourse was first in use in 1858 with the Warrnambool Racing Club established in 1873. The Warrnambool Amateur Turf Club was established in 1859 and was the only Amateur Turf Club in Victoria. It no longer exists This card is of interest as it is a memento of the Warrnambool Amateur Turf Club, an important early sporting club in Warrnambool. It is also an early memento of the Warrnambool May Racing Carnival, today a premier sporting event in the city and beyond and it is officially a Victorian Major Event. This is a small piece of light cardboard, blue on one side and white on the other. The card has rounded edges. On the blue side it has the emblem of the Warrnambool Amateur Turf Club and gold printing. The card has gilt edging. ‘Wednesday May 5 1914, Lady’s Ticket, Not Transferable, A.H.Davies Sec.’horse racing in warrnambool, warrnambool amateur turf club, history of warrnambool

Following a Royal Commission in 1855, the Gold License was changed to the Miner’s Right, which reduced the fee and required annual payment, rather than monthly or quarterly.The fourth Goldfields Act, passed in early 1858, gave increased privileges to holders of Miner's Rights. These included the right to make residential claims, allowing the cutting of timber on claims and giving the right to build races and dams on any crown lands for mining purposes. This certificate is in the name of Samuel Richardson who brought it to Orbost.This item is of historical significance as it is associated with positive outcomes for gold miners brought about by the Eureka Stockade rebellion and its subsequent democrat changes. It is also associated with the Richardsonfamily who were early settlers in Orbost.A certificate for a miner's right printed on paper. It cost one pound. It was Not Transferable. Details have been filled out in ink. At the top of the licence is an elaborate etching, under the heading 'Colony of Victoria'. Inside a shield is a young woman, crowned, seated, with shipping in the background. oO her left is a miner with hat presenting her with a gold nugget while on her right, a farmer presents grain to her. Mottoes include 'Honi Soit Que Mal Y Pense'; 'Dieu et Mon Droit' and 'Advance Australia' There are handwritten notes in faded ink on the back.miner's right, colony of victoria, samuel richardson, no 14, government act

Christening gowns are traditional outfits made just for baby’s baptism. They are almost always white and can be very ornate, highly decorated garments. Usually, the christening gown is quite long – much longer than the baby being christened, particularly when it is worn by a young or very small baby. Many families keep a “family” christening gown that has been passed down through various family members and is used for the baptism ceremony. This christening robe was probably used by the Cameron family.The christening gown was a late 18th century innovation usually made of white lawn, muslin or net, longer than the baby and fancier than a day gown. The design was a more moderate version of contemporary adult fashion. Most 19th century christening gowns featured lace. All, until the end of the century, had low necklines and short sleeves. This gown reflects the style of christening robes in the early 20th century. A high waisted, short-sleeved long white broderie anglaise christening robe made of fine cotton. It is hand made edged with machine stitched cut work lace. The bodice is pin tucked.christening-robe clothing-childhood

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

"Until 1865, all wheeled traffic to the Upper Yarra District passed through Christmas Hills along present day Ridge and Muir roads, then followed the hazardous course of "The Breakneck" (now Breakneck Road) to the valley below. To slow the descent of wagons, logs are said to have been dragged behind. In 1865, an easier route was opened on the south side of the Yarra River, and led to the birth of Lilydale". - Christmas Hills Past and Present (Yarra Glen District Historical Society), 2004.Digital copy of colour photographfred mitchell collection, 2016, breakneck, yarra glen

"Until 1865, all wheeled traffic to the Upper Yarra District passed through Christmas Hills along present day Ridge and Muir roads, then followed the hazardous course of "The Breakneck" (now Breakneck Road) to the valley below. To slow the descent of wagons, logs are said to have been dragged behind. In 1865, an easier route was opened on the south side of the Yarra River, and led to the birth of Lilydale". - Christmas Hills Past and Present (Yarra Glen District Historical Society), 2004.Digital copy of colour photographfred mitchell collection, 2016, breakneck, yarra glen

This surgical instrument kit, c1870s, originally belonged to Lord Joseph Lister. On his retirement in 1892, Lord Lister presented the instrument kit to his friend Dr Alexander Matthew. The donor of the surgical kit, Professor Ian Stewart Fraser, is the great grandson of Dr Alexander Matthew. The donor, Ian Fraser, checked with his mother about the inscription "Ethel Livie". There was no one of that name in his mother's family tree and the instruments were passed down from his mother's family.This surgical kit, made by Young of Edinburgh Scotland in the 1870s is significant because it belonged to and was most likely used by an internationally important figure in modern medicine, Lord Joseph Lister. Joseph Lister, 1st Baron Lister, Bt., OM, FRS, PC (5 April 1827 – 10 February 1912), known as Sir Joseph Lister, Bt., between 1883 and 1897, was a British surgeon and a pioneer of antiseptic surgery. By applying Louis Pasteur's advances in microbiology, he promoted the idea of sterile surgery while working at the Glasgow Royal Infirmary. Lister successfully introduced carbolic acid (now known as phenol) to sterilise surgical instruments and to clean wounds, which led to a reduction in post-operative infections and made surgery safer for patients. Surgical instruments in original timber case, containing two steel sharp hooks with the manufacturer's stamp,"YOUNG EDINBURGH" on the handles, five steel scalpels with ebony handles in assorted sizes. Also included separately are autopsy hooks, one metal blowpipe [commonly used with urine testing apparatus] and two dissector forceps. "YOUNG EDINBURGH"; "ETHEL LIVIE"surgery

Placemat made with the in 'wrapping' technique taught by Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Placemat made with the 'wrapping' technique developed by Joyce Hucker.crochet, hucker, mrs joyce

Conatiner made with the 'wrapping' technique developed by Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Toy (container and pig) crocheted by Joyce Hucker.crochet, hucker, mrs joyce

Example of wrapping technique of crochet by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Example of wrapping technique of crochet by Joyce Hucker.crochet, hucker, mrs joyce