Portland Town CouncilFramed, black and white, head and shoulders photograph of Harold Hedditch, wearing dark suit, white shirt, spotted tie. White painted and decorated wooden frame (appears to be the period).Front: Bottom centre: Harold R. Hedditch, MLA Mayor of Portland, 1940-41, 1941-42, 1942-43 Back: Top centre: yellow sticker numbered 3096.harold hedditch, mayor, mayoral chain, mayoral robes, mayor of portland

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim, Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Neck is slightly bulged and there is a mould seam where shoulder joins base. Body tapers inward to base. Uneven base with deep push-up centre with small pontil mark. Scratches and imperfections in glass. Also encrustations on surface. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

Herbert Hopetoun Brownlee enlisted in the AIF as a Farrier on 3.8.15 in 10th Battery 4th Field Artillery Brigade aged 25 years 2 months. Embarked for Eygpt 18.11.15, embarked for France 14.3.16, promoted to Farrier Sgt 8.8.16, WIA 2.10.18 SW left shoulder then changed to GSW, discharged from the AIF 3.7.19. Refer 441.4, 443P, 445, 483.2. Medal set, court mounted, set of (3) Re "Brownlee" 1. 1914-Star. 2. War medal 1914-19. 3. Victory medal."6312, SGT. H.H. Brownlee 4th F.A.B, A.I.F"numismatics-medals-military, metalcraft

A capelet is a small cape, usually worn around a person's shoulders and often chosen to wear with an evening outfit. The design may include a hood, collar or even ruffles. Fabrics range from fur, leather, velvet and wool to shear silk and net. Trimmings include buttons, lace, ribbon, and tassels. A capelet was a fashionable garment from the late 19th to the early 20th centuries.Capelet with collar. White fur lined with white fabric. flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, capelet, cape, evening wear, fur garment, fashion, edwardian, victorian, white fur

Full length sleeveless dress of dark blue fabric with light blue all over embossed floral pattern. Front of bodice made from one piece with two darts from the waist. Back same as above. Square neckline formed by pleated section of fabric (upward facing knife pleats) across the front. The pleating continues on the shoulder panels at the front. 13cm wide at shoulders. The shoulder pieces continue to attach at the back bodice but widen to form a rounded collar effect on either side. At centre back where collar joins, a folded piece of fabric is attached to form two tails of a bow falling past the waist (39cm). A decorative metal clasp with three rows of diamantes is attached at the top of the bow, 7cm below the neckline. On the front bodice there are two decorative rows of diamantes below the shoulders where the shoulder piece joins the pleated section across the front. Front and back bodice dip slightly at centre. Side opening on LHS with 36cm metal zipper from armhole. Hook and eye at top. Fabric piping around waistline front and back. Skirt made of four pieces. Centre and side seams. Gathered into waist (bodice) with series of small pleats random (uneven) knife and box flat seams. Large stitches visible on front of bodice where pleated section is visible. 2cm wide strips of elastic hand stitched inside each shoulder section, attaching front and backs of bodice. Check collar attached.costume, female evening, dress

Uniform issued to "WO1 D.M.FIELD" 313679, REGIMENTAL SERGEANT MAJOR.Jacket - Khaki colour wool serge fabric, Battle dress style, belted at the waist with metal buckle. Brown plastic buttons. Collar shoulder epaulettes, two front pockets with button down flap. Shoulder sleeve insignia black colour with red embroidered lettering "ROYAL AUSTRALIAN CORPS OF TRANSPORT". Light Khaki colour cotton twill fabric pocket lining. Manufacturers white cotton fabric label - left pocket lining.Manufacturers information on two labels. Black ink print - "REGIMENTAL NO/ NAME" Red ink print - "M.TX Size 7" On pocket lining - purple ink stamp - "D^D/ MADE IN AUSTRALIA/ 1954" uniform, army, battle dress, wo1 dm field

Battle uniform jacket is for less formal circumstance. Belonging to "Peter Stoklahsa" enlisted 1966. Refer Cat 7674P.RAAF blue uniform jacket size 10 OR. Royal Australian Air Force shoulder patches.. Commonwealth emblem patch sewn onto lower arms. Two breast pockets with service ribbon attached above left pocket. Material epaulettes on each shoulder with a black button and gold RAAF Eagle and Crown Emblem. Zipped front with stretch bands on bottom sides. Inside cotton lining. Inside pocket - label of maker on inside.Label - "A.G.C.F. VIC. 1981. 8405.66.103.8063 Size 10 OR. Service No. Cleaning instructions. raaf, uniform, peter stoklahsa

.1) Light khaki. Cotton webbing haversack with 2 small straps on front to hold flap shut. It has a 25mm brass buckle on each end of straps. It has 2 x 50mm straps sewn on the rear with brass tips. All buckles are brass. It has a 25mm shoulder strap enlarged to 50mm at its centre. .2) As per .1) but no 50mm straps on rear. .3) Darker khaki. As per .1) with no shoulder strap..3) Inside written "Sgt A Holmes"webbing, haversack, pattern 37

Clothing. Cream coloured cotton infant's vest. Cut in one piece. Back opening. No seams. Square neckline at front. Shoulders joined with piece of 1.5cm lace. Neckline trimmed with 3cm piece of lace. Arm holes and shoulders trimmed with 1cm lace. !cm gussett under each arm hole. Crossover at back opening has no fastenings. Selvedge edge around bottom of vest. Machine stitching. Old box 230.costume, children's, infant's vest

A wooden tennis racquet with string whipping around shoulders, cloth reinforcements around shoulders and shaft, and fine grooved handle. Decal on throat on obverse features a wreathed gold trophy. In front is a banner device with model name: FINALIST. Inscription across throat on reverse: A/DUNLOP/PRODUCTION. 'D' trademark features on black butt cover. Materials: Wood, Gut, String, Ribbon, Cloth, Paint, Ink, Leather, Glue, Lacquer, Metaltennis

A wooden tennis racquet painted metallic blue from shoulders to handle, with blue ribbon whipping from shoulders to shaft. Inscription across base of head on obverse: COLLEGIATE. Inscription across throat, on reverse: BANCROFT/FIRST IN TENNIS SINCE 1882. Handwritten name across cloth butt cover features the surname: ROHMS. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Cloth, Plastic, Adhesive tape, Painttennis

Long sleeve khaki coloured shirt with two button down breast pockets, two plain khaki epaulettes on either shoulder fastened with a brown coloured plastic button. Six buttons fasten the shirt down the centre front. Patch on left and right shoulders depicts three downward pointing chevrons in brown and white embroidery thread. Sleeves are fastened with two plastic buttons on each arm. Manufacturer's label on interior back of neck.Manufacturer's label on interior back of neck reads "CLASS-8405/66-027-2495/ARMY No/NAME"dress uniform, australian defence force, shirt

In 1951 - in the context of the Cold War - the Menzies government established the 'National Service Act 1951', which called-up men for compulsory military training for a period of 176 days. The 14th Battallion was located in Victoria. The coat has historic significance in the wider context of Australia’s involvement in the Cold War (particularly in Vietnam) and in the establishment of a National Service Scheme. Olive green army man coat with four outside pockets - two on the chest, two at the bottom; each pocket has one metallic button attached. Coat has a metallic zip as well as metallic buttons; two velcro scratches at the wrist level. Extra removable padding inside, which is attached with plastic buttons. Two identical inscriptions on right and left shoulder reading '14 National Service Battalion'. Two identical inscriptions on right and left shoulder - reading '14 National Service Battalion' Manufacturing details on the inside reading: Coat, Cold weather, Man's, Field M-65. Olive green colour. Style 8120/8542 DSA 102-81-C1204. 1. Wear as outer garment or as under-layer in cold-dry climate. 2. Wear button-in liner for added insulation. 3. Adjust closures and drawcords to ventilate; avoid over-heating of body. 4. When hood is used, lower extension shall be worn over neck opening, preventing water. 5. Brush snow or frost from garments before entering opening. 6. For fast drying, remove liner from coat. 7. Do not expose to high temperature of a stove. 8. Lubricate slide fasteners with wax. 9. For cleaning and restoring of water repellency return to laundry for machine washing in accordance with established procedures for quarpel garments. 10. Do not starch. Do not remove this label. Black ink pen inscription on manufacturing label reading '3/715875' and 'N.Wain'war, army, coat, man's coat, australian army, military uniform, national service scheme, cold war, vietnam war

The bridal coat was part of a wedding ensemble worn by Peg Young in 1939. The final two images in the carousel include a wedding photograph of Peg and her husband. A letter accompanying the donation on file describes the outfit as: "Rosemary [Peg] looked very nice indeed in a simple white satin dress that made her look very tall and slim. It had trimming round the neck, down the front and on the shoulders that looked like quilting, with a little gold in it, and she wore gold slippers and a lovely lace veil, lent by Auntie Nellie. She carried a large sheaf of bright red roses." Mrs Peg Young, a Kew resident was at one stage President of the Children's Book Council of Australia. She was also a member of the Kew Historical Society. The coat was donated by her daughter, Mrs Helen Tutt.Floor-length satin bridal coat with a buttoned full length opening at the front extending the length of the garment. The front of the coat is hand-quilted in an abstract design of arabesques. The buttons are covered with the same satin fabric as the coat. Accompanying the dress there is a photo of the couple on the steps of the unnamed church in London and a letter describing the event, including the coat.Transcript of accompanying letter: Red Cottage Mallory Road Hove 4 Sussex England July 21.39 Dear Faith I have been up to London today to Rosemary's (Peggy) wedding. Though you might like to hear about it. To my mind the one sad part was that your Uncle Bertie and your adopted sister could not be there. Daisy (Margaret) has been simply splendid in all she has done. Rosemary looks very nice indeed in a simple white satin dress that made her look very tall & slim. It had trimming round the neck down the front & on the shoulders that looked like quilting, with a little gold in it, & she wore gold slippers & a lovely lace veil lent by Auntie Nellie. She carried a large sheaf of bright red roses. Her two bridesmaids were Mary & Brenda. They wore the same bridesmaids dresses as they wore at their sister Peggy's wedding a few weeks ago. They were very pale blue satin, simply made, with long skirts & they had lovely little flat bouquets made of the heads of all sorts of flowers out in the gold holder which I am sending you & tied round the handle with gold ribbon. They had wreaths of the same flowers in their hair. Nevil gave Rosemary away."costumes, wedding dresses, wedding coats, peg young, helen tutt, fashion design, fashion -- united kingdom, fashion -- 1930s

The arm belonged to Herbert Arthur Dower, VX21917, enlisted 4.6.1940 and posted to 2/14th Bn, embarked for the Middle East 19.10.1940, WIA 24.6.1941 GSW left Arm, amputation, embark for Australia 18.8.1941, discharged 2.2.1942.Prosthetic arm, two piece, yellow colour, Brown glove on hand, pivoted joint at elbow with leather strap, shoulder recess has leather lining, webbing strap for attachment to torso.prosthetics, artificial,

Items issued to B.J Maggs..1) Commando shoulder insignia, red & white. .2) Commando beret. Dark green wollen material with regimental badge, silver coloured dagger crossed with gold coloured boomerang attached.uniforms-army, commando, head wear male

Standard Australian Army webbing map case with shoulder strap. This map case is complete with a folded Australian Survey map of Puckapunyal, Victoria produced in 1988. Inscription BHG Ltd 1945

Illustration - Black and white. Taken and cut from a book. Head and shoulders portrait of Thomas Henty. Thomas is wearing a high neck light coloured cravat under a dark coloured suit.Front: 'THOMAS HENTY' - printed beneath portrait. Initials 'W.Mc.L.' appear on lower right breast.thomas henty

WWII jacket. Two medal bars above breast pocket. Rising Sun badge on each lapel. Brass buttons. Metal belt. Epaulettes on each shoulder, one with Crown Badge. wwii, clothing, ribbon bar, rising sun badge

Army Uniform from the Vietnam War era.Representative of the era. Massed produced by the Australian Government.Uniform comprises Jacket (.1) Pants (.2) and Tie (.3) . Khaki wool. Button up trousers. Jacket has Royal Australian Engineers badge on shoulder, gold buttons on epaulettes.Label reads: Buckleys & Nunn Ptd Ltd / Melbourne. Handwritten: Chappelluniform, army, vietnam

The photo was taken at the Halls Gap Wildflower Show in October 1986 (perhaps at the parade held that year?).The photo shows a young boy (perhaps 8 or 9 yo) surrounded by adults, as can be seen by arms and shoulders. The image has been altered to show an uneven cameo image of the boy.events, wildflower show

Double-Breasted lined jacket with 'wing' lapels. Left and Right pockets with cover flaps. Colour; Dark Navy. Petty Officer Badge (slightly faded) near shoulder of left sleeve.All Buttons Metal. Buttons Reverse; Stokes and Sons Melb. 6 Buttons on front; 23mm diameter. 2 Buttons on each sleeve cuff; 15mm diameter. All buttons show Crown and Anchor with 'Australia' beneath. Inside; 1 pocket on right side. 2 pockets on left side (i pocket small 'coin' or 'pocket watch' size). Inside neck; original fabric tag covered by 'Band-Aid ' sticker with the words 'G' or 'E' Cole per 13 Heeds'.

Black and white photograph of James Quinn a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a bearded man wearing a jacket, white neck tie facing right. james quinn, kelly sympathiser, kelly gang, edward kelly, ned kelly

Paperback. Front cover has an illustration of Geppetto with Pinocchio sitting on his shoulder. In the background of the illustration are characters and places from the story. The back cover has a blurb about the author and the book.fictionA collection of stories of Pinocchio a wooden puppet that was made by Geppetto. A classic children's story. pinocchio, geppetto, puppet, wooden puppet

Small half length portrait of a girl wearing a high neck dress with buttons to the waist and a frill collar. She has a shawl with fringes over her shoulders and is also wearing a hat.?, 7 Collins Street East, Melbournephotograph, portrait, girl, portrait of a girl

Small oval waist length portrait of a lady. Her dress has a fringe around the shoulder and down the front. It also has a lace collar. Photographer's name printed on the front and back.N. W. White, Mitchell St., Sandhurstphotograph, portrait, female, portrait of a lady, n w white

Small, oval head and shoulder portrait of a lady. She is wearing a high neck dress with a necklace and a long necklace down towards her waist. Her hair is tied up in a bun.Bent, late Batchelder, Pall Mall, Sandhurstphotograph, portrait, female, portrait of a lady, bent late batchelder

Small head and shoulder portrait of a man. He is wearing a jacket and shirt. He has a bushy beard which covers the neck of his shirt. Photographer's name and address printed on the back.Chevalier, Pall Mall, Sandhurstphotograph, portrait, male, portrait of a man, chevalier

sepia studio photograph of adult male, bearded and moustache , bareheaded, jacketed, hear and shoulders shown in oval on white surround. Glazed surface to print. Print mounted on rectangular black card.printed on front 'Bartlett Bros, Sandhurst. Printed on back 'Bartlett Bros, Photographers, Sandhurst, William Street Opposite Shamrock Hotel and New Public Buildings.person, individual, male, bartlett bros., sandhurst