Hardcover, No Dust Jacket"S. Boyd" inside front cover.walsh st library

Softcover"S. Boyd" inside front coverchildren's literature, walsh st library

Hardcover"S. Boyd" inside front coverfrench language, walsh st library

Softcover"S. Boyd" Inside front coverwalsh st library

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Village, South of FranceS. France / Village (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

The photograph was probably taken on either Anzac Day or Remembrance Day, 11 November because some men are wearing medals and others are holding wreaths.A sepia print of a group of 21 men standing at attention outside the newsagency in Brook Street, Sunbury. Three men are holding wreaths. There are two drummers and one is in uniform. There are two dogs near the drummers. Some men are wearing medals.KODAK PRINT / VELOX / (S) 579anzac day, ceremonies, festivals and celebrations, remembrance day, brook street, sunbury, men, clothing and dress, dogs, armed forces, sunbury newsagency, newagents, shops, businesses, george evans collection

PHOTOGRAPH ORIGINALLY TAKEN IN LIGAR STREET, CLUNES.1 BLACK AND WHITE PHOTOCOPY OF YOUNG WOMEN AND GIRLS TAKING PART IN A PARADE TAKEN LIGAR ST. CLUNES C 1940 .2 LARGE VERSION OF ABOVE .3 LETTER FROM ROSEANNE PEART - SUPPLEMENTARY FILE LIGAR ST. CLUNES (1940'S?)local history, photography, events and celebrations

Castrol Ltd, lubrication schedule, for Invicta Mills Weaving Section machinery c1970Castrol Ltd, lubrication schedule, for Invicta Mills Weaving Section machinery c1970.WEAVING SECTION/ MR S KEMPtextile machinery textile mills - operation, invicta mills pty ltd, weaving looms, weaving machinery, textile machinery, textile mills - operation

2 rows of 9 men in uniform posing for studio portrait. Landscape B/W.Victorian Rangers Stawell 1890'smilitary, boer war

Miss S Cato. Collingwood 1885stawell religion

John Dalziel was a Blacksmith in Lower main StreetThe Dalziel family - Early 1900'sblacksmith

Used by Mrs Lina Plehn in Germany and brought to Australia when the family migrated.Art Deco in blue & white featuring a blue rose pattern with blue scallops on white background. .1 Cup .2 Saucer .3 Plate'Crown' & an 'S'. 'ECHT TUPPECK' 'TIEFFENFURT'domestic items, crockery

WWII historical significanceWWII Green canvas back pack. Letters 'L' in red and 'S' in black

This article reports that 'Architect', the journal of the Victorian chapter of the Institute of Architects, has just brought out an issue devoted to Robin Boyd's works. It notes, that the correspondence between Martin Elks and Robin Boyd about featurism in relation to the Neptune's Fishbowl in South Yarra (C001, C002)S and date and underline word handwrittenwalsh st library

This gear bag was issued to Sergent Harold Loraine Reed, who was born in 14 Aug 1889 in Portland, Victoria. Reed enlisted in the army in 1940 in Ballarat to serve in WWI, and was discharged from 8 Battalion in 1943. Gear bags such as this were standard issue to servicemen. Soldiers would fill their gear bags with essential equipment (mess tins, clothes, etc.) and carry them with them from post to post, or ship them to their destination ahead of time.Khaki coloured canvas bag that is cylindrical in shape with the owner's rank, name, and service number written on the front of the bag in white paint. The base of the bag is rounded, while the top is open with 11 eyelets (one missing) through which a cotton cord has been threaded. Each end of the cord has been wrapped with red tape.V58131 / S/Sgt. H.L. REEDmilitary equipment, duffle bag, barracks bag, kit bag, wwii, second world war (ww2)

Used for rifle maintenanceBrass oil bottle for 303 rifle missing spoonHJ & S Crown over VS

Cutting from the In Retrospect section of The Courier, Ballarat, Saturday 31/12/1994 in the 50 years ago section about the retirement of Mr. G.A. Laurens who retired from SEC in August, who drove the first electric tram in Ballarat and in Bendigo.Two "x"'s in blue ink.trams, tramways, sec, ballarat, bendigo, first tram

Poster advertising MMTB Employment, using Prototype tram No. 1041."not be" written on the letter "S" of the word surprised.trams, tramways, advertisements, posters, mmtb, employment

Switches from HMAS Canberra taken prior to scuttling in October 2009Ex HMAS Canberra was the first ex naval vessel to be scuttled off Barwon Heads to form an artificial reef and to facilitate recreational diving.3 Marine Alarm Switches on metal frame; General, Unknown usage, Collision AlarmContact Type S-2JRM3A-2switches, navy ships, hmas canberra

The Victorian-era mansion Madford in Wellington Street had several incarnations before it was finally demolished. While the precise details of its original construction have not been discovered, we know that it was originally named Elm Lodge, and that the property was offered for sale in 1863 by Thomas Mitchell, of the firm Mitchell & Bonneau, wholesale ironmongers and merchants. The house was sold in about 1873 to William Siddeley (1827-1905), who was described on the occasion of his death as ‘the father of Australian shipping’. The next owner was Arthur Septimus King (1827- 99), who renamed the house Madford after his purchase of the property in 1875. It was A.S. King for whom this artwork was completed. Following King’s death in 1899, portions of the property were sold, including to the Borough of Kew in 1905, to form the Alexandra Gardens. Then, in 1920, the house and its remaining lands were sold to the Catholic Church who opened St Anthony’s Home for Children on the site in 1922. That building was promptly demolished, and the site redeveloped circa 1976.Gift of James Pearson, 2022This fine perspective drawing of the architectural elements of Madford [formerly Elm Lodge, later St Anthony's Home for Babies] is contrasted with the freer addition in watercolour of the layout and plants of the garden facing Wellington Street. The view selected is the south-facing main facade and the west facing side. After A.S. King purchased the house in 1875, it was extended with new wings at the rear to accommodate his large family. There is no indication of these extensions in the painting so its creation must predate the renovations, and probably depicts the original building on the site."MADFORD / The Property of A. S. KING Esq"elm lodge, madford, st anthony's home for babies, houses -- wellington street -- kew (vic.), thomas mitchell, william siddeley, arthur septimus king

This parasol belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A grey silk parasol with mauve stripe decoration, wooden handle and brass fittings from the late 19th century. The handle appears to be missing a decorative finish from the end.Mrs. S. Miller, Cantala, Caulfield.clara miller, woolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, caulfield, brighton general cemetery

Dr Sydney PERN (c1879- 23 October 1967 ) Sydney Pern was a doctor who practiced in Ballarat. He was a competent artist who also collected Aboriginal artefacts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil landscape on oil sketching paper.signed lower right 'S. Pern'art, artwork, sydney pern, pern, landscape, available

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.3/4 signed S Gillespiebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust

Green cloth-bound hardcover book. Worn at corners, loss of colour front cover. Foxing to front pages, pencil scribbles some pages. Back flyleaf missing. 268 pp. Good condition.'S - /9' inside front cover.dictionary

PERSONAL TRUNK OF CAPTAIN PETER SPENCER HAYMAN MCThis trunk was owned by Peter Spencer Hayman, who was regarded as a ‘Tobruk hero’. Hayman was the son of a Bank manager, Spencer Lewis Hayman and Agnes Lindsay Hayman. He was born in Exeter S.A. on 23/11/1916. He enlisted in the Australia Army at the age of 23 on 13/05/1940. His service number was VX14987. Hayman was a leader of a fighting patrol and served in multiple sites in Syria and Lybia. During his service in Lybia he lead his campaign through great difficulty and bravery in Tobruk. Although wounded by a grenade, he continued to lead his men into an enemy stronghold until resistance from a joining post compelled him to break off the engagement. He successfully brought his party back with very few casualties. Hayman was awarded the military cross in 1941. He was a Lieutenant when awarded, and was made captain of the 2/24 Australian Infantry Battalion shortly afterwards. He was killed in action on the 11/07/1942 and is buried in the El Alamein war cemetery. His father was flown to London to receive the medal. The inscription on his headstone reads; “Beloved son of Spencer and Agnes Hayman of Bendigo” (AII.A.21. – cemetery/memorial reference number). As an item owned by a ‘Tobruk hero ’ who was awarded the eminent military cross for bravery, ‘forceful leadership’ and ‘splendid courage’, this trunk is of national historic and social significance. It also has great interpretive capacity as an item that speaks of an impressive military story. Standard Army issue trunk. 88cm L x 51cm W x 33cm D. Dull grey in colour. There is provision for a tray to be fitted just under the lid. This tray was the same physical size as the trunk. The base has 2 cleats (88cm x 5.5cm), made of timber, to keep the trunk off the ground. An additional hasp and keeper have been fitted (near the centre of the lid) to hold it shut. The original type lock needed a key and were not very serviceable.P S H VX14987 408

This rare vintage clothes iron is not just a functional item but a testament to the craftsmanship and ingenuity of an earlier era of the 19th century. Crafted from cast iron and featuring a wooden handle, it is a unique piece that adds a touch of authenticity and history to our collection. The inclusion of a funnel and chimney showcases the attention to detail in the design. A rare cast iron charcoal clothes iron with a wooden handle, complete with a funnel and chimney. The goose neck iron has a hollow base into which charcoal is placed. The small hole at the back has a sliding cover that was used to regulate the draft and temperature of the iron. To keep the charcoal glowing, the cover could be opened to allow more air or oxygen in to encourage the charcoal to burn. The iron could be swung back-and-forward to revive the charcoal. The fumes produced by the charcoal are carried away from the clothes by the large funnel that acts like a chimney at the front of the iron. The holes that line the base allow air to circulate and keep the charcoal ambers burning. This vintage clothes iron is not just a functional item but a testament to the craftsmanship and ingenuity of an earlier era. 'S' is stamped in a circle on the back of the iron.flatirons, laundry irons, cast iron laundry irons

Red hard covered book of 329 pages. Includes black and one line illustrations of microscopal views. Fourth edition.Signed inside front "S. Mayo"petrology, s. mayo, alfred harker, microscope, rocks, sam mayo, alumni, geology

This type of "stone" jar drinking container was used before glass and later plastic material made it "out of date" as a drink container. The qualities of the glazed pottery (stone) drinking containers made from this natural thermal insulation material was to contain the liquid to a prescribed temperature either hot or cold, as required. This was particularly important in rural environments that lacked adequate refrigeration means. The rural regions where the last areas in Australia where this type of drinking container remained in use. The late 1960's saw a revival of the basic rural ethos by the "hippie" culture of going to basic survival non "commercial" living.This particular stone jar drinking container was also a method of advertising for a Wodonga Stone masonry manufacturer. It is both relevant and significant to the Kiewa Valley because it highlights the type of industry that has breached the evolutionary trend for cheaper "throw away" drinking containers. Although this particular type of container is limited to quality liquids and it is still available in most rural sectors of the Australian "bush" environment.This stone/earthenware jar has a lip 250mm in length and 150mm thick. This lip will allow the thumb and forefinger to be used to grip the container for either pouring its contents out or securing it for any movement. The external glazed surface may become slippery when wet. The jar is heavy even when empty and would be too heavy for small children to carry. By using a cork seal the jar can be reused and therefore become more economical for the longer term. The thickness of the vessel provides a good insulation for the liquid contained. Most of this type of container would have contained ginger beer.Within two elliptical circles are painted (in freehand) "S. MASON" in the top half and "WODONGA" in the bottom half.These are separated by an asterisk on both sides. A large "S" overlaid by a similarly large "M" is within the inner circle. Stamped into the jar when still wet during manufacture is "PINNACLE BRAND" in 5mm lettering.drinking container, stone jar, ginger beer container, s. mason, wodonga earthen ware