Showing 6193 items
matching 2016-04
-
Port Melbourne Historical & Preservation Society
Photograph - Photocopy, Ada 'Totty' Monackton, 1700 - 2000
From red binder of family history of Caroline and Willbraham Liardet consisting of photocopies of various photos and documents, family trees, etc.donated by Philippa Gamlin, granddaughter of Leonora. .04 - Photo of Ada 'Totty' Monackton.Each leaf is numberedliardet family, phillippa gamlin, ynys grecian -
Port Melbourne Historical & Preservation Society
Photograph - Aerial view of HMS Repulse being berthed at outer west Princes Pier by tug James Patterson, Port Melbourne, 1924
Air Force aerial photos of the visit of HMS Hood and HMS Repulse 1924 04 - HMS Repulse being berthed at Outer West Princes Pier by tug James Patterson. New beacons are visiblepiers and wharves - princes pier, transport - shipping, armed services - navy, hms hood, hms repulse, ss james patterson -
University of Melbourne, Burnley Campus Archives
Plan, Burnley Horticultural College Students Amenities Building, 1992
First Floor - SRC Office/Furniture. Changes in plan No C2980 02/03/1972. 1:50. All messurements (sic) in cm. and according to original floor plan! 04/03/1992. johnsdorfer.amenities, students, vcah, burnley, john s dorfer -
Port Melbourne Historical & Preservation Society
Book, Sands & McDougall Directory of Victoria, 1942 - 1974
Hardback books entitled "Sands & McDougall's Directory of Victoria". Cover years : (.01) 1942, (.02) 1955, (.03) 1964, (.04) 1965, (.05) 1970, (.06) 1971, (.07) 1973, (.08) 1974.built environment, business and traders, local government, families, advertising, sands & mcdougall -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Jim Penaluna, Life in Port and GMH, 23 Apr 2018
Jim Penaluna talks about his life in Port growing up, various sports achievements and working at GMH. PMHPS monthly meeting 26.03.2018 Duration including meeting preliminaries 1:07:04domestic life, industry - manufacturing, jim penaluna, general motors-holden, gmh -
Puffing Billy Railway
17 NBH - Passenger Carriage - Excursion Car, 1981
17NBH - Excursion Car (28) VR Service History built in 1981, (16 & 17). Puffing Billy Service History or Notes April 2016 - New doors being prepared July 2016 - In for repairs and repaint Aug 2016 - In for repairs and repaint Sept 2016 - In for repairs and repaint.Historic - Puffing Billy Railway Narrow Gauge - Passenger Rolling Stock: Excursion Car17 NBH Passenger Carriage - Excursion Car made of wrought iron and timber17NBHpuffing billy, pbr, rolling stock, 17 nbh, narrow gauge - passenger rolling stock, passenger carriage - excursion car -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Alice Blanch CHEHOVSKI, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Dunmoochin, Gate 1, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Dunmoochin, Pond Reflecting Pugh, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Dunmoochin, Evening at Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Dunmoochin, Interior Pugh's House, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Dunmoochin, My Cottage, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph -
Bendigo Historical Society Inc.
Book - Aileen and John Ellison Collection: Holy Trinity Marong - Centenary 1878-1978
The foundation stone of the Holy Trinity Church in Marong was laid on 10/4/1878 by the Anglican Bishop of Melbourne.A sixty pages book. "Brickmaking for God, Built in Faith", Holy Trinity Marong Centenary 1878-1978. Written by the rector, the Reverend Peter D. Kissick Th.L. A picture of the inside of the church is on the front cover.Inside the front cover in blue pen: John Ellison In appreciation of your help, signed by Peter Kissick 16/04/76marong, holy trinity centenary -
Seaworks Maritime Museum
Gas Detector
1990 -24/04: To "Salvageman Ltd" at Douglas (IOM)One gas detector housed inside a black leather carry case, with a carry strap, and a pocket at back of carry case.1993 circa.on detector: "OMA-3/ON/OFF/ TYPE OMA-3/ KOMYO Paper card inserted in case, written with pen: "1) Turn on/off switch "ON"/ 2) Battery Check:/ Hold down smaller/ Button. Needle must be / within lower red scale/ 3 Zero Calibration Scale/ Press Larger Dial and Turn to Set Needle on/ Green on Lower Scale" handwritten on case: "PWO 3076" Sticker on case: "GASTECH/CALIBRATED/ Date 31-8-93/ Next Due/ 31-2-94/ Initials MW/ Serial no. 6479" Card attached by string, written in pencil: " PWO 3076/ Gas Detector/ Model no. 6479 [From the Howard Smith Collection]" -
Ballarat Heritage Services
Image, Site of the Eureka Pageant, 1954, 1954
The Eureka Pageant was held on Saturday 04 December 1954.A black and white image of Ballarat's Sovereign Hill in 1854. Sovereign Hill was the site of the Eureka Pageant held as part of the Eureka Stockade centenary celebrations.Original caption: This will be the scene of to-day's Eureka pageant at Sovereign Hill, where a clearance and levelling job has been done to allow for the slabbed stokade (left foreground), and the small hillock (centre), where the soldiery will be situated. The actual Eureka battle site is in the centre background, a mile or so away. This area of Golden Point is also historic ground. Just in front of the "Stockade" to the left is Poverty Point, where Dunlop and Egan made their first gold finds in this vicinity.eureka stockade, eureka stockade centenary, sovereign hill, poverty point, eureka pageant -
Melbourne Tram Museum
Pamphlet, "You can now use myki on trams too", "Melbourne's quick guide to myki", "myki and free travel for seniors', "Your quick guide to using myki", "Metropolitan myki fares", "New on-the-spot Penalty Fares", "How do myki fares compare?", 2009 and 2016
Set of DL size pamphlets regarding the Myki ticketing system, fares, fare evasion, inspectors. .1 - single DL sheet - card - titled You can now use myki on trams too" Features photo of D1 3516 outside Flinders St Station. Gives details on using myki on trams. July 2010 .2 - DL size book, 12 pages, centre stapled "Melbourne's quick guide to myki details the introduction of the system, how it is used, where tickets can be purchased and fares. Dated Nov. 2009 .3 - single DL sheet - card - titled "Melbourne's quick guide to myki", covers the us of the seniors myki, replacement of the Sunday pass and its use. c2011. .4 - as for .2 - dated July 2010. .5 - 3 fold DL, recycled card, titled "Your quick guide to using myki", dated 2016. .6 - single DL sheet, recycled card titled "Metropolitan myki fares" detailing fares from 1-1-2016 .7 - 3 fold DL, printed on recycled card titled "New on-the-spot Penalty Fares", detailing that penalty fares could be paid for on the spot - gives details of the system introduced July 2014. Was not well accepted and had issues, abolished mid 2016. .8 - 2 fold DL, printed on recycled paper, titled "How do myki fares compare?", giving comparisons between the various types of Metcard tickets and Myki charges. Dated August 2010. .9 - 4 fold DL, recycled card, titled "Your quick guide to using myki", dated June 2014. .10 - 2 fold DL, recycled card, titled "How we deal with Transport Offences" - July 2016 - covers on the spot fines which were stopped Jan. 2017.trams, tramways, myki, tickets, fares, behaviour, ticket inspectors -
Mission to Seafarers Victoria
Letter - Correspondence, 23/04/1952
Quinn CollectionA pale blue self-folding letter (0897.a1) headed 8 Gloucester Walk, London W 8 and dated 23/04/52. Letter is typed using a very small font. The print is uneven and difficult to read. It is addressed to Mrs K Hayes, 14 Fitzroy Street, St Kilda, Victoria, Australia. It is postmarked Kensington. The return address is Allan Quinn, 8 Gloucester Walk, London W8. letters-from-abroad, allan quinn, alette andersen, london 1952 -
Brighton Historical Society
Jacket, c1990s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. This jacket originally belonged to Australian singer, actress and philanthropist Olivia Newton-John, who autographed it and donated it to be auctioned at a Leather and Lace Ball for the Austin Health Olivia Newton-John Cancer Centre Appeal on 15 May 2004. Newton-John has long been an advocate for cancer research and awareness, having undergone multiple treatments for cancer, a disease Di also battled for many years. Di's husband David purchased the jacket at the auction for around $1,000, and it has since been much worn by Di and her daughter Kathryn. The nature of the jacket - which is faux-leather, with glued-on diamantés, suggests that it was likely part of a stage costume rather than an item from Olivia Newton-John's personal wardrobe.Black polyester leather look jacket with black polyester lining. The jacket features a centre front opening secured by six black press studs, two bust height flap pockets with press studs, and collar. Full length sleeves with band and black press stud closure. The jacket features diamanté decorative finish along the collar and shoulder placket. "IMMAGINE, Made in Italy" "40" "Made in Italy, Fabrique en Italie, 100% Polyiestere, Polyestere, Polyester, Polyester" Personal signature of Olivia Newton John in fine silver pen, "Love Olivia Newton John, 04".olivia newton john, stage costume, olivia newton john cancer centre, austin health, di reidie, immagine, 1990s -
Orbost & District Historical Society
D.V.D, Laurie Popeye Light, 1950-1992
The video shows Laurie LIght, a sleeper cutter for 42 years, using a swing saw. There is also a video of a lyre bird display. Laurie Light was born on May 12, 1938 to parents, Arthur Vernon Light and Nellie Hall. He started work with his father, a sleeper cutter for the Victorian Railways, at the age of 16. (More info. from newsletter LAURIE LIGHT, SLEEPER CUTTER - Heather Terrell)This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. It is also associated with the timber industry of East Gippsland.A D.V.D. of pictures and a video on Laurie Light, a sleeper cutter from 1950-1992. The disc is in a clear plastic case with a black insert. It is a copy of the original. this copy was probably made in 2016.On disc in red marker : "LAURIE LIGHT SLEEPER CUTTING with swing saw and lyre bird display"sleeper-cutting light-laurie timber-industry-orbost -
Bendigo Historical Society Inc.
Photograph - BENDIGO BUSINESSES COLLECTION: COHNS ADVERTISING MURAL
Two printed photographs of a mural on a building side in Bridge Street, Bendigo. The mural advertises Cohns lemonade - quick to quench. Photos sent by Cilla Brady 31/03/2016.bendigo, business, cohn bros -
Port Melbourne Historical & Preservation Society
Document, Port Melbourne Football Club 2017 Calendar, 2017
Produced in this format each year since 2012 by Jenny TSERKEZIDISPort Melbourne Football Club 2017 Calendar. Spiral bound, blue and red cover with photos of players from 2016 season. Port Melbourne club song on back cover.sport - australian rules football, port melbourne football club, pmfc, australian football league, vfl, jenny tserkezidis, brody mihochek, alex urban -
Port Melbourne Historical & Preservation Society
Poster - Ephemera Society special edition newsletter printed on the reverse of a poster promoting "Cabinets of Wonder- Extraordinary Collections of Ephemera" exhibitionJuly/Augusrt 2016, Minimo Cozzolino, "Cabinets of Wonder- Extraordinary Collections of Ephemera", Unknown
The Swallow & Ariell promotional postcards had featured in aprevious Ephemera Society newsletter, and were requested for this event.Ephemera Society special edition newsletter printed on the reverse of a poster promoting "Cabinets of Wonder- Extraordinary Collections of Ephemera" exhibitionJuly/Augusrt 2016. The exhibition was of Italian postcards for Swallow & Ariellexhibitions, mandy bede, minimo cozzolino -
Ballarat Tramway Museum
Poster, Ballarat Vintage Tramway, c1995
Laminated A3 fawn coloured poster for use in tram roof ad racks, featuring drawing of tram 33 and welcoming passengers aboard. Image added 20-12-2016.trams, tramways, btm, posters, roof ads -
Ballarat Tramway Museum
Document - Photocopy, "Mayor's Report 1961-1962", Jul. 1997
Photocopy of part of City of Ballarat's Mayor's Report for 1961 - 1962. Originals held in the Ballarat Library. One pages covering trams, railways. Images added 18-12-2016trams, tramways, city of ballaarat, trams, railways, civic history -
Ballarat Tramway Museum
Document - Photocopy, "Mayor's Report 1963-1964", Jul. 1997
Photocopy of part of City of Ballarat's Mayor's Report for 1963 - 1964. Originals held in the Ballarat Library. Two pages covering trams, railways. Images added 19-12-2016.trams, tramways, city of ballaarat, trams, railways, civic history -
Ballarat Tramway Museum
Document - Photocopy, "Mayor's Report 1965-1966", Jul. 1997
Photocopy of part of City of Ballarat's Mayor's Report for 1965 - 1966. Originals held in the Ballarat Library. One page covering trams, railways. Images added 19-12-2016.trams, tramways, city of ballaarat, trams, railways, civic history