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Federation University Historical Collection
Object, Mystery Item
It is thought that this item may have been made for use at the Ballarat School of Mines. The use is unknown. At one time it was thought to have something to do with lens-making, but this is no longer thought to be the case. A photograph of this item has the catalogue number 01002.A mechanism made of cast brass mounted onto a second hand timber base board. Two horizontal coaxial shafts, each ending with a hemispherical cup, facing each other. The right hand shaft is fitted with a crank handle. The diameter of the two brass domes is 6 cm. The space between the two brass domes from spindle to spindle is 7 cm. Only one dome turns, the one attached to the handle. Brass plate on second handtimber base board "J. Sturrock, Dundee. Patentee. Wholesale Agents Jeffries & Co. Woolwich and London." ballarat school of mines, scientific equipment, scientific objects, j. sturrock -
Chiltern Athenaeum Trust
ANZAC Commemorative Medallion (instituted in 1967) P. T. Bernard, 1967
Manufactured in 1967 to commemorate the WW1 ANZAC Gallipoli Peninsular Campaign in 1915. Issued to recipient P. T. Bernard. For commemoration of service throughout the Gallipoli Campaign in 1915. Issued to P. T. Bernard.Cast in Bronze. 75mm high and 50mm wide. Obverse depicts Simpson and his donkey carrying a wounded soldier to safety. It is bordered on the lower half by a laurel wreath above the word ANZAC. Reverse shows a map of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by the New Zealand Fern leaves. The name and initials of the recipient is engraved and the medallion is issued in a presentation box. Engraved for P. T. Bernard. Engraved for recipient P.T. Bernard. ww1 anzac gallipoli campaign 1915, anzac commemorative medal, ww1 1914-1918, gallipoli and anzac, p. t. bernard soldier. -
Kew Historical Society Inc
Programme, Kew Light Opera Company, Our Miss Gibbs, 1954
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'Our Miss Gibbs'. Performances were held in the Kew Recreation Hall on 27, 28, 29 30 October 1954. Inscribed on the cast list is a later note identifying that Clarrrie Armstrong died on 13.8.1985. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.theatre (kew), performing arts, our miss gibbs, kew recreation hall, kew light opera company -
Kew Historical Society Inc
Programme, Kew Light Opera Company, The Toreador, 1955
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of 'The Toreador'. Performances were held in the Kew Recreation Hall on 4, 5, 6, 7 May 1955. Inscribed on the cast list is a later note identifying that the Musical Director, Clarrrie Armstrong died on 13.8.1985. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.theatre (kew), performing arts, the toreador (musical), kew recreation hall, kew light opera company -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Alan Wilson and Iaan Young in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. The photograph shows two cast members: Alan Wilson seated, and Iaan Young who played Thaddeus (an exiled Rebel).Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Alan Wilson, Iaan Young".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
The Ed Muirhead Physics Museum
Galvanometer W.G. Pye & Co
Galvanometer consisting of a wooden stand with a fold down wooden front cover. One coil attached to front panel and fixed coil on the rear stand. Quartz fibre and reflecting mirror missing. Three brass leveling screws on the base. Handcrafted, machined/industrial technique, assembled, cast. Manual or machine application- sanded, buffed, polished, stained/coated/ laquered. Surface finish: polished, laquered, stained, coated corrosion/patina. [Stamped] top centre of upright front face: W.G. PYE & CO./ ENG./ CAMBRIDGE. Inscribed on base plate in front: No. 11972. -
Geoffrey Kaye Museum of Anaesthetic History
Nitrous oxide gasometer, 1876
The main component of the nitrous oxide gasometer is a metal urn-shaped chamber form which an outlet valve and circular moulded tap allows for the flow of gas. A frame sits atop the chamber and comprises ornately-decorated metal flourishes and three anchoring pipes, two attached to each side of the chamber and one attached to the centre of the lid. The gasometer sits atop an ornately decorated cast iron stand with a circular base.gasometer, nitrous oxide, storage, anaesthesia, dentistry, chloroform, ether -
Coal Creek Community Park & Museum
Stamp holder with stamps
8719.1 - Cast iron stamp holder (painted black) 8719.2 - Date stamp. 8719.3 - "NOT NEGOTIABLE" stamp. 8719.4 - "Thanks we appreciate your business" stamp. 8719.5 - "Help us help you" "Order Friday for Saturday delivery" stamp. 8719.6 - " Meeniyan District Ambulance" stamp. 8719.7 - " What would you expect us to do if we owed you this account" stamp. 8719.8 - Stamp handle.8719.2 - 23 NOV 1939 8719.3 - NOT NEGOTIABLE 8719.4 - Thanks we appreciate your business 8719.5 - Help us help you - Order Friday for Saturday delivery 8719.6 - Meeniyan District Ambulance 8719.7 - What would you expect us to do if we owed you this account -
Wodonga & District Historical Society Inc
Functional object - Bolex Paillard M 8 Projector, Bolex Paillard, 1949
The firm of Bolex Paillard Ltd is world-famous for its accomplishments in the field of amateur cinematography. Paillard Bolex cine cameras and projectors are designed and manufactured in Sainte-Croix, Switzerland, which was also the centre of the Swiss watchmaking industry. Originally Bol, the company was founded by Charles Haccius and Jacques Bogopolsky in 1925. The M8 line of projectors were first manufactured in 1949. Its relatively light weight, affordability and portability made this model popular with home movie and amateur film makers.This projector is representative of several types of home projectors popular in the second half of the 20th Century.A small projector and carrying case. It is made of cast aluminum and steel, painted with a Grey Silver finish. The upper reel arm folds downward and locks for storage and also serves as a carrying handle. The lens assembly pivots outward for easy film loading and unloading. The front legs can be adjusted individually for height. An AC outlet is position at the rear of the projector. The carrying case includes slots to hold film reels and the power cord.On one side: " Bolex Paillard/ Fabrication Suisse/ Made in Switzerland" M 8bolex paillard, cimematography, home entertainment -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Plaque, City of Brighton plaque
The design of this crest was used by the City of Brighton until 1970, when an official Coat of Arms was issued by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859. It became a town on 18 March 1887 and was proclaimed a city on 12 March 1919. Four circular cast bronze plaques with City of Brighton crest. The outer border surrounding the central crest includes CITY OF BRIGHTON lettering around the top half, two diamonds on the bottom left and right sides with the British Coat of arms at the bottom centre. The central crest depicts the Brighton coastline in relief, with a pier extending to the water, sail boats and a ship in the distance, a train on the right of the pier, a bathing box and trees on the left.plaque, city of brighton, brighton, crest, coat of arms, municipality, bayside -
Ballarat Tramway Museum
Functional Object - Ticket punch
Demonstrates aspects of tramway operation, cancelling or showing that tickets had been inspected following sales to passengers by the conductor or motorman. Traditionally used by tramway operators to check or cancel tickets.Brass cast, was chrome plated, machined, device or ticket punch, used to cancel or punch paper tickets when purchased. Placed a round hole in the ticket. Spring loaded, consists of two main parts with a pin & spring in addition. . Chrome plate has been extensively worn off. There are no manufacturer markings or numbers on the punch. On the inside of one of the handles are two saw cuts that could have been used to identify the punch.trams, tramways, ticket punch, tickets, fares -
Mont De Lancey
Functional object - Scales, Salter
19th C weighing machine used in kitchens for food preparation.An antique footed ornate black cast metal Salter brand kitchen scale from the Victorian era. This item is rare.The cream coloured metal face is quite decorative with Household Scale No 49, British Made To weigh 0 - 20 lbs. It has an adjustment winder on the back to set the scales to 0. The top of the scale has a metal claw shape to support the black metal dish which the food is placed on to weigh.Household Scale No 49, British Made, To weigh 0 - 20 lbs. A knotted rope design and Salter is printed at the bottom of the face.kitchen equipment, kitchenware, cooking, scales -
Melbourne Tram Museum
Functional object - Conductor's (Signal) Bell - MMTB Pattern, Melbourne & Metropolitan Tramways Board (MMTB)
Bell used by the conductor or passengers to signal to the driver - stop, proceed or an emergency stop. MMTB Drawing R1241 Details of Signal Bell refers. Tram 579 entered service 9/1929.Demonstrates a conductors communication or signal bell made for use on tramcars. Brass Conductor Communication Bell, or signal bell, consisting of cast frame, bell, striker, bell pull part, three nuts to secure the bell to the frame and two rivets securing for the bell pull part. Has at both ends, four screw holes that were used to secure the bell to the roof. Has been stamped at one end on the underside "579 2", indicating it was made or used on W2 579, No. 2 end.trams, tramways, conductors, bells, mmtb, w2 class, tram 579 -
Melbourne Tram Museum
Functional object - Conductors (Signal) Bell - N&C pattern
Bell used by the conductor or passengers to signal to the driver - stop, proceed or an emergency stop. N&C - Demonstrates a conductors communication or signal bell made for use on tramcars.Brass Conductor Communication Bell, or signal bell, consisting of cast frame, bell, striker, bell pull part, sheet metal domed section that is secured to the underside of the bell with one nut to secure the bell to the frame and two rivets securing for the bell pull part. Has at both ends, six screw holes that were used to secure the bell to the roof. Note the difference in the casting detail between the two ends of the bell.trams, tramways, conductors, bells, mmtb -
Ballarat Tramway Museum
Functional object - Conductor's (Signal) Bell - MMTB Pattern, Melbourne and Metropolitan Tramways Board (MMTB)
Bell used by the conductor or passengers to signal to the driver - stop, proceed or an emergency stop. MMTB Drawing R1241 Details of Signal Bell refers. Tram 502 entered service 4/1928. Demonstrates a conductors communication or signal bell made for use on tramcars. Brass Conductor Communication Bell, or signal bell, consisting of cast frame, bell, striker, bell pull part, three nuts to secure the bell to the frame and two rivets securing for the bell pull part. Has at both ends, four screw holes that were used to secure the bell to the roof. Has been stamped at one end on the underside "502" "1", indicating it was made or used on W2 502, No. 1 end. trams, tramways, conductors, bells, mmtb, w2 class, tram 502 -
Melbourne Tram Museum
Badge - Set of 2 Prahran Tramways Trust Malvern" Officers Pass, 1910s
Issued by the Prahran and Malvern Tramways Trust to its Officers to enable free travel on its tramcars. See item 1659 for another example of a Sterling Silver pass and 399 and 576 for examples of a similar passlDemonstrates a travel pass issued to PMTT Officers.Set of two cast hexagonal nickel plated brass or sterling silver badges with a single hole in the top, with words "Prahran Tramways Trust Malvern" on one side and on reverse"Officers No. Pass" with the number "17" or "78" stamped in. One fitted with a nickel-plated ring. Raised edges with flat sides. Manufacturer unknown. On the lower edge of the reverse of badge 17 are the letters "STC.SN" stamped in, indicating a Sterling Silver item.tramways, trams, badges, tickets, travel pass, pmtt, officers, passes -
Flagstaff Hill Maritime Museum and Village
Print - Commemorative Portrait, H.M. Queen Elizabeth II, Ca. 1954
This commemorative framed print was a gift presented by Freemason, Worship Brother J. Wishart Junior, who also had the title of Worshipful Master of the Masonic Lodge from 1983-1954. This print was possibly presented by Wor. Bro. J. Wishart to the Masonic Lodge in Warrnambool the year following the coronation of Queen Elizabeth II, just after Wishart completed his term as the Worshipful Master of the Lodge. It is likely that the portrait was also part of the furnishings when one of Flagstaff Hill's village buildings was set up as a 19th century style Masonic Lodge, as shown in the map of the village in 1994 and was activated by a member of the Masonic Lodge. (Before this time the building was a Reference Library, and some time afterwards it was a Reading Library, and is now a Mechanics' Institute.) Australia is part of the British Commonwealth. Respect for the reigning monarchy of the colony of Australia has been shown here since colonisation and continued after Federation. Portraits of the reigning sovereignty have been displayed in public organisations, government departments and clubs over the years. Children in schools have been taught to 'Honour the flag, serve the Queen" (or King) etc. In February 1952 King George VI of England passed away. His daughter was proclaimed Queen, and crowned as H.M. Queen Elizabeth II on June 2nd, 1953, at Westminster Abbey, London. It is interesting to note that on 12th April, 1997, Warrnambool's Masonic Centre in Kepler Street held a 150 years celebration of the settlement of Warrnambool and District. A time capsule was inserted in the 'foundation stone' and one of the items inside it was a Flagstaff Hill Heritage Centre leaflet. The portrait of the coronation of H.M. Queen Elizabeth II and her continued reign of 70 years is significant, as it marks a very special occasion in the history of Britain and its Commonwealth. This portrait is similar to many other portraits of the Queen's coronation and is familiar to Australian citizens of the current generation and the ongoing link to Britain's colonasit6ion of Australia.Print, coloured, framed behind glass. Portrait of H.M. Queen Elizabeth II at her Coronation on June 2nd, 1953. The Queen is seated and wearing a white gown and white-trimmed blue cape. She is wearing a jewelled crown and holds the ceremonial Orb and Sceptre. In the background is Westminster Abbey. The decorative frame is cast composite or plaster. A card provided with the print advises that the print was presented by J. Wishart - it is attached to the reverse.Handwritten in ink on card "H.M.QUEEN ELIZABETH II / PRESENTED BY / WOR. BRO. J. WISHART JNR. / WOR. MASTER 1953-1954."flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, 2-06-1953, westminster abbey, scepter, orb, royal crown, coronation, queen elizabeth ii, hm queen elizabeth ii, royal portrait, h.m. queen elizabeth ii, worshipful brother, worshipful master, time capsule, 19th century style masonic lodge, warrnambool 150 years celebration, coronation of queen elizabeth ii, freemasons, j. wishart, flagstaff hill masonic lodge building, portrait -
Flagstaff Hill Maritime Museum and Village
Weapon - Cannon, mid to late 19th century
The history of the Thunderchild gun is not known. It was presumably manufactured in Torquay in the second half of the 19th century. Such guns were often attached to a ship’s rail through the holes in the swivel base, as in the base of this gun. The guns fired grapeshot and were originally used on ships to repel boarders. They were also used to launch whaling harpoons and were sometimes employed for signalling. The relatively late date makes the latter application most likely. This Thunderchild gun is complete with ramrod and wad remover. It is in good working order and easily assembled. It is used locally for special ceremonies and for Whaleboat Races as a starting gun. (Guns and Cannon, South Wester Victoria, May 2008, ref W/F/03) The small bore cannon is part of a collection of nineteenth century Flagstaff Hill Guns and Cannon, which is classified as being a high level of significance, on State, National and World The nineteenth century artillery pieces are a very rare and representative collection of artillery of this era. The artillery pieces, individually and as a collection, are highly significant for historical, scientific and aesthetic reasons at the state, national and world levels. The artillery pieces are excellent examples of nineteenth century artillery designed for the shore defence of western Victoria in the mid to late 1800s. The collection demonstrates the system of nineteenth century Imperial Defence implemented by Britain and of the recycling of obsolete technology to the colonies by Britain. The collection represents the methods of artillery technology, its advancement and its modifications in order to remain active. It also illustrates the transference of defence technology from Britain to Australia and demonstrates the level of reliance Australia had on British defence equipment. The artillery pieces form prominent elements in their landscapes and, together with the batteries and sites in which they are located, create a strong visual link to the region’s defence history. Importantly the artillery pieces, individually and as a collection, represent a very rare and intact group of nineteenth century artillery. Very few examples of nineteenth century artillery have survived worldwide, the largest collections being sited in Canada. The collection is a rare collection of artillery which demonstrates the advancements made in artillery technology during the nineteenth century, and is one of the largest collections of nineteenth century artillery in Australia. Further, the collection is extremely intact, with most pieces retaining original carriages and many located within their original emplacement. This collection of artillery, with their carriages and in their locations, are of exceptional national significance as they represent the largest intact collection of artillery within a single defensive network, outside of major colonial ports. The collection of nineteenth century carriages and slides are in themselves an extremely rare and important collection, however their significance is enhanced by their placements within batteries and with guns. (Conservation Management Plan for Victorian Guns and Cannon, South Western Victoria, May 2008) Cannon; small 1pdr cast iron, smooth bore muzzle loading swivel gun, painted glass black. 19th century cannon has polished wood handle, two detachable metal stirrups and metal swivel base with cuff, attached to block of wood by four bolts. Accessories are a wood tamper and wood ramrod. Name on gun is Thunder-Child, Torquay, Vic. There are Maker’s Marks on the gun and base, and a number on the cannon.. Marks; Barrel "Thunder/ Child". Base cuff " THUNDER / -CHILD / TORQUAY / VIC ", Trunnion "2825/H"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cannon, torquay, thunder child cannon, thunderchild cannon, signal cannon, muzzle loading cannon, ordinance, munitions -
Eltham District Historical Society Inc
Negative - Photograph, Yarra Brae Park, c.1900
Weatherboard house with cast ironwork decoration on the verandah. Three women, two men and four children with rocking horse stand for a photograph. Family unknown. Yarra Brae Park was situated on Yarra Brae Road, off Sweeneys Lane, Eltham. Research in historical newspapers reveals that the Hautrive family lived there 1904-1906, followed by the Bindoon family in 1907. In the 1930s it was occupied by Hubert Rutter, his wife Beulah and four children. Hubert was an Eltham Shire Councillor. On 13 January 1939, the house burned down in the Black Friday bushfires. After the fire, the family relocated to Toorak. Reproduced on p91 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Sepia postcard and B&W printsepp, shire of eltham pioneers photograph collection, eltham, yarra brae park, verandah, cast iron work, hautrive family, bindoon family, rutter family, pioneers and painters, houses, groups -
Parks Victoria - Wilsons Promontory Lightstation
Door, oven
The collection includes a small number of cast iron kitchen range components which appear to originate from more than one fuel-burning cooker. They are possibly relics from the two nineteenth century kitchens destroyed in the 1951 bushfire or bits from abandoned obsolete cookers. There are two oven doors, both with different types of hinges and handles discernible despite their badly corroded condition. One door is rectangular with a raised edging and a handle in the shape of a fist gripping a rod; the other door has a slightly curved top and is also framed and retains its strap hinges and central lock/handle. Door from a fuel burning domestic oven. It has a slightly curved top, is framed and retains its strap hinges and central lock/handle -
Unions Ballarat
Workers' inferno: The untold story of the Esso workers 20 years after the explosion, 2018
This book an exposition of a workplace tragedy at an Esso operation (a subsidiary of Exxon Corporation) at Longford, Victoria in 1998. A piece of processing equipment exploded and caught fire. Two workers were killed and many others were injured. The fire burned for two days. Gas supply to most customers (apart from essential services) was cut off for a significant period of time. A Royal Commission was subsequently established, during which Esso sought to minimise its own responsibility for the incident and cast blame upon the individual operators. The book is principally a story of and from the those persons who were impacted by the Longford incident.Workplace health and safety. Biographical interest.Book with bookmark; 199 pages. Cover: blue background; white, yellow and black lettering; author's name and title. btlc, ballarat trades hall, ballarat trades and labour council, biography, local history, occupational health and safety, workplace safety, esso, exxon corporation, gas, royal commissions -
Stawell Historical Society Inc
Photograph, Wooden Home at no.1 Seaby Street -- Coloured photo
Home in Seaby Street no.1 next to railway line. Built by Luke Kinsella about c 1870. Photo taken March 1992 about time of sale. A series of nine coloured photos in Album 8. p 37-42 of the Seaby house and interior. Photos in album 8 show 3 different views of the side of the building. One of the wood paneling in the entrance hall. Also 3 photos of the mantlepieces and cast iron grates in the fireplace. Luke Kinsella, brother to Thomas Kinsella's (part owner of Magdala cum Moonlight mine). Thomas was the eldest of the boys then Luke and John Kinsella the youngest. Home in Seaby Street no.1 next to railway line. Built by Luke Kinsella about c 1870. Colour photograph. Series of 9 photos in Album 8. p37-42.stawell dwellings -
Flagstaff Hill Maritime Museum and Village
Tool - Hook, Mid-20th century
A cast iron hook was made for lifting heavy loads in a marine or warehouse environment. The hook would be attached to the end of a chain or rope around a heavy load such as a pallet or container. The other end may have been joined to a pulley or crane for lifting and moving it around. The inscription on the hook shows the SWL or Safe Working Load as 3 Ton. The SWL was used in the industry for many years to rate safe loads but it is no longer used to identify the maximum capacity of equipment. In 2002 the Australian Standard AS 1418 for Cranes, Hoists and Winches changed, and the term Safe Work Load was changed to Rated Capacity, which was defined differently.The hook represents the equipment needed on a ship or at a port, railyard, transport depot or warehouse in the 19th and 20th centuries to move cargo and loads. The inscription of SWL on the hook is significant for its use as a guide for many years to work out the weight of the load the hook could safely hold. However, time and experience have led to a change in Australian Standards and the load is now measured by another formula that gives the load's Rated Capacity.Hook; large iron hook with a ring formed in the top. Inscription stamped into the metal and indicates that the Safe Working Load (SWL) for the hook to lift is 3 Ton.Marked "ani" "SWL 3TON"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, lifting hook, maritime equipment, lifting equipment, warehousing, cargo, loads, rigging, marine technology, swl, safe working load, 3 ton, rated capacity, load limit -
Bendigo Historical Society Inc.
Document - Golden City Implements Foundry, Ironbark, Bendigo, 1960-1980s
This foundry had been a landmark in Mt Korong Road for many years. It began with an Osborne and Mitchell. After 1914 when mining declined, it became the Golden City Implement boundary and the name can still be seen painted on on the façade which faces the intersection of Marong Road (Calder highway) and Eaglehawk Road. The interior is a mass of used and un-used machinery scattered amongst modern lathes and more modern apparatus. The yard was a fascinating graveyard of past times, with old mining and agricultural scrap everywhere mixed up with coke and slag from the smelting sheds at the rear. A feature of the foundry was the manufacturer of cast iron lace. National Trust Survey Data Sheet and article from the Bendigo Advertiser November 4th 1981. Osbornes Ironbark Foundryhistory, national trust bendigo collection, bendigo, foundary, iron bark bendigo -
Parks Victoria - Point Hicks Lightstation
Weights
A small number of heavy cast iron weights and two rods remain at the Point Hicks Lightstation. These weights comprise one rod with a forked top and four circular weights attached to the bottom of the shaft. The weights and rods were part of the original clockwork mechanism that was fitted beneath the lens to keep the kerosene‐fuelled light turning. They were attached to a cable or chains and moved vertically in similar fashion to the way weights move on grandfather clocks. As the weight fell, the optic clock was driven and the lens was turned. To keep the clock turning, the weight needed to be wound back up to the top of its travel. The cables and weights in this lighthouse were visible as they moved through the length of the tower up to the lantern room. It was usual for systems to move inside a tube extending up to the top, but in this case the tower’s cast iron spiral staircase, which is supported on cantilever cast iron brackets set into the concrete wall, spiralled around the space in which they moved. Lighthouse keepers had the arduous job of having to constantly wind the clock to keep the light active, and at least two keepers needed to observe a strict roster of hours. When electric motors were invented, all of this became redundant and the motors were able to turn the optic for as long as there was power to drive them. In December 1964, the original 1890 Chance Bros kerosene‐fuelled light and clockwork mechanism were replaced by small electric motor, and the number of keepers reduced to two. The six circular weights and rods originate from the obsolete system and may have been part of a larger set. Wilsons Promontory retains seven of its original set of ten weights, all of which are detached from the tower’s weight tube. Cape Schanck has a set of fourteen weights remaining in situ as well as another four detached weights, which have inscriptions. One weight is displayed in the lantern room at Cape Otway. The image shows four of the clockwork weights attached to a rod with a forked top. They were part of the original clockwork mechanism that was fitted beneath the lens to keep the kerosene‐fuelled light turning. The Aldis lamp in its case sits on the floor next to the weights. Source: Parks Victoria.The Point Hicks weights have first level contributory significance for the insights they provide into the superseded technology and operations of a late nineteenth century lighthouse. They are well provenanced and are significant for their historic value as part of the lightstation’s Chance Brothers optical system installed in 1890. Four circular metal weights are stored on a metal rod with a forked section at the top. The weights have a cut out section which allows the weights to be removed easily. -
Kiewa Valley Historical Society
Mincer Meat, mid 1960's
This meat mincer was born in a period where hand operated mincing and blending machines were only available for household mincing meats and blending ingredients up to the 1960's. Electrical kitchen based whitegoods were rare in areas where the connection to electricity was intermittent or not at all.This kitchen aid is a very significant item in the Kiewa Valley before suitable electrically operated mincers became available and constant reliable electrical connections were installed. The Kiewa Hydro Electricity Scheme provide the stable supply of electricity which made most of the hand operated mincing machines obsolete. However large mincers for bulk supplies were still required eg. kitchens for SEC workers during the 50's and 60's.This heavy industrial type meat mincer(cast iron) has a top "rounded feeder cup" with a mincer screw blade at the bottom. A winder handle rotates the screw like mechanism to mince and express solid pieces of meat at the other end. There is a clamp below the main structure which permits the fastening of the hand driven mincer to a table or solid ledge. The hand grip of the handle is made from wood and fashioned like a clothes peg.On the rounded feeder bowl "MAJOR" and on the winder handle "A POPE PRODUCT"hand operated meat mincers, meat grinders, kitchen utensils -
Kiewa Valley Historical Society
Cream Separator
Dairy farms used cream separators to separate the milk and the cream before using it themselves or selling it to the dairy companies, shops or directly to the public.This cream separator was used by P & R Creamer on their dairy farm in the Kiewa Valley.3 parts - top brass lid with hollow cylinder enclosed across its top and extending beyond its circumference. 2. Stainless Steel hollow cylinders that fit the base and the lid but has 2 long curved spouts extending out - one for the milk and one for the cream to come out 3. Black cast iron stand that houses the gear mechanisms that drive the separator cones. The gear speed reduction wheel is on one side. "Alfa-Laval MOB / 80 Gall Capacity per hr / 48 Rev of Crank per Minute / Alfa-Laval Separator / Co. Ltd / 299 Sussex St. / Sydney" - on bottom side of the machinedairy; cream separator; kiewa valley; creamer family -
The Cyril Kett Optometry Museum
Prisoptometer, Geneva Optical Company, Dr Culbertson's Prisoptometer, 1886 (estimated); late 19th century
How widely the prisoptometer was used is unclear but the Standard Optical Company later patented a new model, The Standard Prisoptometer, on June 21, 1904. Edward Jackson's crossed cylinder technique of determining astigmatism was first detailed in the Transactions of the American Ophthalmological Society (1887)4:595-598. The convenience of Jackson's crossed cylinder lenses over the prisoptometer in weight, cost, portability and reliability meant that they were soon almost universally adopted.This is a rare item as few are known world wide.This instrument is an optometer, that is, a device to measure the refractive error of an eye. It is made of cast iron, steel, brass and glass. It contains a prism which could be rotated, and was used to view a disc or an object circle. The prism caused monocular doubling of the object circle and the separation of the two images varied as the prism rotated, depending on the astigmatism present. The axis of the astigmatism was indicated by the prisoptometer and trial lenses were used to determine the the magnitude of the spherical and cylindrical refractive errorImprinted:"DR CULBERTSON'S PRISOPTOMETER/ GENEVA OPTICAL COMPANY MAKERS, GENEVA, N.Y./ PATENTED SEPT, 21, 1886". Stamped "853" on eyepiece and lens mounting.optometry, prisoptometer, optometer, astigmatism, refractive error, refraction, culbertson -
Kew Historical Society Inc
Archive (series) - Subject File, Light Pillars
Kew Historical SocietySince its foundation in 1958, members of the Kew Historical Society have been compiling and storing information about subjects relating to the history of Kew and its environs, of which this file is an example. Arranged by Secondary Values (value of records to users)Subject file containing information about cast iron lamp pillars (posts). Included are copies of the KHS archivist's reply to an inquiry regarding the location of decorative civic light pillars in Kew (2013). These lamps were previously located in the Dorothy Rogers Reserve, and in the Raoul Wallenberg Memorial Garden. The lamps in 2013 were stored at the Kew Depot for restoration. Photos of the pillars can be seen in a number of historical photos of High Street, Kew.public utilities -- kew (vic.), street lighting -- history --- kew (vic.)public utilities -- kew (vic.), street lighting -- history --- kew (vic.) -
Yarrawonga and Mulwala Pioneer Museum
Plough, 1880's - 1890's
This plough was used by William Christians and John Holmes when they worked on the formation of Belmore Street, Yarrawonga The Single Furrow Plough - Hugh Lennon began making ploughs in Carlton from 1860's. Within 10 years the patented steel plough, suitable to Australian conditions, was outselling all imported cast iron, mouldboard ploughs. Early settlers (1870's) used this type of plough pulled by one horse to prepare ground for wheat sowing. Being a wheeled machine it allowed the ploughman to sit on the plough and saves miles of walking.