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Wangaratta High School
WHS Magazine -Korrumbeia, 1952
This is the transition year as the Wangaratta High school magazine is renamed to Korrumbeia. Korrumbeia is Victorian aboriginal term meaning restful river/creek (Kurrabi; creek, Umina; rest, Beeia; river) This is a reference to the Ovens and King rivers merging in Wangaratta, and the fact that WHS houses are named after local waterways.Black and white photocopy of the 1952 edition of Korrumbeia featuring a large image of the interschool sports athletics team -
Glenelg Shire Council Cultural Collection
Book, People of the Lake - the story of Lake Condah Mission, n.d
27,000 years ago molten lava pouring from the eruption of Budjbim (Mt. Eccles) formed Lake Condah and the unique landscape that surrounds it. Over time this area known as "The Stony Rises" or "The Stones" became an important geological area for Koories and, later, Europeans.12 page A4 size booklet, cream with brown print.27,000 years ago molten lava pouring from the eruption of Budjbim (Mt. Eccles) formed Lake Condah and the unique landscape that surrounds it. Over time this area known as "The Stony Rises" or "The Stones" became an important geological area for Koories and, later, Europeans.aboriginal history, gunditjmara, lake condah, mission history, budj bim -
Warrnambool and District Historical Society Inc.
Book - educational encyclopaedia, Charles Beale & M. Gately, Gately's Universal Educator, 1886
An encyclopaedia and business guide (late 19th century)This book has a brown leather cover which is heavily embossed with brown and gold patterns and gold lettering, The spine is torn at the top and the cover is worn at the edges.The pages are gilt-edged and contain printed text and black and white sketches, illustrations, maps and diagrams. non-fictionAn encyclopaedia and business guide (late 19th century)19th century australia, 19th century encyclopaedia, 19th century business guide -
Warrnambool and District Historical Society Inc.
Book, Good Words, 1880s
This book, published in England, has been awarded as a school prize in 1887. Woodford School, No. 648, was an early National School which commenced in a house in 1854. In 1872 a sandstone building was erected. The school still operates. James Craig was the Head Master of Woodford School from 1884 to 1889. His wife was the Work Mistress of the school and both were involved in community affairs, particularly in regard to the Presbyterian Church and the local Mechanics’ Institute. Annis Morgan was born at Woodford to Jenkin and Mary Morgan in 1874. She would have been about 13 at the time she received the prize book. Annis (Ann) married Alan Patterson in 1897. This book is of considerable significance as it is connected with the history of Woodford, the Woodford school, the teacher, James Craig, the pupil, Annis Morgan and her family. This is a hard cover book of 812 pages The cover is black with an engraved ornamental pattern and edging and gold printing in the title on the cover and the spine. There is gilt edging on the pages. There is a bookplate on the inside front cover and one or two pages at the beginning are missing. The book contains many black and white illustrations with the first one covered by a piece of tissue (now blotched). The book contains poetry, short stories (some serialized) and some factual writing suitable for older children and adults. The cover is stained and somewhat faded and is ragged at the edges.Bookplate: ‘State School No. 648 Woodford, Fifth Class, presented to Annis Morgan, Christmas 1887, Jas. Craig, Head Teacher’. Stamp inside first page: ‘Warrnambool & District Historical Society WB 196’ history of woodford, woodford state school, annis morgan -
Bendigo Historical Society Inc.
Book - JOAN O'SHEA COLLECTION: A DIFFERENT VIEW OF BENDIGO POEMS, 1985
Joan O'Shea Collection. A Different View of Bendigo. Dorothy Owen. Illustrated Book of Poetry 60 Pages. Written by Local Author. Contains a map of the region of Bendigo and Surrounds along with 39 poems about Bendigo's History covering topics as diverse as How Bendigo received its name, renowned Bendigo icons such as Alexandra Fountain, The Shamrock Hotel, Hargreaves Mall, The Law Courts, Charing Cross and the Bendigo Base Hospital to Bendigo's Chinese Heritage, Gold Detecting, Highland Bands, The Dragon and Bendigo's People.Dorothy Owen Published by Bendigo Modern Press 1985bendigo, history, city history local poetry -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK 'AN AUSTRALIAN ANTHOLOGY' BY PERCIVAL SERLE
BOOK - ALEC H CHISHOLM COLLECTION. 300 page hardback book of poetry by Australian and New Zealand authors selected by Percival Serle assisted by Frank Wilmot and Robert H. Croll. Published by W. Collins Sons & Co. Ltd., London (2nd impression Dec. 1929) and printed in Great Britain. Included are four poems by William Gay (1865 - 1897) a poet who came to Bendigo for the last few years of his life and died in Bendigo. '2138 SER' catalogue sticker on spine.Various poetsbooks, collections, poetry, alec h chisholm collection, poetry, william gay, percival serle, frank wilmot, robert h croll -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK - THE WORKS OF CHARLES & MARY LAMB, VOL 1
BOOK : ALEC H CHISHOLM COLLECTION. 863 page hardback book of poetry and prose by Charles and Mary Lamb. Edited by Thomas Hutchinson, M.A. Published by Oxford University Press c1908. Printed by Horace Hart, Oxford. Image of Charles Lamb at age 30 on 2nd flyleaf. '2140 LAM' catalogue number on spine. Handwritten in ink on flyleaf 'To Alick Chisholm with appreciation of his sterling character proved in eight years close intimacy and with every best wish H.A.Erskine Presbyterian Church Maryboro 17 Oct 1915'Charles and Mary Lambbooks, collections, poetry, alec h chisholm collection, charles lamb, mary lamb, thomas hutchinson, poetry, prose, h.a. erskine. -
Bendigo Historical Society Inc.
Book - LYDIA CHANCELLOR COLLECTION: THE LIFE OF GEOFFREY CHAUCER
A book titled 'The Life of Geoffrey Chaucer. The Father of English Poetry . A man of universal genius; coming as a genial day in an English Spring, his life a grand page of English history, his works full of cheerfulness, tenderness & truth, a true British worthy of five hundred years ago.' Published London: Ward, Lock & Co., Sallisbury Square, E.C.241 - 256 pgs.This booklet is one of 53 ' Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one penny. There are also advertisements of note.books, biography, geoffrey chaucer, lydia chancellor, collection, ward & lock's penny books for the people, biographies, biographical series, english literature, literature, english poetry, poetry, advertisements, famous people, person, male individual, penny books -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Banyule, Darebin, Manningham, Nillumbik, Whittlesea & Yarra; Vol. 7, No. 2, May-Jun 2002, 2002
Vol. 7, No. 2, May-Jun 2002 CONTENTS Comment The Future of the Arts 2 Conversation with Lex de Man, Mayor of Nillumbik 3 Short Story Traces of Life by Sharyn Munroe 5 Art Brut and the Aesthetic Impulse Pam Dougherty 9 Book Review: The Boyds Louise Poland 12 Record of on Individual Soul Elizabeth Cross on Peter Wegner' s portraiture 15 Theatre Review: Paradise at La Mama Christine Crowle 17 Book Review: Forests of Ash Graham Petersen 20 Australian Classical Music Elizabeth Scarlet 21 CD Reviews 22 Allister Hullet, Dili Allstors, CoCo's Lunch 22 Stripperomo at Heide 24 Poetry News and Reviews John Jenkins 25 Artin’ about 26 Wining & Dining 30 Poetry Armana Lee 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, st andrews hotel, lex de man, cultural heritage, willy wonka's ice cream gourmet food, sharyn munro, fleur de feliss florist, eltham fullife pharmacy, chris pittard, mary lou pittard, bulleen art & garden centre, pam dougherty, arts project, bibby's bahnhof cafe, montsalvat, winter in banyule, eltham wiregrass gallery, arts on burgundy, la mama theatre, folkart warrandyte, thompsons pharmacy, recherche, bundoora homestead, dynamic vegies, armana lee, heide museum of modern art, metro 5 gallery -
Lara RSL Sub Branch
Book, ALEX McKINLEY & CO, Printers and Publishers, "HELLO, SOLDIER!", 1919
Edward George Dyson was born on 4 March 1865 at Morrison, near the Ballarat goldfields, the son of a miner. Dysons first collection of poetry, Rhymes from the Mines and Other Lines, was published in 1896 by Angus and Robertson. A second poetry collection Hello, Soldier!: Khaki Verse was published in 1919. Many of these verse were originally printed in the “Bulletin,” others in “Punch,” “The Leader” and Melbourne “Herald.” The book we hold at the RSL is the original edition and is No. 146 in our museum collection. Dyson contracted encephalitis in 1919 He died at his home in the Melbourne suburb of Elwood on 22 August 1931. Although a highly successful writer in his day, Dyson has since been overshadowed by contemporaries like Henry Lawson and A. B. Paterson , and also by the achievements of his brother Will Dyson , one of the leading political cartoonists of the early twentieth century.Hardback rectangular book. Khaki in colour."HELLO, SOLDIER!"on the front, with "HELLO,SOLDIER!" by Edward Dyson on the spine -
Orbost & District Historical Society
pitchi
A coolamon or pichi is an Indigenous Australian carrying vessel. It is a multi-purpose shallow vessel, or dish with curved sides, ranging in length from 30–70 cm, and similar in shape to a canoe. Coolamons or pichis were traditionally used by Aboriginal women to carry water, fruits, nuts, as well as to cradle babies. A shallow hand-made wooden dish used for carrying food, water and sometimes small babies. It is decorated on outside with burnt incisions.pitchi coolamon aboriginal container -
Greensborough Historical Society
Book, The Plenty Valley Corridor: the archaelogical survey of historic sites, by Fiona Weaver, for the Ministry of Planning & Environment, 1989_
The Victorian Archaelogical Survey managed this study onbehalf of the Ministry for Planning & Environment. The study was intended to provide a brief history of Aboriginal and European occupation and use of the area and an outline of the geography of the chief areas of cultural heritage concern, with recommendations for protection of significant cultural sites and recommendations for further research, survey and consultation.115 p., photocopy, unbound. Illus., mapsplenty river -
Lake Bolac & District Historical Society
Colour photograph, Jan. Flood of Fiery Creek Inlet and Lake Bolac
January, 2011. Floodwaters entering Lake Bolac through the Fiery Creek inlet. This shows the accumulation of water behind the barrier dunes and the strength of the flood entering the lake through the narrow debouchment. The aboriginal midden can clearly be seen in the front left to centre of the photograph. Photograph courtesy James Davidson.lake bolac, fiery creek, 2011 flood, midden -
Moorabbin Air Museum
Machine - GAF Ikara Boeing (GAF / Asta) Collection)
Historical Details: . Description: The Ikara missile was an Australian ship-launched anti-submarine missile, named after an Australian Aboriginal word for "throwing stick". It launched an acoustic torpedo to a range of 10 nautical miles (19 km), allowing fast-reaction attacks against subma. Level of Importance: Nationals/n TN98 date 11/66 -
Bendigo Historical Society Inc.
Book - LYDIA CHANCELLOR COLLECTION: ADAM LINDSAY GORDON COTTAGE FOLK MUSEUM
A small soft covered book with coloured illustrations titled 'Adam Lindsay Gordon Cottage Folk Museum.' Dendy Park, Brighton, Victoria, Australia. Brighton City Council and the Brighton Historical Society, with the support of the National Trust of Australia (Victoria) are co-operating in a project which will honour the poet Adam Lindsay Gordon. One hundred years after his death they will link this project with the early Australian pioneers. This project will feature - the Gordon Cottage, horse drawn vehicle displays, relic displays, early market garden displays, and an old fashioned shop. An Aboriginal midden will be reconstructed and a collection of Aboriginal artefacts will be included. An appeal for the project was officially launched on the 25th May, 1969. This book was donated to Lydia Chancellor by Rosalind Landells for the Brighton Historical Society.australia, history, pioneers, lydia chancellor collection, collection, lydia chancellor, australian literature, adam lindsay gordon, poetry, australian history, history, brighton city council, brighton historical society, pioneers, literature, male, person, individual -
Victorian Aboriginal Corporation for Languages
Video, Richard Frankland, From Sand to Celluloid, 1996
A compilation of 6 short films by Aboriginal filmakers dramatising various aspects of Aboriginal life in white Australia. Touches on topics which include Black Deaths In Custody, family life, social interaction and social disadvantage, traditions and racial discrimination. No way to forget /? writer, director, Richard Frankland (11 min.) Fly Peewee fly /? writer, director, Sally Riley (10 min.) Round up /? writer, director, Rima Tamou (16 min.) Two bob mermaid /? writer, director, Darlene Johnson (15 min.) Payback /? writer, director, Warwick Thornton (10 min.) Black man down /? writer, co-producer, Sam Watson ; director, Bill McCrow (11 min.) No way to forget /? writer, director, Richard Frankland (11 min.).videocassetteindigenous filmmakers, richard frankland, darlene johnson, sally riley, rima tamou, warwick thornton, australian film institute, afi -
Merri-bek City Council
Pigment inkjet print, Hayley Millar Baker, I Will Survive 5, 2020
Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’ -
Merri-bek City Council
Pigment inkjet print, Hayley Millar Baker, I Will Survive 2, 2020
Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths, and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’ -
Federation University Historical Collection
Equipment - Ethnograpgic Material, Axe blanks
Axe blanks are pieces of stone that Aboriginal people chipped into a basic shape at stone quarries and sharpened by rubbing the edges over sandstone. Axe blanks were made by striking larke flakes of stone from rocky outcrops, then roughly sharpening them. The axes were often finished away fro the quarry.Three stone axe blanksaxe, tool, aboriginal -
Glen Eira Historical Society
Article - MALLANBOOL RESERVE
Two items about this park: 1/’Mallanbool Reserve. More than just a Park’ article from Glen Eira News, June 2011 on the park. It includes a discussion of local Aboriginal tribe. 2/’Mallanbool Reserve’ cutting from Glen Eira News, August 2011 on the park similar to previous.mallanbool reserve, glen eira news, glen eira, parks and reserves, kulin tribe, aboriginal people, glen eira city council -
Ballarat Heritage Services
Photograph - Digital photograph, Keith and Kathleen Hamilton
Keith and Kath Hamilton at Blythwood Grange chapel, the former St Joseph's Home. Keith Hamilton, born 9 May 1936 in Ballarat was the MP for Morwell for the Labour Party. He was Minister for Aboriginal Affairs, and Minister for Agriculture for some years. See more information https://en.wikipedia.org/wiki/Keith_Hamilton_(politician)Digital photograph pf Keith and Kathleen Hamilton. keith hamilton, kath hamilton, ballarat, morwell, member of parliament, minister for agriculture, minister for aboriginal affairs -
Federation University Art Collection
Painting - Oil on canvas, Sydney Pern, Waterhole by Sydney Pern
Dr Sydney PERN (c1879- 23 October 1967 ) Sydney Pern was a doctor who practiced in Ballarat. He was a competent artist who also collected Aboriginal artefacts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil landscape on oil sketching paper.signed lower right 'S. Pern'art, artwork, sydney pern, pern, landscape, available -
Hymettus Cottage & Garden
Book, Sparks and Sounds from a Colonial Anvil, 28 November 2022
An example of a cover created by using a diecast stamp in its printing and gilding and by a colonial die cast stamp pioneer in booming Melbourne.non-fictionAn example of a cover created by using a diecast stamp in its printing and gilding and by a colonial die cast stamp pioneer in booming Melbourne.binding, engraving, lithography, printing, publishing, george robertson, roeszler, stamps, melbourne -
Yarra City Council
Artwork, other - Marker, Reko Rennie, Remember Me: Stolen Generations Marker, 2018
Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy -
Merri-bek City Council
Work on paper - Charcoal and pages from Aboriginal Words and Place Names, Jenna Lee, Without us, 2022
Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork -
Federation University Historical Collection
Book, University of Ballarat Annual Report, 2000
Brown and blue soft covered book featuring three faces. Contents include: David Caro, David James, Kerry Cox, Camp Street Arts Precinct, Canadian Wetlands, John Keller, Naming of the W.J. Gribble, establishment of University Brewery, Aboriginal Education Centre, Ray Over, William Pryor, John Brumby, IBM Global Servicesuniversity of ballarat, brewing, brewery -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''AUSTRALIAN NATIVE WORDS'' BY E.I.WATKIN
Booklet. ALEC H CHISHOLM COLLECTION. 36 page paper cover booklet by the Rev. E. I. Watkin D.D. on the meaning of aboriginal words. Published by the Commonwealth of Australia, Sydney Endacott, Melbourne. Date not known. Printed by E. W. Cole, Melbourne. Catalogue sticker ''2233 WAT'' on front cover. Handwritten in pencil on flyleaf ''Harry Burrell''Rev. E. I. Watkinbooks, collections, etymology, alec h chisholm collection, aboriginal words, e.i.watkin, etymology -
Bendigo Historical Society Inc.
Photograph - GROUP OF ABORIGINALS (LAVERTON?), Early 1900's?
Sepia tones photo, on grey mount, of group of Aboriginals. Males, females and children. One white male in suit with small child on left of photo. One male on horseback on right of photo (policeman?) and two males on right, one in uniform (policeman?) and the other in suit. Inscriptions: on front - printed below image 'Martin Murphy, Laverton and Morgan's, Photographer'Martin Murphy, Laverton and Morgan'sperson, group, aboriginals -
Victorian Aboriginal Corporation for Languages
Book with DVD, Western Australia Department of Education and Training, Ways of being, ways of talk, 2007
Part of original kit produced by a Primary and Senior Secondary School in Western Australia dealing with communication, language and Aboriginal History. Video 1. Moving Into Other Worlds Video 2. Two Way Learning and Two Kinds of Power Video 3. Now You See It, Now You Don?t Video 4. A Shared World of Communicationb&w illustrations, colour illustrations, b&w photographs, colour photographs, DVDaboriginal education, aboriginal english, cultural awareness, school curriculum, language and literacy, bilingualism, two way learning -
Victorian Aboriginal Corporation for Languages
Book, Rachel Perkins, First Australians : an illustrated history, 2008
"A landmark history of Indigenous Australia which accompanies a major nine part Australian television series. It combines the most rigorous academic research with capitvating contemporary story-telling. Richly illustrated book that includes images of the landscape, evocative ninteenth-century photography and Aboriginal art. Written by Australia's leading Indigenous historian and public intellectuals"--Provided by publisher.maps, document reproductions, b&w illustrations, colour illustrations, colour photographs, b&w photographscolonisation, race relations, australian aboriginal history, pictorial histories