Card was possibly sent by Bert Finlay to Albert [Bert] West. HistoricalSepia photo of 4 canvas tents with trees in background. 4 men standing outside each tent. Also a bicycle and items inside tents.Telegraph camp. Phillip Is. 5/12/10 With best wishes for a bright & happy Xmas 1910. From Bert F. Addressed to Mr A. West.Cowes P. O. Phillip Islandbert west, sepia photograph, camping, bert finlay

N.A.F. 311389-6

Written on back of photograph, "Ringwood Railway Station. Taken on Arbor Day. 1910?"

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered house with striped yellow and white window awnings. Other features include a tiled roof, a cast iron work front porch door, garden urns in front of the house and a low unpainted brick fence in the foreground with a car in its garage down the drive to the left. The garden beds are also supported by walls of the same unpainted bricks with plants including a palm and succulents.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, cast iron work gates, striped awnings, outdoor ornaments, brick fences, drives, cars, garages (private), palm trees, brick chimneys

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a fence with four rows of unpainted variegated brown bricks at the bottom and six cream rendered columns topped by two rows of the same unpainted bricks. Timber pickets painted in the same colour complete the fence between the columns. The pitched roof of the rendered house can be seen in the background and the gable has a simple aeroplane-like decoration. Tall trees are behind and in the foreground. murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, timber and brick fences

Photo taken from inside Blessington St Gardens (Botanic Gardens) looking at property on Dickens Streetblack and white photograph, unmounted, original, good condition

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers

Black and white photographWritten on back of photograph, "Quamby" Nth. Rwd. 1910. "R.F.M. Photo" handwritten on frontagriculture

12 x Volumes. Hard cardboard covers, red buckram, gold print on spines. Cut, plain, off white pages. Black / white photos, maps & illustrations. .1) Vol 1 The Story of ANZAC (Tenth Edition), 662 pages. .2) Vol 11 The Story of ANZAC (Sixth Edition), 975 pages. .3) Vol III The AIF in France 1916 (Tenth Edition), 1036 pages. .4) Vol IV The AIF in France 1917 (Tenth Edition), 1030 pages. .5) Vol V The AIF in France 1918 (Seventh Edition), 825 pages. .6) Vol VI The AIF in France 1918, 1096 pages. .7) Vol VII Sinai and Palestine (Eighth Edition), 844 pages. .8) Vol VIII Australian Flying Coirpr (Ninth Edition), 493 pages. .9) Vol IX The Royal Australian Navy (Eighth Edition), 649 pages. .10) Vol X The Australians At Rabaul (Eighth Edition), 412 pages. .11) Vol XI Australia During the War (Sixth Edition), 922 pages. .12) Vol XII Photographic Record of The War (Fourteenth Edition), 753 pages, glossy white paper.book, official history ww1, bean

This community newsletter is titled "City of Caulfield Civic Week - Nov. 16-22, 1958", and describes the idea behind Civic Week by the Mayor as being “to promote a new and more active Community spirit, to create a greater public interest and participation in Community affairs, to emphasis the important part played by local government in the Community and to bring to all Citizens a new awareness of their City as a progressive part of the Metropolis”. It contains a program of functions to be held during Civic Week in 1958, and the middle pages contain the article “Be Careful When Driving or Parking a Car”. This one page community newsletter (folded in the middle to create 4 pages of text) is titled "City of Caulfield Civic Week - Nov. 16-22, 1958".

Paper poster promoting the new invention, A Gatling Gun'. Exhibited at the International Inventions Exhibition on the 16 May 1885 in South Kensington London.Several versions of the Gun are shown: The Gatling Gun item 3 10 Barrel Gatling Gun with Acck's positive feed Item 4 Rapid firing Nondenfekk shell Gun item 5 The Holchhler Gun item 6 The Gardner Gun

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Arc de Triomphe in Paris. The Arc is framed by a row of trees on either side, and there are several cars on the road in front of it.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.paris, france, letters-from-abroad, allan quinn, arc de triomphe

Image of soldiers of the 2/6 Australian ARES Regimentblack metal frame with white mount containing reproduced photograph of regimental soldiers2/6 Australian ARES REGT 2/6 australian ares regiment, army reserve

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Written on backing sheet, "Murfet's House, New Street. 1910. Now Lawrence and Hansen (no date)".

Historic BuildingsB/W Photo of original photograph, Tonkin's Grocer and Produce Store, Learmonth St. c 1910, people in front, produce visible on footpath and in windows.buninyong, learmonth st., tonkin's grocer, brydon & hedrick building, bluestone cafe

This framed copy of the photograph is in storage in room 03 as the frame lacks a backing sheet to hold the photograph in it. For other copies of the photograph see Registration no. 2018-84.Original photograph which shows members of the Linton Methodist Church choir. Photograph understood to have been take around the time of the Methodist Jubilee in 1910.linton methodist church, wesleyan choir, syd ball, miss adams, richard ching, mrs hansen, frank bryant, lucy bryant, oscar ball, lilly jennings, dan cornish, edgar nicholls, rose preston, mr hansen, mrs syd ball (née jane dudley), lou finlay, ern ball, edith ching (née bonthorn)

The Geelong Harbour Trust Band was one of five brass bands existing in the Geelong area in the early 1900's. They were quite successful in competition under the direction of conductor Mr Harry Shugg. After their conductor, Harry Shugg left to conductor the Malvern Tramways Band in 1915, the band merged with the Geelong Municipal Band to become the Geelong City Band.This postcard is significant as it provides a historical window on this (former) brass band and their achievements. The postcard is also significant as it is part of a series of four in the VBL's collection which have Mr Harry Shugg (conductor) as a central figure.Rectangular black and white photograph printed on a postcard.Front: "GEELONG HARBOUR TRUST BAND, Winners of Double Event, Ballarat, 1910, B and C Grades On a Complete Set of Higham Clear Bore Band Instruments. LYONS, Sole Agend, 256 Bourke St., Melb.geelong harbour trust band, geelong, victoria, brass band, victorian bands' association, harry shugg, geelong city band, geelong municipal band, victorian bands' league

6975-14 Stawell High School Form 6 1971 Students Class Photo Stawell High School Form 6education

An advertisement for the sale of a subdivision by Auction: of 16 Ideal Home Sites, East Kew, 1940. This significant sale of land between the Kew Golf Course and Willsmere Park led to the streets having a high degree of architectural uniformity.The subdivision in the second year of the war indicates that land sales for homes and speculation continued from the 1930s into the period of the Second World War. There is no indication on the plan that a war is occurring.Single page subdivision plan advertising the sale by Auction of 16 Ideal Home Sites, in East Kew, on 17 February 1940. Streets named in the plan include: Kilby Road, Belford Road, Elm Grove, Willow Grove. Willsmere Park is indicated but not named. The auction was conducted by Beauchamp Brothers. A number of lots are coloured pink on the plan indicating those lots for sale and/or those already sold.subdivision plans - kew east (vic)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses