Photo taken from inside Blessington St Gardens (Botanic Gardens) looking at property on Dickens Streetblack and white photograph, unmounted, original, good condition

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer Bev Baxter. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered house with striped yellow and white window awnings. Other features include a tiled roof, a cast iron work front porch door, garden urns in front of the house and a low unpainted brick fence in the foreground with a car in its garage down the drive to the left. The garden beds are also supported by walls of the same unpainted bricks with plants including a palm and succulents.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, cast iron work gates, striped awnings, outdoor ornaments, brick fences, drives, cars, garages (private), palm trees, brick chimneys

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of the main street in Marysville in Victoria. This is now known as Murchison Street. This postcard was produced by Murray Views in Gympie in Queensland as a souvenir of Marysville.POST CARD STAMP REAL (illegible)/ AUSTRALIA BY MURRAY (illegible) Tuesday 1st/ Dear Ade,/ Well here I am/ as I said/ writing/ to you. I have 8 minutes/ before the dinner gong goes so/ I'd better hurry./ We're having a super/ time, but the weather is/ shocking. Today we put/ on our raincoats, golf shoes/ & umbrellas & walked to/ the Taggerty River & back/ via Talbot Drive. It/ was lovely (& wet(. It's about/ 6 miles or maybe more./ I didn't think you or John/ would come on such a / terrible day. How's work?/ Think of me eating, sleeping/ & playing won't you./ There are 17 people here. There/ were 30 when we arrived./ Doesn't the Main Street look/ beaut? That's how it really look./ Saw "Mad About Men" here on/ Saturday night. Extra good/ show. Must close. See you/ Friday week. Love Pat.murchison street, marysville, victoria, murray views pty ltd, murray views no 17, postcard, souvenir

Card was possibly sent by Bert Finlay to Albert [Bert] West. HistoricalSepia photo of 4 canvas tents with trees in background. 4 men standing outside each tent. Also a bicycle and items inside tents.Telegraph camp. Phillip Is. 5/12/10 With best wishes for a bright & happy Xmas 1910. From Bert F. Addressed to Mr A. West.Cowes P. O. Phillip Islandbert west, sepia photograph, camping, bert finlay

Black and white photographWritten on back of photograph, "Ringwood Railway Station. Taken on Arbor Day. 1910?"

Black & white photos (postcards) of France mainly during WWI.Rectangular black & white cardboard postcards..6) From Herb Rumble dated France Dec 1912. .7) - .16) Handwritten message undersigned.documents-postcards, military history, passchendaele barracks trust

Black and white photographWritten on back of photograph, "Quamby" Nth. Rwd. 1910. "R.F.M. Photo" handwritten on frontagriculture

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Arc de Triomphe in Paris. The Arc is framed by a row of trees on either side, and there are several cars on the road in front of it.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.paris, france, letters-from-abroad, allan quinn, arc de triomphe

Part of the collection of "Thomas Edward Silk". Enlisted 12/6/16 age 31 to 9th Reinforcements, 29th Battn. Embarked 19/9/16 to England then to France 17/12/16. Injured with (PB) Peripheral blood 18/7/17 and returned to Australia 21/1/18.Set of 4 embroidered postcards in various states of repair. Cream coloured ornament edges stuck onto postcard backing, some with embroidery centres. 1. Message on back dated 25/10/17 addressed to Mother with embroidered picture on front including flags and message. 2. No message but front has embroidered image of flowers and a message. 3. Message on back to Mother dated 10/7/17. Embroidery on front has come off. 4. Message on back to Mother dated 6/10/17. Embroidery on front has mostly come off.1. Message embroidered "Greetings from France" dated 25/10/17.thomas edward silk, ww1, france, postcards

Image of soldiers of the 2/6 Australian ARES Regimentblack metal frame with white mount containing reproduced photograph of regimental soldiers2/6 Australian ARES REGT 2/6 australian ares regiment, army reserve

Photograph of 2004-05 Under 17 premiershipmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, cricketers, david hardham, debbie banks, daryl kell, lachie grant, tom eden, jamie sasson, ben considine, luke morrison, glen sketon, simon goold, daniel rouse, james lockhart, ricky tate, jesse banks, luke skelton, brett hardham

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

6975-14 Stawell High School Form 6 1971 Students Class Photo Stawell High School Form 6education

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Historic BuildingsB/W Photo of original photograph, Tonkin's Grocer and Produce Store, Learmonth St. c 1910, people in front, produce visible on footpath and in windows.buninyong, learmonth st., tonkin's grocer, brydon & hedrick building, bluestone cafe

The Geelong Harbour Trust Band was one of five brass bands existing in the Geelong area in the early 1900's. They were quite successful in competition under the direction of conductor Mr Harry Shugg. After their conductor, Harry Shugg left to conductor the Malvern Tramways Band in 1915, the band merged with the Geelong Municipal Band to become the Geelong City Band.This postcard is significant as it provides a historical window on this (former) brass band and their achievements. The postcard is also significant as it is part of a series of four in the VBL's collection which have Mr Harry Shugg (conductor) as a central figure.Rectangular black and white photograph printed on a postcard.Front: "GEELONG HARBOUR TRUST BAND, Winners of Double Event, Ballarat, 1910, B and C Grades On a Complete Set of Higham Clear Bore Band Instruments. LYONS, Sole Agend, 256 Bourke St., Melb.geelong harbour trust band, geelong, victoria, brass band, victorian bands' association, harry shugg, geelong city band, geelong municipal band, victorian bands' league

12 x Volumes. Hard cardboard covers, red buckram, gold print on spines. Cut, plain, off white pages. Black / white photos, maps & illustrations. .1) Vol 1 The Story of ANZAC (Tenth Edition), 662 pages. .2) Vol 11 The Story of ANZAC (Sixth Edition), 975 pages. .3) Vol III The AIF in France 1916 (Tenth Edition), 1036 pages. .4) Vol IV The AIF in France 1917 (Tenth Edition), 1030 pages. .5) Vol V The AIF in France 1918 (Seventh Edition), 825 pages. .6) Vol VI The AIF in France 1918, 1096 pages. .7) Vol VII Sinai and Palestine (Eighth Edition), 844 pages. .8) Vol VIII Australian Flying Coirpr (Ninth Edition), 493 pages. .9) Vol IX The Royal Australian Navy (Eighth Edition), 649 pages. .10) Vol X The Australians At Rabaul (Eighth Edition), 412 pages. .11) Vol XI Australia During the War (Sixth Edition), 922 pages. .12) Vol XII Photographic Record of The War (Fourteenth Edition), 753 pages, glossy white paper.book, official history ww1, bean

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers

Bibles given as gifts to siblings or prizes from Sunday SchoolBibles belonging to various members of the Maggs Family. 1 . Jean 1908. 2 Evelyn victoria Maggs 1910. 3 David Maggs 21st. birthday. 4 Eva Maggs 1911. 5 Eva Maggs 1914. 6 Chrissie Maggs 1934. 26272-1 Jean with Mr. and Mrs. Dimants good wishes Nov 1908. 26272-2 To my Dear Sister Evelyn Victoria Maggs with fond love and best wishes for her 13th. birthday from her loving sister Jane E. Maggs. Proverbs 3.6. 26272-3 To my beloved brother David J Maggs as a gift of sincere love for his 21st. Birthday of the 31st. January 1908 from his affectionate sister Jean E. Maggs &. Proverbs 3.6 26272-4 Eva Maggs 2nd class Special Prize May 1911 26272-5 Eva Maggs Presented by her S.S. Super H. L Smythe 25-12-14 also to my dear Alison from Mother Armistice Day 11-11 30 26272-6 Presented to Chrissie Maggs from Mother 24-5-34

Going by the style of clothing worn, and what appears to be a 6 on the date line at the bottom of the description board, and the short tail of the 6 for the grade 6, I would say that the date was c1946!Negative Black white. Scanned at 600 dpi. Grade 6, 7, 8, Warburton Primary School, no 1485,1900s grade 6 7 8 warburton primary school no 1485 1900s

The Historians History of the World Vol 17 set 1flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the historians history of the world vol 17 set 1

The Victoria Government Gazette 1859 1 Vol 17flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1859 1 vol 17, the victoria government gazette

On reverse: Nose Cone - Skylark Rocket Also stamped in blue ink: Phone: Ex. 253 STILL PHOTO SECTION W.R.E. SALISBURY, S.A. Neg. No. E1532A (in pencil) Date: 17.6.60 (in pencil) Subject: Skylark Nose. (in pencil) Classification: RESTRICTED (over stamped) 9 Feb 1961 (over stamped)alan gardiner collection, space industry, 1960-06-17, rocket, salisbury, skylark rocket, south australia, weapons research establishment (wre), woomera, 1960

On reverse: Nose Cone - W.R.E. Skylark Rocket Also stamped in blue ink: Phone: Ex. 253 STILL PHOTO SECTION W.R.E. SALISBURY, S.A. Neg. No. E1532 (in pencil) Date: 17.6.60 (in pencil) Subject: Skylark Nose. (in pencil) Classification: RESTRICTED (over stamped) 9 Feb 1961 (over stamped)alan gardiner collection, space industry, 1960-06-17, rocket, salisbury, skylark rocket, south australia, weapons research establishment (wre), woomera, 1960