Log Cabin built by J Wharrie during 1930's c1948. These photos show the original bark roof. There is also a lattice entrance on the front fence not shown on photo 40.Two photos one black & white the other coloured of the Log Cabin c 1948. The bark roof appears to have a vine growing over the front and side of the roof. The lattice work on the porch is damaged.stawell dwelling

Port of Portland Authority archives.Front: (no inscriptions) Back: "Trojan" Log Carriage with "Sel-Set" & Feedworks at Dartmoor (upper left, pencil). 19 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt Gambier (lower right, purple stamp).port of portland archives

This image is one from a series of portraits taken by Rob Elliott to record the character of the Border District through the faces if its identities. Garry Smith was a champion axeman from Northeast Victoria who represented Australia on more than 40 occasions including winning 28 world titles and more than 200 state and district wood chopping events. Memorial wood chopping events are still held in his honour including an annual event at the Mitta Muster in Northeast Victoria.Garry Smith was a hardwood logging contractor for Dunstans at Wodonga for 25 years. After retiring from competition, Mr. Smith managed the Australian senior and junior teams for 10 years. He was a prime mover in the establishment of the Victorian Axemen's Council and the Australian Axemen's Association. He served 21 years as president of the North-East Axemen's Association. At one stage, Garry was president of the Australian, Victoria and North-East Axemen's Associations at the same time. Mr. Smith passed away in Wodonga in 2011.This is a portrait of a district axeman who represented Australian many times including winning 28 world titles and made a major contribution to his sport.A photo of Garry Smith, a champion axeman, honing the edge of one axe with a 2nd axe in a log on the ground. He is leaning on a log held upright in a vice. He is wearing trousers and a white singlet.champion axe men, wood chopping, gary smith

THE LOG is a quarterly colour A5-size journal, typically of 72 pages. It includes illustrated articles of wide maritime and historical interest, together with comprehensive reports on recent shipping activities related to the Australasian region. non-fictionnautical association of australia inc., boats, professional associations, interest group, william gordon volum, naa

This item can be seen as a hand piece belonging to a logger or farmer spanning over one hundred or more years. The equipment was made to perfection as a hand tool and has not been improved upon since its introduction into the logging industry or farming fraternity. It can be used by one person or two (husband and wife or father and child). Its versatility is ageless. It can be used for domestic clearing of the paddocks, or for domestic fire places and stoves or commercial logging up until the 2000s (introduction of specific logging trucks that cut and treat the trees in one process).This item is very significant to the rural and logging regions within the Kiewa Valley. It has been used for domestic wood cutting and for industrial logging in the mid to late 1900s. It was used when clearing land for the SEC Hydro scheme and to allow for the introduction of the Mount Beauty construction workers' village (later developed into the town) The great advantage of this saw was that it uses only muscle power and can be located where ever a lumber "Jack" or property owner can venture. either by foot or by horse.This saw is a Warranted Superior One/Two Man Logging Saw. It has 68 teeth and is 42 inches long. At a position of one inch (2.5cm) from the end is a hole one inch down from the leading edge. There is another hole 45 cm in front of the handle. Both these holes are for a "helper handle" which when in use renders this logging saw fit for a two man operation. This is a cross cut saw for cutting down vertical trees (horizontal cut) The handle is made from wood and fastened to the blade by three heavy duty screws. The one helper handle stands 150mm high and has a 150mm wooden hand grip.The central screw has 25mm manufacturers' identification logo stamped "WARRANTED SUPERIOR".one or two man cross cut saws, forestry, timber industry

Colour photo Log Cabin built by J Wharrie during 1930s. The photo was taken from a colour slide from Allan Howells Collection. Photo taken c 1960 -70.Log Cabin built by Mr. J. Wharrie during the 1930's. This photo is a front view of the house with vine growing over the porch and bark roof. A weather vane can be just made out on the roof. stawell dwelling

Log Cabin built by Mr. J. Wharrie c 1930’s. Originally the Log cabin had a bark roof. The roof was replaced with iron. The home is located in Darlington Road Stawell. The Wharrie family lived in the cabin for many years during the 1940's and owned a doll factory. Black & white photograph depicting a home built of logs with a lattice porch way, stone chimney's and iron roof. On the iron roof is a weather vane decorated on top by a carriage and 2 horses. The house is set in a garden with a stone fence in the foreground. There are 2 black & white prints one an enlargement of the smaller photograph.stawell dwelling

View of Harmony Vale, the original Kalorama settlement taken from Barbers Road. Child's sawmill can be seen (centre) with the log yard to the right. Richardson's home "Harmony Vale' is in the orchard above the logs.Black and white photograph copied from a Rose Series postcard showing the area known as "Harmony Vale' - the original Kalorama settlement. Child's sawmill is in the centre.Rose Series Photo of Harmony Vale on the Olinda Creek taken from Logans Lot 28. Link Rd crossing centre Shiloah complex left centre. Richardsons (Jeannie’s) “Mt Calvin” between trees above tree fern. Isaac Jeeves house with the tree fern floor among trees against forest right centre. Mill yard with logs above cultivated flat. Mill to left. “Harmony Vale” homestead among orchard above logs. “Glenrivers” in gully at top of clearing. About 1913. Copied JLC 1973harmony vale, harmony vale, child's sawmill, sawmill, barbers road, richardson, shiloah

Colour slide of three men cutting logs using a sawmill at a timber yard in Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of men cutting logs in a timber yard in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Champion cutter / Eildon' in blue pen and '22' in pencil. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, wood, sawmill

Colour slide of men cutting logs using a sawmill at a timber yard in Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of men cutting logs in a timber yard in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, wood, sawmill

Colour slide of men cutting logs using a sawmill at a timber yard in Eildon. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of men cutting logs in a timber yard in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Cutting Firewood / Eildon' and '22' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, sawmill, wood

Six men, some with tools stand on or beside a very large tree which has been recently felled. Pat Ryan identified at front left. In 1920 the Hurstbridge Sawmill operated as part of a local logging industry where among other things large logs were used for bridge building and railway construction. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imageWritten on photocopy: "Pat Ryan (front)" with arrow pointing to him "Timber felling for railway construction Diamond Creek - REF 1050"sepp, shire of eltham pioneers photograph collection, hurstbridge, logging, lumber trade, felled tree, railway construction, diamond creek, pat ryan

Used by Mr. A. Baker Snr. early 20th Century. A small damaged rectangular, metal tobacco tin with red edging around the yellow, hinged lid. It has the label "LOG CABIN" Flaked Gold leaf Tobacco printed in three scroll shapes. There is an outline of a cabin in the bush, with a horse and man in the foreground. The manufacturer's details are written at the bottom. The tin is worn with age and use, and the lid is loose.Tobacco Tin - 'Log Cabin Flaked Gold Leaf Tobacco W.D. & H.O. Wills (Australia) Ltd. Sydney Successor in Australia to Lambert & Butler.'tobacco tins, tobacco containers, smoking equipment

From front cover: The Diary and Log Book of Test Pilot H Leonard Thorne 1940-45..1) Hard cardboard cover, blue coloured paper, gold print on spine. .2) Dust cover is blue, brown, white, black print on front, spine, back. Colour photo of an aircraft & pilot on front, back cover has colour photo of a Log Book. Pages - 254, cut, plain, white. Illustrated black & white photos & documents. Inscription front fly leaf handwritten in blue ink: “To a good friend & brother, Kevin Hogan Gill & Barry” To the Bendigo District RSL & Passchendaele Barracks Memorial Military Museum. Thank you for keeping the memory of our war heroes alive”book, test pilot, dunkirk

This Register has many inscriptions for Forestry activities in the Orbost region, such as Sleeper Cutting Licenses and other licensed activities such as Wattle Bark Stripping, Saw Mills, Logging Licenses, Sleeper Off-cuts. It contains the names of people involved in these activities, the amounts of money they paid to the Forestry, and dates. This Register appears to start in 1919 and end in 1978. An excellent resource for research into the forestry industry in the Orbost district since this Register contains the names of men who paid license fees to the Forestry Dept. to allow them to work in the forests in various activities such as sleeper cutting, wattle bark cutting, saw mills, logging. A hard cover ledger, dark blue/black cover with red binding. The words DEPOSITS REGISTER are printed on the front cover and also on the binding. The ledger's pages are ruled in red for DEPOSITS and REFUNDS. forestry, orbost, sleeper cutting, wattle bark cutting, saw mills, logging

Metal branding hammers were the most common way to control the sale and movement of hardwood timber produce like logs, railway sleepers, fence posts, and poles from Victorian State forests. Royalty was also paid on this basis. The hammer has a crown stamp on one end with a unique number in the middle (453) which identified its owner, and a crows foot or broad arrow on the other. The broad arrow was a symbol traditionally used in Britain and its colonies to mark government property. Forest regulations state that an authorised officer may use the crown mark to identify produce which has been sold and may be removed from the forest, whereas the broad arrow can be used to brand and mark trees which are not to be felled, or to indicate forest produce which has been seized. Hammers were traditionally only ever issued to forest officers and were an important, and closely guarded tool-of-trade. They were not transferred between staff and lending hammers was not permitted. But it was an onerous task for staff to hammer and tally hundreds of logs, or thousands of fence posts each week, so in about 1990 a system was introduced whereby hammers were allocated to logging contractors to grade logs and tally them instead. But there was still spot checking by authorised officers. A register was kept, and contractors paid a substantial deposit to make sure they didn't lose them, but they occasionally turn up by fossickers with metal detectors. While branding hammers are still used in some smaller locations, plastic tags and barcodes are now more common.Metal log branding hammer with a crown stamp on one end with a unique number (453) in the middle which identified its owner, and a crows foot or broad arrow on the other. The unusual bent metal handle was designed to protect user from banging their fingers on the log. It was also fitted with a rubber hand grip. Most FCV branding hammers were issued with wooden handles. The branding hammer 453 was initially issued to Wally Cowell at Beechworth. It was reissued to Jim Browning upon Wally’s retirement The hammer still had a wooden handle, but the it broke and became loose inside hammer head. Russel Pritchard from the Beechworth Depot replaced the handle with a new metal one and put a dog leg in it It mainly branded forest produce cut in Mt. Pilot and Reedy Creek areas. The main logging contractors were Gordon Habeck from Chiltern and Steven Goldsworthy from BeechworthCrown mark one end (453) and Crows foot other endforest harvesting, forests commission victoria (fcv)

The Flying Log Book was used by A315699 Lindsay William Fankhauser from qualifying as a helicopter crewman on 9 Dec 66 until a new Flight Log Book was issued on 15 Feb 74. The Lindsay Fankhauser lived in Gisborne and was a member of the Vietnam Veterans Association based at Woodend RSL. The Flying Log Book provides a complete record of Lindsay Fankhauser including flying hours, qualifications, annual reports, photographs of crew and aircraft from 1966 until 1974.Blue book held within a brown leather bookcover. Book cover closed with Velcro Strip. Blue book containing flight information, qualifications, posting locations, pasted in photographs. Brown cover with indentity label with name of owner enclosed in plastic cover. Blue book mounted in middle of brown cover with cover closed by overlapping.Blue book - FORM A.73 (June, 1938). Royal Australian Air Force. Observer’s Air Gunner’s and W/T Operator’s Flying Log Book. Name FANKHAUSER.L.W. (on a dymo label). Leather Cover - Aircrew wings for Aircrew members (wreath of wattle surmounted by crown, letter C inside wreath, single wing on right hand side) /LINDSAY FANKHAUSER/ RAAFfankhauser, raaf, flying log book, vietnam, a.73

Yellow tobacco tin with illustration log cabin man, and horses. 'Log Cabin' Brand on red backgroundpersonal effects, smoking accessories, containers, commercial

Murray Comrie Collection. Albert Clement (or Clements) Theobald was born in Tarnagulla in 1887, and married Laura Battye in Tarnagulla in 1908. He joined the police force on 21 June, 1913 and died in Warburton in 1962. He was also known as Clem or 'Catty'. Monochrome photograph depicting Albert Clement 'Clem' Theobald, wearing police uniform, and standing in front of a log lockup, place unknown. An accompanying note says 'The Logs Eaglehawk' but the building looks different to the Eaglehawk Log Gaol. This building looks quite similar to the log lockup at Myrtleford. tarnagulla, police

The tin was used by Mr Des BlythA small rectangular, metal tobacco tin with red edging around the yellow, hinged lid. It has the label "LOG CABIN" Flaked Gold leaf Tobacco printed in three scroll shapes. There is an outline of a cabin in the bush, with a horse and man in the foreground. The manufacturer's details are written at the bottom. The tin is worn with age and use, and the lid is loose.On the lid: '"LOG CABIN" Flaked Gold Leaf Tobacco' is printed in three scroll shapes as well as 'Manufactured by W.D. & H.O. Wills )Australia) Ltd, Sydney, Successor in Australia to Lambert and Butler.'tobacco tins, tobacco containers, smoking equipment

Log Governor (or Fly-wheel) from a Ship Log; metal wheel shape with 6 spokes, hub has rope attached for connecting to ships log. Metal hook detached from rope.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, log governor (or fly-wheel), log governor, fly-wheel

Log Rotor or spinner of a taffrail Ship Log (261 in texta on back) with eyelet, joined on by spliced and whipped rope.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, log rotor, taffrail log

Used at the UCA Synod Offices 130 Little Collins Street. Possibly by Cliff Wright.Telecom computer phone Executive Series consisting of monitor; keyboard with handset; Teledrive unit model number: TELDV1.3; Thermal colour printer Okimate 20 mdoel number EN3212; 8 ICL microdrive cartridges in 2 cases: one labelled "Demonstration", one labelled "Welcome", one labelled "Help"; Cables; 51 page printer manual.Telecom log on monitor and keyboard

With grateful thanks to Farstad Shipping (Indian Pacific) Pty. Ltd.Colour photograph, wooden frame, glazed, depicting the damaged oil tanker MV 'Kirki' being towed by offshore anchor handling tug supply vessel 'Lady Kathleen'. Under the photograph is a newspaper cutting with the headline 'Worse disaster averted by the courage of small ship's crew'.There is a log of the events on the back of the photograph

Log book of the SS Albertflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, log book of the ss albert, book, ss albert

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Spiny Echidna on a log.local history, photography, photographs, spiny echidna, black & white photograph, wild life, echidnas, john jenner, bryant west

Log Cabin Tobacco Tinmiscellaneous

Fred Lancashire (no loger in frame)picture, ww2, army

The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize