27 June 1902 - Davey Paxmen Steam Engine 01 September 1905 - James Oddie donation a pair of lanterns and a lantern Microscope 03 August 1906 - Costs of starting an Agricultural High School in the district - Dr Stewart Bequest 29 April 1910- Planning for new Art School Building 28 April 1911 - Ballarat Observatory 26 May 1911 - Ballarat Observatory. Mr Brittain living in the caretaker's cottage, and proposes moving his telescope to the observatory 30 June 1911 - H.H. Smith in conjunction with Mr Clegg asked to prepare sketch plans for a new art school 28 July 1913 - Establishment of the Ballarat Junior Technical School 04 April 1913 - Removal of organ and pipes from the former Wesleyan Church 26 June 1914 - Laying of the Foundation Stone for the Ballarat Technical Art School. A photograph was taken featuring Mr Tate, Mr Carew-Smyth and Col. Watson.Black covered foolscap book with brown leather spine and corners. The handwritten reports were written for the Ballarat School of Mines Councilballarat school of mines, monthly reports, ballarat school of mines principal, ballarat school of mines principal's report, ballarat school of mines battery, ballarat school of mines council, r.t. vale, davey paxmen, andrew anderson, james bickett, james oddie, david kerr, j. baird, learmonth, dr stewart bequest, ballarat technical art school, h.h. smith, w.h. middleton, clegg

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Gathering of Railway men at a retirement function for Driver Robert Thompson in 1955. Back row Left to right: Len Gregson, David Shannon, Les Cheesley, Tom Cosgrove, Roy Wagner, George Lloyd, Alan Elvish, Mick Seymour, John, Shannon, Unknown, Unknown, Gordon Scholes, Stan Warnock Centre row Left to right: Bill Welch, Unknown, George Taylor, Ted Jenkins, Buddy Straghan, Allan Smyth, Terry Farellly, Bob Burns, Morrie Larkins, Frank Boadle, Reg Matthews, Unknown, Vin Snow, George Kruss, Tom Fitzgerald, Bob Sangster Seated: Jack Anderson, Paddy McDonald, George Padgett, Alex Reid, Bobby Thompson, Vic Jones, Jack Dawe, Colin Whitehand, Harry Binder, Bill Odgers, Hughie Fraser Front row seated: Mick Kowalzuk, Wally Riley, Ton Guinane, Bill Baldock, Brian Putt, Norm Hughes, Garnett Reid, Johnny Hallawell, Frank Conway, Steve Cuperrailways wodonga, fred rochow, wodonga railwaymen, driver robert thompson

Rectangular shield shaped wooden house Officials 1934-1945 honour board with WHS symbol at the top and gold lettering. HOUSE OFFICIALS 1934 (O) D. Francis, R. Rangott (K) G. Arnott, H. Keir 1935 (O) T. Brady. P. Arnold (K) G. Arnott, H. Keir 1936 (O) A. Smyth, M. Almond (K) G. Stone, L. Clark 1937 (O) R. Dinning, L. Living (K) G. Stone, L. Friday 1938 (O) D. Tilson, A. Clemers, K. Baker, B. Ewart, L. Living (K) E. Williams, K. Jackson, J. Emms, M. Matthews 1939 (O) L. Gorman, R. Baker (K) D. Lade, M. Matthews, M. Friday 1940 (O) W. Smyth, V. Hebard, H. Ronan, (K) C. Bryant, J. Goodwin 1941 (O) W. Nicholas, D. Roberts (K) W. Hempel, B. Johnson 1942 (O) J. McDonagh, A. Walpole (K) H. Orton, L. Mc Donald 1943 (O) W. Snowdon, H. Bunn (K) M. Christie, L. Mc Donald 1944 (O) A. Harrington, M. Pearce (K) M. Ferguson, L. Mc Donald, R. Saines 1945 (M) S. Oates, J. Bennett (K) I. Sadler, J. Bell, I. McSween

Graphic Design / Multimedia: Daniel Buckingham, Dominic Carey, Claire Hards, Simon Hunt, Rose Kim, Glen McClay, Joshua McGregor, Luke Monssen, Stuart Murray, Kristian Pechotsch, Melissa Price, Michael Renga, Kristen Retallick, Claire Robson, Jarrod Rouhan, Leigh Ryan, Alana Smyth, Stuart Sullivan, Mary Rose Thomas, Peter Wallace. Multidiscipline: Marlene Broadbent, Gary Brogden, Marg Delahunty-Spencer, Nathan Donegan, Cameron Haldane, Natali Mirovski, Darren Newby, Kelly Roberts, Natasha Young Drawing: Kim Anderson, Vane Andonov, Rebecca Brown, Lucas Corbett, Kathryn Cudia, Jessica Jackson, Penelope Jenner, Michelle Trgovac Ceramics: Marty Foster, Perry Lane, Georgina Moon, Kristine Thomas, Paul Uren, Dawn Whitehand Painting: Esmene Beyzade, Christopher Geljon, Peta Jeffries, Sara Johnson, Mari-Martha Mago, Ricki Millar, Kate Peachey, Daniel Salmon, Sandra Williams Honours: Claire Blake, Wendy Bolger, Suzanne Close, Benjamin Cox, Kieran Denahy, Natasha Dusenjko, Judith Hughes, Paul Mears, Michael Shiell, Leigh Scholten, Janelle Vaughan, Fiona Woolley. Custom polypropylene case, printed single colour black. Eight single-sided pages printed black and yellow, bound top left with metal paper fastener. CD Rom included in pack, unprinted.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy, painting, ceramics, drawing, multidiscipline, honours

These six photographs were taken at an Army Survey Regiment Open Day at Fortuna Villa, Bendigo on the 24th of February 1990. This occasion was one of several events held to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. Although historical tours of Fortuna occurred on a regular basis, this was the first technical open day since 1972. The Royal Australian Survey Corps recognised that an Open Day was the best way for the local community in Bendigo to gain an insight into the unit’s important role as Defence’s map production agency, its technical equipment, and its economic importance to Bendigo. It also gave them an opportunity to tour through historic Fortuna Villa. This occasion is covered in more detail in page 143 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Refer to Item 6247.30P for more photos of the Open Day. These six photographs were taken at an Army Survey Regiment Open Day at Fortuna, Bendigo on the 24th of February 1990. The colour and black & white photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, 1990, AUTOMAP 2 L to R: SSGT Graham Johnston, SPR Grant Davis, civilian visitors. .2) - Photo, black & white, 1990. Photo Troop, WO2 Keith Fenton RE. UK Exchange. .3) - Photo, black & white, 1990. Aerotrig, SGT Bruce Hammond, civilian visitors. .4) - Photo, black & white, 1990. AUTOMAP 2 L to R: SPR Peter Smyth, LT Steve Hledik, SGT Martin Evans, MAJ Neil Taylor, Civilian visitors. .5) - black & white, Orthophoto Mapping, L to R: civilian visitors, SSGT Peter Imeson, civilian visitor, SGT Bob Garritty. .6) - black & white, Print Troop L to R: civilian visitors, SSGT Ian Nichols, CPL John ‘Flash’ Anderson..1P to .6P – there are no annotations.royal australian survey corps, army svy regt, rasvy, army survey regiment, fortuna, asr

Bendigo Operatic Society Theatre Programme 'The Desert Song.' Capital Theatre Bendigo October 18th, 19th, 21st 22nd, 23rd and Special Performance 24th, 1957. Arranged by J.C. Williamson Theatres Ltd. Norman Lee Producer. Musical Director Max O' Loghlen. Bendigo Concert Orchestra. Music Sigmund Romberg. Book & Lyrics Otto Harbach, Oscar Hammerstein II, Frank Mandel. Main Cast: Mervyn Penno, Alfred Annison, Max Beckwith, Greta Smyth, Alfred Austin, Brian Thomas, Brian Brewer, Rosalie Spencely, Harry Brewer, Alan Ewart, Adrian Van Dyke, Margaret Rule, Bert Donovan, Barbara McGregor, Coral Shiell, Charles Phillips, Ruth Ennor, Ian Beckwith, Malcolm Cannon, Reg Boromeo. Songs Include: 'High on a Hill', 'The Riff Song', 'Ho, Bold Men of Morocco,' 'Margot', 'I'll Be a Bouyant Girl.' 'Why Did We Marry Soldiers,' 'Romance,' 'The Desert Song,' 'Then You Will Know,' 'Song of the Brass Key,' 'Let Love Go,' 'One Flower in Your Garden,' 'The Sabre Song,' 'Farewell,' 'All Hail the General' and 'Soldier, When the Battle is Over.'Cambridge Press, Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/the_desert_song

"Centenary of Fnrst Mass at Ballarat Friday last marked the centenary of the arrival of the first priest and the celebration of the first Mass in Ballarat. The Rev. Patrick Dunne reached the diggings on October 17, and on Sunday, October 19, 1851, in a bark hut near Brown Hill, he celebrated Mass. Worshippers had to kneel on quartz gravel. The weather had been the worst experienced in Victoria for a number of years, and most of the creeks between Melbourne and Ballarat were flowing torrents, but Father Dunne (who came from the Coburg mission), carrying the barest necessities and the sacred vestments, set out for Ballarat on horseback. He had to ford and swim his horse across the creeks. When most of his congregation left for the Castlemaine diggings Father Dunne returned to Melbourne. In August, 1852, Rev. Matthew Downing became Ballarat's first resident priest. He built a large wooden structure with a canvas roof which served as a church, but later erected at the Gravel Pits the first permanent church. This church was the largest of any house of worship on any goldfield in the colony. It cost £ 100, contributed solely by Father Downing and his flock. Soon after he got the authorities to survey a large piece of land at the back of the township as a burial ground and procured a grant of £500 for fencing it. A grant of £250 was also obtained for the improvement of the chapel and fittings of a school, where Michael Campion Carey opened the first school. Rev. Patrick Smyth succeeded Father Downing, who was followed by Rev. P. Madden, who in 1857 began to plan the erection of St. Patrick's Church. The foundation stone of this was laid by Bishop Goold on February 12, 1858, and the church was opened for the first time on November 8, 1863." (Melbourne Advocate 25 October 1951)Two colour photographs showing the St Alipius' Catholic Church flag - a blue cross and border on white. st alipius, church, ballarat east, flag

Taken in the year 1900, this glass slide captures an image of St. Joseph's Church, a Roman Catholic Church that is still present today at 9 Church Street, Beechworth. This was one of many churches that was established in Beechworth during the second half of the nineteenth-century. This trend began with a focus on Anglican faith; however, in the early 1850s, Father Patrick Smyth, a priest from Maynooth, Ireland, advocated for the establishment of a Roman Catholic Church in the town. Roman Catholicism quickly grew to be the second largest religious group in the area; this was primarily due to the work of Father William Tierney, a priest from Dublin who arrived in Beechworth in 1859. Tierney personally fostered the growth of many Catholic schools and churches in Beechworth, as he viewed it to be a significant area for the prosperity of the religion. St. Josephs Church was officially established in 1866, with the Bishop of Melbourne, Dr Goold, laying the foundational stone of the building. The estimated cost of the building in its entirety was approximately twenty-thousand pounds. Further additions to the building - including a second aisle, tower and spire - were proposed for the church, but were ultimately never built. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide captures social and historical significance as it represents the development of Beechworth as a prosperous and thriving town; a development that occurred during the second half of the nineteenth-century. It also shows the development of religious institutions in the area, specifically the growth of Catholicism. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, churches beechworth, st. joseph's church, catholicism beechworth, roman catholic churches beechworth, father patrick smyth, father william tierney

Bendigo Operatic Society Programme: ''Viktoria and Her Hussar'' Capital Theatre Bendigo. Opening Friday, 14th April 1961, for Five Nights. Price 1/6. Bendigo Operatic Society Presents by permission of J.C. Williamson Theatres Ltd. ''Viktoria and Her Hussar'' A Norman Lee Production, Music by Paul Abraham, Book and Lyrics by Harry Graham. Cast in Order of Appearance: Leonard Carr as Stephan Koltay (A Hungarian Cavalry Officer) - Ferd Lorenz as Janzci (His Servant) - Reginald Boromeo as A Russian Sergeant - Peter Houston as A Cossack Sentry - Gerald Hayward as Tokeramo Yagani (A Japanese Secretary) - Carol McKenzie as Viktoria - Brian Thomas as John Carling (American Ambassador at the Court of Japan) - Frederick Trewarne as Miki (A Japanese Servant) - Annette Wilson as Riquette (Viktoria's Maid) - Bryan Brewer as Count Ferry Hegedu - Greta Smyth as Suzuki (A Japanese Maid) - Patricia McCracken as O Lia San - Peter Haines as Webster (Butler to the American Ambassador) - Patricia Lyon as O Muki San - Alfred Annison as Bela Porkelty. Musical Director: Max O'Loghlen. Ballet Mistress: Madge Welch. Society Pianist: Mrs. P. House. Synopsis of Story: Viktoria believing her lover Stephan to have been killed in action against the Russians, has married John Carling. Stephan wasn't dead but taken prisoner of war. With the help of Janzci escapes and take refuge in the american embassy. Here he meets Viktoria who remembering the vows she made before the war is torn between her love for him and her loyalty to her husband.program, theatre, bendigo operatic society

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a long drop toliet at the Catholic Church, Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a brick church at Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Details of the exterior of St Laurence O'Toole Catholic Church, Sandon in Central Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon, sandstone, foundations

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Brick church at Sandon, Victoriasandon, sandon cemetery, st laurence o'toole catholic church, sandon

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a red brick church in Sandon. sandon, sandon cemetery, st laurence o'toole catholic church, sandon

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of bushland behind a church at Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon, landscape, road

The dates 1907-1914 cover the first eight years of the Ballarat Technical Art School No. 15, a division of the Ballarat School of Mines. This covers that time before the custom built Ballarat Technical Art School opened in 1915.48 pieces of hand and type written correspondence relating to the Ballarat Technical Art School, covering its first eight years. .1) Transferal of money from the Ballarat Fine Art Public Gallery Association to the Ballarat School of Mines for credit to the Ballarat Technical Art School No 15. .3) Letter from Herbert H. Smith reporting on the appointment of Thomas Trengove to the position of Art Director at the Stawell School of Mines, and the appointment of Arthur Lilburne and Pridgeon as student assistants. .5) Application from Arthur M. Lilburne for a position at the Ballarat Technical Art School. .7) Resignation of Thomas Trengrove from the Ballarat Technical Art School so he could take up a position at the Stawell School of Mines, 1908. .9) Correspondence from H.H. Smith concerning expectations. 1908 .10) Report from Herbert H. Smith on the number of Art enrolments at the Ballarat West Art School, the Ballarat East Art School and the Drawing Centre. .8) Correspondence from Henry H. Hall regarding his teaching appointment, 1908 .11) A Report on architectural studies at the Ballarat Technical Art School on Clegg and Miller letterhead. .12) Report from M.C. Young. .13) Report from Arthur Lilburne .14) Reorrt from J.A. Wright, 1908 .15) Report on student numbers from Edith M. Cornell, 1908 .16) Report on classes in Freehand Geometry and Perspective by Fred Foster, 1908 .16b) Report by Decorating and Signwriting teacher John Barber, 1908 .17) Report from Esther and Lily Green from the East Public Library, 1908 .18) Report from Percy Isaac of the Ballarat East Public Library re manual training and Sloyd classes. .19) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1908 .20) Report from Arthur M. Lilburn on the Elementary Evening Classes and the State School Teachers Saturday class, 1908 .21) Report by M.C. Young on drawing classes at the Ballarat Technical Art School, 1908 ,22) Report by Fred Foster on Freehand Geometry of Perspective classes at the Ballarat Technical Art School, 1908 .24) Report by E. and L. Green on classes at the Ballarat Technical Art School, 1908 .25) Report by Miss Wright on Dresscutting classes at the Ballarat Technical Art School, 1908 .26) Report by John Barber on Signs and Decorating classes at the Ballarat Technical Art School, 1908 .27) Report by Edith Cornell on Millinery classes at the Ballarat Technical Art School, 1908 .28) Report by Percy R. Green on Manual Training ad Carpentry classes at the Ballarat Technical Art School, 1908 .29) Correspondence from Posenby Carew-Smyth and Melbourne Education Department letterhead, 1908, .30) Report on the need for instruction in Decorative Needlework at the Ballarat Technical Art School by Principal Herbert H. Smith. Ida Johnston undertook classes from Miss Macgeorge in Melbourne at the suggestion of Posonby Carew-Smyth, and H.H. Smith suggested she be appointed to teach the class, 1910 .31) Report on the Junior Technical School, 1915 .32) Quarterly Report on the Ballarat Technical Art School by Principal Herbert H. Smith, 1911 .34) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .34b) Invoice from James Ingram and Son, Booksellers and School Stationers, 1908 .35) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .36) Correspondence from F.N. King seeking employment at the Ballarat Junior Technical Scool due to the resignation of A.W. Steane, 1914 .37) Correspondence regarding the qualifications of F.N. King, including Sloyd at NAAS, Sweden, 1914 Reference from F.V. Burridge of the London County Council Central School of Arts and Crafts (incorporating The Royal Female School of Art), Southamoton Row, London, regarding Francis N. King, 1913 .40) Correspondence on Ballarat Junior Technical School letterhead when it was located at 104 Doveton Street, Ballarat (Dana Street Primary School) from Albert W. Steane. The report mentioned to appointment of R.W. Richards commencing duties as a science ad mathematics master and Francis N. King as Woodwork and Modeling instructor, 1914 .41) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .42) Correspondence on Stanley Mullen Company letterhead requesting a junior (lady) to help in designing and drawing from Needlework, 1914 .43) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914 .44) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith, 1914. The report includes the resignation of Donadl Johnston to take up the position of assistant to Posonby Carew-Smyth. Harold Herbert to travel to England, and Edwin Cannon to to apply his art knowledge commercially. H.H. Smith suggested they be replaced with Ken Moss and Harold Brown .45) Report on the progress of the Ballarat Technical Art School by Principal Herbert H. Smith .46) Hours and duties of the caretaker and attendant at the Ballarat Technical Art School .47) Letter from the J.A. Powell, secretary of the Ballarat West Art School to the Ballarat School of Mines. ballarat technical school, henry j. hall, arthur m lilburn, thomas h. trengrove, herbert h. smith, g.w. clegg, m.c. young, j.w. wright, fred foster, j. barber, etsher green, lily green, p. isaac, e.m. cornell, albert steane, f.n. king, letterhead, ballarat fine art public gallery association, richard maddern, j. powell, j.a. powell, frederick martell, ponsonby carew-smyth, stawell school of mines, lilburne, pridgeon, arthur lilburne, henry hall, edith m. cornell, john barber, east ballarat library, esther green, percy isaac, sloyd, millinery, r.w. richards, frank king, a.w. steane, naas, majorie walker, art needlework, stanley mullen company, donald johnston, ted cannon, edwin cannon, harold brown, harold herbert, art gallery of ballarat

Program Bendigo operatic Society - South Pacific - Opening 10th August 1962 for six nights. Producer: Beatrice Oakley - Musical Director: Max O'Loghlen - Cast in Order of Appearance: Ray Houston, John Boromeo, Ruth Lyon, Carol Crane alternating as Ngana and Jerome - Roger Sprawson as Henri - Patricia McCracken as Ensign Nellie Forbush - John Stephens as Emile de Becque - Patricia Lyon as Bloody Mary - Kenneth Nicholls as Abner - Victor White as Stewpot - Alfred Annison as Luther Billis - Roger Sprawson as the Professor - Brian Whetstone as Lieut. Joseph Cable U.S.M.C. - Fred Trewarne as Capt. George Brackett. U.S.N. Peter Houston as Commander William Harbison U.S.N. - John Gow as Yeoman Herbert Quale - Ian Becwith as Sgt. Kenneth Johnson - Gerry Gleeson as Seabee Richard West - John Reed as Seabee Morton Wise - Roy Cronin as Seaman Tom O'Brien - Reginald Boromeo as Radio Operator Bob McCaffery - Len Carr as marine Corporal Hamilton Steeves - Denis Cremen as Staff Sgt Thomas Hassinger - Daryl Walker as Pte Victor Jerome - George Steele as Pte Sven Larsen - Barry Washington as Sgt Jack Waters - Joan Crane as Lieut. Genevieve Marshall - Dawn Beckwith as Ensign Lisa Manelli - Annette Wilson as Ensign Connie Walewska - Emily Houston as Ensign Janet McGregor - Jill Angwin as Ensign Bessie Noonan - Carole Mckenzie as Ensign Pamela Whitmore - Greta Smyth as Ensign Rita Adams - Rhonda Scott as Ensign Sue Yaeger - Lorraine Brennan as Ensign Betty Pitt - Mary Speedy as Ensign Cora McRae - Kathrine Alexander as Ensign Dinah Murphy - Bronwen Townsend as Liat - Ferd Lorenz as Lieut. Buzz Adams.program, theatre, bendigo operatic society

Produced by John W Butler and George Stevens, relevant councils received copies of this directory in September 1865.Butler & Stevens' Sandhurst, Castlemaine and Echuca directory 1865-66 Produced in 1866. The directory has a brown fabric cover which has been embossed. The embossing has been worn down and is hard to see. The title is written in gold foiling in the centre of the cover. The directory contains 73 pages of address listings and an additional 24 pages of advertisements. Each town has had its addresses listed by street location and a separate listing of the same addresses listed in alphabetical order by name of occupant. Additional handwritten pages were placed inside the front cover (2 A4 pages folded in half). Written in pen. Inside the front cover and back cover written in pen: "E.A. Martin 17 Johnston Street Castlemaine" Title page (written in pen): "Miss Martin AMW Brotherton from Miss Martin 24th April 1951" Page 49 (written in pen) under Hargreaves Street - South to North right hand. "Dublin and Melbourne Portrait Rooms" and "-Now 102 23 Feb 1953 The slate steps up from the street, there in 1888, still there walked up there then + again today" Page 52 written in pencil next to the address for the Bank of New South Wales and the Bank of Australasia. "Completed 1861" Page 54 written in pencil under the F and G headers. "Miss Martin says had to (illegible) she meant Aitken's Street." "See Duke of Edinburgh (illegible)" Page 57 written in pencil under the S header. "Smyth '' of Hargreaves street" "Kate living at (illegible) 19/7/52" 19th century victoria, castlemaine, sandhurst, bendigo, echuca, butler & stevens, miss e a martin, amw brotherton

The discovery of gold in Smyth's Creek in 1854 and subsequent gold rush to the Caledonia diggings led to the establishment of Queenstown (present day St Andrews). The first recorded burial was July 31st, 1861 and it was officially declared a Cemetery Reserve in 1866. Many graves are unmarked and unrecorded including many Chinese and other itinerant miners. The cemetery was closed for new burials in 1851. The last recorded burial was in 1981 in an existing family grave. In Loving memory of David Band Died 30th Decr. 1862, aged 51 years. John Cork Knell Died 11th April 1867, aged 42 years. Eliza Smith Died 20th Jany. 1874, aged 3 1/2 years. William Band Died 20th Feby. 1883, aged 51 years. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p73 The discovery of gold at Smyth’s Creek* in 1854 brought 3000 people to the area in search of their fortunes.1 However in the harsh conditions many miners and their families died young, and were buried in unmarked graves. Their stories died with them but by 1861, the first burial was recorded at the Queenstown Cemetery – that of William Dalrymple aged 65 – although the cemetery was only officially declared a reserve in 1866. Even before this in 1856, a double burial had been recorded for the twin baby daughters of George Harrison at Market Square, the miners’ settlement – presumably where the cemetery is today. In 1951 the Queenstown Cemetery at 70 Smiths Gully Road, Smiths Gully, closed for burials. However the last burial in a family plot, that of Grace Evelyn Smith, occurred in 1981. Today only 55 headstones remain, but more than 380 burials are recorded. Remnant bushland dominates the cemetery where many graves are merely mounds and others have been damaged by vandalism and the neglect of time. Bushfire in 1962 destroyed the picket fencing, grave markers and cypress boundary planted in the early 1900s. The box/stringybark woodland in the 1.7 hectare Cemetery Reserve is regrowth from then and the indigenous and heritage vegetation is protected. Thanks to the volunteer Cemetery Trust and Friends & Relations of Queenstown Cemetery, the cemetery is maintained, stories recorded and the burial index corrected and expanded.2 Close by the cemetery on the site of today’s Peter Franke Picnic and Nature Reserve stood Market Square, the Caledonia Diggings village of tents and stores, the forerunner of Queenstown, now St Andrews. Many of the Caledonia Diggings miners were Chinese, many of whom, with itinerant prospectors, were buried in unmarked graves. Histories are being recorded of other immigrants, mainly English and German, who settled after the gold rush, some of whose descendants fought and died in the two world wars. Names on many headstones are also recorded on the district’s roads, reserves and war memorials such as Motschall, Joyce, Howard and Coutie. The oldest surviving tombstone is that of Scot, David Band who died in 1862 at 51 years. His oldest daughter Elizabeth, with husband John Knell, owned the Queenstown Hotel and the post office. Child-rearing in a colonial gold town was often tragically difficult, as demonstrated in the first 20 years, when 41% of the 34 burials recorded were children. Settlers endured harsh conditions graphically illustrated with the deaths of Annie Joyce at 30 years and of her family. Annie was married to gold miner Walter Joyce. Their third child Walter, born in 1886, died in March 1887. Eight months later Annie died of breast cancer. Walter died in 1909, aged 53, of miner’s phthisic caused by stone dust destroying his lungs. It was so hard to make a living that burials were usually held from 2.30 pm to allow mourners to work a day before paying their last respects.3 Most burials before 1890 were recorded as Anglicans, as the only church on the Caledonia Diggings was the Church of St Andrew, until 1897, when the Primitive Methodist Church came to Panton Hill. Generally miners came to better themselves, but some, like Grace Hopkinson (nee Milward), born in England in 1828, came from a well-off and educated family. According to family legend Grace emigrated with husband William, to live in a tent, but had kept her personally embossed sterling silver cutlery service. Amid the tough environment were some successes like that reported in The Evelyn Observer April/May 1901 of miner William Hopkinson who was buried at the cemetery in 1912 aged 81. The Observer stated that Hopkinson ‘recently dropped across another find in his claim at One Tree Hill’. The lump of gold found this time weighed more than half a kilo. Mr Hopkinson referred to it as ‘another little speck’. *Today’s Smiths GullyThis collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, david band, eliza smith, gravestones, john cork knell, queenstown cemetery, smiths gully road, st andrews, william band

a/ Carousel, Capital Theatre, for six nights. Opening June 14th, 1963. Bendigo Operatic Society President: Mr J Mck. Cannon, Vice President: Mr E B Thomas, Hon. Secretary: Mrs R Boromeo, Hon. Treasurer: Mr B Ralph, Hon. Sub. Secretaty: Mrs J Cannon. Committee: Mesdames W Brown, J Smyth, Miss M Welch, Messrs. R Holyoake, J Smyth, V White. Photographs of: Miss Beatrice Oakley, Mary Ellis, Iaian Young, Fred Trewarne, Patricia McCracken, Joan Heard, Roger Sprawson, Reginald, Boromeo, Heather Lindhe, Peter Houston Annette Wilson, David Lea, Miss M Welch, Mrs R Conolan, Mr Max O'Loghlen. Synopsis of Story. Synopsis of Scenes. Bendigo Operatic Society presents By Permission of Chappell & Co. Ltd. 'Carousel' A Beatrice Oakley Production. Music by Richard Rodgers. Book and Lyrics by Oscar Hammerstein II. The Cast Carrie Pipperidge: Patricia McCraken, Julie Jordan, Mary Ellis, Mrs Mullin: Joan Heard, Billy Bigelow: Iaian Young, 1st Policeman: Peter Houston, David Bascombe: Reginald Boromeo, Nettie Fowler: Heather Lindhe, Enoch Snow: Roger Strawson, Boatswain: Alan Weatherley, 2nd Policeman: Graham Filcock, Captain: Victor White, Heavenly Friend (Brother Joshua): David Lea, Starkeeper: Robert Urquhart, Louise: Annette Wilson, Enoch Snow Jr.: Robert Wenn, Doctor Seldon: Robert Urquart, Principle: Peter Houston. Ladies of the Ensemble: Helen Ball, Patricia Barker, Heather Beer, Wendy Bertram, Berniece Boromeo, Marlene Bradley, Dawn Carr, Barbara Downing, Dorothy Field, Eileen Florence, Valerie Foulds, Marie Friswell, Edith Glen, Helen Gray, Joan Heard, Magaret Henderson, Jan Mollison, Shirley Moon, Bernadette Mulvahill, Anne Pearson, Margery Reed, Rhonda Scott, Mary Speedy, Shirley Unmack, Joan Crane, Olga Chew and Marion Shepperbottom. Gentlemen of the ensemble: Robert Aitken, Reginald Boromeo, Graham Filcock, Peter Houston, Max Rule, Roger Sprawson, Alan Weatherley, Peter White, Victor White, Robert Wenn. Ballet: Joan Hardin, Kaye Miller, Carol O'Sullivan, Melva Pennington, Sandra Searle, Barbara Sims. Children: Dianne Austin, Ray Austin, Carol Crane, Pamela Duffy, Leanne Dunbar, Win Davies, Larraine Kennard, Valda Kennard, Kaye Ruth Lyon, Cheryl Magee, Sharon Townsend, Lynette Reed, Karen Wilson. Bendigo Concert Orchestra: Violins: Miss A McNair, Mesdames A Bolton, A Foulds, F Robbins, C Messer, Dr Gault, Messrs. R Charlett, C Gill, J Jordan, O Turner, J Werry. Violas: Messrs. E Jarrett, S McNeill, Mrs. J Pinder. Cello: Mesdames C Bubb, J Borema, Miss L Slade, Mr A Rutland. Bass: Messrs. T French, S Anderson. Flutes: Mr C Bubb, Master D Bubb. Clarinets: Mr J McKay, Miss M Wilkinson. Trumpet: Mr N Pearce. Trombone: Mr J Allen. Tympani: Mr F Kennedy. Musical Numbers. Choruses from 'Carousel'. Advertisements: Allans, Music Store. Marin Washington, Portraits. John Brown Industries and Welmar Industries. Acknowledgments: Bendigo Advertiser, 3BO, BVC8, Mr B Bathe, K. Flat, Carousel Equipment, Frasers and all those people who have assister in any way. b/ Bendigo Advertiser article 15/6/63: Round and Round, 'Carousel' is Catchy, Bright. Apart from a few minor faults common on opening nights, warmly received by a small first-night audience. . . Bendigo Advertiser article 19/6/16 'Carousel' Scene. Carousel star Iaian Young, who plays the part of Billy Bigelow. . .Arthur Hocking Printprogram, music, bendigo operatic society, a/ carousel, capital theatre. june 14th, 1963. bendigo operatic society president: mr j mck. cannon, vice president: mr e b thomas, hon. secretary: mrs r boromeo, hon. treasurer: mr b ralph, hon. sub. secretaty: mrs j cannon. committee: mesdames w brown, j smyth, miss m welch, messrs. r holyoake, j smyth, v white. photographs of: miss beatrice oakley, mary ellis, iaian young, fred trewarne, patricia mccracken, joan heard, roger sprawson, reginald, boromeo, heather lindhe, peter houston annette wilson, david lea, miss m welch, mrs r conolan, mr max o'loghlen. synopsis. the cast carrie pipperidge: patricia mccraken, julie jordan, mary ellis, mrs mullin: joan heard, billy bigelow: iaian young, 1st policeman: peter houston, david bascombe: reginald boromeo, nettie fowler: heather lindhe, enoch snow: roger strawson, boatswain: alan weatherley, 2nd policeman: graham filcock, captain: victor white, heavenly friend (brother joshua): david lea, starkeeper: robert urquhart, louise: annette wilson, enoch snow jr.: robert wenn, doctor seldon: robert urquart, principle: peter houston. ladies of the ensemble: helen ball, patricia barker, heather beer, wendy bertram, berniece boromeo, marlene bradley, dawn carr, barbara downing, dorothy field, eileen florence, valerie foulds, marie friswell, edith glen, helen gray, joan heard, magaret henderson, jan mollison, shirley moon, bernadette mulvahill, anne pearson, margery reed, rhonda scott, mary speedy, shirley unmack, joan crane, olga chew and marion shepperbottom. gentlemen of the ensemble: robert aitken, reginald boromeo, graham filcock, peter houston, max rule, roger sprawson, alan weatherley, peter white, victor white, robert wenn. ballet: joan hardin, kaye miller, carol o'sullivan, melva pennington, sandra searle, barbara sims. children: dianne austin, ray austin, carol crane, pamela duffy, leanne dunbar, win davies, larraine kennard, valda kennard, kaye ruth lyon, cheryl magee, sharon townsend, lynette reed, karen wilson. bendigo concert orchestra: violins: miss a mcnair, mesdames a bolton, a foulds, f robbins, c messer, dr gault, messrs. r charlett, c gill, j jordan, o turner, j werry. violas: messrs. e jarrett, s mcneill, mrs. j pinder. cello: mesdames c bubb, j borema, miss l slade, mr a rutland. bass: messrs. t french, s anderson. flutes: mr c bubb, master d bubb. clarinets: mr j mckay, miss m wilkinson. trumpet: mr n pearce. trombone: mr j allen. tympani: mr f kennedy. musical numbers. choruses from 'carousel'. advertisements: allans, music store. marin washington, portraits. john brown industries and welmar industries. acknowledgments: bendigo advertiser, 3bo, bvc8, mr b bathe, k. flat, carousel equipment, frasers and all those people who have assister in any way. b/ bendigo advertiser article 15/6/63: round and round, 'carousel' bendigo advertiser article 19/6/16 'carousel' scene

These 35 photographs were taken at an Army Survey Regiment Open Day at Fortuna Villa, Bendigo on the 24th of February 1990. This occasion was one of several events held to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. Although historical tours of Fortuna occurred on a regular basis, this was the first technical open day since 1972. The Royal Australian Survey Corps recognised that an Open Day was the best way for the local community in Bendigo to gain an insight into the unit’s important role as Defence’s map production agency, its technical equipment, and its economic importance to Bendigo. It also gave them an opportunity to tour through historic Fortuna Villa. This occasion is covered in more detail in page 143 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Refer to items 6434.27P and 6436.18P for more photos of the Open Day taken inside Fortuna, the garden areas and production areas of Lithographic Squadron. Photo prints of some of these photos were scanned and catalogued in items 6247.30P and 6291.6P.These 35 photographs were taken at an Army Survey Regiment Open Day held at Fortuna, Bendigo on the 24th of February 1990. The 35mm colour and black & white negatives photographs were scanned at 96 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1990. CPL Neale ‘Tex’ Houston with visitors in Aerotriangulation Section. .2) - Photo, black & white, 1990. L to R: MAJ Peter Clark and WO2 Neil ‘Ned’ Kelly with visitors in Aerotriangulation Section. .3) - Photo, black & white, 1990. SGT Bruce Hammond with visitors in Aerotriangulation Section. .4) - Photo, colour, 1990. SGT Bruce Hammond with visitors in Aerotriangulation Section. .5) - Photo, colour, 1990. SGT Steve Gloster with visitors in Aerotriangulation Section. .6) - Photo, colour, 1990. L to R: CPL Noel Brinsmead and CPL Darren Wilkinson with visitors in Aerotriangulation Section. .7) - Photo, colour, 1990. L to R: CPL Noel Brinsmead with visitors in Aerotriangulation Section. .8) - Photo, colour, 1990. MAJ Peter Clark with visitors in Aerotriangulation Section. .9) - Photo, colour, 1990. CPL Mark Lander with visitors in Plotting Section. .10) - Photo, colour, 1990. SSGT Andy Boath with visitors in Plotting Section. .11) - Photo, colour, 1990. SPR Stuart Bowd with visitors in Plotting Section. .12) - Photo, colour, 1990. CAPT Roger Hancock with visitors in Plotting Section. .13) & .14) - Photo, colour, 1990. AUTOMAP 2 - CPL Peter Peterson with visitors. .15) - Photo, colour, 1990, AUTOMAP 2 - L to R: SSGT Graham Johnston, SPR Grant Davis with civilian visitors. .16) - Photo, colour, 1990, AUTOMAP 2 - L to R: CPL Steve McGuiness, SSGT Graham Johnston with civilian visitors. .17) - Photo, colour, 1990, AUTOMAP 2 - civilian visitors. .19) - Photo, colour, 1990, AUTOMAP 2 - L to R: unidentified, SPR Tony Jackson, CPL Mark Westbrook, SSGT Bob Bright, with civilian visitors. .20) - Photo, colour, 1990, AUTOMAP 2 - L to R: WO2 Adrian ‘Charlie’ Creedy, CPL Mark Westbrook, SPR Mick Duggan with civilian visitors. .21) - Photo, colour, 1990, AUTOMAP 2 - L to R: SPR Mick Duggan, CO LTCOM Rene van den Tol, SSGT Bob Bright, CPL Mark Westbrook with civilian visitors. .22) - Photo, colour, 1990, AUTOMAP 2 - L to R: SPR Damien Nolan, unidentified, SPR Peter Smyth with civilian visitors. .23) - Photo, black & white, 1990, AUTOMAP 2 - L to R: SPR Peter Smyth, CAPT Steve Hledik, SGT Martin Evans, MAJ Neil Taylor with civilian visitors. .24) - Photo, black & white, 1990, AUTOMAP 2 - L to R: SPR Mick Duggan, CPL Mark Westbrook with civilian visitors. .25) - Photo, black & white, 1990, AUTOMAP 2 – LCPL Sandy Winn with civilian visitor. .26) - Photo, black & white, 1990. Display of digital storage media. .27) & .28) - Photo, colour, 1990. Cartography - SPR Ian Baldwin with civilian visitors. .29) - Photo, black & white, 1990. Cartography - SPR Ian Baldwin with civilian visitors. .30) - Photo, black & white, 1990. Cartography - SGT Sherri (Dally) Burke with civilian visitors. .31) - Photo, colour, 1990. Cartography - L to R: SGT Sherri (Dally) Burke, SSGT Dennis Learmonth with civilian visitors. .32) - Photo, colour, 1990. Cartography – SGT Barry Hogan with civilian visitors. .33) & .34) - Photo, colour, 1990. Cartography – CPL Dan Cirsky with civilian visitors. .35) - Photo, colour, 1990. Cartography – L to R: SPR Jeanette (Lane) Dury-Lane, CPL Diane (Thomas) Soutar with civilian visitors..1P to .35P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, automap 2

Alex Reid was born in 1891 and began work on the Victorian Railways in 1907. He enlisted with the A.I.F in 1915. He served in Egypt and the Suez Canal but was discharged on medical grounds having contracted typhoid and dysentery. In 1917 he re-enlisted in the Anzac Light Horse. On his return to England, he survived the torpedoing of HMAT Ballarat and then served in France. On discharge from the army, Alex returned to the Victorian Railways and transferred to Wodonga. He was employed driving the “Spirit of Progress” and remained as “Driver in Charge” until his retirement in 1956. Alex was awarded the MBE in 1951 and the OBE in 1963 for his tireless efforts on behalf of Returned Servicemen and their families. He continued to work as a welfare officer for the RSL. As well as continued service to the RSL, Alex served as a member of the Wodonga High School advisory committee for 35 years and sat on the bench in the Wodonga Court for 15 years in his capacity as Justice of the Peace. Alexander Frederick Reid O.B.E died in Wodonga on 7 January 1979.This image represents a farewell work function for an outstanding member of the Wodonga community.A large black and white framed photo of a group of men attending a send off function in Wodonga in 1956.Alex Reid send off 1955 Back Row L to R Stan Warnock, F. Fulford, W. McEachern, S. Egan, P. Doolan, K. Moore, A. Smyth, M. Seymour, W. McAnanly, M. Flanagan, L. Gregson, L. Snow, H. Fraser, R. Cooper, W. Squires Second Back Row L to R K. Williams, W. Toomey, K. Coleman, F. Thistleton, K. Ziebell, P. Gough (S.M), C. Hughes, F. Dempsey, C. Craig, W. Baldock, J. Robinson, W. Odgers, C. Whitehead, G. Taylor, J. Muir, P. McDonald, W. Riley, A. Thompson, K. Robinson, B. Strachan, W. Walsh, T. Willoughby Seated second Row L to R J. Schmidt, A. Wagner, J. O’Donnell, J. Dawe, F. Leitch, J. Anderson, T. Brown, A. Elvish, F. Boadle, A. Reid, J. Draper (Police). N. Davey, F. Caine (P), A. Padgett, L. Burroughs (P), B. Saul, F. Weatherall, H. Binder, D. Sutton, T. Cosgriff, C. Clancy, ? , M. Nowadice, J. Karugan Front Row Seated L to R D. Shannon, S. Cuper, L. Cheesley. C. Williams, L. Madgeric, V. Snow. ?, A. Beach, L. Cross, C. McNamara, ? , Don Shepard.alexander frederick reid, eminent wodonga residents, ww1 veterans wodonga, hmat ballarat

Chu Chin Chow, Bendigo Operatic Society, opening 10th November, 1961 for six nights. Bendigo Operatic Society. President: Mr J McK. Cannon, Vice-President: Mr C Bubb, Secretary: Mr G Dart, Subscription Secretary: Mrs J Cannon, Treasurer: Mr RB Ralph, Committee: Mrs W Brown, Mrs J Smyth, Mrs W E Wright, Messes O Hamilton & M Welch, Messrs A Annison, B Thomas & L Spencely. President's Message Since its formation in 1952, the Bendigo Operatic Society has presented 23 well-known Musical Comedies, Pantomimes, and a Revue. . . Notes and photographs on Robert Watson, Sawn Beckwith, Valerie McCracken, Leonard Carr, Max O'Loghen, Carol McKenzie, Fred Trewarne, Max Beckwith, Olive Hamilton, John Stephens, Charles Phillips, Ferd Lorenz, Victor White, Peter Houston, Reg Boromeo, Joan Heard, Patricia Lyon, Miss M Welch, Mrs P House. Musical Numbers. . . Synopsis of Scenes. . . Bendigo Concert Orchestra Violins - Miss A McNair (Leader), Mesdames A Bolton, A Faulds, C Messer, F Robbins, J Weldon, Dr, J Borema, Messrs R Charlett, Dr Gault, Messrs C Gill, J Jordan, I Lacey, O Turner. Violas - Mr E Jarrett, Mr S McNeill, Mrs J Pinder. Cello - Mrs C Bubb, Miss L Slade, Mrs J Borema, Mr A Rutland. Bass - Mr C Hargreaves, Mr T French. Flutes - Mr C Bubb, Master D Bubb. Oboe - Mrs S Willis. Clarinets - Mr J McKay, Mr R Holyoake. Bassoon - Mr S Anderson. Trumpet - Mr B Armstrong, N Pearce. Trombone - Mr A Martin, Mr E Washington. Horn - Mr R Perry. Tympani - Mr J Allen. Bendigo Operatic Society presents by permission of Samuel French (Aust.) Ltd. Chu Chin Chow a Norman Lee Production. Told by Oscar Asche. Set to music by Fredric Norton. Dramatic Personnel - Robert Watson, Max Beckwith, Fred Trewarne, Leonard Carr, John Stephens, Charles Phillips, Ferd Lorenz, Peter Houston, Reg Boromeo, Victor White, Dawn Beckwith, Carol McKenzie, Valerie McCracken, Olive Hamilton, Joan Heard, Patricia Lyon. Ladies of the Ensemble - Kath Alexander, Bernice Boromeo, Joan Crane, Edna Faderson, Edith Glen, Wendy Griffiths, Joan Head, Emily Houston, Shirley Levers, Pat Lyon, Pat McCracken, Margery Reed, Ellen Stephens, Norma Trewarne. Gentlemen of the Ensemble - Alfred Annison, Ian Beckwith, Denis Cremin, Roy Cronin, Gerald Gleeson, Peter Houston, Ferd Lorenz, Keith Millar, Kenneth Nicholls, Robert Nicholls, Eric Pollock, Daryl Walker, Victor White. Ballet - Joan Harding, Shirley Harding, Jean McClellan, Kaye Miller, Carol O'Sullivan, Rosalie Panozza, Bronwen Townsend, Marion Weigard, Shirley Williams, Annette Wilson, Bill Arthur, Peter Houston. Musical Director: Mr Max O'Loghlen, Society Pianist: Mrs P House, Stage Manager: Mr Murray McGrath, Ballet Mistress and Asst. Stage Manager: Miss M Welch, Wardrobe Committee: Miss M Welch, Mrs P Lyons, Mrs N Lindrea, Mrs M Jarvis, Mrs A Annison, Mrs S Richardson. Publicity: Mrs J Smyth and Mr B Thomas. Scenery & Art Work: Messrs. N Cronin & A Watkins. Make-up: Mesdames E Wright & Miss S Cannon. House Manager: Mr B Searle. In Retrospect In mid 1952, a distinguished man arrived in Bendigo and interested several citizens, including Dr. P Goodman, the President of the Musical Advancement Society, in the formation of a Company for the production of Musical Comedy. The meeting was called at the home of Mr Fred Bush, and a group of enthusiasts made the acquaintance of Mr Norman Lee, our producer and sequently the M.A.S. and several leading citizens, sponsored the first production, by subscribing funds for initial expenses. From such humble beginning, our present Society originated. Mr Cyril Cyril Warne was appointed Musical Director, Mrs Phyllis House, Pianist, and Miss Madge Welch, Ballet Mistress. During the Season of ''Chu Chin Chow,'' the Society will stage its 100th performance - indeed an outstanding feat in such a brief history. Looking back it is interesting to recall the 23 shows which are included, and the productions are- (listing of productions included in program). Next Productions. . . Acknowledgements: 3BO, Bendigo Advertiser, Mr N Cronin, Mesdames C Neilson & T Lambert for Art Work, Messrs L Spencely, D Cremin & J Cannon for Scenery & Carpentry. Miss M Welch for use of Studio, Make-up Staff, Back Stage Staff, Front of House Management Usherettes and Programme Sellers. Advertisements: Martin Washington, Photographers, Bendigo. Hanro. Markings on front cover in black pen, Capital Theatre.Cambridge Press, Bendigoprogram, theatre, music advancement society of bendig, chu chin chow, bendigo operatic society, 10th november, 1961. president: mr j mck. cannon, vice-president: mr c bubb, secretary: mr g dart, subscription secretary: mrs j cannon, treasurer: mr rb ralph, committee: mrs w brown, mrs j smyth, mrs w e wright, messes o hamilton & m welch, messrs a annison, b thomas & l spencely. president's message formation1952, bendigo operatic society has presented 23 musical comedies, pantomimes, and a revue. . . notes and photographs robert watson, sawn beckwith, valerie mccracken, leonard carr, max o'loghen, carol mckenzie, fred trewarne, max beckwith, olive hamilton, john stephens, charles phillips, ferd lorenz, victor white, peter houston, reg boromeo, joan heard, patricia lyon, miss m welch, mrs p house. musical numbers. . . synopsis of scenes. . . bendigo concert orchestra violins - miss a mcnair (leader), mesdames a bolton, a faulds, c messer, f robbins, j weldon, dr, j borema, messrs r charlett, dr gault, messrs c gill, j jordan, i lacey, o turner. violas - mr e jarrett, mr s mcneill, mrs j pinder. cello - mrs c bubb, miss l slade, mrs j borema, mr a rutland. bass - mr c hargreaves, mr t french. flutes - mr c bubb, master d bubb. oboe - mrs s willis. clarinets - mr j mckay, mr r holyoake. bassoon - mr s anderson. trumpet - mr b armstrong, n pearce. trombone - mr a martin, mr e washington. horn - mr r perry. tympani - mr j allen. samuel french (aust.) ltd. chu chin chow a norman lee production. told by oscar asche. set to music by fredric norton. dramatic personnel - robert watson, max beckwith, fred trewarne, leonard carr, john stephens, charles phillips, ferd lorenz, peter houston, reg boromeo, victor white, dawn beckwith, carol mckenzie, valerie mccracken, olive hamilton, joan heard, patricia lyon. ladies of the ensemble - kath alexander, bernice boromeo, joan crane, edna faderson, edith glen, wendy griffiths, joan head, emily houston, shirley levers, pat lyon, pat mccracken, margery reed, ellen stephens, norma trewarne. gentlemen of the ensemble - alfred annison, ian beckwith, denis cremin, roy cronin, gerald gleeson, peter houston, ferd lorenz, keith millar, kenneth nicholls, robert nicholls, eric pollock, daryl walker, victor white. ballet - joan harding, shirley harding, jean mcclellan, kaye miller, carol o'sullivan, rosalie panozza, bronwen townsend, marion weigard, shirley williams, annette wilson, bill arthur, peter houston. musical director: mr max o'loghlen, society pianist: mrs p house, stage manager: mr murray mcgrath, ballet mistress and asst. stage manager: miss m welch, wardrobe committee: miss m welch, mrs p lyons, mrs n lindrea, mrs m jarvis, mrs a annison, mrs s richardson. publicity: mrs j smyth and mr b thomas. scenery & art work: messrs. n cronin & a watkins. make-up: mesdames e wright & miss s cannon. house manager: mr b searle. in mid 1952, arrived in bendigo dr. p goodman, the president of musical advancement society, formation of a company musical comedy. mr fred bush, mr norman lee, m.a.s.. society originated. mr cyril cyril warne musical director, mrs phyllis house, pianist, miss madge welch, ballet mistress. during the season of ''chu chin chow, '' the society will stage its 100th performance. recall the 23 shows. acknowledgements: 3bo, bendigo advertiser, mr n cronin, mesdames c neilson & t lambert messrs l spencely, d cremin & j cannon for scenery & carpentry. miss m welch.. advertisements: martin washington. hanro. capital theatre. chu chin chow, bendigo operatic society, 10th november, 1961. president: mr j mck. cannon, vice-president: mr c bubb, secretary: mr g dart, subscription secretary: mrs j cannon, treasurer: mr rb ralph, committee: mrs w brown, mrs j smyth, mrs w e wright, messes o hamilton & m welch, messrs a annison, b thomas & l spencely. president's message formation1952, bendigo operatic society has presented 23 musical comedies, pantomimes, and a revue. . . notes and photographs robert watson, sawn beckwith, valerie mccracken, leonard carr, max o'loghen, carol mckenzie, fred trewarne, max beckwith, olive hamilton, john stephens, charles phillips, ferd lorenz, victor white, peter houston, reg boromeo, joan heard, patricia lyon, miss m welch, mrs p house. musical numbers. . . synopsis of scenes. . . bendigo concert orchestra violins - miss a mcnair (leader), mesdames a bolton, a faulds, c messer, f robbins, j weldon, dr, j borema, messrs r charlett, dr gault, messrs c gill, j jordan, i lacey, o turner. violas - mr e jarrett, mr s mcneill, mrs j pinder. cello - mrs c bubb, miss l slade, mrs j borema, mr a rutland. bass - mr c hargreaves, mr t french. flutes - mr c bubb, master d bubb. oboe - mrs s willis. clarinets - mr j mckay, mr r holyoake. bassoon - mr s anderson. trumpet - mr b armstrong, n pearce. trombone - mr a martin, mr e washington. horn - mr r perry. tympani - mr j allen. samuel french (aust.) ltd. chu chin chow a norman lee production. told by oscar asche. set to music by fredric norton. dramatic personnel - robert watson, max beckwith, fred trewarne, leonard carr, john stephens, charles phillips, ferd lorenz, peter houston, reg boromeo, victor white, dawn beckwith, carol mckenzie, valerie mccracken, olive hamilton, joan heard, patricia lyon. ladies of the ensemble - kath alexander, bernice boromeo, joan crane, edna faderson, edith glen, wendy griffiths, joan head, emily houston, shirley levers, pat lyon, pat mccracken, margery reed, ellen stephens, norma trewarne. gentlemen of the ensemble - alfred annison, ian beckwith, denis cremin, roy cronin, gerald gleeson, peter houston, ferd lorenz, keith millar, kenneth nicholls, robert nicholls, eric pollock, daryl walker, victor white. ballet - joan harding, shirley harding, jean mcclellan, kaye miller, carol o'sullivan, rosalie panozza, bronwen townsend, marion weigard, shirley williams, annette wilson, bill arthur, peter houston. musical director: mr max o'loghlen, society pianist: mrs p house, stage manager: mr murray mcgrath, ballet mistress and asst. stage manager: miss m welch, wardrobe committee: miss m welch, mrs p lyons, mrs n lindrea, mrs m jarvis, mrs a annison, mrs s richardson. publicity: mrs j smyth and mr b thomas. scenery & art work: messrs. n cronin & a watkins. make-up: mesdames e wright & miss s cannon. house manager: mr b searle. in mid 1952, arrived in bendigo dr. p goodman, the president of musical advancement society, formation of a company musical comedy. mr fred bush, mr norman lee, m.a.s.. society originated. mr cyril cyril warne musical director, mrs phyllis house, pianist, miss madge welch, ballet mistress. during the season of ''chu chin chow, '' the society will stage its 100th performance. recall the 23 shows. acknowledgements: 3bo, bendigo advertiser, mr n cronin, mesdames c neilson & t lambert messrs l spencely, d cremin & j cannon for scenery & carpentry. miss m welch.. advertisements: martin washington. hanro. capital theatre.