The Little Red Yellow Black Book is an accessible and highly illustrated pocket-sized guide. It's an invaluable introduction to Australia's rich Aboriginal and Torres Strait Islander histories and culture. It takes a non-chronological approach and is written from an Indigenous viewpoint. The themes that emerge are the importance of identity, and adaptation and continuity. If you want to read stories the media don't tell you, mini-essays on famous as well as everyday individuals and organisations will provide insights into a range of Australian Indigenous experiences.maps, b&w photographs, colour photographsindigenous history, culture, art, sport, health, education, employment, reconciliation, resistance, governance

"This edited volume represents the first book-length study of the history of research on Australian Aboriginal languages, and collects together 18 original papers on a wide variety of topics, spanning the period from first settlement to the present day. The introduction sets the scene for the book by presenting an overview of the history of histories of research on the languages of Australia , and identifying some of the major issues in Aboriginal linguistic historiography as well as directions for future investigations. Part 1 presents three detailed investigations of the history of work on particular languages and regions.The eight papers of Part 2 study and re-evaluate the contributions of particular individuals, most of who are somewhat marginal or have been marginalised in Aboriginal linguistics. Part 3 consists of six studies specific linguistic topics: sign language research, language revival, pidgins and creoles, fieldwork, Fr. Schmidt's work on personal pronouns, and the discovery that Australia was a multilingual continent. Overall, the volume presents two major challenges to Australianist orthodoxy. First, the papers challenge the typically anachronistic approaches to the history of Aboriginal linguistics, and reveal the need to examine previous research in the context of their times - and the advantages of doing so to contemporary understanding and language documentation. Second, the widespread presumption that the period 1910-1960 represented the 'dark ages' of Aboriginal linguistics, characterised by virtually no linguistic work, is refuted by a number of studies in the present volume."B&w photographs, maps

Various authors: studies of wider patterns in Aboriginal language and culture, including migration, tool exchange, and particularly the role of linguistic evidence in establishing historical connections between Australian tribes as well as further afield in the Australasian region.B&w illustrations, b&w photographs, maps, word listsanthropological linguistics

A history of several Aboriginal reserves, containing long transcribed narratives from those who lived there as well as letters and general information about Aboriginal-white relations in the early 20th century.B&w photographssevington, cummeragunja, moonahcullah, victorian history, new south wales history, race relations, racism, government relations, indigenous reserves, oral histories

duboring, c., whewell, j., catford, h., cook, ro, moore, h., heyward, g., quick, w., davies, e., lelean, w. d., hart, richard, bath, h., watsford, j., blamins, w. l., symon, j. c., waugh, j. s., bullas, m., cope, j., annear, d., burridge, w., marsland, j. a., pennell, j., burns, e. b., fison, l., fitchett, w., williams, s., edwards, b., worth, w. s., nicholson, j., allen, j., simpson, j., bickford, j., bogle, a., rigg, a., binks, w., patchell, g., burgess, h. t., james, t., wells, w. p., read, j., newman, c. t., lee, g., edmeades, t., llyod, t.

Reverend Trevor Mansley Byard (14/08/1914 - 27/02/2006) was born in Ulverstone, attended Queen's College, and was ordained in 1944. He wrote many books of an autobiographical nature as well as writing about Methodism.(1) Colour group photograph; (2) B&W head and shoulder photograph.(1) "Fred Harman (L) Trevor Byard and Malcolm Frazer at a recent Devonport Men's Breakfast February 1986"; (2) "C&N 17/10/1984 page 34".byard, trevor, rev., devonport, men's breakfast publications

SISTER Gwen, of the Methodist Home Missions Department, visited Tallygaroopna West last Wednesday, and gave a most interesting illustrated talk. As well as showing some of the scenic beauties of Gippsland, the talk and lantern slides dealt with slum conditions in South Melbourne, and showed the Methodist home at Cheltenham. Sister Gwen is a sister of Rev. E. Lechte, a former minister in the Shepparton circuit. (Shepparton Advertiser, 1 June 1943).B & W head & shoulders studio portrait of Sister Gwen Lechte, mounted on buff card.lechte, gwen, sister, methodist home missionary

Dr. Bodycomb was ordained in 1957 and served in Victoria and South Australia, as well as in Kensington, New Hampshire. His positions included Dean of the Theological Hall, 1977-1987, and Ecumenical Chaplain at the University of Melbourne, 1989-1997.B&W head and shoulder photograph of Rev John Bodycomb."John Bodycomb C&N 28/8/1986 page 18"bodycomb, john, theological hall, university of melbourne, minister

Brian Moss was Director of Moorfields Community for Adult Care.B&W photograph showing Brian Moss seated at a desk with Yvone Moss standing next to him"Brian Moss and Yvonne Wells C&N 12/8/1987 page 23"moss, brian, wells, yvonne, moorfields community

The Reverend Doug Dargaville, Anglican clergyman and former General Secretary of the Victorian Council of Churches from 1966 – 1982, and again for a time in 1995, passed away on 19 March 2013. "The death of Rev. Doug Dargaville at Bacchus Marsh in Victoria, Australia has been announced, and his funeral is to take place on March 28th. Doug was one of the great pioneers of the ecumenical and interfaith movements, especially in his role as executive secretary of the Victorian Council of Churches from 1966 to 1982. Perhaps more than anyone else, he laid the foundations for the organizational structure of the ecumenical movement here in Victoria and across Australia. A small man with a big vision, he brought his inclusive Anglican spirituality to the tasks at hand. With his retirement to the country town of Bacchus Marsh outside Melbourne with his beloved Lucy, his life’s work was not yet complete. He devoted three years of his life during the 2000s to being the general secretary of Religions for Peace Australia, and was always a strong supporter of the interfaith movement, not least during the Parliament of the World’s Religions, held in Melbourne in December, 2009. He was an efficient and prudent administrator, never seeking the limelight yet everything was done with an ironic and disarming humor and a certain impish and whole-hearted spirit. He was, in every sense of the word, a good man whose life was completely devoted to overcoming barriers and forging unity between the different churches and different faith traditions. We pray that he will find rest and eternal peace with the God whom he served so well and so faithfully for so long." Professor Des Cahill, Chair, Religions for Peace Australia.B & W photograph of Rev Anderson Douglas Dargaville discussing ecumenical material with another man.dargaville, douglas, victorian council of churches

Rosalie Rayment originally trained and worked as an Occupational Therapist. Following completion of studies in Theology she worked for 11 years with the Church in Thailand. Rosalie was ordained in 1988. Fred Vanclay B.D., Dip AgS. ordained 1964 in the Presbyterian Church. Served: Queensland 1961 - 1975; Victoria 1976 - 1985 Vermont - Parkmore; Northern Territory Tennant-Barkly Patrol 1985 - 1993. Died in 2016. Adapted from the eulogy given by his son, Jerry Vanclay One of Fred’s first placements as a minister was in Mackay, North Queensland. Mackay was a wonderful place for Fred, his wife Donna and their young family. They all loved the beaches and the bush, and the children completed a significant part of their schooling there. Whilst posted in Mackay, Fred and Donna enjoyed long road trips in their modest HR Holden sedan, with the family, to Uluru, to Broome via the Borroloola Track, and down the Birdsville Track to the Flinders ranges; along the way, developing the bushcraft that would stand them in good stead later in the Tennant-Barkly Patrol. After many years in ministry in Mackay, then in Vermont, Victoria, Fred and Donna were called to the Tennant-Barkly Patrol in the Northern Territory, where he served for eight years, probably Fred’s most satisfying years. All Fred’s parishes were welcoming and rewarding, but Fred said on more than one occasion that he had a special love for the Patrol. He felt that in an urban congregation, he ministered mainly to those who came to Church, but in the Patrol he ministered to everyone, and especially to those in need. Fred loved to get involved with the day-to-day activities of his people, to develop a deeper relationship and greater understanding. Some remarked that when Fred helped, everything took longer, but they loved him and his assistance nonetheless. Fred was proud to follow in the footsteps of his predecessor Padre Fred McKay, and sometimes joked that he was “Fred the 2nd”, not Fred McKay, but “Fred from Mackay”. During his last few weeks in hospital, Fred liked to reminisce on his time in the Patrol. He joked about how he surprised the selection panel with his knowledge of bush tracks and outstations – knowledge that he had gained on those long road trips from Mackay. He reflected that many aspects of his life were good preparation for his time in the Patrol. After their Patrol, Fred and Donna retired to Mt Waverley, in Melbourne, but they were both restless in retirement, and undertook supply ministries in Wedderburn, Kerang and North Cairns, and made several long journeys into the interior and into their beloved Patrol [in Tennant Creek] – as well as frequent visits to their eight grandchildren and two great-grandchildren, and occasional trips to Europe to reunite with distant family. They never tired of ministering and adventuring, but as age and infirmity progressively clipped their wings, they travelled more in spirit and less by car. Despite the many celebrations that he blessed – baptisms, marriages, and funerals – Fred never sought the limelight, and I think he would be surprised by our gathering today. I can almost hear him saying “Don’t make a fuss; just say a heartfelt prayer together”. – Jerry Vanclay Informal B & W gloss photo of Rev. Fred Vanclay, his wife Donna, Rosalie Rayment (later ordained) and one other unidentified person.

Reverend Alfred Madsen was a Methodist minister who was born in Maryborough in 1864 and died in 1930. He served in Ballarat and President and Secretary of the Primitive Methodist Conference before Union as well as Secretary of the United Methodist Church in 1916, and President of the Conference in 1917. He was minister of Mt. Erica Methodist Church in Prahran at the time of his death. He was Grand Master of the Loyal Orange Lodge.B & W head and shoulders studio portrait of the Rev. Alfred MadsenRev A Madsenrev alfred madsen, primitive methodist, minister

Mr Donald "Dosh" McLennan was a well-known Highland piper in the Colac district. He was honorary piper of the Geelong Commun na Feinne and the Colac and Camperdown Caledonian societies. He was born in Balmacara, Rosshire, and arrived in Victoria in 1852. He died at Colac on 26 September 1906, aged 57 years.B & W full length studio portrait of Donald (Dosh) McLennan in highland dress.donald mclennan, dosh, highland, piper, colac, commun na feinne, birregurra, lorne

St. Andrew's Uniting Church, formerly the Presbyterian church includes two different church buildings as well as a new addition built at the rear of the 1904 red brick building. A small weather board structure was used as a church until the Romanesque brick building opened in 1904. The new church extensions were completed on 14 December, 1986.A rear view of St. Andrew's Uniting Church before the extensions were built. The photograph shows the small apse and porch as well as the surrounding conifers which were growing in the church grounds.churches, religion, tompkins, f. b., h. w., goyen, w. rev., st. andrew's uniting church, presbyterian church, george evans collection

St. Andrew's Uniting Church, formerly the Presbyterian church includes two different church buildings as well as a new addition built at the rear of the 1904 red brick building. A small weather board structure was used as a church until the Romanesque brick building opened in 1904. The new church extensions were completed on 14 December, 1986.A view of the front of St. Andrew's Uniting Church and stone fence with the surrounding trees and cars parked in the front of the church.churches, religion, tompkins, f. b., h. w., goyen, w. rev., st. andrew's uniting church, presbyterian church, george evans collection

St. Andrew's Uniting Church, formerly the Presbyterian church includes two different church buildings as well as a new addition built at the rear of the 1904 red brick building. A small weather board structure was used as a church until the Romanesque brick building opened in 1904. The new church extensions were completed on 14 December, 1986.A coloured photograph of St. Andrew's Uniting Church after the rear extensions. The new porch and hall and part of the new church extensions are visible on the LHS of the photograph.churches, religion, tompkins, f. b., h. w., goyen, w. rev., st. andrew's uniting church, presbyterian church, george evans collection

Magdala Cum Moonlight Mine Workers. Note the cage at the far right of phoyograph. Some known workers Back Row : ????, G. Grainger, W .Tiddy, H. Wilson, M. Hayes, D. Wells, ???? Front Row : ????, McClean, ????, ????, Taylor or Constable, Bob Tiddy.B/W Photo Two rows of Magdala workers in work clothes in front of Shaft Housing c.1900stawell gold mining

Hand Pump. Reticulated water did not reach Diamond Creek until 1914. This beautiflly restored hand pump raised water from the outside domed well to provide cool clear water for domestic use.The Hand Pump is a well preserved example of equipment used domestically in the Diamond Creek areaHand pump used for pumping water from shallow wells. Restored by Kim Howard in 1996. Green. Column is screwed to base which is mounted on Redgum planks.PATENTED 1842, W & B DOUGLAS, "MIDD'A CONN.#handpump, #waterpump, #domesticuse

Local resident Deborah Halpern is a highly recognised and respected contemporary artist with an acclaimed national and international reputation in the arts community. She has a strong artistic connection to the area as her parents were founding members of Potters Cottage - a group of local ceramicists who were influential in the development of ceramics in Australia. Deborah Halpern donated Wayfarer through the Australian Government Cultural Gift Program. A cubist inspired kinetic work in three parts, the artwork depicts a semi abstract figure, a ‘traveller’ made out of reflective mirror and colourful ceramic tiles. Wayfarer is an excellent example of Halpern’s tile construction technique and playful style that she is renowned for. Wayfarer is one of Halpern’s first works exploring kinetics as well as combining mirror with painted ceramic tiles. Sculpture - Kinetic Ceramic, Glass, Fibreglass, Aluminium deborah halpern, wayfarer, nillumbik shire council

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar

Eltham was a creative hub during the twentieth century, attracting innovative visual artists, architects, writers and film makers to collaborate, forging lifelong friendships and artistic legacies. Skipper produced this bronze sculpture of friend, Composer George Dreyfus for the then Shire of Eltham Art Award. Matcham Skipper (b.1921 NZ - d. 2011 Melb.) was a renowned local sculptor, jeweller and builder and an accomplished teacher, designer, ironworker, and photographer. His work is held by many museums and public collections in Australia and overseas. He was a long term resident of Montsalvat in Eltham with his family deeply involved in the building and evolution of this artists colony, which was the vision of architect and painter Justus Jorgensen. George Dreyfus (b.1928 Germany - arrived 1939 Aus) is an Australian contemporary classical, film and television composer. He has composed numerous film and television scores, including Tim Burstall's 'The Adventures of Sebastian the Fox' (1963), 'A Steam Train Passes' (1974), 'Rush' (1974), 'Dimboola' (1979) and 'The Fringe Dwellers' (1986). It was the score for 'Rush' which brought him wider recognition. He has written four operas, two symphonies, chamber music and film scores spanning five decades. Dreyfus is well known for having worked with the late director, writer and producer Tim Burstall, a key figure in Australian postwar cinema and local who lived in Eltham. Burstall was instrumental in rebuilding the Australian film industry in the 60s, creating groundbreaking Australian films including 'Stork' and 'Alvin Purple'. Figurative bronze bust of well known Australian composer George Dreyfus. He is wearing a shirt underneath a sweater. His left arm/hand is placed over his chest. His eyes are half closed as if immersed in the music. A green patina can be seen in areas on the sculpture. Signature and date cast (incised with tool) onto the back shoulder blade: 'MATCHAM SKIPPER 1987'ek prac 2015, montsalvat, eltham, george dreyfus, matcham skipper, bronze, bust, tim burstall, sculpture, rush

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This drawing has a link to another of Wegner's work in the Collection, the lithograph 'Mandarin on a Kitchen Table'. This portrait is of Danny Moynihan, one time lecturer at Phillip Institute of Technology (now RMIT - Bundoora campus) who taught Wegner printmaking (lithography) when he was a student at the institute in the 80's. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. He is inspired by English artist Leon Kossoffs' drawings where the likeness of the subject is secondary and separate from the credibility of the drawing itself. Black and white charcoal portrait drawing on paper of artist/teacher Danny Moynihan.Hand written (signature) in charcoal - lower right - 'Peter Wegner'wegner, drawing, charcoal, black and white, moynihan, artist, teacher

Informal 12 hole golf event, played on Grand Final weekend. This event was started by a group of friends when there were few official golf tournaments played at Peterborough. The event was a stroke event with "mystery handicaps" ie you didn't know your handicap until you finished playing. The event was played on the Sunday of Grand Final weekend (except initially); Friday night traditionally was tea at Boggy Creek Pub and a Fishing Comp on Saturday. The name came about because three of the regular players, Ivan Voss, Bob Loader and R. McKendrick had a hut at the top of the dunes near Crofts Bay. They had a clinker boat on the beach as well. They subsequently built a house in Childers St. It ceased when the original participants were no longer able to play. The date of the first winner is 1980, last recorded winner is 1995. No longer played. further information required. Winners: 2nd August 1980 F. Virgona, 8th March 1981, R Case 25th September 1982, E Brierly 24th September 1983, R Mckendrick, 28th September 1984 D Stead, 28th September 1985 I Turnbull, 27th September 1986 J Charles, 26th September 1987 I Voss, 1988 no winner, 1989 F Carlin, 1990 B Turner, 1991 R Pollock, 1992 S McGuire 25th September 1993 B haskett 1st of october 1994 R pollock 30th of september 1995.Shortened golf driver and cracked ball mounted upon a wooden base with names engraved on metal surround.Engraved names, listed below, on metal plate affixed to the base.golf, peterborough golf club, golf tournment

The quilt, alternatively known as a wagga due to its improvised nature of creation, was made by Harry Walter Hewitt Wilton (great grandfather of donor), b.1872, d.1950. Harry joined the Essex Regiment and served in the British Military in India, as well as seeing action in the Boer War. Married wife Mary Elizabeth in India in 1895, she was a seamstress. Harry was injured during a battle and made this quilt as part of his rehabilitation. Quilt was made using woolen army singlets. Harry and Mary moved to Victoria, near Orbost, in 1914. Patchwork style quilt with coloured pieces of dyed woolen singlets stitched together over a backing. Features feather stitching between pieces and around border edges. Size of a double bed.wagga, harry walter hewitt wilton

James Murgatroyd worked at Warrnambool Woollen Mills, Federal Mill, Tweedside, Collins Mills and set up looms for Alexander Spinning Mills Sydney, his son Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionF Murgatroyd B 431 Astrali [?] S C KODAK PRINTtextile machinery textile mills weaving mills textile mills, collins bros mill pty ltd yarra falls mill tweedside woollen mills, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills